Innocence

 

I’m all out of faith

This is how I feel

I’m cold and I am shamed

Lying naked on the floor

Illusion never changed

Into something real

I’m wide awake

And I can see the perfect sky is torn

You’re a little late

I’m already torn

-          “Torn,” Natalie Imbruglia

 

 

Sark can’t imagine just walking away.

 

“If I don’t see you again, Mr. Sark, tell Irina I hope you both succeed where I could not.”

 

What kind of pansy-ass cop-out is that? Not that he cares much for Sloane, or will miss working with the maniacal asshole – honestly, he hasn’t done so much ego-stroking since, well, never – but it’s the principle of the thing. Thirty years, a lifetime of deceit and betrayal, tossed away over a woman?

 

Sark feels superior to Sloane. Hell, he feels superior to Irina. He doesn’t need to humanize himself by pretending to have relationships, by deluding himself that he could ever love or be loved. He avoids connections where they seek them out. Nothing holds him back from what he wants; nothing constrains him. Love, like a conscience, is a luxury someone serious about the game can’t afford.

 

He sips wine – a vintage merlot, the inn is small but the liquor selection is fabulous – and savors the sweet mushroom sauce on his slice of lamb. A .9 millimeter hides underneath his tailored black suit-jacket. The waitress recognizes him; he comes here as often as his job allows these side trips through the French countryside.

 

The inn is family-owned and out of the way, not the sort of place to be frequented by any one other than locals, and few of those. Rustic and quaint with none of the cliché. A place where a man like him can find a small measure of peace. Exposure is not an issue here – here he is just a traveler, some anonymous businessman with an appreciation of fine wine who occasionally drops by for a meal and a night’s sleep.

 

No one knows he comes here.

 

Right now, he should be in Cyprus, planning ways to recover the Rambaldi heart with Irina. After all, Sloane left him in charge.

 

But he wants away, for a few days. Time to clear his head, to plan the next move. The loss of the Rambaldi heart infuriates him. He prefers taking care of business himself, not arranging hits through clandestine phone calls to fake limousine companies. Another aspect of Sloane he despises – the man never wants to dirty his own hands.

 

Guilt has never been a problem for Sark.

 

Anyway, he sure as hell wouldn’t have been bested by the goddamn fucking CIA if Sloane had sent him to handle the job.

 

Tonight the dining room’s only other patron is a young brunette. She sits at a booth diagonal from his, drinking water and toying with a salad. She seems engrossed in her book; he can’t see the cover but imagines it’s some racy mystery novel. Her low-slung jeans, simple black tee-shirt and strappy sandals scream American tourist as loudly as the French dictionary at her elbow.

 

She catches him staring. Their eyes lock for an instant, and he lifts the corner of his mouth in a quick smile of greeting. She hesitates before flashing an uncertain smile back. They look away at the same moment, the air between them tingling with the brief connection.

 

Outside, a soft rain drums against the windows.

 

The waitress brings his check and asks if he would like his regular room. It’s these small touches that make this place so desirable – his last visit was, oh, six months ago, and they remember which room he prefers. The one in the east corner, with a view of the garden and easy access to the back exit, just in case. He can never be too careful.

 

Sark thanks her in flawless French and finishes the wine. He never drinks to the point of intoxication; he could never allow himself to lose control that way. But tonight the warm caress of the wine in his throat makes him hungry for a measure of excess.

 

When the waitress returns with his key, he asks for a bottle of merlot to take up to his room.

 

She stops at the young woman’s table on her way to the bar. He stares out the window at the misty rain but can’t help overhearing their jumbled attempt at a conversation: the waitress doesn’t speak English, and the young woman doesn’t speak French.

 

He briefly considers ignoring it. Hasn’t he just been congratulating himself on avoiding unnecessary human contact? Only the memory of her dark eyes, the thought of the soft tingle in his stomach when their gazes collided, intrigues him.

 

He crosses to them, touches the waitress’s elbow lightly and translates the young woman’s request: “Mademoiselle would like a room for the night, please.”

 

The waitress laughs, apologizes profusely to them both in French, and hurries away. Sark lingers beside the table, grinning at the girl. She grins back, without hesitation this time.

 

“I have no idea what you just said, but thank you.”

 

An East Coast accent – probably Boston. Definitely American. He sits when she waves him into the seat across from her, keeping his legs angled outward to suggest he doesn’t intend to stay long.

 

He doesn’t.

 

“I asked her to give you a room.”

 

She sighs. “I’ve been trying to work up the courage to do that for two hours. I’m so embarrassed to not know their language. American ethnocentrism, right?” She laughs and shakes her head, and he likes the way her sable-colored hair falls softly across her cheek. “I’m Jessi, by the way.”

