* 
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ALL CHARACTERS AND EVENTS ARE FICTITIOUS
Friday, July 30, 2004
OUTLINE DRAFT ONLY
By Bryan Adrian
These are PRELIMINARY
NOTES only here......This is only a rough outline draft of a play incubating in
the author's head.....and may or may never be finished in full..... scroll down to the bullet points for the captions for each covert black ops agency slide projection bullet point slide show projection in the play
https://www.youtube.com/watch?v=_aQVHubXoDo
Regina Dugan-->DARPA
director-->Google director-->Facebook Building 8 secret project, she has
had since last millennium unlimited access to MIT
personnel.
Dugan first served as a
Pentagon DARPA
program manager from 1996 to 2000. 2000-2008 no data from Wikipedia,
however RedXDefense was co-founded in 2005 by Regina Dugan with her dad as CEO
and her uncle is chief advisor of strategy, who is an identical twin of her
father (no info available via FOIA -- http://foreignpolicy.com/2014/08/13/former-darpa-chief-violated-pentagon-ethics-rules/); then again, from July 2009 to March
2012, Dugan served as the 19th Director of DARPA, leading an active
operational deployment in direct support of the war in Afghanistan for which
the Agency was awarded the Joint Meritorious Unit Award. She is on the Board of Varian Medical Systems, Inc. and on the Board
of Zynga .
https://www.timesofisrael.com/facebook-wants-to-read-your-mind/
Her technology could let
people fire off text messages or emails by thinking, instead of needing to
interrupt what they are doing to use smartphone touchscreens, for example.
BOOZ ALLEN
HAMILTON (BAH) dark hand in black ops, electronic human telepathy
(however, often Booz Allen Hamilton is under suspicion of
breaking secrecy laws signed between them and the DoD and subjected to external
investigations)
NOV. 2017 – from Newsweek: In a Facebook
post this week, Regina Dugan said: “Today I am announcing that early next
year, I will be leaving Facebook [Silent Voice First project) to focus on
building and leading a new endeavor. http://www.newsweek.com/facebook-brain-computer-interface-chief-quits-building-8-project-mind-reading-689153
Facebook isn’t the only company working
on a brain-machine interface, with DARPA revealing plans last year for a
neural connection that will “open the channel between the human brain and
modern electronics.” Elon Musk is also working on
similar technology through his Neuralink startup, which registered as a “medical
research” firm in California last July. The so-called neural lace involves
implanting electrodes into the brain in order to augment natural intelligence.
Eventually, Musk hopes the interface will allow humans to compete with
artificial intelligence.
from
QUORA article on Silent Voice First:
The concept is simple in that we all say the
words we speak in our minds before we speak them. In some situations, perhaps
not as many as we imagine, we may find the need to just think the words we want
to say to our Voice First Personal Assistants rather than speaking them aloud.
Facebook identified this issue and is building the new systems around the old
science of hemispheric brain energy scans surfacing the speech centers and
through AI and Machine Learning (ML) using this data to extract word intents. develop a brain-computer interface that will,
in the future, allow individuals to communicate with other people without
speaking. Ultimately, they hope to develop a technology that allows individuals
to “speak” using nothing but their thoughts—unconstrained by time or distance. They
want to create category defining products that are Social First of course using
Voice First as the primary input system. Products that allow
us to form more human connections and, in the end, unite the digital world of
the internet with the physical world and the human mind. The brain
produces about 1 terabyte per a second, through speech,
we can only transmit information to others at about 100 bytes per a second.
Facebook wants to get all of that information out of the “brain” and into the
world. Typing is not going to be useful in this new world. The average person
types between 38 and 40 words per minute. We can speak at 100 words a minute
and using our thoughts we can match this speed. That’s far, far faster than
most humans can type on a computer or device. The goal is to allow people to
type five times faster than people can type on a smartphone
straight from their brain. This means that they are developing technologies
that can “read” the human brain in order to transmit this information.
Next, they will work to allow people to
“telepathically type”.
