Reviews
Wolfie's Whistle-
Lisa Kelly, illustrations by Lee Fleming.
Wolfie has a
problem, he can't howl at the moon, the best he can muster is a whistling
noise. This is how the story of "Wolfie's Whistle" begins, a new
e-book by Lisa Kelly. When I was asked to review it, I was a bit
hesitant, after all its been quite a number of years since I spent time
in children's literature. To review it, I had to remember the days
I would read to the children. What made a good children's story,
I had to think about it. To sum up a good book, it has to have a
simple vocabulary, colour pictures, friendly faces and have some lessons
to it.
With this, I
began to read. Wolfie, to deal with his problem, goes to Doc. Croc,
where he meets his friends Jenny, the giraffe. Jenny is helped by
Wolfie and she in turn makes some suggestions to Wolfie. With her
encouragement, Wolfie does go to the Howling Place and, well, you can read
the story for yourself.
How does it do?
Lee Fleming's illustrations are, indeed, bright and cheery.
He makes the various animals to looked like stuffed animals. I thought
about this style for a bit and considered this may be the best way to make
them, something familiar to children. Is there a lesson? Yes,
the importance of friends helping friends and the courage to overcome obstacles.
Would this story make for a good bed time read, I would say yes.
If I have any complaints,
it just I'm not sure of the concept of e-books. You can call me a
retro-grouch, but I don't' think you have the same warm family scene of
the parent and child reading a story by the glow of the cathode ray.
I think there's something special about holding a book in your hand and
watching the child follow along and point to things as you mention them.
My suggestion is for you to purchase the book and then print out the pages,
it will make for a better family time.
"The Crimes of
War", by Peter Hogg is a novel which looks at the 'final solution' thought
the eyes of two people. One of the narrators works at the 'Special
Prosecutors Unit' of the Royal Canadian Mounted Police. It's mandate
is to find suspect Nazi war criminals who may be living in Canada and then
building a case against them. If successful, the persons will be
extradited to face charges in the nations where the atrocities took place.
However, the unit is being closed down, after all, most of the potential
criminals are either dead or dying. As he puts the files away, he
comes across one name. He wonders if this person is still living
and so he calls the number listed in the file. After discovering
he is still alive, he sends the person some photographs.
This leads to
the second stream of a narrative. The elderly fellow opens his mail
to discover his picture, taken some 50+ years ago staring back. As
he looks he begins to fear and to remember his days. This begins a flood
of memories as he re-lives those horrible days on the Russian front.
He and his family were ethnic Germans, living in Russia. When the
Nazis arrived, they were treated as liberators. With his knowledge
of German and Russian, he became a translator. However, he was not
just a translator- it was the policy of the Germans to involve everyone
in the liquidation of the Jews. His work changed from translating,
to gathering the people to eventually being part of firing squads.
When this proved too slow, he became one of the drivers of the portable
gas chambers.
As he remembers,
the first narrator begins to gather his evidence. He becomes almost
obsessed with this individual, he wants to bring him to justice.
He joins forces with a female prosecutor from the Foreign Affairs office
and they begin to track possible witnesses together. They go to Russia,
to question a witness. While there, they witness, first hand, the
upheaval caused by Boris Yeltsin's attempt to bring the communist controlled
Duma under his control. They watch a revolution up close. As
this all happens, they get the tragic news regarding their witness.
With no evidence,
he returns home, closes everything up and then visits his parents, who
happen to live in the same community. It's new year's eve, and drunk,
he pays a little visit....
This is an uneven
book. On the one hand, Hogg presents vividly the picture of the atrocities
committed. What is fascinating is the fact the holocaust was probably
performed by people, who weren't doctrinaire nazis, but regular people
who found after a time, they could justify, or simply ignore what they
were doing. There is a sense of outrage how anyone could have gotten
away with any aspect of it. It is the first narrator, the fellow
from the office that is weak. While I'm sure this is reality, the
narrator is impotent, unable to bring justice and reduced to a simple act
of vandalism to mete out justice.
Poetry
As promised, the mailbag has been opened and the contents read and posted. Enjoy this vast selection of work from new writers to familiar contributors. The themes deal with the season of the year, love, death, politics and all aspects of humanity.
Shades of leaves -- flowers
burst forth their final stages of beauty
Magnificent hues
fill the eyes in shades of amber, red hue.
