Christian 54 is Born!
This page was last updated on April
10, 2004.
To the left is a picture of founding
Christian 54 program director Lloyd Parker in 1979. I thank Mr. Parker for sending this and several other pictures
you see on this website.
WLIX changed its format to religious programming on Tuesday,
March 27, 1979. For a hint of what was
going on in the secular popular music scene that WLIX was leaving behind, take
a look at WABC’s March 27, 1979 survey at http://www.musicradio77.com/Surveys/1979/surveymar2779.html. WLIX’s April 1979 survey, which was based on
Contemporary Christian and gospel music sales on Long Island in March 1979, can be found here.
This page is very much under construction, but I hope to add
to it information about the change to the religious format and some of early
Christian 54 scheduling highlights.
In the meantime, I invite you to look at WLIX’s 1979 schedule.
I am also including here a list of the Top Ten Contemporary
Christian songs of 1979 as given in the end-of-the-year episode of National
Gospel Countdown, which aired on WLIX.
National Gospel Top Ten for 1979
- “I Am
Loved,” by the Bill Gaither Trio. This song struck such a chord with
people that Rex Humbard adopted it as the theme song of his weekly
television ministry.
- “Cosmic
Cowboy,” by Barry McGuire
- “Oh,
Buddah,” by The Imperials
- “All
Things Are Possible,” by Dan Peek. This first solo hit by former America
member Dan Peek made it onto Billboard’s Hot 100 and Adult
Contemporary charts after being the nation’s number one CCM song through a
good part of the summer of 1979.
- “Praise
the Lord,” by The Imperials
- “Jesus
On My Mind,” by B.J. Thomas
- “Blame
It On the One I Love,” by Kelly Willard
- “Rise
Again,” by Dallas Holm and Praise
- “Forgiven,”
by Don Francisco. This was the
first number one song on the official CCM surveys in 1978, however, the
song continued to be very popular through 1979. (BTW, Don Francisco also
had the number one CCM song for the final week of 1979, “I’ve Got to Tell
Somebody.”)
- “My
Father’s Eyes,” by Amy Grant. This was one of the earliest hits for one of
the few late-1970s/early-1980s CCM acts to achieve crossover mainstream
success.
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