To Each, His Own

A Tragedy

 

Act One

Scene One

 

Morning.  A restaurant in the city.  Catcher Straub sits at a table with his younger brother Ben.  The two are eating as they talk, though the conversation is quite one sided. Catcher is a thirty year old businessman who wears a gray three piece suit.  Ben is in his mid twenties, and he wears a white oxford shirt with khakis.

 

Catcher:          You know Ben, I have the most beautiful wife in the city.  There are thousands of women who pass every minute, and not a one rivals my Amelia. 

 

Ben:               I admit she’s beautiful Catcher, but the most beautiful in the city?

 

Catcher:         I have no doubt.  Besides, what weight am I to place in the opinion of a confirmed and hardened bachelor?

 

Ben:                Hardened, not in the least(he pauses, and places his fork on his plate) Besides, there is nothing wrong with being single.

 

Catcher:          Ben you’re so naïve. Can’t you see that I am so much happier than before I met Amelia.  She is the best thing that ever happened to me.  Why can’t you find one for yourself?

 

Ben:                One, what? Another Amelia?  (Sarcastically) But Catcher, I thought you said there was none like her in the world.

 

Catcher:          A wife.  God Ben, sometimes you are so immature.

 

Ben:                Well, at least I’m not henpecked.

 

Catcher:          I’m not henpecked.

 

Ben:                No?

 

Catcher:          No.

 

Ben:                You don’t match today.  Do you know that?

 

Catcher:          (Without pausing to contemplate the implications of Ben’s question) Yeah, Amelia is at her mother’s so I was on my own this morning.

 

Ben:                I rest my case, Catcher.  I rest my case.

 

Catcher:          What, just because my wife has impeccable taste, I am to be deemed (using his fingers to quote) “henpecked”?

 

Ben:                Does she still brush your teeth?

 

Catcher:          Now that’s just ridiculous.  She never…

 

Ben:                I know.  I’m sorry.  It’s just that when she says jump, you say how high.  When she calls for you, you drop your life and run to her.  Christ, Catcher you’ve been married for four years and I’ve barely seen you since the wedding. (Catcher motions and begins to open his mouth.) No, wait, I’m not finished.  It seems to me that you’ve given up all that was familiar to you.  When I first saw you today, I didn’t recognize you. When you called out to me, I looked around to see who would respond.  Your walk wasn’t the same.  Once so effortless, today it seemed labored like you were being weighed down by some unseen burden.  Your clothes, your appearance…  You’re a fool, who is so blindly in love with her that you would die for her.

 

Catcher:          Would I die for her?  Did Alcestis die for her mate?  Yes, I think I would…Ben; I’d die a thousand deaths for her.

 

Ben:                Who?

 

Catcher:          Alcestis.  She died so that her husband could live.

 

Ben:                Catcher she has changed you.  Can’t you see you’re not living?  You are merely pandering to her every whim.  You’ve changed.

 

Catcher:          Ben, you’re a fool.  Amelia has not changed me in the slightest.  It’s you who’ve changed.  The brother I had was fearless.  You sound like a coward now.

 

Ben:                (Rather defensively) I’m no coward Catcher.

 

Catcher:          (In appeasement) Easy.  All that I meant to say is that it seems that you are a beaten man.

 

Ben:                Beaten by what?

 

Catcher:          Women.

 

Ben:                How am I beaten by women Catcher?

 

Catcher:          Because you haven’t had a woman for months now.

 

Ben:                I still fail to see how that garners me “beaten”.

 

Catcher:          Oh, little brother, can’t you see that you just aren’t whole without a woman.

 

Ben:                Catcher I don’t need a woman to be whole.  I just…

 

Catcher:          (In sheer disgust, Catcher throws up his hands)  Fine!  Let’s talk about something more pleasant, shall we.  How’s work?

 

Ben:                (Sarcastically) More pleasant you say…

 

Catcher:          Come now Ben, not everything in your life has to be so dramatic.

 

Ben:                Life is but a play Catcher.  And who are we to question the Playwright. (He motions towards the heavens.)

 

Catcher:          The Playwright?  Do you mean to tell me that you believe in all that fate crap?

 

Ben:                I have to believe in something.  It’s what gets me through the day.

 

Catcher:          Why don’t I ever see you in church then?  Amelia and I go ever Sunday.

 

Ben:                I said that I had to believe in something, Catcher, not that I believed in what you believe.

 

Catcher:          So you don’t believe in God?

 

Ben:                That’s not what I said, and you know it.  I have my doubts about every religion Catcher, including the one which you seem to hold in such high esteem.  I don’t think that anyone needs a church to be a religious person.

 

Catcher:          You’re wrong.  The Bible says that the Church is a representation of the body of Christ.

 

Ben:                Yes.  The Bible also says that there are only four true gospels, when roughly eighty were written in the same circumstances as the others. 

 

Catcher:          That’s a lie!

 

Ben:                No it isn’t, but it’s no matter.  Believe what you choose to believe.  Have faith in what you choose to have faith in.  And Catcher, don’t ever tell anyone that they are wrong about their religion.  It’s rude.  And by the by, work is fine.  How’s yours?

 

Catcher:          (Somewhat stunned and slow to react)  It’s…well it’s just fine.  Avery and I are looking to close a big deal this week on that property on the corner of Weston and King Street . 

 

Ben:                Isn’t that were the Paradise Hotel used to be.

 

Catcher:          It’s long since been torn down.

 

Ben:                What are you planning to put up?  A parking lot?

 

Catcher:          Nope.  Condos.  That’s where the money is.  High rise condominiums.

 

Ben:                How is Avery? Is he still married to what’s her name?

 

Catcher:          Do you mean Melissa?

 

Ben:                (Sarcastically) Oh, Melissa indeed.

 

Catcher:          She is a lovely woman who, granted lacks some personality…

 

Ben:                She has as much personality as this fork, (He holds and shakes his fork) and about as much color on her skin as this napkin (He holds and shakes his napkin).

 

Catcher:          I realize that Melissa is not beautiful, but next to Amelia anyone can look homely.  She does, however, love Avery more than he probably deserves.

 

Ben:                What do you mean by that?

 

Catcher:          Oh nothing bad, I just meant to say that she loves him blindly.  She would do anything for him.  It is almost like an addiction.  It’s sad really.

 

Ben:                (To himself) Yes…it is.

 

Catcher:          (Unaware of Ben’s murmur) Little brother, I need to get going.  I have a meeting with Avery and the Sam Watson at eleven.  It was good to talk to you though. (He gets up from the table.)

 

Ben:                Good luck with the condo deal.

 

Catcher:          (Walking away from him, Catcher turns and faces Ben.)  Who needs luck when you’re this good? (Exit Catcher)

 

Ben:                (Aside) And so modest too.

Curtain Closes

 

 

 

Act One

Scene Two

 

Catcher and Avery’s office.  Spartan layout.  There are four chairs positioned around a round table with a projection screen in the background.  Catcher and Avery sit pensively waiting for their client to arrive.  On the table there are three glasses of water and a glass pitcher.  Avery wears a suit also, and he seems to be far more comfortable in it than Catcher.

 

 

Avery:             Where the hell is Sam?

 

Catcher:          It’s not like him to be late.  You don’t think he got cold feet, do you?

 

Avery:             No.  He said the deal was as good as ours.

 

Catcher:          I need this one Avery. 

 

Avery:             You and me both Catch.  You and me both. (Takes a sip of water.) How’s Amelia?

 

Catcher:          Oh, she’s doing fine.  She’s visiting her mother for the weekend.  That old bat hates me.

 

Avery:             I was so sorry to hear about her aunt.

 

Catcher:          (There is a visible mood change with Catcher) Did I tell you about her aunt?

 

Avery:             No, I think Melissa must have.

 

Catcher:          Oh, well I suppose that makes more sense.  How is Melissa?

 

Avery:             Lovely.

 

(A door opens.  Sam walks onstage with a briefcase and sits in an empty chair. He wears a cheap suit and a Stetson hat.)

 

Sam:                Sorry I’m late.  I won’t keep you fellas any longer than I need to.  I’ve got the contract right here.  (Opens briefcase and pulls out a contract)  It’s what we agreed on, and so all you fellas have to do is sign it. 

 

Catcher:          I have a pen.

 

Avery:             Wait a minute Catch.  Sam, do you mind if I look at that before my witless friend signs his life away.

