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"Slave Positions"





       Darkwind Castle has always taught positions acknowledging the "Karian School of Learning" Jarl finds it to be the closest to following the books of Gor. He too allows for the different room variations for irc positions. ivy will now set down to show you the different basic positions. You will find advanced positions also, but she will place them on a different page.


    Bara: 21:145
    A binding position. The slave lays on her belly, her head turned as she presses her left cheek against the tiles. Her legs are straight out behind her she crosses her ankles, placing her hands at the small of her back, crossing her wrists.

    Belly:
    A crawling position. The slave drops down onto the floor, lying flace down she flattens her body, forehead resting flat onto the tiles. Her arms are dropped straight along her sides and her legs are widely spread.. then in this position she crawls or slithers to the Master.
    19:427"Stop," he said. "To your belly." Then I was on my belly, on the tiles, my hands at the sides of my head, prone, before his curule chair.

    Blanket: 13:94
    Not a particular position, but rather, a condition. The Master places a blanket over the slave, which indicates that the slave shall remain still and silent beneath the blanket until the blanket is removed

    Bracelets: 8:146
    A binding postion. Standing, the slave turns her hips slightly to the side. Her back and shoulders are held erect, arms sweeping around her body to cross at her wrists in the small of her back, her head lifted it turns to the left. The slave is now positioned to have slave bracelets fastened at her wrists.
    "Bracelets," he snapped. She put her head in the air and placed her hands behind her back.

    Capture:19:422
    Prone on the back, knees bent with feet flat on the ground, hands at the side, palms up, and motionless.
    "On your back," he said, "knees raised, heels on the floor." I then lay before him, in a standard, supine capture position.

    Crawl:
    A crawling position. The slave gets down onto all fours, keeping her forearm level with the ground so that each 'step' she crawls on both elbows and palms. Butt in the air, her head is lowered so that her forehead almost touches to the ground. In this position she then crawls to the Master's feet.

    10:78 I pointed to the stones at my feet. "Crawl," I said, in Gorean. The girl slipped to her belly, and, as a slave girl, crawled to my feet. She put her lips to my foot; I felt her hair over it.

    Gorean Bow: 9:261
    The slave kneels in the nadu position (see Nadu). Her back is arched as she bends her body backwards, pressing the top of her head to the tiles. Her hands shift from her thighs and rest either side of her head as her back maintains its arch. This position is very painful to maintain for over five minutes and obviously requires substantial flexibility and practice.

    Gorean Usage/SlaveSex:
    The slave falls to her knees and drops to all fours, her head lifted slightly as it is held straight in line of her back. Her butt is raised into the air and her thighs spread widely. This position is often a preparation for sexual use. The slave remains motionless as she waits for His command or pleasure.



    Hair: 12:409
    There are two variations to this position:
    1. The slave maintains the position she is currently in. Sweeping her hair into her hand she lifts it and offers it to the Master.

    2. The slave stands, her feet flat upon the floor she bends at her waist, allowing her hair to fall forward over her face and shoulders. The Master is then free to do as He wishes, which may include displaying, shearing.. etc. Women are helpless in this position."

    Har-ta!:
    This is not a slave position.. but any position or command followed by this word means to perform the position or command quickly. In the literal sense Har-ta means "quicker" or "faster".

    Harness, High: 21:308
    Lift the head high and tilt back, exposing the neck in maximum vulnerability

    "Lift your head, " he said. "Higher. Higher!" She looked up at him, her head far back, the leash on her throat.... "You need not now keep your head in high-harness position,", he said to the girl. She moved her head.

    Heel:
    The slave moves quickly to kneel behind the Master's left foot. She remains there until receiving further orders. If the Master moves, the slave is to follow him, maintaining the space from him that he indicated or permitted initially. The distance will vary according to circumstances. In a crowded market, the slave should be directly behind the Master, but in the open country with danger about, the distance can extend to as much as 20'

    9:123 "The Forkbeard turned about and, one arm about Pudding, the other about Gunnhild, started from the dock. Hilda followed him, to his left. 'She heels nicely,' said Ottar. The men and bond-maids laughed. The Forkbeard stopped. Hilda's face burned red with fury, but she kept her head high. Pet sleen are taught to heel; so, too, sometimes, are bond-maids; I was familiar with this sort of thing, of course; in the south it was quite common for slave girls; in various fashions in various cities, to heel their masters. Hilda, of course, was a free woman. For her to heel was an incredible humiliation. The Forkbeard started off again, and then again stopped. Again, Hilda followed him as before. 'She is heeling!' laughed Ottar."


    Karta:
    She kneels on the floor, her thighs spread widely to allow her to lay her chest upon the floor, she leans forward placing her breasts and forehead against the floor, she reaches out with her arms fully extended, palms against floor. Ankles may be crossed or uncrossed. Shows utmost respect. Requests may be made from this position. .



    Kneeling/Low Bracelet:
    The slave kneels, nadu or tower, her back arched, her arms extended before her crossing at the wrists. Her head lifted she drops her eyes to the tiles.

