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Table
of Contents
Opening
Words
Review
Poetry
Closing
Remarks
Welcome to
the new year edition of "Avant Garde Times". I've decided for this month
to experiment with colours and backgrounds. Since January is a dull
month, why not liven it up.
The selection of poetry for this issue is fascinating, and covers a number
of themes. Of the poets featured, five are new to these pages.
You will note the poems take different forms and themes in the writing.
The review
for this issue is the new disc "Bright
Eyes" by B'ehl. This disc is a delightful
sonic experience. The sound is light and melodic which highlight
the voices of Melanie and Allison. While some may consider this to
be 'pop', don't mistake it for something from Brittany Spears. This
is a disc with delightful tunes and great words. As they are a group
from Winnipeg, geography is featured in a number of songs. It is
a sonic panorama of the prairie landscape and how that impacts a person's
life. There a willingness to experiment with different styles and
tempose. From bouncy to introspective this is a cd worth owing and
playing.
Visit the
Endearing
Web Page for more information. The company produces a monthly
ezine, which contains news, reviews and veggie recipes.
Here is the poetry, enjoy reading the selections.
Allen Itz, William C. Burns, Jr. , Comrade Tommy Caison, Les Wicks, Dave Jackson, Marilyn Boronowski
Notes From A Grounded Witchdoctor
rosy
glow
rosy glow
breaks
the light
into
silken clouds
of
floating pink
drifting
drifting
into
the expanding
corners
of my pulsating room
rooms
fields
tiny
universe
growing
growing
too
big
too much
falling
back falling back
regrouping
afraid
of reaching
give me room
control
control
control
sure
no longer afraid
jumping
for the clouds
riding
riding
into
the ever expanding
corners
of my pulsating room
riding
clouds
of taffy
sticking
sucking
pulling me to the floor
phosphorescent
walls quake and tilt
throwing
off slippery shadows
that
pool at the floor
eat
at the floor
and leap at me
with the deliberate
slowness
of
the unconquerable tide
then turn golden
then red
at my feet
the
angry lobster redness
the infectious angry redness
colors
my feet
and crawls up my leg
chewing
chewing
chewing
reaching
crawling
pulling
at my body
pulling
me to a high place
i
stand atop a hill
in the shade of a tree
a wide-spreading tree
birds
sing from the tree
and i understand the song
and try to sing along
but
the birds stop
and
leave me singing
alone
alone
until
a bird lunges from the tree
to
stand on the ground
and
becomes a shadow figure
a man in black
a man with no face
black space where a face should be
the
thing
the shadow faceless thing
begins
to cry
and the birds come from the trees
and land on his shoulders
as crows
great
black crows
evil black crows
the
sit on the phantasmal shoulders
and cry
the
ground collapses beneath me
the
hill flattens beneath me
and
i'm in a valley
and
the hill is behind me
and the figure
and the crows
stand
on the hill and cry
so far above me
as
the hill shimmers
through
the heat of the valley
fades and disappears
i'm
alone in the valley
in the dust of the valley
in the hot hot dust of the valley
it
grows hotter and hotter
in the valley
and
i'm lying naked
in the boiling mud
of the valley
people
stand around me
men
and women without faces
black spaces where faces
ought to be
men
and women
in long black skirts
that drag in the mud
they laugh at me
great
ghastly specters
from
a tribal past
they laugh at me
i
press my cracked lips
into
the mud and try to suck
for
water and burn
my
face and my lips and tongue
mud
mud
not mud
mud
not mud
grass
wet grass
dew-wet grass
cool dew-wet grass
i
run my tongue over the grass
bite into the grass
chew on its coolness
i
lie on my back
under
the cool fresh sky
and stretch out my arms
and pull handfuls of grass
and throw them at the sun
and let the grass
rain back on me
and
i catch it with my body
i
crawl beneath
the
grass and meadow flowers
and
roots and working earthworms
and look up to watch
the sun in its interminable agony
of
circling
circling
ever circling
i
watch the sun
through
the roots
and
grass and crawling insects
from behind the petals
of meadow flowers
circling
circling
circling
falling
crashing
diving
swooping
clawing
at my eyes
burning at my eyes
searing
my eyes and cheeks
and
lips
and
screaming tongue
i close my eyes
and
i'm in a room
a small room
a dark room
a black room
a
room without light
but for a small dot
pulsating
off and on
off
and on
off and on
off and on
in
one corner of the room
the
dot grows
bigger and bigger
off and on
bigger and bigger
it crashes toward me
washes over me
leaves me in a lonely light
alone
alone
now
lying on my floor
linoleum
cold against my cheek
i
turn on my back
alone
on the floor
and sleep
Trying
to think your way
out
of depression
is
like try to dig your way
off
a planet
Depression
segment 02
Depression
is insidious
I
spend most of my life
Digging
my way back from the dead
Depression
segment 03
And
in the final days
The
bowels of the Earth open
Revealing
the dammed
Chris I
I
will remember that the time
apportioned
for Life
is
small
And
so I suffer this bite
Hold
its pain dear
for the time that it costs
I
will spend this time
for the precious coin
that it truly is
Hold
its pigments
in the landscape painting of my life
There
is nothing quite like a long sad note
Held
against the tapestry of life
Chris II
Knowing
my mental illness
has
achieved
a
perfection
undreamed
of
in
all the ages of man
And
this is to be my contribution
my
legacy.
Come
let us access the depths
of
my depravity
and
know
that
my greatest sin
was
that I wanted
to
do something
good
for the human race
--
The Last Revolutionary Song as Lived by Comrade Tommy Caison
“ the best of them,
are mere crib slaves
of the ass which shitted out
the old meanings”
****
Little Alice and Heroin
# 1
It
is the moment
that
one’s finally sees the shit for what‘s it’s really worth,
for
what its worth.