 

Sam:                (Visibly shaken by the question, he stutters the first words.) What’s the matter?  You fellas don’t trust me? (Slides contract towards Avery)

 

Catcher:          Now Sam you know that’s not true.  It’s just…

 

Avery:             We can never be too careful.  You know that.

 

Sam:                Right, but…

 

Avery:             Sam these aren’t the figures we agreed on.  In fact they aren’t even close.  What are you trying to do here Sammy, screw us? (Avery slides the contract back towards Sam.)

 

Sam:                Mr. Unger…Avery….Catcher…you know I’d never try to screw you out of anything.

 

Avery:             I am a busy…we’re both busy men Sam, and frankly we don’t have time for your little games.

 

Catcher:          (Obviously taken aback) What my partner is trying to say, Sam, is that we want to do business with you, but we obviously want what we agreed upon.

 

Sam:                (Pulling a second contract from his briefcase) I think, then, you will approve more of this one.

 

(Avery and Catcher look the contract over, and talk quietly amongst themselves for a brief moment.)

 

Avery:             Ok Sam, you got yourself a deal. 

 

(Both Avery and Catcher sign the contract, and Catcher pushes it back towards Sam, who puts it in his briefcase post haste.)

 

Sam:                Thank you fellas.  I will bring the paperwork by tomorrow morning.

 

Avery:             (Rather sarcastically) It’s lovely doing business with you Sam. (Exit Sam)

 

(Sam rises from his chair and leaves through the same door from whence he came.)

 

Avery:             Prick.

                                                            Curtain Closes

 

 

 

Act One

Scene Three

 

A bar.  Catcher and Avery sit at the bar alone.  A bartender stands in the corner drying a glass.  Catcher and Avery both have glasses of whisky in front of them and sip sporadically.

 

Catcher:          It’s really getting dark early now.

 

Avery:             Yeah it is.        

 

Catcher:          Well…Here’s to condos. (He raises his glass to toast to Avery.)

 

Avery:             To condos! (Raises glass to toast.)

 

Catcher:          I want to thank you for stopping me back there.  You know…stopping me from signing.

 

Avery:             What are partners for?  (They drink.) You know Catch; you have to be a little more careful.  There are people in this world, who will screw you as soon as look at you.  There are people who would think nothing of stealing your very livelihood from right under your nose.

 

Catcher:          Don’t you think you are being a little cynical?

 

Avery:             I might be, but cynical is the only thing that saved us five million dollars back there.

 

Catcher:          Yeah.

 

Avery:             Hey Catch, I hope you don’t mind, but I invited Melissa to celebrate with us. 

 

Catcher:          Oh, sure.

 

Avery:             I would have invited Amelia, but with her being out of town and all...When is she getting back in town? 

 

Catcher:          I pick her up at the airport tomorrow at ten o’clock .

 

Avery:             When she gets settled in, we need to do dinner…the four of us, that is.

 

(A woman walks into the bar wearing a black dress.  She immediately heads for Avery and throws herself upon him.  They kiss, and she sits on the opposite side of Catcher.)

 

Melissa:         Congratulations Catcher.

 

Catcher:          Thanks Melissa.

 

Melissa:         (Looking at Catcher) So, Avery told me you all had a bit of trouble with old Sam Watson today.

 

Catcher:          You could say that.  Could you both do me a favor?  Amelia has always said that I am far too trusting, and that something like this was bound to happen.  Could you possibly not mention this to her?  I mean, I just don’t want her to think that I wasn’t listening to her.

 

Avery:             You can trust us not to say a word about it.

 

Catcher:          Thanks.

 

Melissa:         (Loudly)  Hey barkeep, who do you have to kill to get a dry martini around here?

 

Avery:             I’ll get that dear.

 

Melissa:         So when does Amy get back Catcher?

 

Catcher:          What?

 

Melissa:         Amy…Amelia…oh, what’s the difference among friends. 

 

Catcher:          She gets back tomorrow.  I was just telling Avery that I pick her up tomorrow at ten o’clock .  She’s been gone too long, though.

 

Avery:             She’s only been gone for a week.

 

Catcher:          And it’s been the longest week of my life.  I really miss her.  I’ve tried calling her at the old codger’s home, but the butler hangs up as soon as he knows it’s me.  She has called me twice and I missed her both times. 

 

Melissa:         (Looking at Avery) I don’t know that I could go a week without talking to you.

 

Avery:             I’m sure you could manage.

 

Melissa:         No, I’m serious.  I don’t know what I would do.  Catcher, I don’t know how you can still be sane.

 

Catcher:          Alcohol. (He raises and shakes his glass.)

 

Melissa:         Oh. (She laughs.)

 

Catcher:          It’s not the healthiest way, granted, but I can’t miss Amelia when I don’t know where I am.

 

Avery:             (Raising his glass)  Here. Here.

 

Catcher:          I wonder what she’s up to now?

 

Avery:             Christ Catch, we’re here to celebrate our biggest conquest, not to mourn the absence of yours.

 

Catcher:          My what?

 

Avery:             Your conquest.

 

Catcher:          Amelia is not a conquest.  She’s the most beautiful woman I have ever met.  The sweetest, most loving, most compassionate woman I know.

 

Avery:             You’re so whipped.

 

Melissa:         She is beautiful, though.

 

Avery:             Oh, no.  I don’t deny she’s beautiful, and compassionate, and all that jazz; but have you seen the look in your eyes when you talk about her?  It’s almost pathetic.

 

Catcher:          I hardly think that adoration of my wife qualifies me as pathetic, or whipped, or henpecked.

 

Avery:             I didn’t say henpecked, though I should have I suppose.

 

Catcher:          Ben told me I was henpecked just this morning.

 

Melissa:         How is Benny?  I haven’t talked to him for ages.  We really need to do lunch sometime soon.

 

Catcher:          He’d like that.

 

Avery:             Is he still single?

 

Catcher:          Yeah, and he gives me a hard time about my relationship with Amelia.

 

Melissa:         I understand how you feel Catcher.  I know how it feels to be so in love with someone that the sunrise is only beautiful because it gives you the light to see your lover lying next to you.

 

Catcher:          Thank you Melissa.

 

Avery:             (With stinging sarcasm) That was almost poetic, dear.

 

Melissa:         (Missing the sarcasm entirely) It’s the truth, though.

 

Avery:             I know.  (They kiss.)

 

Catcher:          Well on that note, I suppose it is time for me to go home.  If I get back soon enough I might just be able to catch Amelia’s call before the machine gets it. 

 

Avery:             You’re leaving me already Catch?  You haven’t even finished your first drink.

 

Catcher:          There’s plenty of this where I’m going Avery, (he raises and shakes his glass) and there’s still the chance that Amelia will call me. 

 

Avery:             (Stressing the “wh” in order to imitates the cracking of a whip) Whipped.

 

Catcher:          It was lovely to see you tonight Melissa.  You are as beautiful as ever.

 

Melissa:         But not as beautiful as Amelia?

 

Catcher:          (Backpeddling out of the bar’s door) Well, not everyone can be perfect. (Exit Catcher)

 

Melissa:         He truly loves her doesn’t he?

 

Avery:             Like a fool.

 

Melissa:         Avery!

 

Avery:             Look, all I am saying is that he’s stupid for her, and she doesn’t even love him back.

 

Melissa:         That’s a terrible thing to say.  She loves him. 

 

Avery:             Melissa, you are a damn fool.  Have you seen how he looks at her?

 

Melissa:         Yes.

 

Avery:             And then have you seen the way she looks at him?  She disdains him, and he is too blind to see.  He is not good enough for her.  She needs something more to satisfy her.

 

Melissa:         Listen to yourself Avery, you’re drunk.

 

Avery:             That may be true, yet I speak not with loosened tongue.  I mean what I say.  She will not stay faithful for long.  Mark my words.  She will stray.  (He looks at Melissa, who is shocked at his words.)   I’ll get the check then.

 

Melissa:         Give me the keys, I’ll get the car.  (Exit Melissa)

 

Avery:             (To the bartender)  Amelia will stray.  I can be sure of that.  She will stray, because I will lead her away from his fatuous magnanimity.  He is fool, a jester, and I am his king.  I control him.  I will own him, and he will be none the wiser.  Amelia will be mine, and Catcher will have been caught in the net that his own ignorance cast. (He throws money on the bar and exits)

 

Curtain Closes

 

 

Act One

Scene Four

 

The interior of two homes. The scene will take place on the phone. A partition divided the stage in two.  Catcher sits at a table with a white tablecloth.  On the table sits a black rotary telephone.  Next to the phone sits a decanter of brandy: a glass of which is in his hand.  He waits for a moment, takes a drink, then the phone rings. He picks up the phone, and the scene begins. Amelia sits on the opposite side of the partition.