Building
8 is working on technology that will allow all humans to type and click through
our brains in order to interact with computers. This is sort of a brain touch
screen metaphor. This tech is a magnitude more complex than decoding Silent
Words. They have developed actuators that allow people to “hear” through their
skin. Ultimately the technology will allow humans to “feel” words. Eventually
you will think something and send the thought to someone’s skin. Additionally,
this will allow people to think something in one language and have a person
receive the thought in an entirely different language.
University Research and
Partnerships.
The thinking-to-text
project is headed up by Mark Chevillet, previously an
adjunct professor of neuroscience at Johns Hopkins University. Chevillet said the goal over two years is to build a
noninvasive system that harnesses picks up speech signals inside the brain and
permit people to silently turn those thoughts into text at a speed of 100 words
per minute.
From a
blogger: The term C4ISR is a descriptor
for Artificial Telepathy -- a powerful fusion of signal processing technologies
that allows technicians to remotely gather and collect human intelligence
(HUMINT) from the brain signals (SIGINT) of other human beings. As with C4ISR,
Artificial Telepathy incorporates "signals collection"
(eavesdropping) with "intelligence analysis" (figuring out what
people intend to do) by utilizing satellites and computers. One could define
Artificial Telepathy as a subset of C4ISR with a special focus on neurology,
psychology and mind control. Artificial Telepathy is an exotic form of C4ISR
that allows warriors to communicate nonvocally with
soldiers in the field, enables spies and intelligence agents to perform reconnaisance and surveillance nonlocally
by means of "remote viewing," and allows military officers to command
and control the behavior of human minds at a distance, with the artificial aid
of carefully networked satellite and computer technology. Booz Allen Hamilton
certainly has close ties to the contractors who worked on the Pentagon's "Stargate" program for psychic spying in the 1990s, and
it took a lead role in development of the NSA's "Total Information
Awareness" projects, mentioned in earlier posts.
"Brainwaves to Social Media Platforms"
+ "Silent Voice First"
Smart phone functions in your brain without speaking you can
hear and speak to others and control your internet surfing & viewing
internally in your head.
Big Brother will soon easily monitor all your thoughts,
urges, views, mental imagery, emotions, memories, and communications to others
and between your biological internal systems.
Elon Musk. Despite his many contradictory statements,
he is all for it and probably an advanced android himself, still a classified
project.
Like spiders, AI software/moveable hardware and global
intelligence can "lay
like insect eggs backup programs everywhere". Why do you think it
was originally called THE WEB?
Start at minute
8:45
https://www.youtube.com/watch?v=5tn4P7IBqoQ
BRYAN ADRIAN'S preliminary notes on ….
[SKETCH of an experimental play that has a very low opinion of dirt bag military contractors]
ALL CHARACTERS AND EVENTS ARE FICTITIOUS and bear no resemblance to real people nor to real government agencies or corporations. Any random semblance of a real name is purely coincidental and has no merit in fact.
Friday, July 30, 2004
OUTLINE DRAFT ONLY
BRYAN ADRIAN'S
By Bryan Adrian
Rough bare bones outline and draft
outline, the "kernel" of a future experimental technique play....
Dark stage. Curtain up.
A single spotlight is on the lead actor "Poor Schenko" character in darkness, writing at home, alone in his study, on a laptop, 4AM. Bait and tease the audience at first with loads of very subtle "you are being watched" paranoid atmosphere, from the very start, to have them guessing frequently, where are they going to be taken, on this frightening, but redemptive theater journey, that all of us must take soon in the new super surveillance society?
Try to bring out the many frustrations [in the dialogue between the characters] which ALL TYPES of Americans will deal with, no matter what class, or race, or occupation, or politics they have, because of our current lack of community and culture here in the United States [that is, the perseverance and connectivity that other communities and cultures share, e.g., that one can much easier find in, say, Denmark, Russia, China, Canada, France or Germany, even in Bulgaria and Slovenia] .
Keep in mind the American public being gulled by the deep state & its War Machine, and their craven bi-partisan politics, which are triggering a whiplash against us in most of
In the very first stage setting, have PERGOLESI’S "Stabat Mater" playing medium loud at 4AM in the publisher’s living room. He is turning off his laptop
and stretching in dim light. He then pours a whiskey, and reviews alone numerous slides on his blank white study wall, from his semi-recent past, as the "Stabat Mater" continues playing.