 

Ah, the name. Always so important. They all want to know his name – Jack, Sloane, even Irina. He enjoys anonymity – the ease of slipping on a new name and a new identity as casually as most people pull on a clean pair of socks. He doesn’t need the illusion of a real life, a normal life, a life outside of their twisted, sordid little world.

 

He thinks of Sydney and her quickly-unraveling psuedo-life, and he feels superior to her, too.

 

Tonight he is... “Ethan.” They shake hands across the table. Her fingers are light and slender in his; he holds on for a second longer than he should, and, he notes, she doesn’t resist.

 

The rain picks up a bit outside, and a hint of thunder growls in the distance.

 

Jessi lays her book aside. Not a murder mystery – Sense and Sensibility. Sark isn’t usually wrong about even the smallest details of a person, so the surprise intrigues him even more.

 

“Are you here on business?” he inquires.

 

She tucks a strand of hair behind her ear – good Christ, who does that remind him of – and admits, “I’m actually supposed to be on my honeymoon.” He arches an eyebrow, and she looks down at the table, grinning sheepishly. “Leave it to us Americans to just come right out with it, huh? Sorry.”

 

“You can’t possibly stop there. I may be British but I’m not stuffy enough to pass up a tragic love story.”

 

She laughs at that. He surprises himself again by laughing with her.

 

The waitress arrives with their room keys and Sark’s bottle of merlot. He asks for two glasses, and she grins a bit knowingly at them as she walks away. He wonders how many times she has witnessed this same scene – two strangers, alone in a remote and charming little inn, seeking a human connection in a lonely, savage world.

 

Only he prides himself on not making those connections.

 

This, of course, could be simply a diversion, nothing more – merely a way to take his mind off the wrench Sloane just threw into their plans by packing up his over-wrought grief and finding another sandbox to play in.

 

Over half a bottle of merlot – she does most of the drinking, he sips at his and keeps pouring for her – Jessi tells him about the successful Wall Street lawyer her successful Wall Street lawyer father wanted her to marry, and the day three weeks ago when she came home early from her NYU art class to find her fiancé in bed with an old girlfriend.

 

Not a new story. He suspects the same one has been told in countless bars across the world since nearly the beginning of time, with only minor variations to the characters’ names and lives. Love invites betrayal.

 

Only this one does have an interesting twist. “So,” she concludes, giggly from the wine, “my father shows up on my doorstep two days ago, the day I’m supposed to be getting married, and tells me he isn’t going to let me throw away the best thing in my life just because Mitch made a stupid mistake. I mean, can you believe it? My own father is telling me this scum-bag is the best I’ll ever do. He’s ready to drive me to the church because – and this is the best part – they never cancelled the wedding! He and Mom just assumed I would go through with it if they just got me there somehow. Isn’t that the most ridiculous thing you’ve ever heard?”

 

Well, not quite, but for most people it would be so Sark nods sympathetically and tops her glass off for the fifth time. “What did you do?”

 

“I let him take me to the church. I got into my wedding gown even. And I’m standing there, looking at my reflection, and there’s like five hundred thousand of our closest friends and relatives in the chapel,” she giggles madly at that, “and I looked at myself and thought, ‘I don’t want to marry this guy.’ So I just went down the hall, knocked on his dressing room door and handed him the ring back. Then I got in the limo and went to the airport and flew to France for our honeymoon. Why waste a perfect vacation, right? The only problem is,” another uncontrollable giggle, “Mitch is the one who speaks French. So I’m completely – what’s that word you British guys use? – buggered, that’s it. I’m completely buggered.”

 

The waitress appears and asks quietly if they need anything else. She looks slightly disapproving, and he realizes they must want to close the restaurant. It’s nearly midnight.

 

He pays the checks – his and hers – and Jessi is too drunk to notice. He offers to walk her upstairs; she stumbles into him when she stands. “How much did I drink?” she asks, sounding somewhat alarmed. “I never drink. I haven’t had a drink since I was, like, sixteen, at my junior prom.”

 

Sark slides his arm around her waist to steady her as they climb the winding, red-carpeted staircase to the second floor. She leans into him. She’s waifish, not usually his type – he prefers women with curves – but she fits nicely against him, and he can’t help but think that she would fit even more nicely under him.

 

He doesn’t deny himself physical pleasure, but he is careful about the sort of woman he chooses for those rendezvous. Not prostitutes – he would never pay for sex; it would strike too deeply at his pride to think he couldn’t seduce someone if he wanted. He looks for women with a certain crassness and a certain cynicism, though. Women who don’t expect him to call the next day or even stay through the night. Women who want the feel of his body and his lips the same way he wants theirs, but nothing more. 