 

Catcher:          (Excitedly)  Amelia?

 

Amelia:           Hello Catcher.

 

Catcher:          God it’s good to hear from you.  I have missed you so much.  I have…

 

Amelia:           Calm down Catcher.  I’ve only been gone for a week.

 

Catcher:          And it’s been the longest week of my life.  What have you been up to?  Has the old bat let you out of her sight?

 

Amelia:           That old bat is my mother Catcher.  I realize you two never got along…

 

Catcher:          Never got along!  She told me that if I married you she would kill me…slowly.

 

Amelia:           (Laughing) Oh, mother is always one for the dramatics.  Didn’t you have that meeting about the condos today?

 

Catcher:          Sure did, and let me tell you we…I mean I saved us nearly ten million on the deal.

 

Amelia:           Ten million.  Really?

 

Catcher:          Really.  Old Sam Watson tried to screw us over something fierce.  Avery was about ready to sign, but I realized the mistake.  Can you believe that Sam had another contract in his briefcase with the right numbers, just in case we found the mistake?

 

Amelia:           Carter some people are just heartless liars and others are just fools who will believe anything they are told.  It was good that you were there.

 

Catcher:          Yeah, it was. Amelia I can’t tell you how much I’m looking forward to seeing you tomorrow.

 

Amelia:           It will be good to get home.  Catcher, it is getting late, and the flight leaves so early tomorrow.  I think I’m going to go up to bed now.

 

Catcher:          Ok, well… (She hangs up the phone, and the light on her goes out.) Amelia? Amelia?  Well, my love I hope you get your sleep, though a goddess needs none. I love you Amelia more than life itself, and I wear my heart on my sleeve.  I know that you must love me too, yet when will you be able to express your love for me as freely.  Is there one who sits by you now who can see your love as clearly as an astrologer can see the stars?  Surely there is not, yet equal to a god he seems to me, that man, who would sits across from you, or if it is lawful to say, greater than one.  And yet still I sit here alone a mortal, subject to your every whim.  I envy the down in your bed, for it cradles and comforts you even now.  I envy the moth drawn to the light in your room, for he may watch you turn in blissful sleep whilst I can only dream.  Of all things I envy the every breath you take, for they alone come close to touching your soul.  Good night my sweet Amelia, and may the choir of angels sing you softly to sleep.

 

Curtain Closes

 

END OF ACT ONE

 

 

 

Act Two

Scene One

 

This scene takes place in the Straub home.  Catcher is carrying three bags, and Amelia comports only her purse.  Catcher seems quite weighed down, and Amelia walks through the room insouciantly.

 

Catcher:          Can you believe all of the security at the airport today?

 

Amelia:           You can’t be too careful.

 

Catcher:          Still I think it’s a bit overkill.  I mean not every person is out to get us.

 

Amelia:           You’re far too trusting.

 

Catcher:          Well, are you out to get me?

 

Amelia:           No.

 

Catcher:          Well, that’s good enough for me. (He leans in for a kiss, but she balks.) The house felt empty without you here.  I tried to get out as much as I could, but you know how I despise the insipid nightlife.

 

Amelia:           I can almost remember what the nightlife was like.  The lights, the music…

 

Catcher:          You don’t miss that do you?  I mean we can still go out if you like.  It’s not like we are tied to the house at night. 

 

Amelia:           No, I am content in the house with a nice bath and perhaps a nice book.  Are you sure you don’t want any help with my baggage?

 

Catcher:          Oh, yes, quite sure. (He struggles still to bring in the luggage.)

 

Amelia:           My mother says hello, by the way.

 

Catcher:          Does she now?  Has she forgotten her death threat, or was that all in jest.

 

Amelia:           No she has not forgotten, and in fact mentioned it before I left today.  She had hoped that saying hello to you would have been enough to give you a heart attack.

 

Catcher:          (Sarcastically) She has such a quirky sense of humor, that one.

 

Amelia:           What time is it Catcher.

 

Catcher:            It’s (Looking at his watch) Christ it’s eleven thirty . 

 

Amelia:           What’s the matter?

 

Catcher:          I have to pick the condo papers up from Sam at twelve.  I was meant to meet him at the site.

 

Amelia:           Well, you still have thirty minutes.

 

Catcher:          Yeah, but it’s across town, and the traffic is horrendous at this time in the morning. 

 

Amelia:           It won’t hurt that you’re a little late.  Maybe Sam will be scared that you are having second thoughts about buying from such a prick.

 

Catcher:          No, with his scruples he’ll be selling to a different buyer at 12:01 .

 

Amelia:           Well, you best get a move on then.

 

Catcher:          I’m so sorry; I know I promised you lunch.

 

Amelia:           It’s fine.  I’m sure I can manage to find lunch somewhere in this big city.

 

Catcher:          I’ll be back as soon as I can.

 

Amelia:           I won’t be here.

 

Catcher:          (So shocked that he stops in his tracks) What did you say?

 

Amelia:           I said I won’t be here.  I think I’m going to go to the park after lunch.

 

Catcher:          (Relieved) Oh, fine then.  I’ll see you for dinner then.

 

Amelia:           Dinner it is.

 

Catcher:          Bye. (He kisses her on the cheek and leaves.)

 

Lights go out

 

Act Two

Scene Two

 

The scene begins in total darkness with only Avery’s voice heard.  When the lights come up Avery sits alone at a table set for two in a Bistro.  Amelia walks in quite overdressed with a wide hat and dark sunglasses.

 

Avery:             Amelia, it’s so great to hear your angelic voice once again.  We have missed you.  Is Catcher there by any chance?…No?...He’s making the deal with Sam…What’s that…oh he really saved my ass in that room by reading the contract before signing it you say…Yes, well.  Listen, Amelia will you have lunch with me?  I really need to tell you something about Catcher…No, I can’t tell you now.  I’d rather tell you in person at lunch…Yes, it’s imperative that you hear me out…You will have lunch with me then…wonderful…Meet me at the bistro in, say, half an hour…I’ll see you then. 

 

Lights go back on

 

Avery:             When she learns that her lap dog is a bumbling fool, she will be mine.  And if that doesn’t stop her love for him, I won’t stop until I see the look of defeat in her watery eyes.  She’ll look at me and say, “Oh Avery, how could I have been so blind?”  And I will tell her that it is not her fault, that some men are just like wanton snakes in the grass, who would prey on every innocent soul that might pass.  Innocent indeed.  And Catcher, dear Catcher, you will never know who dealt you your final hand.  For my dearest friend, you are but a fool, and I your master.  (Amelia walks on to the stage and sits opposite Avery.  She removes her hat, yet leaves her glasses on.)  (Avery speaks in a somewhat muted and somber tone and Amelia in a detached tone.)  Ah, my dearest Amelia.

 

Amelia:           Hello Avery.

 

Avery:             Oh, Amelia I hate to meet you under such circumstances, but I need to tell you some things that have happened in your absence.  I questioned whether or not to tell you, since Catcher is one of my very closest friends…

 

Amelia:           Cut to the chase Avery, what did you invite me here to talk about?

 

Avery:             Amelia, what did Catcher tell you went down with the Sam Watson deal?

 

Amelia:           He said that Sam tried to screw you both out of…ten million was it?

 

Avery:             Five.

 

Amelia:           Oh, well Catcher said ten.  He said that you took the contract and were ready to sign, but he grabbed it away from you, read the fine print, and saw the mistake.  He said that you almost cost him ten million dollars.

 

Avery:             He did, did he?

 

Amelia:           What really happened Avery?

 

Avery:             (Surprised) What?

 

Amelia:           Well, you don’t invite me out to lunch sounding all film-noir without a reason.  So, I figure that there is more to the story.

 

Avery:             Amelia, I hate to say this to you, because I know how much you care for Catcher, but he lied to you.

 

Amelia:           What’s the truth then?

 

Avery:             The truth is that it was Catcher who took the contract without reading it.  He is always trusting people like that.  If I hadn’t seen the look in Sam’s eye, and read the contract before Catcher signed it.  We would be five million dollars in the red today.  I was up all night weighing whether or not to tell you.  In the end the truth defeated loyalty.

