Issue #6 Summer 2000
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Welcome
to the 6th issue of the ezine. I want to start with the idea of change.
Some of us may think that change is something to be feared and avoided.
Its something most of us don't like, however, change can be very good.
It can be the natural order of things and worth spending time with and
embracing should such a thing happen. I received a very interesting
letter, one that caused me to pause and think things over and to meditate
about change. What change you may ask, well, the shift of the entire
ezine. As you know, I've tried to make this a more open ezine, one
that accepts poetic themes and styles, however there were restrictions.
The gist of the letter was a challenge to go beyond the safety of rules
and truly make this an avant garde poetry ezine. As I read this letter,
I must admit, I couldn't come up with any defence of the rules. So,
this is now a totally avant garde, experimental, alternative poetry ezine.
Whatever you submit will be acceptable. It might mean some wild and
crazy stuff and so be it. Get truly experimental.
For this issue, I have received some great work, so stay with it and read
along with me.
This quarter's issue features poetry by: Frances
Raven, Greg Fitzsimmons, Les
Wicks, Travis Ray Cole
mem. memorize today
what was in your book
yesterday; scans, no?
not really; but make an index,
curse again, write too much
"Fell"
fallen
apple
song in the head
well, not really
it's just that I want
to sing it
or hum it
and fall into bed with you
and then
eat an apple.
"The Philosophy of Reading"
Planned as an exploration of how people read:
"After Peligius reconnoitered and determined
the power of the enemy, he went
to meet Prince Alexander to tell him about
the enemy's camp and
fortifications. Peligius remained on
the seashore watching both roads and
therefore he did not sleep the entire night.
And when the sun began to rise
he heard a loud noise from the sea and saw
a moving ship, and in the midst
of the ship stood holy martyrs, Boris and Gleb,
dressed in crimson vestments
and embracing each other. The men rowing
appeared as if in clouds."
Medieval Russia's Epics, Chronicles, and Tales,
Page 228.
Reading:
must look up reconnoitered - I picture
the white mouse king in the
nutcracker to be triumphant on a hill and looking
to see how many other
dots, which were actually distant horses, were
on the field-
always "power of the enemy" and not "weakness of the enemy"
is the word Peligius related to the Italian
word for skin?
(question sounds conceited, makes me
want to make a joke:
of course I can't write the joke
here,
any joke in literature must be
spontaneous -
there's no buildup to a joke
otherwise it becomes like a movie
about a poet
where the poem will be so obviously
built up to
that it cannot be any good because
the expectation for the poem
has become too great.
(how far over should the next stanza be?))
;possibilities of stanza length limited
by the actuality of the stanza
length;
;from superposition to position;
To fortify sounds so alchemical,
building layers of solidity around such vulnerability,
to forge iron.
(do you forge iron or steel?
I should
ask somebody before
I show this to anyone)
I'm far too interested in the concept of things,
I have no ability to read
for plot.
What fascinated me most about the
paragraph
Was how Peligius does not sleep
Because he has to watch both roads
all night;
It makes the purely historical
document
Have an underlayer of metaphor,
I suppose this happens all the
time
But here is where it struck me
first -
It relates to a person with
too many lovers
(Casanova syndrome)
Who cannot listen to one
love fully
And is not able to enjoy
even that in life.
It relates to the idea of
cosmic guilt,
I think it's Husserl's idea
(I didn't read Husserl I just heard a
lecture on a tape about him -
I feel like that demeans
the knowledge)
He says that cosmic guilt
is the guilt you feel
For not being able to actualize all of your
potentials in the world
That we live in, it is the guilt that we feel,
as people, for dying.
I think that this is a cheesy piece of writing,
stream of consciousness
writing was done and it did lead to new places,
but ultimately I think that
it is like a comment I saw on a video which
said that Cubism was a new
language that had no inherent content and a
couple of true masters: Braque
and Picasso and Gris. Stream of Consciousness
writing's content does not
direct its form. There is nothing which it
has to say because it is Stream
of Consciousness writing as a Romance novel
must tell of a romance and. . .
. . . . . . . . . . .
Columbus should have set out to discover
the New World with a boatload
of madmen.
