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Judd Palmer
ON THE SEASON OF HER YOUTH
COBWEBS AND DUST
THE WORM AND THE EAGLE
BIOGRAPHY
 
 
On The Season of Her Youth
"He loves me, He loves me not
He loves me, He loves me not…"
She had ridden the sorrel pony bareback
As I had done before time and bad knees
Had forced me into a saddle.
We stood in a swale in the range
Where the moisture in the depression
Had created a bowl of burnt orange flowers
That had the shape of small daisies.
She stood there with damp seat and thighs
With sorrel horse hair on tan jeans
And pulled petals one after another
While her pony looked around her shoulder
With the bemused tolerance and curiosity
That only a horse can show.
"He loves me, He loves me not
He loves me, He loves me not…"
Lost in my thoughts, I turned eastward
And looked directly into the sun.
Flashes in my eyes like a spotlighted mirror ball
Images brightening, burning through to more images.
My grandmother recounting how she and her friends
Played the game in another century over a man long dead
My mother telling over whom she had first plucked hope.
My younger sister picking petals and not saying who
And now this 13 year old munchkin, this child of my heart
Was playing the eternal woman’s game,
"He loves me, He loves me not.
He loves me, He loves me not…"
But for the sun, I would have chided her
For being a yo-yo on the string of botanical chance
For even wanting a fate not shaped by her actions
For daring to hope for a favored outcome.
I had seen in the sun what I could not see in life.
I smiled with her as she walked through her dream times,
Carrying with me the bones and marrow knowing
That her heart was lifting free.
"He loves me. He loves me not.
He loves me. He loves me not…"
I knew the boy with only half a man’s adams apple
Who croaked and blushed an felt so intensely
I had seen them together, thrumming with their excitement,
Like the gathering of rabbits I had watched
On a moonlit April evening, in the tractor headlights.
Exuberant, trembling, temporarily disconnected,
Leaping high and racing in circles…
Mad they were, the March hares in springtime.
"He loves me. He loves me not.
He loves me. He loves me not…"
To every thing there is a season
And a time to every purpose
Even though my season had burned dry long ago
As had my grandmothers, and mothers, and sisters,
I remembered – I remembered it all
And reveled in it
And lived again in her innocence.
"He loves me. He loves me not.
He loves me. He loves me not.
He loves me."
"Oh Dad, this is so cool
He loves me – He really must.
Doesn’t he?"
"Of course he does, darlin’ – daisies never lie."
I beamed on my flower and blessed her
In the season of her youth.
TOP
 
 
 
 
 
 
 
 
COBWEBS AND DUST
"The web of time was spun deeply in his eyes."
Old he was, as old as ageless, and beyond.
The sclera of his eyes was not the blue-white of youth
nor the jaundiced yellow of old age,
but as vinegar brown as the desert sands.
The soft wet fullness of youth had left his face
and so too had the furrowed wrinkles of age--
flat, drawn, with a patina of fine lines,
mere memories of wrinkles on mahogany and parchment.
Gone was the cornflower blue of his eyes,
washed away to gray by suns unnumbered,
with iril spokes of dull copper and old rust
and a pupil as clear and deep as the well of time.
When he spoke, his voice came from deep within him.
There was no crackle and quaver of age--
soft without the syllabance of whispers,
as full and low as the moan of a twisting tree.
He spoke of the feel of a holystoned wooden deck,
of the feel of a rope underfoot and his chest on a spar,
of pulling seventy-five pounds of coarse woven canvas
and tying off in blue water under a Caribbean sun.
He spoke of the tang of salt and the smell of sea life,
of putting tar on his hair to keep it from blowing,
of the slow rumble and sharp crack of a sail in tack
of baking suns and cool nights and a halo around the moon.
He spoke of the rhythmic drum of his pony’s hooves,
of turning his toes inward to hold in gallop
of the nocking of the arrow and the whistle of the fletch,
and the falling of the buffalo in the knee-high prairie grasses.
He spoke of a fine dry snow that squeaked underfoot,
of cold pouring like water down the sides of the tipii,
of the warm naked body veside him under the robes, 
of the children and the old ones and the life all around him.
He spoke of the wall of heat and sun bright coals, 
of the acrid fumes of iron and sulfur and tempering oil,
of the streaks of fire--comets from his hammer strikes,
and the wroughting of a casting into a short lethal sword.
He spoke teasingly of the smithy’s pox,
of the white spots on the arms of all who work iron,
He spoke of the stench and the terror and the screams
of the boy who died when the crucible slipped.
I listened to his words and heard truths,
verifiable by the casual offhand authenticity,
the random details that could only come
from someone who had been there and done that.
Even so, young as I was, I did the arithmetic
and knew with my logical mind
that he could not have been a weaponsmith in the 1500s,
an Amerind in the 1600s, or a sailor in the 1700s.
And yet I knew that he spoke truth, 
spoke of what he had lived, what he had learned,
spoke from memory, not theory nor textbooks.
Old he was, as old as ageless, and beyond.
The heaven mythologies explained it clearly;
the spirit is bound to the life of the man--
upon death, it touches all other spirits,
sees through their lives, remembers their memories.
The boundary of death separates the spirits;
the living are not one with the dead,
The boundary is sharp and short,
a matter of a gasp and a few minutes only.
The old man’s life was measured by a cosmic clock,
marked out in years, not minutes,
His boundary was not a line, but a field,
and in his slow crossing, he could know spirits on both sides.
As I grow older, I ponder upon the man.
Already, I am feeling the loss of passion,
the serene slowing of time and movement.
I grow drier and weightless and detached.
I welcome with joy the growing knowledge,
the revealing of memories that have always existed
in the air and the water and the light around me.
The spirit expands when the body contracts.
If I am truly lucky, I will be like him.
I will live beyond my life span
and someone will someday say of me
"The web of time is spun deeply in his eyes."
TOP
 
