Site hosted by Angelfire.com: Build your free website today!
 

Tales from Topographic Oceans

January 9, 1974


We were in Tokyo on our tour and I had a few minutes to myself in the hotel room before the evening's concert. Leafing through Paramhansa Yoganda's "Autobiography of a Yogi" I got caught up in the lengthy footnote on page 83.  It described the four part shastrick scriptures which cover all aspects of religion and social life as well as fields like medicine and music, art and architecture.  For some time I had been searching for a theme for a large scale composition.  So positive in character were the shatras that I could visualise there and then four interlocking pieces of music being structured around them.  That was in February.  Eight months later the concept was realised in this recording.

While still on tour, first in Australia and then the U.S., I had spelled out the idea to Steve.  He liked it and the two of us once began holding sessions by candlelight in our hotel rooms.  By the time we reached Svannah, Georgia, things had come together very clearly.  There, during one six-hour session, which carried on until 7 a.m., we worked out the vocal, lyrical and instrumental foundation for the four movements.  It was a magical experience which left both of us exhilarated for days.  Chris, Rick and Alan amde very important contributions of their own as the work evolved during the five months it took to arrange, rehearse and record.

1st Movement: Shrutis.  The Revealing Science of God can be seen as an ever-opening flow in which simple thruths emerge examining the complexities and magic of the past and how we shoiuld not forget the song that has been left for us to hear.  The knowledge of God is a search, constant and clear.

2nd Movement: Suritis. The Remembering.  All our thoughts, impressions, knowledge, fears, have been developing for millions of years. What we can relate to is our own past, our own life, our own history. Here, it is especially Rick's keyboards which bring alive the ebb and flow and depth of our mind's eye; the topographic ocean. Hopefully we should appreciate that given points in time are not so significant as the nature of what is impressed on the mind, and how it is retained and used.

3rd Movement: Puranas. The Ancient probes still further into the past beyound the point of remembering. Here Steve's guitar is pivotal in sharpening reflection on the beauties and treasures of lots  civilisations, Indian, Chinese, Central American, Atlantean. These and other people left an immense treasure of knowledge.

4th Movement: Tantras. The Ritual. Seven notes of freedom to learn and to know the ritual of life. Life is a fight between sources of evil and pure love. Alan and Chris present and relay the struggle out of which comes a positive source. Nous sommes du soleil. We are of the sun. We can see.

Jon Anderson Steve Howe Chris Squire Rick Wakeman Alan White

Produced by Yes and Eddie Offord
Recorded at Morgan Studio London during late summer and early autumn 1973.
Tapes Guy Bidmead
Cover design and illustration by Roger Dean
Plates made by Mansell Litho
Co-ordination Brian Lane
Thanks to all at Morgan and Fragile Artists Management
Published by Yessongs Ltd., ASCAP
Rick Wakeman appears by courtesy of A & M Records Ltd.
All lryics © 1973 by Yessongs Ltd


Track Listing

1. The Revealing Science of God - Dance of the Dawn (Words by Anderson/Howe; Music by Yes - 20.27)
2. The Remembering - High the Memory (Words by Anderson/Howe; Music by Yes  - 20.38)
3. The Ancient - Giants Under The Sun (Words by Anderson/Howe; Music by Yes - 18.34)
4. Ritual - Nous Sommes Du Soleil (Words by Anderson/Howe; Music by Yes - 21.35)


Additional Information

Original Release Date : January 9, 1974
Original Code : Atlantic 2908-2
Re-Release Date : October 4, 1994
Re-Release Code : Atlantic 82683-2
Highest Chart Position : Unavailable
Weeks In Chart : Unavailable
Award Status : Gold