Andre Breton
An accident brings me here
a schiz break
Before I went in the hospital
the morning was shot thru
with the gray lines of interference
the details of obscurity
sketched in by the draftsman
a shudder ran thru it
and set its bones dancing
ever see a morning having a fit
panic attack of gray luster
speeding thru my brain
until paranoia applied
the brakes sliding
around the curves
and careening madly
out of control
In the mental hospital
it's taken me ten days to
remember
the last time
I tried to think of yr face
and there are no lines left here to forget
the passing of time is pushing me away
shoving by my right shoulder
in a hurry
to get some place else
I'm already inside
of
In the mental hospital
wandering the shiny halls
or sitting
in the TV-infested dayroom
the discoverers of
New Lands
new Jesuses
new Aztecs
new aromas
try to breath in thick atmosphere
like powdered stone and
the emotion-jelly made from
frequent gestures
kept
secret in the family
untold in the past but now
revealed
by our “illnesses”
(a host of medical terms bursting out all
over here really an insurmountable
barrier between our daily world
and yrs)
fat hospital-gowned gods
Buddhisattvas on Holdol
unseen outside a psycho-religious
laboratory sit and peer strangely
at each other
each visitor
each fresh patient
and
with hand out
ask for change
for the payphone candy
Bibles a wink eye-contact
a smile or a mind-picture
for later masturbatory contemplation
In the mental hospital
I’d give my bottom row of teeth
let them rot
my remorse
crawling like a snake up a stranger’s dress
my ageless guilt
like a tape loop
my caterpillar of a cock
more useless than my teeth
my thin lips
dry and wordless from meds
my paper tongue
with no poem written
on it
my left testicle
one-third of an unproductive factory
and my shell games of paranoia
for a bicycle I cd ride the halls on
like one of Samual Becket’s
ambulating
psychic ghosts
with dumb stones
weighing down my pockets
and
humming a medley thru my
nose
In the mental hospital
our voices are spoiled by
jinx and highjinx
flux and reflux
flow and overflow
the sound of dripping
brains drip-dripping
down our
throats
or
the drip-holes
stuffed inarticulate
with neuroleptics
and
tranquilizers
stuttering out
with the low flow of current
and the stigma of
lunacy
crackling out nonsense
at each other
about how and
when we’ll get out
doctor sez nex week- i’m the second coming
but he’s been
sayin it for-
the frog’s
gasping at-
ah month now-
the basterds’ve
dragged it out-
like subliminal messages at your local K-mart-
it’s long enough now and
i’m tired
In the mental hospital
you can’t rest without looking like a fool
only demons and angels rest here
no one else has the stamina
breathing’s like work
but you don’t get paid
thinking gets you in trouble
(that’s what we’re all here for: thinking)
and the Brothers and
Sisters of Intensity
look thru under around over
between past
almost at you
always looking just a little
away
so they don’t have to
think
and maybe wind up
joining you
on the otherside of that
hardly
recognizable line
between patient and staff
and laugh at yr self-dishonesty
yr delusions
the patience of yr
visitors
yr
casualness and yr
potential
for any calm and cool
(how can anyone put up with
you
without being paid)
you
no longer
exist
pal
it’s the hard ward now
and there’s no coming back
In the mental hospital
memories of
flyers pamphlets
tracts messages letters
telegrams unanswered
phone messages insults
praise
overheard conversations
a woman talking
about the devil-voices
in the hallways
the way the staff’s
telepathisized thoughts
electrify the air
and the way
an older patient
combs his hair
all conspire to
order my afternoon’s
paranoia between
lunch and dinner
In the mental hospital
I meet a man
who bets on
the I-Ching
coughs articulately
dilates his eyes
at the coming of rain
and says he’ll be
out in ten days
In the mental hospital
I sweat at night
in my sleep
and wake up
cold in the morning
Today looking out
the window of my hospital
room
:
we ask for tickets
in the trash along the fence
hoping to find the carved
interiors of our lives
and if it rains
we will be
sitting in a tunnel
wishing for the warm
sun and smelling
the crystals growing
in the cracks on the walls
I left the hospital thinking
the old ways
are the old ways
are forming
on the street
to the right
During my first week
as an ex-inmate
I thought a lot
about my mother and
wondered if her
schiz breaks
were like mine
now I can walk here
down any street
in her shoes
feeling the cold
and looking
for a place
to park
my ass
.
Spring and Summer 1998
Greg Fitzsimmons
Chicago Poem
el train going where night is always.
in one of the those
dreams controlled
electronic
sets off alarms
on a couple of levels
old equipment piping
doors
we project
ourselves in circles
I'm pretty rational now
dead part of me
also part of a school
.
this city was suppose to be Chicago
but it was different
upper stories told quieter
Maybe an end to winter-- it is literally no substance
I have time-traveled
from either everything-is-very-strictly-regulated
or from the-top-down.
Both huge buildings
luxurious
but
multi-leveled
abandoned
in grey
circles above
More:
a large building
State of Illinois
a train in last night's dream rending
sprawl and coke
burnt
soft
places
technical people
public relation operatives
hanging out in large groups
no bottom
can't possibly imagine
one
down to this where ever
We have gone past
a part that was the same in this other dream
This moment in three
black.
One , his skin, licked
by Hugo Boss cotton -
carbon immaculate,
sharp.
Two, his BMW the licence
plate
EBONY, a yellow
cloth in hand wiping
any drab starling
down,
puny-ass dust,
or cheap Australian motes
from thirty coats
of credit card enamel.