Harvest aroma,
squash and pumpkins,
ready loving families
and wide eyed ones to start
first year at school
A chill grasps night,
signaling season's end
Although, my limbs now tell the secret of the seasons,
without scent or colour.
I have loved watching fall
It always amazed and reminded me,
that I'm not alone
and that all God's creation must take the same journey
chameleons, we are all
To me, fall represents majesty of mother nature
Depicting a portrait of life;
A rising and a descent
back to the maker’s arms
we speak so much about
For all things must pass
We leave a legacy in love,
in our triumphs and yes,
in our losses
All things combined,
create a great tributary
that grows as a river,
to flow to the ocean
of new beginnings
stunning
Autumn
suns
the afternoon
in
splendor
sweeping
her hem
o're
summer's castoff cloak
dried
and drifted
golden-flecked
in
spent brown showers
to
mound the forest floor
She
bows her final encore
to
grand guardians
towering
ablaze
in
regal
clinging
reds
and oranges
steadfast
upright
nobles
standing
watch
until
relentless
Winter
wind arrives
to
strip them stoic
until
Spring
~ 28 November 1999 ~
The last oat life preserver
bobs in the bowl, soaking up the pale
white skim
of milk once whole, its fluid thickened
by sweet sucrose.
I pause to contemplate.
How round you are, with your boundless
uses: on a string, in a bowl, fun for
us all.
Soothing a baby's child tears
with your shape and crunchy taste,
the cycles of teens munching on your
sustenance
while grappling with life's quandaries.
You are a piece of this earth my Cheerio;
built with minerals from her soil.
You even echo her shape,
the circle of life spins along
your perimeter to be repeated
in the bowl, the spoon, my open mouth.
Do you miss your center, I wonder, scooping
you up onto my spoon
Is that way you try to drown in the universe
of lactate or does the
sucrose
call you home from the bottom of the
bowl?
No matter, I accept you
soggy and soft. Let me look once
more
before you are gone.
Today is a hazy day.
Like a long blue snake
Lying along the horizon
Of the bay, the escarpment
Rests, beside the sky
A different kind of blue
With puffs of white cloud
Unmoving.
Today I can lose myself
Inside the earth's
Silent soul.
I can unravel dreams
Inside a perfect place.
I can taste the harmonic rhythm
In the waves.
Each year the cycle continues
Into summer
When we both shake off
The trappings of how we survive
In the world of dollar bills,
Then try to wear
Our different clothes
With fibres woven in the soul
Of our existence
Not loomed together
In the fabric of society.
Each year the transition
Becomes more difficult
As if some essence
Of what we are
Of what we dream to be
Has been lost
In the shuttling.
There has been a searching
For a sense of place,
A private construct
Where we both
Can create in harmony,
In solitude,
But as we unravel
Our dreams
The place eludes us
Confuses us with its
Lack of perfection, and
We drink deep
From cups of bitterness.
Where on the cycle
Is this perfect place
Where the trappings
Of our souls
Can hang upon us
Like leaves on trees,
Or grass dancing
In the wind?
Where is this light
To dapple day
Through a needled forest
Or to touch
The underside of leaves
At sunset?
Where is this place
But in each soul's
Own weaving.
Why does your beauty make me feel so sad?
It is a look as rare as it is good,
A fine and calm perfection that is clad
In mystery that's more than understood.
And yet I'm sad, and I would know the
cause
Or I'll go mad and round the world I'll
rave
Yet never find the keys to the closed
doors
And lie down ignorant in my lonely grave.
So here's a guess: I think that I've
been hurled
With sudden gentleness towards a peace
When all about me in the actual world
The hatred and the violence will not
cease:
And you a haven of what ought to be
That can't be reached through such a
stormy sea.
Poetic Consequences
If I should say a worthwhile thing at
last
The planets would collapse into the sun,
The cosmic worms would double up in fun,
The future would reverse into the past,
The double helix would become undone,
And Descartes' evil demon would have
won.
So it would leave God dead and me aghast
If I should say a worthwhile thing at
last.
unconventional
pain careens through the soul:
shouting, writhing,
clenching, begging,
blinding!
conventional
wisdom places blame exactly
where it belongs:
listen brother,
god’s mad, purge yourself,
Confess!
While the pain
keeps screaming
the soul cannot
hear.
The soul cannot
embrace the face
of Beauty obscured
by
sharp pangs
of wounds and words.