 

Amelia:           (Ambiguously sarcastic) You are a true friend.

 

Avery:             Aren’t you surprised that Catcher would lie to you?

 

Amelia:           Oh, not really.  I figured that he wasn’t telling the truth.  He was never one to question anything, and he always takes your word.  So if you were signing the contract, there was no reason for him not to. 

 

Avery:             Are you upset?

 

Amelia:           Upset, no.  I knew marrying him I was not getting a knight in shining armor.  Hell, that’s why I married him.  If I had wanted some egocentric homogeneous GQ clone, I would have had my choice of every other guy in this city.  I married Catcher because he looks at me like a fine porcelain doll, to be viewed from a safe distance.  He treats me like a queen, the way I should be treated.  He tells me everyday just how beautiful I am, and he buys me gold mirrors so that I can see the beauty he sees.  He is like a foolish puppy.  He looks at me, and I almost feel sorry for him.  He loves me so blindly, and I feel nothing for him.  It’s almost pathetic really.

 

Avery:             That’s the thing.  I wouldn’t have called you if Sam had been the only issue, but that is the least of our worries.  I think you are beautiful.  I would even hasten to say that you are more beautiful that even my Melissa, and for the longest time Catcher told me that you were the most beautiful woman in the city, and that no one compared to you.  But Amelia…He’s been having an affair with his secretary.

 

Amelia:           What?  With that old hag?  I guess he has more balls, and less taste than I gave him credit for. 

 

Avery:             No, not with Jeanette.  He fired her a week and a half ago.  He up and hired some blonde bimbo from the local college, who is ten years his junior. 

 

Amelia:           (Agitated) Seven years younger than me.

 

Avery:             He shamelessly flirts with her, and flaunts his newest conquest in my face, because he thinks I would never tell you.  I couldn’t keep this from you though.

 

Amelia:           No you couldn’t…Thank you Avery.

 

Avery:             The worst part is…

 

Amelia:           It gets worse?

 

Avery:             The worst part is that he calls her these names…

 

Amelia:           What names?

 

Avery:             Something like his goddess.

 

Amelia:           He calls me his goddess.

 

Avery:             Worst of all he tells her that she is the most beautiful woman he has ever seen.  More beautiful than even you.  I tried to fire her, but I’d need his signature, and that’s one contract he’d read.

 

Amelia:           More beautiful than me?

 

Avery:             That is what he said.  God, Amelia, I am so sorry that I have to be the bearer of such bad news.  I only wish…

 

Amelia:           He actually told this woman…this girl that she was more beautiful than me?

 

Avery:             Yes.

 

Amelia:           (Slamming her napkin down on the table, she gets up to leave.)  Avery, do you suppose I could come and stay with you and Melissa for a while.  Until Catcher comes to his senses, or I to mine?

 

Avery:             I would all but insist.

 

Amelia:           Thank you Avery, for everything. (Exit Amelia.)

 

Avery:             It is not propitious for the wounded doe to sleep in the lion’s den.  For he can smell blood, and he will make the kill.  Amelia, you have fallen headlong into my trap so well baited by my deceit and your conceit.  I must confess though, I did not expect that it would have been so easy to turn the tides of love.  Indeed, Amelia, it is not Catcher alone who is inflicted with the venom of trust.  You too are too quick to change face at my whim.  I fear that you are indeed a porcelain doll, and I shall play with you howsoever I see fit.  Like a partridge in a snare, your struggle will further you from freedom and closer to me, the trapper.  You shall be my greatest conquest.  In quick time I can rid myself of the blight that is my wife, and take you, a once beaten wife, to be my own.   It will be a red letter day when I no longer dread waking up next to the same woman each day.  By the light of the dawn I shall see you, yet you will never see me for who I truly am…

 

(Ben and Melissa enter.)

 

Ben:                Of all the gin joints in all the world…

 

Avery:             (Surprised) Ben…Melissa…what are you doing here?

 

Melissa:         Well I said last night that Benny and I needed to do lunch.  It just so happened that we were both free today. Why the surprised look? 

 

Ben:                Yes, Avery, you do look as if you have seen a ghost.

 

Melissa:         Did I see you hugging Amelia?

 

Avery:             Yes.

 

Ben:                Yes, Avery, why were you hugging my brother’s wife?

 

Avery:             She needed to talk to me about something, and I was consoling her…purely as a friend, of course.

 

Ben:                But of course. 

 

Melissa:         You sure seemed to be enjoying your conversation.  What on earth were you talking to her about?

 

Avery:             I’m not at liberty to discuss.  I promised Amelia that I will hold anything she tells me in my strictest confidence.

 

Ben:                So, you’ve had these meetings before, I’d take it?

 

Avery:             Why do you ask, Benny?

 

Melissa:         You’ve never had lunch with Amelia before have you?

 

Avery:             No, mostly we have dinner.

 

Melissa:         You have…

 

Avery:             Oh, she oft calls me to dine, and I so often have to decline the invitation.  You see she enjoys my company and my proclivity to listen to her grievances against your brother.  And, by the by, she will be staying with us for a while Melissa.

 

Ben:                (With gritted teeth) You arrogant son of a…

 

Avery:             Watch yourself Benny; you are in the company of a lady.

 

Melissa:         And a lecherous old man!  How could you let her do this to you Avery?  Is no man decent? (Exit Melissa)

 

Avery:             (Arrogantly) Good day Benjamin.  Now run along and tell your big brother how his wife has flown the coop.  Oh, I fear he will be devastated. (He gets up to leave.)

 

Ben:                Don’t play innocent with me.  I heard your little soliloquy.  I know what you’re trying to do, and don’t think you will get away with it.

 

Avery:             (Innocently) Oh, but Benny I already have. Who do you think your brother will trust – me or you, the very man who has made him a bachelor once more? (Exit Avery)

 

Curtain Closes

 

 

Act Two

Scene Three

 

This short scene takes place in Catcher and Avery’s office.  Same setting as Act I, Scene II.  Ben runs onto the stage and is out of breath.  Catcher is studying papers strewn about the table.

 

Ben:                Catcher I need to talk to you.

 

Catcher:          In a minute Ben, I need to proof these contracts.  I won’t be made a fool of twice.

 

Ben:                I need to talk to you now.

 

Catcher:          (Slamming down the papers he held in his hands) What could be so important that it couldn’t wait five minutes?

 

Ben:                Ok(taking a big breath)  I thought about how to tell you this as I ran over here.

 

Catcher:          Where did you come from?

 

Ben:                The Bistro on forty-ninth.

 

Catcher:          That’s almost a mile away.  Well, this has to be important, or else you’re just too cheap to pay for a cab.

 

Ben:                Like I was saying, I thought of the best way to break this to you, and I figured that I should just tell it to you straight.  (Tersely)  Amelia is having an affair with Avery.

 

Catcher:          Let me get this straight.  You ran almost a mile to tell me that my wife, who loves me dearly, is having an affair with my best friend, with whom I would entrust my life.  Is that right?

 

Ben:                Yes.  I know it sounds ludicrous…

 

Catcher:          Because it is!  (Laughing)  Who put you up to this? Avery?  Melissa?  Did Melissa put you up to this?

 

Ben:                Catcher it’s not a joke.  Melissa and I were having lunch at the Bistro, and I overheard Avery talking to Amelia.  I didn’t catch what he was saying when she was there, but once she left he started going on about how he had laid this trap, and Amelia had fallen headlong into it, and that she was just as foolish and trusting as you.  I just wanted to kill him, but Melissa was there. 

 

Catcher:          (Sternly) Did Melissa overhear this?

 

Ben:                No, I was closer to their table.

 

Catcher:          Ben, I can’t believe a word of this.  What makes you think that I would believe that my best friend would seduce my wife? Why, Ben, should I think that he holds and feelings towards my Amelia?

 

 

Ben:                (Visibly taken aback) Isn’t my word good enough?

 

Catcher:          What are you trying to gain by this?  Are you so jealous of my happiness with Amelia that you try to sabotage my marriage with these lies?  Are you so jealous of me?

 

Ben:                (Rising from his chair, and speaking in a dry almost fiendish voice) You know Catch, I just might be.  But you will never know.  You’ll never know if I’m lying or telling you the gospel truth.  You’ll never know because you’re too scared to find out. (Exit Ben)

 

Catcher takes out his cell phone and dials Avery.  Only Catcher’s voice is heard.