 

Jessi meets none of those criteria.

 

He wants her, of course. He can admit that to himself. Sark can’t afford illusions.

 

She nuzzles his neck with her nose when he unlocks her door, and his heart rate triples. Her small hands tug at his shirt, untucking it in the front, pulling him into her room by it. She stretches on tip-toe to reach his mouth, and for a moment, he hesitates, torn between the desire building low-down in his stomach and the warning throbbing in his mind.

 

At the last possible second he moves back, steps away and holds her at arm’s length. “You’ve had too much wine,” he protests.

 

She frowns, pouting in a very sexy way. He likes how her features aren’t quite centered; she isn’t beautiful in the classic sense, but she’s striking, the delicateness of her tiny bones reminding him of a fragile baby bird.

 

He wants to protect her, and that’s dangerous.

 

“I’m a big girl. I can do something wild and crazy for once,” she argues, cornering him against the doorframe and unfastening his tie. He hesitates again, thinking how warm and soft it would be inside of her. She kisses his jaw, just below his chin, and he shivers without meaning to.

 

She presses up against him. He can feel the heat of her body through their clothes. “C’mon, Ethan,” she purrs in his ear, curling her fingers in the waistband of his pants. “This is supposed to be my honeymoon, isn’t it?”

 

Ah, there it is. She’s lonely and hurting and vulnerable, and while he hardly considers himself an altruistic man, he knows the walking away would not be easy. She would have expectations.

 

A man like him has nothing to offer a woman like her. Not even empty physical comfort.

 

So he pushes her hands away, gentle yet firm, and says with a finality she doesn’t argue against, “It was nice to meet you, Jessi. Good night.”

 

*           *           *           *

 

He undresses slowly and soaks in the claw-foot tub for over an hour, losing himself in the squealing guitars and pounding drums and roaring lyrics of Metallica piped in through his headphones.

 

He does have a weakness for American heavy metal.

 

The bath doesn’t wash away the feel of her, but it leaves him calmer nonetheless. Calm enough to contemplate his next move.

 

He needs a good night’s sleep – working feverishly to stay one step ahead of the CIA in the Rambaldi game since the Alliance’s downfall has left him veritably exhausted – and then he’ll fly to Cypress in the morning. Report Sloane’s abrupt departure to Irina and plot some way to steal the Rambaldi heart back from the goddamn interfering CIA.

 

In the dark bedroom, he steps into a pair of boxer shorts. He never admires himself in the mirror. Vanity he allows himself – the thousand-dollar suits, the Italian-leather shoes, the genuine Rolex watches – but he draws the line at narcissism.

 

When he was sixteen, a Russian arms dealer threatened to carve a chunk out of Sark’s cheek if he didn’t offer up information on The Man’s whereabouts. The idea of being permanently scarred frightened him more than the pain, and he caved. After that day, he stopped permitting himself to admire what he saw in the mirror.

 

Still, he knows he is a good-looking man. He works out religiously, not so much for vanity as for necessity; his job description, obviously, includes hand-to-hand combat, so he can’t afford to be soft or out of shape. But he sees the way women look at him, the way they admire the lean body beneath the expensive clothes, the way they melt when he flashes his dimpled smirk at them. Even Irina looks at him appreciatively now and again. He enjoys it, superficially.

 

It’s women like Jessi that make him nervous. Women that stare searchingly into his eyes, curious about the man inside. Like a certain female CIA operative who shall remain nameless.

 

He stows the loaded pistol in the bedside drawer and crawls between the silk sheets. His limbs ache from weariness, but as usual, his mind refuses to shut off. He closes his eyes, trying to remember a time when sleep came easily, when he didn’t have so much to worry about.

 

He half-expects the knock at the door.

 

Briefly, he toys with the idea of not answering, pretending to be asleep. It’s taken her almost two hours to work up the courage to knock once; he knows she won’t knock again. He can lie here silently and listen to her footsteps pad away sadly down the hall, then rise early enough to be gone before she wakes in the morning.

 

Just become a memory to her. A wine-fuzzy memory of a handsome stranger who stumbled into her life one rainy night in France when she needed a friendly ear to pour her heartache out to.

 

Only he wants to be more.

 

“Coming,” he calls. Some old-fashioned sense of chivalry dictates that it would be tacky to answer the door half-naked, so he pulls the black suit pants and white undershirt back on as he crosses the room.