Job, what have
we done to bind your wounds?
What have we
done to sit in silent shadows with your darkness?
What,
Have we ripped
your soul apart with our words?
Have we tortured
your hearing till deaf?
God is silent
today, like morning among the pines,
and watches
you today, like the sun over waterfall rapids.
Wait,
but my words
have outdistanced my heart once again.
Let me listen
with you, wait for you,
watch till the
conflagration ceases and the
forest is renewed
again.
Till your pain
is no longer such drowning noise
that submerges
the gentlest Voice beneath.
learning to be there for those in pain,
LOVE IS BLIND
when your lover could do no wrong
when you walk around happy singing a
romantic song
when you feel closeness and warmth like
you belong
when you only see what you want to see
when your emotions are played on and
climbed like a tree
when you are overwhelmed by the attention,
companionship, and
tranquillity
when you don't see the obvious things
before your eyes and suffer
humility
LOVE ISN'T KIND
"LOVE GAME"
~By Monique Nicole Fox~
To study negative emotion and behavior
Love is the savior
With unprovable assumptions
A subjective field
Too emotional that social scientists
yield
Countless studies on war, hate, crime,
and prejudice
Studies of love are often missed
Not comfortable studying love per se
But what happens when love is deficient,
thwarted, warped, or absent do
they
Love is a small word in life's ocean,
sea, and bay
The game of love we all do play
"FACING LOVE"
~By Monique Nicole Fox~
To face love head - on afraid
With my heart someone once played
Hesitant I am made
A sort of traffic accident of the heart
won't fade
My heart was cut with a blade
Vagueness of the word foiled
For another man I am spoiled
Vulnerability toiled
My rusted heart must be oiled
Understanding the appeal of music
Understanding what makes love tick
Understanding how to heal from heart
sick
Understanding man's deceitful trick
Understanding how to cope with this blow--this
lick
Understanding how to rebuild brick by
brick
To face the majesty of love with vigor
To face the Serengeti of the heart like
a trigger
To face the cupid's arrow now I'm much
bigger
Love's a wholesome violence to figure
"LIFE'S OCEAN"
That Ocean Of
Men And Boys
That Ocean Of
Sadness And Joys
That Ocean Of
Kids And Toys
That Ocean Of
Disease Like Aids
That Ocean Of
Homo's And Gays
That Ocean Of
Violence And Drugs
That Ocean Of
Pushers And Thugs
That Ocean Of
Vacuums And Rugs
That Ocean Of
Sockets And Plugs
That Ocean Of
Ants And Bugs
That Ocean Of
War And Welfare
That Ocean Of
People That Do Not Care
That Ocean Of
Hurt And Despair
That Ocean Of
Parents Not Being A Pair
That Ocean Of
Women And Men
That Ocean Of
Sex And Sin
That Ocean Of
Beer And Gin
That Ocean Of
Marriage And Divorce
That Ocean Of
Sad Children Of Course
Being the object of a side show goodbye
drawing near a close to a short time
that could only mean
there was something there in the first place
with as many yesterdays as history bothers to calculate
could only bring the ending nearer as the free
give a rebirth to the dreams to waste
armed with lines premeditated
that would say whatever you want them to mean
while you still have nothing without your effort
a soul that lies unspoken
saying nothing
in an attempt to flush out death
into apathetic reasoning
killing it with a power moving the darkness
into a direction other than where
it burnt thru in the development phase
as with microscopic eyes
looking into the lens depicting the weakness
unmeasured by optic rays uncensored in
psychedelic resonated haze
encompassing the retina
freezing her look into memory
believing that a glance would last forever
and hide until morning the apologetic reasoning
that disappears with the dawn
how could one look for tomorrow
when there's music inside each day
when there's no answer from anything nothing
unsaid endings accumulate
when there's life in a world unknown
to the animal inside
would they breed fear into our society
with pain of guilt
a fear to feed upon
feed into
out of concern knowledge would be replaced
and run thru their blood
like spiders to crawl
upon you in a web of lies, a nest
where I place my head to take my sleep
and without this there is no point no laughter
in how the maker or your answer
when its raining
should begin to record memory in fantasy
a moment chosen
worth more than blank space
when the new is washed into a pool of blended effects
when the wind takes the place of water
mistaken for rodents
chewing through yesterdays museum of sounds
you try to replace
and a wave of loudness
overwhelms and evaporates
into an atmosphere clouded by warmth
and echoes back across the morning
taking more than it could ever replace
The security moved the puppet people
around the stage
the truth was lies
the laughter was sad
and the pre-acted motion
turned into bad lines
to be drawn
into the pit of lions
teeth in the airwaves
the security moved the puppet people
around
in violation accompanied by many brand
names
There is anarchy in the summerfields
The soybeans
are Socialist Democrat
with each
growing to a uniform
height
never wanting
greater height
than neighbor plants
The corn
a Monarchy,
tall, proud but
thin, fragile;
standing on dirt
Wheat is Communist
using the manifesto
wind
as an excuse
to wave in unison,
but only managing
an occasional ripple
Green Beans
are Democracy
thinking they can
grow
as long as they
want, but
just getting tangled
in each other's
vines
(res(ent moons
(res(ent moons are for wishing, she told me
A new tiny rip in the sky letting
a just of light through is a (hance...for
something
Day slips into her festive darkness...
