Parafilm
"M is a modern masking material especially suited
for use
in the hobby of precision scale modeling.
The
advantages of Parafilm is that it is thin and thereby
minimizes
the paint thickness "bridge," or "dam," that
sometimes
occurs between adjacent colors. Parafilm is semi-
transparent
when first put into place. This allows you to
see
edges and places where you might wish to trim n your
masking.
It is "low-tac" and will not pull up paint layers
that
have been properly applied. And, amazingly, Parafilm is
conformal
-- stretchable -- which allows it to form smoothly
over
compound curves.
All
this does not mean Parafilm is a "magic" masking
material
or something capable of automatically producing
miracles.
It is a material better than most but it is also a
material
requiring some instruction and practice before you
begin
work on a key project. We do not recommend the use of
Parafilm
as a mask when using Fast drying lacquer paints.
Once
you've gone through this explanatory sheet and have
used
Parafilm on some test parts we are sure you will be
impressed
with the material.
How to
use Parafilm M Cut a length of Parafilm
about 4
inches
long. Remove the paper backing. Hold the Parafilm at
each
end and stretch it slowly -- do not snap it -- to 4 or
5 times
its length. Now place the stretched film down on a
clean
area of your work table. This is done to relax it to a
natural
length. [See illustration]
This stretching thins the film and also
activates the wax
surface
so it becomes "tacky." After it has relaxed for one
minute
lay it onto your practice plastic or painted surface.
Gently
press it down with your finger. Do not press it down
with a
burnishing tool. That is not necessary on large open
areas
and will only cause problems by excessively stretching
the
film.
Finger
pressure is fine and the warmth of the finger will
help
the Parafilm adhere to the surface. Be sure your hands
are
free of skin oil or consider wearing a finger sheath
(available
at stationery and office supply stores) on your
pressure
finger. You can now trim the Parafilm
to produce a
pattern
as required. Lightly cut with a sharp Hobby Knife. A
new
blade is best and light pressure is recommended so as
not to
score the plastic and/or underlying paint. Practice
this a
few times and you will develop the proper "touch."
Finally
"finger press" the edge once again.
Now
spray the area you want. It is always good airbrushing
practice
to spray vertically to the masked surface or at a
slight
angle away From the masked edge. This is true for any
masking
material. Allow the paint to dry before slowly
lifting
the Parafilm mask No masking residue will be left
and you
will have a thin and sharp paint edge.
Masking
from a wing, over a fillet, and up a fuselage wall,
for
example, requires a special technique. You never want to
"bridge"
Parafilm across a gap and then push it down --
relying
on its stretch -- to fill a large radius. You must
work
the Parafilm From one surface, into the fillet and then
up the
intersecting wall.
You
might want to try it both ways on your practice model
and
you'll soon discover the truth of what we say. Do not
push
Parafilm into tight places with metal tools. Make some
custom
wood shapes From wooden cuticle pushers [See reference
illustration]
and moisten the wood when pushing the Parafilm
into
place. And do not press hard. Pressing hard will
distort
the masked edges. You will find Parafilm is superb
when
working with small parts such as landing gear,
munitions
and canopies. You can cut it into fine strips
needed
and because it is conformal it moves around compound
curves
with ease. It sticks well to itself and small pieces
of
Parafilm can be placed atop each other to produce the
perfect
mask on small and curving parts.
Parafilm
"M"is different. Work with it. Get to know it. Only
a few
practice sessions will have you up and running and
producing
beautifully crafted paint work. Parafilm is a
material
which will help you make truly masterful models.
For
further information we suggest you read the article
entitled
"Parafilm M: The Latest Word in Masking" by David
Lennox.
This appears in the Feburary 1993 issue of Fine
Scale
Modeler on page 30