 
 
 
 
 
THE WORM AND THE EAGLE
 
I.
A MAN ONCE SAID TO ME:
"BELIEVE AS I BELIEVE
OR ELSE YOU ARE A WORM."
"VERY WELL, THEN," I SAID,
"I SHALL BE A WORM."
He was furious, and I,
in my worm-like way,
offered him no resistance,
accepting his criticisms blandly:
What care worms for eagles?
Still his fury grew, self-driven:
the more I turned from his anger,
the more he focused upon me,
judging me by uncommon standards
because I did not bleed.
I wish I could say I persevered,
but finally I turned in anter,
defending myself,
and in so doing, lost my integrity,
becoming more of him and less of me.
I know what part of my soul I lost--
that part of me I can heal.
Yet my heart does not understand
the self-righteous rapist tendencies
that drive the so-called eagles.
II.
I talked with an eagle once,
in a rare moment,
in a suicidal mood.
I showed him a poem
and asked him "Why?"
He fixed me with his carnivores gaze
"Because it is necessary,"
he replied serenely
"If I could not take what you won’t give,
How would I know I’m an eagle?"
Foolishly, I pursued the question.
"Where are the limits?" I asked.
"When do your ethics speak?
When does your taking become wrong?
Are your needs sacrosanct?
"You worms never understand," he answered.
"First you must acknowledge my power:
whatever it takes, this is first.
Then I will be generous in your defeat.
You will be allowed the freedom I grant."
He shrieked and flew away, hunting.
I had heard his words.
I had followed his minds.
Still my heart does not understand
the eaters-of-flesh, the eagles.
III.
Once, in my wormish travels.
I came upon a dying eagle,
too far gone to fly.
Able only to lift his head,
he met all with a fading ferocity.
"You must take great joy in all this," he said,
"finding me in my weakness
to taunt me when I’ve fallen.
You miserable dirt-bound wretch,
you will win nothing."
"My hatchlings will devour your hatchlings
as they always have
and always will.
Your kind gains nothing from my dying."
His head dropped and his eyes glazed over.
"I take no joy in your dying," I said.
"With my limbless body, I could have soared with you.
With my sightless eyes, I could have seen the world.
These miracles you could have shared with me
but now you never can, and this brings no joy."
He died and I feasted
for such are the ways of worms and eagles
At last, my heart understood.
A worm loves all, even the eagle--
an eagle loves non, not even himself.
TOP
 
By his own admission, Judd Palmer was a hippie before they were called "hippies."Although he works as a technical manual writer, he frequently introduces himself to stranger as "a piano player in a bawdy house," explaining that no one will admit to being in a bawdy house, much less complain about the music, but everyone, and that means everyone, complains about technical manuals, He has been writing poetry for forty years, but only recently has begun reading his works in public.

 

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