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Part 2 Of The Fourth Turning


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This is a continuation from Part 1

And what about today?  Forecasters are still making the same mistakes.  Best-selling books envision a post-millennial America of unrelenting individualism, social fragmentation, and weakening government—a nation becoming ever more diverse and decentralized, its citizens inhabiting a high-tech world of tightening global ties and loosening personal ones, its web sites multiplying and its culture splintering.  We hear much talk about how elder life will improve and child life deteriorate, how the rich will get richer and the poor poorer, and how today’s kids will come of age with a huge youth crime wave.

Don’t bet on it.  The rhythms of history suggest that none of those trends will last more than a few years into the new century.  What will come afterward can be glimpsed by studying earlier Unraveling eras with similar generational constellations—and inquiring into what happened next.

To inquire correctly, we must link each of today’s generations with a recurring sequence of four generational archetypes that have appeared throughout all the saecula of our history.  These four archetypes are best identified by the turning of their births:

Each archetype is an expression of one of the enduring temperaments—and lifecycle myths—of mankind.  When history overlays these archetypes atop the four turnings, the result is four very different generational constellations.  This explains why a new turning occurs every twenty years or so, and why history rolls to so many related pendular rhythms.  One turning will underprotect children, for example, while another will overprotect them.  The same is true with attitudes toward politics, affluence, war, religion, family, gender roles, pluralism, and a host of other trends.

Dating back to the first stirrings of the Renaissance, Anglo-American history has traversed six saecular cycles, each of which displayed a similar rhythm.  Every cycle had four turnings, and (except for the anomalous U.S. Civil War) every cycle produced four generational archetypes.  We are presently in the Third Turning of the Millennial Saeculum, the seventh cycle of the modern era.

By looking at history through this saecular prism, you can see why the American mood has evolved as it has during your own lifetime.  Reflect back as far as you can, and recall how the persona of people in any phase of life has changed completely every two decades or so.  Every time, these changes have followed the archetypal pattern.

Consider the generational transitions of the past decade—which are once again proving the linear forecasters wrong:

As the Silent have begun reaching retirement age, national leaders have shown less interest in making public institutions do big things—and more interest in making them flexible, fair, expert, nuanced, and participatory.  Why?  The elder Artist is replacing the elder Hero.

As Boomers have begun turning fifty, the public discourse has become less refined and conciliatory—and more impassioned and moralistic.  Why?  The midlife Prophet is replacing the midlife Artist.

As 13ers have filled the “twentysomething” bracket, the pop culture has become less about soul, free love, and feeling at one with the world—and a lot more about cash, sexual disease, and going it alone in an unforgiving world.  Why?  The young-adult Nomad is replacing the young-adult Prophet.

As Millennials have surged into America’s elementary and junior high schools, family behavior has reverted toward greater protection.  Why?  We are now raising the child Hero, no longer the child Nomad.

When you compile these four archetypal shifts through the entire lifecycle, you see how  America’s circa-1970s constellation has transformed into something new, from top to bottom, in the ‘90s.  That is why the nation has shifted from a mood of Awakening to one of Unraveling.  When you apply this saecular logic forward into the Oh-Oh decade and beyond, you can begin to understand why a Fourth Turning is coming—and how America’s mood will change when the Crisis hits.

The four Generations The Lifecycle of the NOMAD Archetype We remember Nomads best for their rising-adult years of hell-raising (Paxton Boys, Missouri Raiders, rumrunners) and for their midlife years of hands-on, get-it-done leadership (Francis Marion, Stonewall Jackson, George Patton).  Underprotected as children, they become overprotective parents.  Their principal endowments are in the domain of liberty, survival, and honor.  Their best-known leaders include: Nathaniel Bacon and William Stoughton; George Washington and John Adams; Ulysses Grant and Grover Cleveland; Harry Truman and Dwight Eisenhower.  These have been cunning, hard-to-fool realists—taciturn warriors who prefer to meet problems and adversaries one-on-one.  They include the only two Presidents who had earlier hanged a man (Washington and Cleveland), one governor who hanged witches (Stoughton), and several leaders who had earlier led troops into battle (Bacon, Washington, Grant, Truman, and Eisenhower). A lifecycle outline:

  1. •As NOMADS replace Prophets in childhood during an Awakening, they are left underprotected at a time of social convulsion and adult self-discovery.  
  2. •As alienated NOMADS replace Prophets in young adulthood during an Unraveling, they become brazen free agents, lending their pragmatism and independence to an era of growing social turmoil.
  3.   •As pragmatic NOMADS replace Prophets in midlife during a Crisis, they apply toughness and resolution to defend society while safeguarding the interests of the young.  
  4. •As exhausted NOMADS replace Prophets in elderhood during a High, they slow the pace of social change, shunning the old crusades in favor of simplicity and survivalism.

The Lifecycle of the HERO Archetype

We remember Heroes best for their collective coming-of-age triumphs (Glorious Revolution, Yorktown, D-Day) and for their hubristic elder achievements (the Peace of Utrecht and slave codes, the Louisiana Purchase and steamboats, the Apollo moon launches and interstate highways).  Increasingly protected as children, they become increasingly indulgent as parents.  Their principal endowment activities are in the domain of community, affluence, and technology.  Their best-known leaders include: Gurdon Saltonstall and “King” Carter; Thomas Jefferson and James Madison; John Kennedy and Ronald Reagan.  They have been vigorous and rational institution builders.  All have been aggressive advocates of economic prosperity and public optimism in midlife; and all have maintained a reputation for civic energy and competence even deep into old age.

A lifecycle outline:

  1. •As HEROES replace Nomads in childhood during an Unraveling, they are nurtured with increasing protection by pessimistic adults in an insecure environment.  

  2. •As teamworking HEROES replace Nomads in young adulthood during a Crisis, they challenge the political failure of elder-led crusades, fueling a society-wide secular crisis.  
  3. •As powerful HEROES replace Nomads in midlife during a High, they establish an upbeat, constructive ethic of social discipline.  
  4. •As expansive HEROES replace Nomads in elderhood during an Awakening, they orchestrate ever-grander secular constructions, setting the stage for the spiritual goals of the young.  

The Lifecycle of the ARTIST Archetype

We remember Artists best for their quiet years of rising adulthood (the log-cabin settlers of 1800, the plains farmers of 1880, the new suburbanites of 1960) and during their midlife years of flexible, consensus-building leadership (the “Compromises” of the Whig era, the “good government” reforms of the Progressive era, the budget and peace processes of the current era).  Overprotected as children, they become underprotective parents.  Their principal endowment activities are in the domain of pluralism, expertise, and due process.  Their best-known leaders include: William Shirley and Cadwallader Colden; John Quincy Adams and Andrew Jackson; Theodore Roosevelt and Woodrow Wilson; Walter Mondale, and Colin Powell.  These have been sensitive and complex social technicians, advocates of fair play and the politics of inclusion.  With the single exception of Andrew Jackson, they rank as the most expert and credentialed of American political leaders.

A lifecycle outline:

  1. •As ARTISTS replace Heroes in childhood during a Crisis, they are overprotected at a time of political convulsion and adult self-sacrifice.  
  2. •As conformist ARTISTS replace Heroes in young adulthood during a High, they become sensitive helpmates, lending their expertise and cooperation to an era of growing social calm.  
  3. •As indecisive ARTISTS replace Heroes in midlife during an Awakening, they apply expertise and process to improve society while calming the passions of the young.  
  4. •As empathic ARTISTS replace Heroes in elderhood during an Unraveling, they quicken the pace of social change, shunning the old order in favor of complexity and sensitivity.