 

She looks forlorn and frightened standing there in the dimly-lit hallway. They don’t speak; he just opens the door wider, and she steps in around him.

 

“Would you like a drink?” he asks, retrieving the bottle from the dresser and pouring some into two paper cups before she can respond.

 

“I think I’ve had enough,” she says, and drinks it anyway.

 

The rain beats a steady rhythm against the windows. The room is dark except for an occasional flash of lightning, silent except for an infrequent rumble of thunder.

 

They sit on opposite ends of the small sofa. Sark angles himself toward her, tucking one leg up underneath him. She draws her knees up and rests her bare heels on the coffee table, still wearing the tee-shirt and jeans from before. The silence stretches on without becoming uncomfortable; it’s merely expectant, waiting for one of them to close the small distance between them and put aside the need for any words at all.

 

“I really made a fool of myself back there, didn’t I?”

 

He refutes it immediately, as she knows he will. “No. You’re a beautiful woman, Jessi.”

 

She tucks her dark hair behind her ears again, reminding him uncomfortably of another woman he’d rather forget. “But you’ve just lost someone you cared about deeply. I couldn’t possibly take advantage of that.”

 

She looks at him. In the darkness, all he can see clearly are her wide, curiously innocent eyes. “What if I wanted you to?”

 

Her voice, low and husky, destroys the last of his resistance.

 

There will be consequences, of course; Sark accepts that what he’s about to do is a mistake before he even makes his first move. Better to accept the risk outright than to languish in denial and wait, unsuspecting, for it to sneak up on him.

 

Dropping his empty cup to the floor, he clasps her knees and swings her legs up onto the couch, stretching himself out on top of her and running his hands up her sides to cradle her head. She’s so small that he’s careful not to press his full weight down onto her, afraid he might crush her.

 

She tilts her chin up and meets his lips eagerly, sliding her palms up underneath his shirt and bending her knees to draw his hips more firmly against hers. Her kiss is hungry, full of passion and longing, and he matches her ardency, pushing her lips apart with his tongue and stroking the tender recesses of her mouth. She tastes like wine. Her tongue glides along his, velvety-soft and inviting.

 

He eases back momentarily for her to slide the shirt off over his head. Then his mouth is back on hers, rough and bruising. He slides a hand under her shirt and discovers she isn’t wearing a bra; her small, firm breasts mold perfectly to his palm, and he pushes the material up over her navel, drops his mouth to the taut olive skin where her rib cage meets.

 

“Ethan,” she gasps, as his kisses trail across to the tip of her breast. She shifts underneath him, and he lets her roll him over, grasps her waist and settles her onto his hips.

 

She’s so light, he could lift her with one hand.

 

Again the urge to protect her. He knows he should stop; he doesn’t just want one empty night with this woman, he wants to know who she is, to wake up beside her, to call from the airport and find she’s waiting for him at home.

 

He’s too jaded to believe in love at first sight – or love at any sight, really – and too cynical to believe this even has anything to do with her, a perfect stranger.

 

It has everything to do with his growing realization that one day very soon he may reach the top, and he will have no one to share that victory. He feels superior to Sloane and Irina and Sydney and Jack, but he envies them, too.

 

So he should, of course, tell Jessi to stop. Tell her they’ve both had too much to drink – he isn’t drunk on wine, but he sure as hell is drunk on unwelcome emotions – and send her back to her own room. Whatever desire she’s awakened in him can be easily remedied tomorrow night in Cypress, with some random and much safer woman picked up in a bar.

 

Except she knows, somehow, almost instinctively, the most sensitive spots on his body, and he can’t bring himself to end it. Her lips are warm and full on his neck, his chest, his stomach; she sucks on the tender skin above the hollow of his throat, nibbles on the bony protrusion of his collarbone, traces the outline of his ribs with her tongue. She slides the pants off his hips, and Sark knows he’s quickly slipping past the point of no return, but he’s very close to not caring anymore.

 

Hasn’t he earned some fucking complications in his life?

 

He carries her to the bed; she’s practically weightless in his arms, clinging to his neck and grazing his earlobe with her teeth. He deposits her on the edge, kneels in front of her and reaches for the hem of her shirt.

 

Her hand closes over his wrist suddenly, and he looks up to find her chocolate eyes abruptly tinged with fear.

 

“What is it?” he asks, his voice rough with passion.

 

“I’ve never...” Jessi hesitates, a touch of color creeping into her cheeks. “Mitch and I were...waiting...until we got married.” She swallows audibly. “I’ve never...done...this...before.”

 

Holy fuck. A virgin.