 

Catcher:          Avery, it’s Catcher.  Listen I need to talk to you.  Could you meet me at the office as soon as you can?  (He hangs up, and the lights go out.)

 

Curtain Closes

 

Act Two

Scene Four

 

This scene takes place in the office.  Catcher sits in the same seat as before.  He has his elbows on the table and his head betwixt them.  When Avery walks in he lifts his head.

 

Avery:             Catch, what’s so urgent that it couldn’t wait until tomorrow?

 

Catcher:          I…I just needed to ask you a question.

 

Avery:             What?

 

Catcher:          (Desperately) Well…Ben was just in here telling me that Amelia is having an affair, and that you were having lunch with her, and...  Tell me that he’s lying.  Tell me that he’s just jealous of me.

 

Avery:             He very well might be jealous as sin, but he wasn’t lying about Amelia having an affair.

 

Catcher springs to his feet and takes a windmill swing at Avery.  Avery ducks and pins Catcher’s arms behind his body.

 

Catcher:          (Struggling) How could you do this to me?  You ungrateful son of a… After all that I’ve done for you…

 

Avery:             Catch, what the hell’s wrong with you?

 

Catcher:          How could you be having an affair with my wife?

 

Avery:             I’m not…is that what he told you?  That she was having an affair with me? (Avery laughs.)  (Avery releases Catcher, and they face each other.)

 

Catcher:          She’s not having an affair with you?

 

Avery:             Heavens no!

 

Catcher:          Then why did you invite her to lunch?

 

Avery:             Catch, she invited me.  I was halfway across town.

 

Catcher:          At the Paradise , ‘cause I was there.

 

Avery:             No, the Belmont.  I heard that they were looking to sell.

 

Catcher:          Oh, alright.  Then why did she invite you to lunch?

 

Avery:             She invited me because she had something to tell me that she couldn’t say over the phone.  When I got there she sat me down and told me that she had been doing a lot of thinking while she was away, and that she couldn’t live a lie anymore without someone knowing.  She thought of all the people she could tell, and she picked me.  She couldn’t tell her mother that she was having an affair, because of how much she hates you already.  She couldn’t tell Melissa, because you would find out too quickly.  And she couldn’t tell you yet, because it would have been devastating.  She told me because she thought I was such a good friend that I wouldn’t dare tell you.  (Sarcastically) A good friend indeed!

 

Catcher:          You are a good friend.  You told the truth.  Why couldn’t she have told someone else, like Ben?

 

Avery:             She didn’t mention Ben.

 

Catcher:          Well who is the craven man that has stolen my wife?

 

Avery:             She refused to say.  Catch, she was really distraught and said that she couldn’t look you in the face.  She said that she needed a place to stay, and not thinking I told her that she could stay in one of our guestrooms. 

 

Catcher:          (Incredulously) You what?

 

Avery:             Maybe Melissa can talk some sense into her.

 

Catcher:          Why would she not mention Ben?

 

Avery:             I don’t know Catch, maybe she didn’t think of him.

 

Catcher:          Or maybe she thought of him far too much.  Yes that must be it…Why else would he have spread slanderous lies about how you were ensnaring my wife like a trophy?  Why else would he have tried to pit us against each other?

 

Avery:             Catch, that’s just speculation.

 

Catcher:          Oh, Avery you are so trusting.  How could they do this to me?  My family: one my own flesh and my own blood, the other my own by the vows we shared.  Why did they do this to me?  They will pay for this Avery.  Avery you are a true friend, truer to me than even my Amelia.

 

 (Exit Catcher)

 

Avery:             I could not have dreamed that my plan would find such sweet and facile fruition.  He had all but indicted his own brother with my crime.  (Avery laughs.)  Not only does my wife think that I’m innocent, but so too does Catcher’s.  With fools it is far too easy to play God.  She will be mine more quickly than I first supposed.  They are but pawns, and I their king.

 

Curtain Closes

 

Act Two

Scene Five

 

This scene takes place in the same bar as Act I, Scene III.  Melissa is alone, save the same bartender, who like before remains silent.  She is obviously drunk, and her rant is incoherent in parts.  She talks to the bartender who goes about his business.

 

Melissa:         Can you believe that my husband – (shouting) MY HUSBAND – has been lured away from me by some yacht club jezebel.  She is beautiful.  I don’t deny that, but am I not beautiful?  I am.  I’m gorgeous.  So she will be staying with us for a bit will she?  My goal becomes clear then.  I shall become her closest counsel, and I shall know her heart better than even she knows it.  A woman burdened with a secret should especially avoid the intimacy of her closest friend.  I shall play upon her heartstrings like a lute.  I shall crucify her from the inside.  I shall place her upon the rack and spin the wheel.  I shall transform myself into her own personal fiend, and I shall devote my every waking moment to exacting my revenge upon her.  Only a spurned lover can imagine so intimate a revenge, more terrible than any mortal has ever wrought upon an enemy.  I shall watch, and listen, and comfort, and instruct, and tighten the noose about her neck.  I shall be her gallows master.  I shall not be content until I have exacted my fullest revenge, and my revenge will only grow by the day, fueled by the fiery rage that I harbor against the harlot.  She will see me thoughtful, craving little for myself, kind, just, and true.  It’s so very Hawthornian.  “To make myself the one trusted friend…All that dark treasure to be lavished on the very woman, to whom nothing else could so adequately pay the debt of vengeance.”  She will pay for what she has done to me.  She will pay for stealing my unwilling husband.  She will pay a price far greater than her life. The greatest hate is the greatest love ignored or betrayed.  And mark my words – she will pay.

 

Curtain Closes

 

 

End of Act Two

 

 

Act Three

Scene One

 

The Straub home.  A knock is heard, but no one answers. Melissa enters to find a visibly distraught Amelia pacing back and forth in front of the table with the white tablecloth.

 

Melissa:         Amelia, I knocked but no one answered, so I let myself in.  What’s the matter?  Why are you pacing?

 

Amelia:           (Distraught) Oh, Melissa!  (At Melissa’s feet, Amelia falls to her knees crying.)

 

Melissa:         What’s wrong Amelia?

 

Amelia:           It’s Catcher…

 

Melissa:         (Faking shock) Did something happen to Catcher?

 

Amelia:           I hope so.  The bastard deserves it.

 

Melissa:         Amelia!  What has Catcher done to deserve such ingratitude?  He didn’t hit you did he?

 

Amelia:           (Rising to her feet) No, Catcher would never lay a hand on me.  It’s…It’s much worse.

 

Melissa:         What on earth has he done that would make you cry like this?

 

Amelia:           He’s…having an…aff…affair.

 

Melissa:         (With mocking incredulity) NO!

 

Amelia:           Yes, and with a much younger and more beautiful woman – his secretary of all people.  Oh Amelia am I so wretched that he needs the touch of another woman?

 

Melissa hesitates for a moment.

 

Amelia:           Well, am I?

 

Melissa:         No dear, you of all people do not deserve this.

 

Amelia:           Then why is he doing this to me?

 

Melissa:         (Hesitating) Why would anyone lie to those they love? 

 

Amelia:           You’re not telling me something.  Did you know about this?

 

Melissa:         Well…

 

Amelia:           (Yelling) You knew about this!  And…and you didn’t tell me.

 

Melissa:         Avery told me that Catcher had been flirting with his secretary, but I assumed at first that it was innocent, like when you flirt with the Avery to make Catcher jealous. 

 

Amelia:           But that flirting doesn’t hurt anyone.  He knows I mean nothing by it.  Doesn’t he?

 

Melissa:         I’m sure that it is innocent, but at some point it escalates, like it did with his secretary.  I really thought that Catcher would have the sense to end it before it really began, but I seem to have the propensity to misjudge people in this respect.

 

Amelia:           How long has this been going on?

 

Melissa:         Roughly three months.

 

Amelia:           Three months!  But he only hired her a week and a half ago.

 

Melissa:         Right…after he fired Jeanette.

 

Amelia:           Right.

 

Melissa:         Well don’t you find it strange that he fired the woman whose husband started the firm, and in turn hired a harlot in her stead?

 

Amelia:           Yes, well…

 

Melissa:         I suppose that was keying to hire her for quite a while before he finally worked up the gall to fire Jeanette.

 

Amelia:           That son of a…

 

Melissa:         And the worst of it is that he isn’t bashful or tactful about it in the least.  We were at the bar last night to celebrate the Paradise deal, and after three gin and tonics he could talk about nothing other than my beautiful secretary this, my gorgeous secretary that.