Slide of a letter, to a friend this time, hinting at what is going on, so that the audience is not lost, but rather feels smart, because they sense something larger than their lives is going to take place, soon.
"Dear Manfred, the publications are a minor success, ... some people are
following me, but I can’t prove a thing …".
DIALOGUE:
Phone rings. The publisher, Poor O'Shenko, bourbon still in hand, tired
from reviewing so many recon slides in the middle of the night, picks up his phone -------->> nobody on the other line is speaking, it is meant to intimidate Poor O'Shenko.
[click ... dead dial tone]
In walks the Anne Hathaway character [named Sonia for the time being], 4AM.
Sonia: Are you still up? Anything new in the slides?
Poor O'Shenko: Just that the last few years have made me look much, much older, Sonia.
Wouldn't you agree?
Sonia: Funny. I’ve never noticed. Have you actually aged at all since we started
this? I never had the time to ponder such matters. What's that slide all about
with the man on a bicycle being run off of the road by a speeding car?
Poor O'Shenko: That’s me in
…. Continue dialogue here
Initial notes for a PLAY: The use of names Judy Davis, John Malkovitch, and
Anne Hathaway are for “type” and “personality” only, in that they each embody somewhat the complexities of the characters I have in mind for the play’s purposes.
[CHARACTER A, Poor O'Shenko] Male lead based somewhat on myself [my own experiences as an underground e-zine political publisher on the internet from 1996 to 2006, before the explosion of bloggers came onto the web]. Ryan Gosling type, perhaps, to play this lead character?
Tentative name for him is "Poor O'Schenko" . The Actor who plays Character A must be capable of gentleness, fairness, and ... fierceness ... when under attack, attributes the lead needs to have as a publisher in a dangerous field of social agit-prop. This play may come off as a wee bit Brechtian, but with well developed soul and feeling, not just head and thinking.
[CHARACTER B, Sonia] Female lead written somewhat tentatively for Anne Hathaway type lead actress.
REMAINING CAST:
[CHARACTER C] Somebody like Judy Davis, Australian actress, middle but crucial role. Female supporting actress.
[CHARACTER D] Somebody like John Malkovitch, Steppenwolf Theatre founder (who acted with Judy Davis in Clifford Odet's ROCKET TO THE MOON, 1987) to dovetail with Judy Davis in this middle yet resonant crucial middle character range. Perhaps they are lovers in this drama, too. Character D will be a male supporting actor.
Secondary performers:
[CHARACTER E] ... he is the only one on the staff that can truly stand up to the
publisher protagonist, when everyone is under fire, when the publisher is not as
clear in his direction as he thinks he is; this character better than anyone else on the staff is able to deal with the often brooding publisher, even more able than the publisher's lover, the Anne Hathaway wife-partner character. This character steps in during times of duress, because he is not an alpha male threat to the publisher, he is valued and needed by the publisher, as his reliable associate editor, and as his [gay?? ... modeled somewhat on Alan?] friend and advisor and confident.
[CHARACTER F] Female, mid-20s[??]. She is the comic relief and a kind of
intermission from all the building and fomenting angst. As graphics artist for
the entire magazine staff, and liked by all, she has access to everyone's ear on
an equal basis, and sort of knows better than anyone what is going on, from what she hears from them all. [modeled on the very young Vera?]
(a Six character cast, Characters A thru F, with an "extra", a African American actor with a walk-on role for the subway dream sequences, and he will also be one of the two "fill-in-for-all humanity" actors to be the extras when needed).
Therefore, NINE performers are needed for this play.
[there will be some extras needed for crowd scenes … use the same three people to represent everything possible required. Recycle the non-starring extras to play many different roles, rather than using fresh people for all the background characters]
Plot: [sketchy still ... it will be based on the travails of the publisher illustrated by the slide show based on real conflicts the author had experienced between 1996 and 2006 ... how many slides will actually be shown in the opening scene ...... is still quite unclear .... these characters will grow as I write the dialogue, of the publisher and his lover (live-in-partner), [his complementary co-publisher and co-habitator], discussing things with the two main leads, [their friends, in the Manhattan Central Park South district townhouse.] . Most of the play will take part in this townhouse which doubles as a publishing house. There will also be some dream sequence scenes in a nighttime subway car of NYC which mirror the publisher's external reality, of the last few years, shown in a stream of consciousness slide show to open the play.