Three black, his blond
girlfriend's dress on
hip swished in fuck
you boredom
Her eyes: "Nothing
to do with me."
Underline = italics
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
A peacock blue late
50s pontiac
basking outside the local brothel.
Spring is a grinning
saboteur.
Les Wicks
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
The airport is so
clean.
You hold your stomach,
talk about nothing but radiotherapy.
And even those few
tears have a chemical taint.
Blood filled dreams
Ice in my veins
pour in the street
like acid in the rain
run like water
the taste don't go away
the sacrafices we make to each other
mean nothing...with each drop we save
It don't hurt until we see it
wash the pain away...
stain glass mirror
reflects blood tears on each page
blood in dreams stab my eyes
blood filled dreams
drain the life from me
watch it slowly die
somehow sentenced to living
with the hollow existance of the blood thirst
beast
the dying seeds of death is what the reaper
eats
pain devours life
whats on your mind
blood on your hands
shed in your street
razor tounge slit throat narritivly speaks
run in my eyes blinded with greed
sell your blood to drink
because to you death is sweet
like water it runs
the deal you make with ripped out hearts
in another life we'll rest
but in death we'll sleep
as we see with tombstone eyes
turned away in vain another drink
deny the empty shadows of your dreams
death divides us with fear
quick to die slow to think
worship decay teach deciet
washed away into midnight
dripping from your memories
it hurts to bleed
where am I bleeding from
where am I bleeding from
again stabbed with a forked tounge
all the hearts gone from me
die of love it hurts to bleed
I can't feel it beating
pumping fast
minds gone numb
where am I bleeding from?
where am I bleeding from?
theres no more life in me
I can no longer love
am I dying in this apathy
turn to dust
all the pains gone away
I dont want to leave the warmth of this dream
all my lifes moving inside my eyes
I don't want to return to the cold world
I don't want to leave the warmth of the dream
"With You Gone"
Who's going to rape the population
and bllled sorrow out thier eyes
a laeders empty remorse
a laughter filled with lies
out of order definations
now replace the dull grey skies
and sentence a generation to corruption
you don't have to run from denial
It's not only through windows
that the street describes
the the blood like taste of life
you can hear it if you listen
the exhaust still breathes
even after the engines die
like a dozen other winners
the girls in the wrong place
re enter treasuring misery
submitting newfound advice
as you steal enough mirroring
and preach your good time
then finally turn on yourself
to subscribe to a pack of lies
A
year, or so, ago I did a review of the book "FlyBoy Action Figure Comes
with Gas mask". It was a hilarious read and take on the whole action
figure/superhero genre. Well, Jim Munroe has just released a new
book "Angry Young Spaceman". He now has turned his sites to the science
fiction genre, with equally interesting results. When you think of
science fiction, you may conjure up in your mind the stories of Asimov,
Heinlein, where the blonde, square jawed hero saves the galaxy, and the
girl from evil by his virture and trust lazer gun. Remove those images
immediately, Munroe has given us a future where the chief character is
a Gen-X slacker. Just as William Gibson turned punk into cyberpunk,
Munroe has turned sci-fi into slack-fi.
The 'hero', Sam Breen enlists to teach english on the planet Octavia.
He will be teaching the eight limbed Octavias how to speak the cosmic language
of english. The planet is one where the air is like water, the chief
crop looks like a cucumber and there are a couple of intelligent life forms
that don't get along at all, something about a war. On this planet,
Sam becomes rather fluent in the language, teaches the children, drinks
a lot of beer and lusts after the local 8 limbed hotties.
Overall, the book is a good read, although I thought that towards the end
it was losing its steam and when Sam begins to challenge Octavian norms
and society was a bit weak.
This is also an interesting book since it was self-published by the author.
Jim Munroe has set up his own publishing company, and web site, called
No
Media Kings . The purpose of this site is to challenge
the control of the global media conglomerates. In the site you can
gain information on the joy of self-publishing, such as the work required
and the pitfalls. You can also read his open letter to Rupert Murdoch,
the maven of HarperCollins, the publishers of Jim's book "Fly boy.."
As a treat, you can also download a copy of the book and save yourself
the $20.00. Although, I think you may enjoy sitting down and reading
the book with its lovely cove and picture.
With the exception of the slight problem at the end, find it and read it.
Closing Words
Thanks
to all who submit. If you are new to this ezine, let me tell you
this is a quarterly zine. I accept, now, all styles and themes of
poetry, short stories and any other literary endeavours. If you want
to express yourself without fear of judgment this is the place. Please
send your submissions, letters, comments, or just greetings to avantgarde@angelfire.com
Always remember that the work featured here is copyrighted by the various
authors. (c) 2000 by Paul Gilbert