 

Amelia:           I think I am going to be sick. (Exit Amelia, running)

 

Melissa:         Carter could never have an affair.  He loves you as much as I love my Avery.  Who has planted this seed of discord?  Where is Eris and her golden apple?  Amelia, do you think yourself the fairest?  (Holding up a picture frame) Is this the face that will launch a thousand ships?  Hardly I think!  You are a fool.  How ignorant and arrogant you are.  Is this your pain, your agony?  Am I to exact my revenge by kindling these lies into a bonfire of your vanity?  So be it.  I shall exact my revenge upon you, the person who stole my love from my grasp. (Amelia re-enters looking sickly). 

 

Amelia:           What were you saying just now Amelia?

 

Melissa:         Oh, I was just musing to myself as to how someone could be so foolish.

 

Amelia:           The hardest thing is that I don’t love him.  I have told myself a thousand times that I do not love him, and yet I shed tears at his ignominy.

 

Melissa:         You don’t love him?

 

Amelia:           Is it so terribly far fetched?  I married him not because I was stricken by him, but because he had a five year plan.  He knew where he was going.  He knew how to treat me, and I needed only to pander to his lust. 

 

Melissa:         So what you are trying to say is that he fed your ego, and so you kept him around.  And to what end?

 

Amelia:           Oh, don’t sermonize me Melissa.  I know how you feel about Avery, and I know it is tantamount to how Catcher felt about me.  He worshipped me.

 

Melissa:         Your self pity is touching, really.

 

Amelia:           Oh, I couldn’t expect you to feel sympathy for me – not on such short notice, but don’t hate me.  You don’t hate me, do you?

 

Melissa hesitates for a moment.

 

Amelia:           Do you?

 

Melissa:         Of course not.  You are going through hell.  I wouldn’t wish that upon my worst enemy.  I only hope that I have helped by telling you what I know.  If I remember anymore, I will make sure that you are the first to know.

 

Amelia:           Thank you for being such a true friend Melissa.

 

Melissa:         I’m as true a friend as you are to me.

 

Amelia:           (Grasping Melissa’s hands) Thank you.  (Exit Melissa)

 

Curtain Closes

 

 

Act Three

Scene Two

 

This scene takes place in the Straub home.  Amelia is pacing as the lights come up and mumbling incoherently to herself.  Catcher comes into the room in a rage.  He comes as Amelia has her back turned.

 

Amelia:           (Hearing the door open, without turning around) Oh Avery have you come to take me away.  I can’t bear… (She sees Carter and stops abruptly.)

 

Catcher:          (Sinisterly and resolutely) You can’t bear to what – lie to your husband anymore?  Because if that’s your worry, don’t fret my dear.  No – your time for fretting has long passed. 

 

Amelia:           (In disbelief of her husband’s emotions) What are you saying Catcher?

 

Catcher:          Oh, don’t play innocent Amelia.  It doesn’t fit you.  No, your part is more of a backstabbing, conniving, arrogant, selfish…

 

Amelia:           Where do you get off saying

 

Catcher:          Where do I get off?  (Yelling) WHERE DO I GET OFF?

 

Amelia:           Catcher you are scaring me.

 

Catcher:          Oh, I’m sorry my dearest.  Well, I guess you didn’t know I had this in me.  What?  Did you figure I would take all of this in stride?  Did you think that I would go gently into the sunset?  Did you think I would just roll over and let my love be trampled in my stead?

 

Amelia:           What are you talking about?

 

(Catcher grabs Amelia’s shoulder and pushes her to the ground.)

 

Amelia:           (Crying)  Who are you?  My husband would never lay a hand on me?

 

Catcher:          So soon they forget.  I am that same man who promised to have and to hold you till death do us part.  I am the same man who would have died for you, but now Amelia you are dead to me. 

 

Amelia:           I don’t understand.

 

Catcher:          (Mocking her in a very high feminine voice) I don’t understand.  (Irate) WHAT THE HELL DON’T YOU UNDERSTAND?  You betrayed me and all my trust.  I wouldn’t have believed that you could have done this to me, but I have been shown this.  I have been shown this convincingly.

 

Amelia:           But Catcher…

 

Catcher:          Don’t you dare try to play me up for sympathy.  Your face which lit my way is now wan and shadowed.  Your brow once so supple, now furls, and is creased.  Though you once knew of beauty, you know of it no more.  You know of it no more, because you forsook me.

 

Amelia:           (Getting to her feet)  So you admit it?

 

Catcher:          Admit what?

 

Amelia:           You admit that you no longer find me beautiful.

 

Catcher:          How do you expect me to find you beautiful after all that you have done to me?

 

Amelia:           How can you no longer find me beautiful?

 

Catcher:          Because you have felt the touch of another man, and you’re now desecrated.  Who is he?  Is it Ben?  Are you sleeping with an immature version of me?

 

Amelia:           Ben is far more mature and level headed than you ever were, and ever will be.  But, no I am not having an affair with your brother, or any other man for that matter.  I cherished our relationship, but you threw that away Catcher.  You threw that away?

 

Catcher:          How did I throw that away?  I have loved you more than my own life from the first moment I laid eyes on you.

 

Amelia:           Then why did you need to find a younger version of me – a more beautiful version?

 

Catcher:          What the hell are you…are you trying to say that I’m having an affair.  Do you think that I would have wanted any woman other than you?  You are a fool!  How can you look me in the eye and suggest that I am being unfaithful, when the evidence that you yourself are an adulteress is insurmountable? 

 

Amelia:           Don’t you see?  That is exactly what you are doing.  How can I make you believe me that I am telling the truth?

 

Catcher:          You can’t.  I once trusted you above all others, but trust once lost is the hardest thing to regain.  You spurned my love, my completely foolish love for you, and I hope you burn in hell for it.  (Exit Catcher)

 

Amelia:           (Yelling at the door through which he exited) You arrogant, self-righteous…How can you come in here accusing me of the very crime you committed?  You looked me in the eye and said that I was no longer beautiful to you.  Avery and Melissa were right; you have forgotten my beauty.  You loved only my beauty.  (Looking at the same picture Melissa had looked at in the previous scene) How could you love me?  I am hideous.

 

Curtain Closes

 

 

Act Three

Scene Three

 

This scene takes place in the very same bistro in which Avery lunched with Amelia.  Ben sits at a table with a young woman, and the two are flirting shamelessly with each other.  Catcher walks in and punches Ben in the face without saying a word.  Ben is knocked to the floor, and the young woman leaps from her seat.

 

Ben:                (Rubbing his jaw) What the hell was that for?

 

Catcher:          It seems Casanova that the game is up.  (To the woman)  Did he tell you that he’s having an affair with my wife?  Did he tell you that?

 

Molly:             What?

 

Ben:                (Getting up) Molly, he doesn’t know what he’s talking about.

 

Molly:             Go to hell Ben Straub! (Exit Molly)

 

Ben:                Catcher you’ve got a lot of damn nerve coming in here and destroying the first real date I’ve had in months.

 

Catcher:          Yes, well I suppose you haven’t had much time to date (Increasing in anger and speed, accelerando) while you were sleeping with my wife!

 

Catcher takes another big swing at Ben, which he ducks.  Ben pushes Catcher into Molly’s recently vacated chair.

 

Ben:                Catcher, calm down and tell me what the hell is wrong with you.

 

Catcher:          You had me so fooled, telling me that your bachelor’s life was so hard.  You are a playboy, but this is not a game.  I realize now how you can be so happily as a single man.  You take the joy of my marriage, steal it, and circumvent the very vows that consecrate the love. 

 

Ben:                You’re not making any sense…

 

Catcher:          (Catcher gets up) No I suppose I’m not.  It is rather hard, you see, to have a cogent thought when you are looking at the man who stole your wife from right under your nose.

 

Ben:                I did nothing of the sort.

 

Catcher:          Oh come off it Ben.   You’re such a coward.  You don’t even have the courage to admit your faults.

 

Ben:                Why should I…

 

Catcher:          (Interrupting) What?

 

Ben:                (Louder than before) Why should I admit to something that I have had no part in.  Who told you that Amelia was having an affair, and that she was having it with me of all people?

 

Catcher:          Well I…

 

Ben:                Who told you all these lies? I know it wasn’t Amelia.  Was it Melissa?  Was it Avery?