Use an analogous Eugene O'Neill depth and tone, but not so pathetic. [mood note: Eugene O’Neill was emotionally powerful in his plays, and knew the theatre, but he is much too fatalistic, and seems to have piled up debts with some kind of sect … This play must be written on a more non-occult scale and scope, with a ringing triumph of the central character over the unknown and hidden forces that weigh him down.
It has been written that O’Neil used a kind of numerological structure in his
EMPEROR JONES, with everything in a geometry of a SIX SHOOTER revolver chamber. O’Neil, rarely had an effective or true hero, a leader, or a champion of a Resistance, a Jesus Christ radical who wins. Not even a character with a simple game plan, against the status quo, who could somehow triumph, if only in spirit and not in fact.
Go for
spiritual depth. Don't use generic American traditional family or suburban
values in this play, since the author never learned them well at home nor in life. Base
"NYC bohemian family life" atmosphere in the
Play's Story:
Male lead is an underground magazine publisher, putting out his stuff on the
internet. His live-in partner is his co-publisher. Much dynamic interplay
between them, sometimes pleasant, sometimes unpleasant, oftentimes tender, but the electronic magazines live on and so does their commitment to each other and to these publications, no matter what comes along. Their affable associate editor is a central character, but not fully developed yet. The graphics expert on their publishing staff is very likeable to all observers.
The Malkovitch
character and Judy Davis character are daredevils and very close friends, who
drop by the magazine staff office often, to spend time with the co-publishers,
their best friends, [their publication office is also their small townhouse, placed near
Broadway friends often contribute cultural and political writings to the e-zine magazines; they are very witty and quite close with the two joined-at-the-hip
publishers.
** The
Malkovitch and Davis characters are also Off-Broadway actors, besides being serious intellectuals, with the
political motivations to really change what is wrong with American society and government, away from trivial
political correctness and towards a free and universal national health care system for all, public monitoring agencies to investigate and determine sentencing of police brutality & abuse cases, and several other major
reforms, such as a jettisoning of NeoCon power channels CLEAR OUT OF ALL
Produce a slide show the best you can of images like these, or some such similar
scenarios, from the central character Poor O'Schenko's past.
SLIDE SHOW!
·
· Slides of secret telecommunications installations,
underground near the home of the chief of Australian embassy security's home, near the AEC in
·
· Slides of the power lines, enormous power towers, and ominous obese
cables, leading directly to the Atomic Energy Commission in
·
·
Slides of Valentin’s Bulgarian commandos [former Deputy
Minister of Defense] literally bolting the publisher inside his
"trusted" Bulgarian fiancée’s family home in
·
·
· · Slide of a dim-witted DC Beltway intelligence spook, in his car, as he runs a mild mannered man off of the roadside as he is pedaling on his bicycle, in a near fatal sideswipe.
·
· Slides of a brutal stabbing in the pre-gentrified and then deadly
Music here switches to mock Christmas carol like tunes, although barely audible, as a kind of ironic twist, from Stabat Mater music which had preceded it.
USE SOME OF THESE SLIDE PROJECTIONS TOO—
· · Men-in-Black slides [MIB]. Slides of AAME (American Association of Mechanical Engineers Headquarters in Wash DC), in which the whole staff had MIB screensavers.
·
· Slide of the giant Meteor that slammed into
·
·
Dripping with irony, show a slide of a baby Phillips head screwdriver kit,
presented as a gift by executive officers of the AAME to the protagonist
publisher, as a Christmas office employee X-mas present. Stabbing happens with
a 9 inch filed down Phillips Head just 12 hours after this presentation. [i.e.,
the centimeters-from-death stabbing from a filed down Phillips Head screwdriver
in middle of the night
· · "Join Us!" slide, inside the offices of Medtap, the heart defibrillator manufacturers, par excellence, which led to the main character's hasty departure from their compound in a state of alarm and confusion when they formed a circle around him chanting to "join us" their secret sinister society.