I
call it,
the
advant of the silhouetted dancing body with upstretched
limbs
flaring wildly
about
to the heaven depths:
naked,
violent, touched, playful and uncaring—
it
twirls gayly with the early morning fog
that
I have come to love
through
a spring’s meadow,
slipperily
iced with a invisible and thin
bed
of dew.
All
of my love, please: she knows
like
a wino slapboxing his own shadow, she knows
Defiantly
mounting myself upon the caterpillar’s
new
wings like “hurrah! hurrah!”:
it
is the butterfly’s critical flashpoint when the Wings
spread,
and one
actually
tries to seize upon the awesome possibilities engendered
by
the existential intersection of given events: the complete
and
spontaneous exploitation of my sad, obscure, gullible, ironic,
experimental,
recklessly optimistic,
and
hence,
more
beautiful and tragic who I am,
my
willing, ultimately suicidal who I have become,
who
would rather roll dice
and
optimize my now-existence and hold onto it
until
the shit plays out, if even for
a
passing
hour,
as
an Still-Life and perpetually Recurring Surprise.
This
is she
and
she the moment that I sense my own open arena and
my
own open dance floor overstretched before me, inviting me.
Just
now I
noticed
the cool, outside air brushing my
cheek
as if a wet kiss pre
ceded
its temporary haste. In its urgency
I
wonder where the breeze is running too. Un
chained,
is my
nigga
fleeing?
Because
in that case the question would be
why?,
or does it,
too,
now, realize that the only beauty
Shoot
Ups in imperfections,
the
promise and possibilities of utopia and
all
its consequences,
fanatic
and strange,
it
is the brief moment defined as
right
now,
right
here.
I
call it,
the
moment that one’s sees the shit for what it’s really worth,
for
what that’s worth.
If
only for a moment, if only: reeling and gullible, I am
overawed
by
the prospect of us growing old along together, elated knowing that when
I fall
my
real niggas are going try to capture
a
piece of beauty and I will too because I am
in
their world and I am. If only for a moment, if only. Crystalizing
into
focus all around me like “Cling!”, if only for a moment yall,
it
becomes my amoral world and my
life’s
threshold: it lingers in the air for awhile,
then,
floats
away.
So,
seizing
violently upon the situation,
it
was my baser and less happy bird who I
leaped
to grasp upon,
lest
it fly away from a
nigga once again. . . . .
****
On
the train
the
two of them are big, wear
denims
like animal skins, hair carved freeways
&
beards a wilderness. They stink (soil, damp & sweat).
Talking
to a woman
Newtown
mid 30s
her
language cranked down to a strine
that
smooths, dampens, lubricates
the
rambling of these men.
Everything
they do or say
is
like it's grabbed.
Even
simple talk about the weather is found
&
taken like a ram raid.
No,
she doesn't drink
after
15 years of fighting it
"Fucks
ma head".
Her
face torn
&
tense - maybe unfriendly except for the words plus
she's
given them her address
(causing
the shit-rich shipwrecked
suit-woman
across the aisle to become panicky,
a
shaky dance at the perimeter).
"Yeah
Newtown". They're heading to the Cross
"....for
a while".
I
realise they're me, bar a few accidents.
I'm
her with her habits
in
handbags & other people's hallways.
They're
a miracle of matching
&
so common.
Or
rape. Will the guys talk about
"sharing
the dog"?
Perhaps
she'll tame
&
pamper them with hot meals beside eastern curtains.
Give
them baths & stories to carry
to
the next stop.
Prison,
psych hospitals
the
bush & the beats.
They're dangerous
&
wander uncertain paths with only
a
spinning bottle for a compass.
Les Wicks
3/105 Ebley St
Bondi Junction 2022
NSW,
AUSTRALIA
get
back I say
devils
of my own invention
snake
get
back to the future
at
your local rental place
Oh
yes in a meaningless universe
this
poem
any
poem
is
m
e a n i n g l e s s
m
e a n i n g l e s s words
by
a m e a n i n g l e s s man
in
a m e a n i n g l e s s world
in
a
m
e a n i n g l e s s
universe
This poem comes from Marilyn Boronowski, from Dawson Creek BC. I found this poem through the Grey Owl's Newsletter - http://www.greyowltutor.com/study.htm . The newsletter contains an ecletic mix of poetry, news of the day and general interest material. If you subscribe, your mailbox will never be lonely.
BASIC SWISS ARMY KNIFE
Why jack?
This knife whispering
sibilantly into steel
gutters , chipping
strong nails , needing
teeth or talons
to release blades
reclining redly
in the small zipped
purse pocket , resisting
probing fingers , snuggling
beneath soft leather creases
Always prepared , reluctant
to act , withholding
co-operation until forced
into action , suddenly
becoming the perfect
partner.
Marilyn
I hope you
will follow the links for B'ehl. They're not a well known group,
but they are worth your attention.
Another singer I've been listening to and downloading her mp3's is Alexandra
Scott!! She's got quite a voice.
"Avant
Garde Times" is a quarterly poetry ezine. Its mission is to
present work that is on the fringe. Works which can be accepted is
basically anything, please read the guidelines at the home
page. All subject matter and styles are welcome. This is
for poetry that is experimental and adult. All work is copyright
by the various authors. Respect their rights. The rest of the ezine
is copyright by Paul ©1999-2000. This ezine is composed on my
computer, in my basement.
Submissions are
welcome. Mail them to: avantgarde@angelfire.com