 

Catcher:          I can’t really…

 

Ben:                It was Avery wasn’t it:  the same person whom I saw having lunch with Amelia, the same person whom I overheard uttering such horrible things.  And may I remind you that you did not know about their lunch date before I told you.

 

Catcher:          It wasn’t a date.  Amelia needed to tell Avery that she was having an affair with someone.  She refused to say who it was, but intimated that it was you.

 

Ben:                And you would trust him over your own brother?

 

Catcher:          Avery is the only one I can trust these days. 

 

Ben:                Hasn’t it occurred to you that it just might be Avery who started all of this nonsense?

 

Catcher:          Don’t try to pin all of this on Avery.  No Ben, this was all your doing.  Now you listen to me, and listen good.  Stay the hell away from my Amelia.  If I ever see you with her again, I will kill you.  (Exit Catcher)

 

 

Act Three

Scene Four

 

The scene begins in darkness.  Amelia is heard on the phone with Melissa.  Only Amelia’s voice is heard.  The scene takes place in the Straub home.

 

Amelia:           (Desperately) Melissa.  Oh my God, I’m so glad you were home.  I need to talk to you.  It’s…It’s Catcher.  I think he’s lost it.  He came in here accusing me of the most unspeakable things.  After all that he’s done, he’s accusing me.  I really need you, now more than ever.  Catcher hit me.  Could you please come over?  I’m scared to be alone.

Lights come up.

 

When the lights come up, Amelia is pacing in front of the table with the white tablecloth.  Her hair is disheveled, and her clothes are out of order.  This is noticeably incongruous for such a debutante.  Melissa enters and is quite composed.  She has a Mona Lisa like smile, as if she knows something she is not telling.  When she enters, Amelia rushes to hug her. 

 

Amelia:           (Sobbing and muffled by the embrace) Oh Melissa, why me?

 

Melissa:         Amelia, calm down.  Tell me what happened.

 

Amelia:           (Breaking the embrace and wiping her tears away) It’s Catcher.  He came in here and started yelling at me, saying that I’d broken his trust, that I’d forsaken him.  He pushed me down, and then he told me…

 

Melissa:         What did he tell you?

 

Amelia:           (Breaking down) He told me that he no longer found me beautiful.

 

Melissa:         Why on earth would he say something like that?

 

Amelia:           Because he thinks that I’m having an affair?

 

Melissa:         (Feigning surprise) What?

 

Amelia:           I know.  Of all the ludicrous things, he thinks that it is me that is being unfaithful.

 

Melissa:         Well, are you?

 

Amelia:           Am I what?

 

Melissa:         Having an affair.

 

Amelia:           How could you ask that?  Of course not!

 

Melissa:         Sorry, I didn’t mean anything by that. 

 

Amelia:           I couldn’t have an affair.

 

Melissa:         Why?  Because of Catcher?

 

Amelia:           Well…not exactly.

 

Melissa:         If not for the love you have for Catcher, why couldn’t you have an affair?

 

Amelia:           (Throwing her hands in the air) Because I don’t love him.

 

Melissa:         Oh that’s right you don’t love him.  How could I have been so foolish to think that you could love him.

 

Amelia:           I can’t…I just can’t love him.

 

Melissa:         Why not?  He seems like a wonderful guy.

 

Amelia:           He is.  It’s not that at all.  It’s not him.  It’s me.  I can’t love him, because I can’t love anyone – except for myself.

 

Melissa:         Oh.

 

Amelia:           In all of my years, I have never felt an emotional love for anyone, not my parents, not even Catcher.  Through college, the only relationships I had – if you would call them that – were purely physical.  There were no pretensions about them, but then Catcher came.  I caught myself falling in love with him, and I hated the feeling.  I was helpless, and I couldn’t let myself become helpless and dependent.  He saw me for the woman I projected.  I cherished his foolish infatuation.  I could own him, and make him pander to my every desire.  But I suppose he’s lost now.

 

Melissa:         You can’t have an affair, because you can’t let yourself feel love?

 

Amelia:           It makes me feel weak and dependent. I can’t stand depending on someone else, and I can’t stand feeling weak, which is why I hate to cry in front of people. 

 

Melissa:         You can’t feel emotional love?

 

Amelia:           Yes.  Why are you dwelling on this?

 

Melissa:         (Burying her face in her hands) Oh my god Amelia.

 

Amelia:           What?  What’s wrong?

 

Melissa:         I…I just realized something horrible.

 

Amelia:           Oh, Melissa, please don’t hate me because I can’t love anyone. 

 

Melissa:         It’s not that.

 

Amelia:           Then what’s the problem?

 

Melissa:         Nothing.  Everything’s fine.  Amelia, are you telling me the whole truth?

 

Amelia:           Melissa, I’ve told only one lie in my life.  I told Catcher that I loved him, and this was a lie.  But Catcher…he walked in here and lied to my face.  Not only did he deny that he was having an affair, but he accused me of having one – with Ben of all people.

 

Melissa:         But you don’t love Catcher, so why do you begrudge him an affair with someone who might love him back?

 

Amelia:           Because she is younger than me.  Because she’s more beautiful than me.  Because I’m jealous. 

 

Melissa:         So you don’t have a problem with Catcher having an affair, only that he is having one with a younger and more beautiful woman.

 

Amelia:           That’s right.  Does that make me a bad person?

 

Melissa:         Yes.  Yes it does.

 

Amelia:           Oh, Melissa. Look at me, don’t you think I’ve suffered enough without your help.

 

Melissa:         Yes, I do believe that you have suffered enough.

 

Amelia:           Then you are fine with me coming to stay with you for awhile?

 

Melissa:         Oh, I nearly forgot about that.  Yes, by all means.  I’ll send Avery over later to get your bags.

 

Amelia:           Oh, thank you so much Melissa.  (Amelia grabs her hands.) You’re the best friend I could ask for. 

 

Melissa:         You best get packing.  I’ll go find Avery. 

 

Amelia:           He’s at the office with Catcher.

 

Melissa:         Very well.  I’ll see you later. 

 

Amelia:           I’ll be waiting.  (Exit Amelia)

 

Melissa:         I have wrought my revenge upon the wrong person.  Indeed my lover has betrayed me.  Instead of seeking revenge on his behalf, I will wreak my revenge upon him.  He shall pay the ultimate price, but I won’t pull the trigger.  There is no need.  Catcher believes his wife to be having an affair, and Avery no doubt planted this seed too.  It only makes sense that he is in love with Amelia, and he aimed to drive Catcher away the only way he could – by telling him that his wife didn’t love him anymore.  It is pathetic fallacy, for she didn’t love him in the first place.  His foolish love has driven him mad, and mad I will send him to finish my work.  Oh, what a scene will it be when he finds his wife in the embrace of his best friend.  My husband will be dead by nightfall, and his blood won’t be on my hands.  It is too easy to play with the hearts of foolish lovers.

 

Curtain Closes

 

 

End of Act Three

 

 

 

Act Four

Scene One

 

 

This scene takes place in Avery and Catcher’s office.  The two sit opposite of each other and are deep in discussion.

 

Catcher:          And she had the nerve to tell me that I was having an affair.

 

Avery:             Now that’s just ridiculous.  You alone have valued her above even your own happiness.  I remember when you wanted to move to Boston , but Amelia said it was too far away from her mother.  You would have done anything for her.

 

Catcher:          I would have done anything for her – anything Avery.  And now she is cavorting with some man whose mission is to cuckold me. 

 

Avery:             Now Catcher, I realize that she has hurt you, but you don’t suppose that her lover’s mission is to hurt you?

 

Catcher:          It seems completely plausible to me.

 

Avery:             Well in any case…

 

Catcher:          Avery, are you sympathizing with the man who has whor’d my wife?

 

Avery:             No, I was just…  It’s of no matter.

 

Catcher:          Can you believe she accused me of having an affair?  I mean who would put such nonsense in her head?

 

Avery:             I don’t know.  Though I suppose it could be the one who has led her away from you.  I mean, what better way to bed her than to convince her that her husband is also being unfaithful?

 

Catcher:          (Rising from his seat excitedly) It makes so much sense.  Yes…that must be how she was lead away. (His tone changes from excitement to stern resolution.) But it is of no matter.  She strayed.  I was faithful, and she left as soon as she could find an iota of justification(Breaking down)  I just can’t believe it.  I refuse to believe it. 