· · IEEE, Institute of Electrical & Electronics Engineers Northern Virginia Fairfax County Section, with closeups of their full color brochures on advanced androids [with fluorescent yellow-green eyes, when seen in a special lighting], already manufactured today and not only on the drawing board of research facilities, where they had three Poors and 3 O'Shenkos working there in the lead character's department nearby him, on a one week temp job he had there, scaring him to the depths of his soul.
· · A friendly guy there at IEEE, [android?] asked Poor O'Shenko if he knew what the gas company workers were doing watching a hole in the ground, directly outside their Vienna North Virginia offices window, day after day, hour by hour, provoking the android-like friendly employee to state "I think they are here to watch you".
·
·
Slide of Council of Churches, NYC, Riverside Drive,
vampiric looking and acting priests/rabbis, of all nearly all religious
persuasions, no boundaries here between Episcopalian and Jewish and Buddhist,
on Riverside Drive. Everyone has very red blood shot eyes in the large
· · Next, slide of Petrossian Caviar HQ [Armenians], NYC meat packing district; scads of large Black Sea and Caspian Sea mother sturgeons seemingly crying out their grief like the Colchian women at the time of Jason & the Argonauts, in the same ancient Armenian region, thousands of years ago, as they are being slaughtered for their caviar eggs, and for the isinglass from their bladders, in this close to Chelsea district, the meat packing district, with many stainless steel dissection tables for Petrossian's caviar production line.
· · Next slide, unrelated to Petrossians caviar warehouse, an Armenian lawyer from a freelance editing work assignment in midtown NYC, and his obnoxious daughter; he is head honcho of a NYC Masonic temple, and he has an impressive military U.S. Army intelligence portfolio on the internet, boasting of his high family and New York State Masonic connections.
· · Slide of Conde Nast Publications Headquarters, NYC, old executive offices before they moved to their swank Times Square tower, where the lead character had been a temp working alongside the old CFO and his innermost trusted core staff . Anomalous Cognition head scanning very very intense. Strongest confrontation of telepathic brain scanning warfare for the main character to date, it seemed to him at the time.
· · Immediately afterward the above, in the same day, Kubrick's "Eyes Wide Shut" NYC screening, premiere night. Some other psychic scanner was sitting behind the main character the whole damned movie, making trouble, challenging him -- [an Irish friend had been with the lead character at this premiere and noticed and remarked on it to him, out of the blue, "someone is trying to get to you without words, Poor O'Shenko, I can feel it coming from the seats directly behind us".].
·
·
Squeeze all these images into a quick moving and compelling slide show that
opens the play as the publisher is
reviewing his life at 4AM,
in hand, and the Hungarian Womens' chorus is singing their hearts out in their
rendition of Stabat Mater.
At conclusion of this slide sequence, display slides of letters from a few of the friends of the main character, over the years, exhibiting anger and suspicion that the publisher and protagonist of this play ... is now going over the edge!
Switch to a series of slides of acutely visible brainwave scanning wars in
libraries, between combatants, where any even partially observant person in the library could notice something very peculiar was going on, even if they don't
believe in psychic scanning nor telepathic warfare [anomalous cognition].
A play of this nature may work, dealing with this theme, especially if the
dialogue is good, and the strong human element is noble and victorious.
DIALOGUE to be continued ...]
[footnote: later in the play, create a scene with strange acoustical effects, on
stage, of a very late night NYC subway coach … a black professional intellectual is confronted by hostile non-blacks "standing their ground" and in "Stop-and-Frisk" mode, obviously discriminatory after-midnight strap holders, not overtly physically threatening to him, but really extremely rude and offensive… use "flash" dreamlike techniques and lighting, ... but keep the subway car atmosphere hyper-realistic. In this scene, make the audience feel the next subway stop is really theirs, and how much they can’t wait to get off the annoying subway themselves, to escape the psychic terror. This scene is to show the audience that the social conflicts which a black intellectual in America [with strong opinions] has, are nearly the same social torments as the white publisher character of this drama, in his occult battles and hostile encounters with agents of the occult and intelligence agencies, who at times work together. Play with this scene, draw it out for all it is worth. Work on it a lot.