Somewhere a ripe dream is sagging
and a gloved hope is rea(hing up
to plu(k
8/?
Let us lie
in the cool
grass
of an warm August
night
And a soft blanket
of stars
shall be all
that covers us
The crickets
shall sing
The trees shall
sway
The moon shall
blush
And only the
evening
will know our
secrets
God's Imagination
In God's imagination: a fertile plump
infinity,
each soul a joke seeking to be cracked
He births each into a precisely planned
deformity
with voice dry and face straight
And the Universe so laughs
at each new clever twist God puts
into his mundane assembly line job
of cramming priceless impeccable vapor
into cheap flawed bottles;
that even God chuckles
The concept of
midday was coined
by the sun.
In some places, the fig tree
belongs to grief,
as sleep to the wealthy
and dark to
unfortunates.
Courage was never
bestowed
upon concrete,
nor understanding
to a vault.
The eye sees
what pertains
to vision. The mouth
will always
be hunger’s pawn.
Airplanes hang
in a sunny sky, or hazy,
as if the heavens
had taught them.
The minutes
revert to God.
This is the truth.
The wisdom
of man is to
be longing.
LINE-UP
We were all in
black and white.
Every family
album was, back then.
But such a predictable
monochrome
family – Mom
widening her cheeks
in a smile,
Dad striking the serious
pose so a quirk
of wit wouldn’t show
for any shutter.
Also grandmothers,
visiting aunts
and uncles. A cousin
from France
who knocked at the locked
back door one
night, so Mom imagined
burglars.
See, he poses, unlikely
in a Hawaiian
shirt (white on black),
forever a stranger
to English.
Nobody bothered
to write down
names, just
dates. All the faces
stayed the same,
imperceptibly
aging as they
stood.
What did we do
when a camera
wasn’t lining
us up? How did we
live?
What toys, cats, turtles kept
a childhood?
Where's the still-
life of a breakfast
nook, the knob-
less door that
swung open and shut
a hundred times
a day? The carob
tree for climbing?
someone climbing
the carob tree?
Right there,
that's me standing
stiff before
the lens (smiling),
bandaid on a
bunged-up knee.
DAWN
came and went
like light from
tinfoil
waves like knives
tossed
not at random,
precisely
etching shapes
of ponderosa
at horizon,
binary
incision.
Its glance
reflected off
the blackbirds'
flight --
the blackbirds
blackening
the oak all
night, then
lift-off, light.
Taylor Graham
Site of the Month
Our site of the month is an interesting place called
"Smartish Pace Poetry Journal and ERSKINE J. POETRY PRIZE. It's worth
a visit for you. The address is: http://www.smartishpace.com
closing words
As
with all issues, this one must come to an end. Thanks to all for
your patience and willingness to share your work. this ezine is put
all monthly by Paul, on his computer located on the North American continent.
All work is copyright by the various authors. The entire ezine is
copyright 2000. If you want to use anything I've written, just write and
for acknowledgment, plus a portion of the booty, permission will be granted.
If not gold, then send me some stickers.
Next issue, more of the
great poetry that's sent my way.
For more information, or
to contribute write to: pabear_7@yahoo.com
The home page is located at: https://www.angelfire.com/on/abovegroundtesting
In the final analysis, "this time its personal" by Scratching Post
is one kicking' hard rock cd, buy it. Tell Nicole you heard about
it in "Above Ground Testing". Visit their web page http://www.scratchingpost.com