 Lifecycle of the PROPHET Archetype We remember Prophets best for their coming-of-age passion (the excited pitch of Jonathan Edwards, William Lloyd Garrison, William Jennings Bryan) and for their principled elder stewardship (the sober pitch of Samuel Langdon at Bunker Hill, President Lincoln at Gettysburg, or FDR with his “fireside chats”).  Increasingly indulged as children, they become increasingly protective as parents.  Their principal endowments are in the domain of vision, values, and religion.  Their best-known leaders include: John Winthrop and William Berkeley; Samuel Adams and Benjamin Franklin; James Polk and Abraham Lincoln; and Herbert Hoover and Franklin Roosevelt.  These have been principled moralists, summoners of human sacrifice, wagers of righteous wars.  Early in life, none saw combat in uniform; late in life, most came to be revered more for their inspiring words than for their grand deeds.

A lifecycle outline:

  • •As PROPHETS replace Artists in childhood during a High, they are nurtured with increasing indulgence by optimistic adults in a secure environment.  
  • •As self-absorbed PROPHETS replace Artists in young adulthood during an Awakening, they challenge the moral failure of elder-built institutions, sparking a society-wide spiritual awakening.  
  • •As judgmental PROPHETS replace Artists in midlife during an Unraveling, they preach a downbeat, values-fixated ethic of moral conviction.   •
  • As visionary PROPHETS replace Artists in elderhood during a Crisis, they push to resolve ever-deepening moral choices, setting the stage for the secular goals of the young.

    The Fourth Turning

    “Something happened to America at that time,” recalled U.S. Senator Daniel Inouye on V-J Day in 1995, the last of the 50-year commemoratives of World War II.  “I’m not wise enough to know what it was.  But it was the strange, strange power that our founding fathers experienced in those early, uncertain days.  Let’s call it the spirit of America, a spirit that united and galvanized our people.”  Inouye went on to reflect wistfully on an era when the nation considered no obstacle too big, no challenge too great, no goal too distant, no sacrifice too deep.  A half-century later, that old spirit had long since dissipated, and nobody under age 70 remembered what it felt like.  When Joe Dawson reenacted his D-Day parachute drop over Normandy, he said he did it “to show our country that there was a time when our nation moved forward as one unit.”

    The Eternal Return

    On the earthen floors of their rounded hogans, Navajo artists sift colored sand to depict the four seasons of life and time.  Their ancestors have been doing this for centuries.  They draw these sand circles in a counter-clockwise progression, one quadrant at a time, with decorative icons for the challenges of each age and season.  When they near the end of the fourth season, they stop the circle, leaving a small gap just to the right of its top.  This signifies the moment of death and rebirth, what the Hellenics called ekpyrosis.  By Navajo custom, this moment can be provided (and the circle closed) only by God, never by mortal man.  All the artist can do is rub out the painting, in reverse seasonal order, after which a new circle can be begun.  Thus, in the Navajo tradition, does seasonal time stage its eternal return.

    Like most traditional peoples, the Navaho accept not just the circularity of life, but also its perpetuity.  Each generation knows its ancestors have drawn similar circles in the sand—and each expects its heirs to keep drawing them.  The Navaho ritually reenact the past while anticipating the future.  Thus do they transcend time.

    Modern societies too often reject circles for straight lines between starts and finishes.  Believers in linear progress, we feel the need to keep moving forward.  The more we endeavor to defeat nature, the more profoundly we land at the mercy of its deeper rhythms.  Unlike the Navajo, we cannot withstand the temptation to try closing the circle ourselves and in the manner of our own liking.  Yet we cannot avoid history’s last quadrant.  We cannot avoid the Fourth Turning, nor its ekpyrosis.  Whether we welcome him or not, the Gray Champion will command our duty and sacrifice at a moment of Crisis.  Whether we prepare wisely or not, we will complete the Millennial Saeculum.  The epoch that began with V.J.-Day will reach a natural climax—and come to an end.

    An end of what?