 

He knows some men get off on the prospect of bedding a virgin. For him, it’s unsettling, the idea that someone so cold – a purposefully heartless person like himself – could defile that kind of innocence.

 

He drops his head, closing his eyes while he composes himself. The irony is not lost on him: He wants her because she’s innocent, pure and removed from all the stains on his life. But if he possesses her, consumes all of her the way he wants to, he transfers those stains onto her.

 

He will take away something she can never recover, and do it knowing he will abandon her in the morning.

 

Her fingertips brush the underside of his chin, tilting his head and his gaze back up to her. The fear is gone, replaced by a sharp resolve.

 

The wind blows fiercely against the windows, rattling them. The raindrops sound like bullets, the thunder like explosions.

 

“I want this,” she says, pressing a finger to his lips when he starts to protest. “I want this to be with you.”

 

How can you? he almost says. You don’t even know me.

 

But he doesn’t. He doesn’t say anything. He just allows her to draw him to his feet, stares into her trusting dark eyes as she slides the tee-shirt off over her head and drops the jeans and a pair of lacey black underwear down to her ankles, and follows her down onto the bed, sealing her mouth with a scorching kiss as he pushes her knees apart.

 

He eases into her as gently as he can, knowing – and hating – that this will be somewhat painful for her. She turns her face into his chest and holds tightly to his neck, digging her nails into his shoulder as he pushes in deeper. A wicked flash of lightning illuminates the room; he glances down at her pained expression and drives forward once more, powerfully, tearing through her maidenhood in a quick thrust that causes her to whimper.

 

Then the agony gives way to a delicious ecstasy. He stares down at her, transfixed, nearly overwhelmed by watching the thrill and passion of someone making love for the first time. Her slender limbs wind around him, her scent envelopes him, her sweat-slick skin slides along his, and he’s lost in her, in the consuming sweetness of her inner warmth and softness, in the sound of her ragged breathing and quiet moans.

 

She comes only seconds before he does. He doesn’t usually give in to the ecstasy; even in the throes of passion, he is controlled, almost reserved. But the intensity of the pleasure overcomes him, and his cry mingles with hers.

 

*           *           *           *

 

He sleeps soundly for the first time in years, her slender body tucked close into his, a light but reassuring weight against his side.

 

He has forgotten how sweet it is to wake up beside someone.

 

She stirs when he eases his arm out from underneath her. Rosy early morning light catches the gold flecks in her dark eyes when she rolls over and smiles sleepily at him.

 

Sark’s heart thuds painfully. A connection. He can imagine waking up next to her every morning for the rest of his life.

 

“I’m sore,” she announces happily, drawing her knees up to her chest. The sheet slips off her arm, and he admires the smoothness of her olive skin, traces the roundness of her shoulder with his fingertip.

 

“I’m sorry,” he says, meaning it. He doesn’t resist when she moves in for a soft, lingering kiss. Their naked bodies meet underneath the covers, and he wants to make love to her again, but he won’t.

 

Instead, he frees his mouth gently from hers and kisses the tip of her nose. “It’s still early. Go back to sleep,” he tells her. She nods and snuggles deeper into the pillow, not noticing that he purposefully keeps his arms at his sides so he won’t wake her again when he rises.

 

He lies quietly until her breathing evens out once more. In sleep, her innocence is unmarred. He wonders if he looks the same when he sleeps, marvels at how alike human beings are beneath the outward trappings, tries not to think about how quickly that serene surface will shatter when she wakes to find him gone.

 

He doesn’t leave a note. He doesn’t leave so much as a cuff-link for her to remember him by. He dresses quietly in the bathroom, retrieves the gun from the nightstand and slips out down the back stairs, calling ahead to the airfield from the road and arranging to have the private jet ready to leave for Cypress when he gets there.

 

He puts the top down on the Mercedes and drinks in the crisp, rain-fresh morning air. The world seems scrubbed clean by last night’s storm.

 

He will never go back to the inn, of course. He supposes he will miss the place, so strangely safe and welcoming for a lonely traveler like himself. It isn’t the memories that will keep him away; no, on the contrary, he would like to go back, to sit on the bed and run his hand over the sheets and pretend it’s her soft skin.

 

No, it’s the possibility that she might be there, waiting for him, that will keep him away.

 

“If I don’t see you again, Mr. Sark, tell Irina I hope you both succeed where I could not.”

 

And Sark knows that he will. Because he doesn’t need to humanize himself by pretending to have relationships, by deluding himself that he could ever love, or ever be loved. Nothing holds him back from what he wants; nothing constrains him. He avoids connections where others seek them out.

 

Or, at least, he knows how to leave them behind.