    Kneeling/Low Leash:
    The slave kneels, nadu or tower, her back arched as she sweeps her arms behind her, wrists crossed at the small of her back. Her head turns to the left and she drops her eyes, lips often parted lightly. The slave is now positioned for the Master to leash her.

    Kneeling to The Coffle:
    The slave kneels in tower or nadu as appropriate, and raises either the left or the right arm (depending upon which side the chain will be placed), wrist facing outwards, ready to accept the wrist-ring of the coffle-chain.

    Kneeling to The Whip, or Whip:7:200
    This position is used for the administration of punishment. The slave kneels nadu with her head to the ground, her face turned to the left. Her arms are crossed at the wrists beneath her body. The bow of her back exposed and accessible to the Master.

    "I went to Targo, trembling, and knelt at his feet... I crossed my wrists beneath me and touched my head to the floor, exposing the bow of my back. It is the submissive posture of a slave girl who is to be punished. It is called Kneeling to the Whip." Captive of Gor, page 200

    Lead:
    The slave moves to the Master's side and bends low at her waist, sweeping her hair forward in her hand to offering it up to the Master. The Master may then lead her by grasping her hair and moving forward, holding her head low. Once the Master has taken the hair, the slave places her hands behind her back so as to be out of the Master's way. This is a control position, the slave must move forward to remain on her feet, and can do little else.

    23:399 "In a moment I had left the building, pulling the captive behind me, her head down at my waist, in leading position."

    Leasha: 13:76
    Head to the left, wrists behind and crossed for collaring. The position can be assumed either standing or kneeling, reference to Standing/High Leash or Kneeling/Low Leash. These variations give the Master clearer control over precisely what he wants the kajira to do, thus lessening the chances of the kajira failing to be pleasing. The position is used to secure a leash to the slave.

    "Lesha," snapped the second officer to the blond girl. She spun from facing him, and lifted her chin, turning her head to the left, placing her wrists behind her, as though for snapping them into slave bracelets."


    Master's Kiss or Slavers kiss:
    Not a slave position, but included for reference. The Master takes the slave's hair in hand, her neck and face to Him. He then attacks her lips with His own, biting down on the top lip and sucking and biting the lower one, continuing to kiss her lips and neck.

    Nadu: 13:77
    This position is the most commonly used. There are many variations of it (also see Tower Nadu) but this is most standard. The slave drops to her knees before the Master (Tower Nadu before a Mistress), her thighs part widely and she rests her butt onto un-crossed ankles. Her back straight or slightly arched she lifts her chin proudly and drops her eyes submissively. Her hands should be resting palm upwards and open against her thighs to indicate complete vulnerability, surrender, and submission to the Will of the Master, or placed palms down to indicate that the slave is not available for sexual usage. Note that this is also known as the Position of the Gorean Pleasure Slave, assuming this position tells the Master or Mistress that you are ready to serve them, sexually.

    example female nadu:
    *laven{DED}sg lowing her female grace at Jarls feet her thighs part widely allowin Him the view that He alone Owns as a firm round backside rests on her heels her back with a slight arch is held high in His honor as full round breast press at her silks budding nipples harden showing Him of her desires as soft grey eyes lower to her sunkissed thighs where soft palms rest looking to the bright Gorean suns.

    Commanding a slave to sit nadu with crossed ankles is considered a punishment because of the pain this variation causes within ten minutes.

    Nestle: 13:279
    The slave should cuddle to the Master, fitting herself at his side and within the crook of his arm.
    "Nestle," I told her. "Yes, Master," she said. She nestled obediently in the crook of my left arm."

    Obeisance, basic:
    There are many forms of obeisance, and different Masters have thier own preferances, moreover. Learn this basic one, and consider variations which may occur which are found to be pleasing. As an advanced redsilk, other methods of performing the obeisance, and thier subtle nuances, will be taught.

    21:409The slave kneels in nadu before the Master, then, drops to her belly and crawls to the Master. Her head turns and she rests her cheek onto His feet, her arms drop to her sides. Then she moves her head and begins kissing and licking at His feet in a display of complete obediance and submission. The palms are placed to either side of her head as she kisses and licks his feet. The slave continues in this fashion until the Master gives permission for her to move into the next position, or to simply says, 'Enough'. At that time, the slave moves her head again to rest her cheek against his foot, and awaits permission to arise, or a command to do something else.

    Obeisance, submission:
    The slave kneels, bending at her waist she places her cheek to the floor. Taking the Master's right foot she places it upon her neck, her arms sweeping behind her,crossing at the wrist against the small of her back.

    Prostrate/Suga: 19:305
    This position is often used in slight variation when a slave begs entry to a Tavern/Inn. She drops to her knees, either nadu or tower, and presses her forehead to the tiles. Her arms are stretched out before her, her palms face down and fingers splayed open.
    "I knelt before the guest, putting the palms of my hands on the floor and my head to the tiles."