    The next Fourth Turning could mark the end of man.  It could be an omnicidal armageddon, destroying everything, leaving nothing.  If mankind ever extinguishes itself, this will probably happen when its dominant civilization triggers a Fourth Turning that ends horribly.  But this end, while possible, is not likely.  Human life is not so easily extinguishable.  One conceit of linear thinking is the confidence that we possess such godlike power that—at the mere push of a button—we can obliterate nature, destroy our own seed, and make ourselves the final generations of our species.  Civilized (post-Neolithic) man has endured some 500 generations, prehistoric (fire-using) man perhaps 5,000 generations, Homo Erectus ten times that.  For the next Fourth Turning to put an end to all this would require an extremely unlikely blend of social disaster, human malevolence, technological perfection, and bad luck.  Only the worst pessimist can imagine that.

    The Fourth Turning could mark the end of modernity.  The Western saecular rhythm—which began in the mid-fifteenth century with the Renaissance—could come to an abrupt terminus.  The seventh modern saeculum would be the last.  This too could come from total war, terrible but not final.  There could be a complete collapse of science, culture, politics, and society.  The “Western Civilization” of Toynbee and the “Faustian Culture” of Spengler would come to the inexorable close their prophesiers foresaw.  A new dark ages would settle in, until some new civilization could be cobbled together from the ruins.  The cycle of generations would also end, replaced by an ancient cycle of tradition (and fixed social roles for each phase of life) that would not allow progress.  As with an omnicide, such a dire result would probably happen only when a dominant nation (like today’s America) lets a Fourth Turning ekpyrosis engulf the planet.  But this outcome is well within the reach of foreseeable technology and malevolence.

    The Fourth Turning could spare modernity but mark the end of our nation.  It could close the book on the political constitution, popular culture, and moral standing that the word America has come to signify.  This nation has endured for three saecula; Rome lasted twelve, Etruria ten, the Soviet Union (perhaps) only one.  Fourth Turnings are critical thresholds for national survival.  Each of the last three American Crises produced moments of extreme danger: In the Revolution, the very birth of the republic hung by a threat in more than one battle.  In the Civil War, the union barely survived a four-year slaughter that in its own time was regarded as the most horrible war in history.  In World War II, the nation destroyed an enemy of democracy that for a time was winning; had the enemy won, America might have itself been destroyed.  In all likelihood, the next Crisis will present the nation with a threat and a consequence on a similar scale.

    Or the Fourth Turning could simply mark the end of the Millennial Saeculum.  Mankind, modernity, and America would all persevere.  Afterward, there would be a new mood, a new High, and a new saeculum.  America would be reborn.  But, reborn, it would not be the same.

    The new saeculum could find America a worse place.  As Paul Kennedy has warned, it might no longer be a “great power.”  Its global stature might be eclipsed by foreign rivals.  Its geography might be smaller, its culture less dominant, its military less effective, its government less democratic, its Constitution less inspiring.  Emerging from its millennial chrysalis, it might evoke nothing like the hope and respect of its “American Century” forbear.  Abroad, people of goodwill and civilized taste might perceive this society as a newly dangerous place.  Or they might see it as decayed, antiquated, an Old New World less central to human progress than we now are.  All this is plausible, and possible, in the natural turning of saecular time.

    Alternatively, the new saeculum could find America, and the world, a much better place.  Like England in the Reformation Saeculum, the Superpower America of the Millennial Saeculum might merely be a prelude to a higher plane of civilization.  Its new civic life might more nearly resemble that “shining city on a hill” to which its colonial ancestors aspired.  Its ecology might be freshly repaired and newly sustainable, its economy rejuvenated, its politics functional and fair, its media elevated in tone, its culture creative and uplifting, its gender and race relations improved, its commonalities embraced and differences accepted, its institutions free of the corruptions that today seem entrenched beyond correction.  People might enjoy new realms of personal, family, community, and national fulfillment.  America’s borders might be redrawn around an altered but more cogent geography of public community.  Its influence on world peace could be more potent, on world culture more uplifting.  All this is achievable as well.

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