    She-quadruped, Modiality of the: 21:215
    When a slave is commanded to perform a task in the modiality of the she-quadruped, she performs the entire task on her hands and knees. The use of hands is forbidden except in movement, and the slave may not use words, but like an animal, may be sounds. Typically a Master will direct the slave as to which sounds will mean what. For example, one whimper for 'yes' and two whimpers for 'no'. The slave is kept as a full animal, and is sometimes taught tricks as one would a pet, such as begging, rolling over, laying down, fetching, and so on. The intent is to teach the slave her position and status, beyond any shade of doubt, through the use of humiliation, and need. The slave eats and drinks from the floor, and might be chained near the Master so that he can toss the slave scraps.

    She-sleen/He-sleen:19:434
    The slave drops to her knees and elbows, forehead to the floor and her hands clasped behind the back of her head. Her bottom is raised in the air with thighs wide-spread and she waits, ready to either be beaten or to be taken from behind and used like an animal.


    Standing Slave Display:13:36
    Feet at shoulder-width apart, hands up and behind the neck with fingers interlaced together, elbows back, head up.

    "The auctioneer did not strike her with his whip. He merely took her arms and lifted them, so that the position chain, attached to each side of the sales collar lay across her her upper arms. Then he had her clasp her hands behind the back of her neck, so that the chain, on each side of the collar, was in the crook of her arms, and she was exposed in such a way that she could be properly exhibited.

    Slaver's Caress/Whip's Caress:
    This is a method of touching a slave without warning. Usually used for a slave being exhibited for sale, exposing her slave heat to potential buyers. The Slaver usually does this using a coiled whip. The touch is typically sexual, either between the thighs, upon the breasts or buttocks, or an any other area that the Slaver deems is sufficiently sensitive and vulnerable.

    Slaver's Kiss:4:168
    The slave gets down onto all fours on the tiles. Her head lowers to the ground and her butt lifts high into the air, thighs spreadly widely to expose her slave heat.

    13:40 The Master then, with the whip, carefully gauging the moment and the point of contact, touches the slave to determine her responsiveness.

    Slave Lips:19:224
    The slave turns her head in the direction of the Master, her lips pout and pucker, remaining motionless in that position until His kiss or some other command releases her.

    "Similarly, I was not required to respond to certain sorts of commands, for example, to make "slave lips," pursing my lips for kissing, or to writhe slowly before my viewers."

    Standing as a Gorean Slave Girl:
    Back straight, head held high, belly sucked in, hip turned, wrists crossed behind back, one leg slightly forward, foot arched, toes pointed.

    11:249 "He looked me over. I blushed, under Gorean appraisal, I only wore my tether. "Stand as a slave," he said. I stood beautifully, back straight, head high, belly sucked in, hip turned. No woman can stand more beautifully than as a Gorean slave girl.
    female example: * lavender{DED} stands her towering female form her long slender finger interlock behind her long sensoual neck as her tall slender back is held proud and straight she steps slightly with her left foot turning the sunkissed leg to the side allowing all to view of her burning slave heat

    Standing/High Bracelets:
    A binding position. The slave stands, her feet are shoulder width apart. Her head is lifted high and her eyes are lowered, her arms stretched before her, wrists pressed together.

    Standing/High Leash:
    The slave stands with her feet shoulder width apart. Her arms sweep around to cross her wrists at the small of her back. Her head lifts and she holds it to the left, her hair drawn to that side, parting her lips slightly and lowering her eyes.

    Sula: 13:77
    The slave lies down, her back flattened against the floor she spreads her legs. Her arms are stretched down her sides and her hands rest palm upward, her eyes dropping as her head turns to face the left and she awaits the Master's pleasure.


    "Sula, Kajira!" said the man. She slid her legs from under her and lay on her back, her hands at her sides, palms up, legs open."

    Sula-eros or sula-ki:
    Often used for sex, bondage or control. The slave drops into sula, the difference is she bends her legs, thighs parting wider as she lifts her hips up from the floor for Master's pleasure. In ircGor this is often called "sula-ki", which is a bizarre naming because the translation of "sula-ki" would be, simply, 'not-sula' or 'not prone on the back'.

    Table:
    The slave drops to her hands and knees, locking her elbows she straightens her back smooth and level, her head held high. The position is used, as the name suggests, to use the kajira as a table.

    Tower Nadu:3:46
    The slave drops into nadu (see Nadu) but her thighs are closed. There are several variations regarding the slaves hands, palm upward, palm downward and wrists crossed are commonly accepted as being correct. If not commanded otherwise, default to palms downwards upon the thighs, indicating that the kajira is not available for sexual usage. Crossing the wrists conveys the message that the slave is begging to be restrained, and perhaps even collared. The slave's back is always straight in Tower, her head also facing straight forward.

    irc example of a female Tower:
    * lavender{DED} unfolds her slender form bring her thighs kissing them tightly together her long back held high in pride as long tresses cascade down over the green silks that hug her body her dancing grey eyes lowered in humbled respect as her gentle hands rest softly upon her tanned thighs.

    irc male example of Tower:
    * erellius[M] lowers his cat-like form, closing his corded thighs, tightening his washboard belly and raising his head. he lowers his frost blue eyes, and places his palms down upon his thighs, his tan body totally motionless once in position.








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