 

Avery:             I don’t know what to say Catch

 

Melissa enters the room, and Avery is visibly shaken.

 

Avery:             Melissa!  What are you doing here?

 

Melissa:         Hello lover. (She kisses him passionately. She looks at Catcher, gets up, and hugs him.) Oh, Catcher, I am so sorry.

 

Catcher:          What…what are you talking about?

 

Melissa:         Oh, Catcher, Amelia told me everything.  How she accused you of having an affair.  I tried to tell her that you couldn’t have loved anyone other than her, but she just wouldn’t believe me.  I came to the realization, however, that it was more that she did not care to believe me. 

 

Catcher:          What?

 

Melissa:         You see Catcher; she admitted everything to me – that she was having an affair.

 

Catcher:          No.  She can’t be having an affair.

 

Melissa:         But Catcher you knew all of this.  You told her that you knew that she was cheating on you.

 

Catcher:          (Curtly) That doesn’t mean that I believed it. 

 

Avery:             What do mean you didn’t believe it.

 

Catcher:          I couldn’t believe that you were telling me the truth, though I had no reason to doubt you save my better judgment.  I couldn’t believe that my wife who loved me as much as I loved her could ever leave me.

 

Melissa:         Catcher…

 

Catcher:          (In desperation) What?

 

Melissa:         She never loved you.

 

Catcher:          (Pointing violently at her and moving towards her menacingly enough that Avery has to restrain him) You take that back.

 

Melissa:         Catcher she told me that she never loved you.

 

Catcher:          (Struggling with a quavering voice) Liar!

 

Melissa:         She said that she couldn’t love you, because she couldn’t love anyone save herself.

 

Catcher:          Shut up!

 

Melissa:         She said that she used you for her own edification.  She fed off of your love, though she couldn’t herself love.  Your wife is a leech.

 

Catcher:          You are lying!

 

Melissa:         (Yelling back at him) Why would I be lying to you?  What do I have to gain from your pain?

 

Avery:             (Releasing Catcher) Catcher, she’s telling the truth.  I saw the way you looked at her, and the way she looked at you in return.  There was nothing to her gaze.

 

Catcher:          So…so now she is shacking up with my younger brother, and feeding off of him, the one man I know who can’t love either.  They will fit together perfectly.

 

Melissa:         Ben?

 

Catcher:          Yeah, that’s who the bastard is…isn’t it?

 

Melissa:         Heavens no!

 

Catcher:          (Looking to Avery) I thought you said it was Ben.

 

Avery:             I never said it was Ben.  I told you that Amelia refused to tell me who the guy was.

 

Catcher:          (Looking at Melissa) How do you know that it is not Ben?

 

Melissa:         She told me that you accused Ben of being the man with whom she was having the affair, and she told me that this claim was ludicrous. 

 

Catcher:          Well…then who?

 

Melissa:         She refused to say.

 

Catcher:          I…I can’t do this anymore.  (Exit Catcher)

 

Avery:             Catch! Catcher!

 

Melissa:         Let him go.  He’ll be back soon enough.

 

Curtain Closes

 

 

Act Four

Scene Two

 

This scene takes place in the bar.  Ben sits on a stool at the bar drinking slowly.  He rubs his jaw with one hand, and drinks with his other.  Catcher enters, and Ben refuses to look at him.

 

Catcher:          Ben…Oh Ben, I’m so sorry.  I just can’t believe that I accused you of…of all of this. I’m sorry.  I know now that I can trust you, but how could I have known then?  Ben?  Christ Ben, at least look at me…I came here to apologize.  You could at least have the decency to acknowledge my presence. (Ben takes a sip of his drink.)  Ben you’re being really immature.  You could…

 

Ben:                I’m being immature?  You are the one who walked up to me, and without a word, punched me in the jaw.

 

 Catcher:         I’m sorry about that.  I really am.

 

Ben:                Do you really believe that I would have lied to you like that?

 

Catcher:          Well, I didn’t suppose that Amelia would have lied to me either.

 

Ben:                Granted. 

 

Catcher:          I wasn’t thinking…I was acting purely on adrenaline-charged emotion.

 

Ben:                Have you sorted it all out now?  Have you realized that Amelia couldn’t be having an affair?

 

Catcher:          But she is. (He sits at the bar, and motioning to the bartender) Vodka stinger with a whiskey back. (Looking back at Ben) Melissa just told me that Amelia confided in her that she was cheating on me. 

 

Ben:                Oh God Catcher.  I am sorry.  (The bartender hands Catcher the drink.) I just figured that the affair was a figment of your imagination.  I never thought…

 

Catcher:          Oh would that I be dreaming, but no it is all too true.  Anyway, I just wanted to apologize. (Catcher finishes his drink and lays money on the bar. He turns to leave, but Ben stops him before he takes his second step away.)

 

Ben:                Catcher.

 

Catcher:          What?

 

Ben:                I was just wondering, why did Avery ask Amelia to lunch that day when Melissa and I saw them at the Bistro?

 

Catcher:          Avery didn’t ask her.  Amelia called him and said that she had something really important to tell him.

 

Ben:                But Catcher, she didn’t talk the entire meal.  Avery was talking nonstop, and she didn’t even respond.  If she needed to tell him something, wouldn’t she have talked to him quite a bit?

 

Catcher:          What are you saying?

 

Ben:                I’m saying that I think…

 

Catcher:          Are you going to accuse Avery again, because we’ve been down this road.

 

Ben:                Listen: I’m just saying that it doesn’t make any sense that Amelia would call Avery to lunch in order to talk to him about something important, and then not say a word.  Besides, why would she call Avery of all people?

 

Catcher:          Because of all the people she knew she trusted him not to tell me…

 

Ben:                But you’re his best friend…Why not her mother?  She hates you.

 

Catcher:          Listen Ben…

 

Ben:                Look Catcher after what I saw and heard at the restaurant, all I’m saying is that it seems that Avery is lying, because someone sure as hell is. 

 

Curtain Closes

 

 

 

Act Four

Scene Three

 

There is an obvious tension between Avery and Melissa, because Avery senses that she knows more than she is letting on to.  The scene takes place in the office, and the clock on the wall evidences that nearly thirty minutes have elapsed since Catcher left.  Melissa is on her cell phone.  Avery is not present, though he waits outside the door.

 

Melissa:         Yes dear, I understand.  I…ok…very well.  Tonight it is.

 

Avery walks up behind her and startles her.

 

Avery:             (In an accusatory tone) Who was that Melissa?

 

Melissa:         Avery!  You startled me.

 

Avery:             Well, who was it?

 

Melissa:         It…It was Amelia.  She says that she wants to see you tonight at six.

 

Avery:             (He looks at his watch.) In an hour?

 

Melissa:         Yes.  She said that she needs to talk to you – about Catcher no doubt.

 

Avery:             No doubt.

 

Melissa:         She didn’t tell me anything else other than she doesn’t want me there.  It’s something only you can hear – that old nonsense.  I suppose it is much like the lunch you two had the other day.

 

Avery:             Yes, I suppose so.

 

Melissa:         Well I should get going.  I’ll see you later on this evening, right?

 

Avery:             What…oh yes, I’ll come right home. (He kisses her on the cheek, and she exits stage right.)  Oh could it have been this easy?  Does she want me so soon?  It’s been but two days.  I know she will feel no love, but mine will suffice for the both of us.  Oh Amelia I will be the happiest man, and you will be my greatest conquest.  I have fooled them all.  They were like flies to my web.  You will be a trophy for the mantle, and I fear my dear – little more.  (Exit Avery stage left.)

 

(Enter Melissa)

 

Melissa:         (Imitating Avery’s voice) And I will be the happiest man and you but a trophy in my case. (Returning to her normal voice)  You are so full of yourself Avery.  Am I a fly?  Am I a fool?  No, Avery it’s you who are the fool!  It’s a shame that in an hour you will be no more.  Your dreams will be shattered, and your trophy will too lie in pieces.  (She laughs.)

 

Melissa takes out her cell phone and calls Catcher. A spotlight shines on him sitting alone in a chair at stage right.

 

Melissa:         Catcher?

 

Catcher:          Melissa is that you?

 

Melissa:         Yes, it is.  Listen I can’t talk long.  I’m at your house, and I just overheard Amelia on the phone asking someone to meet her here in an hour.  She sounded far too amorous to be talking to anyone…except…

 

Catcher:          Her lover.

 

Melissa:         I’m afraid so.

 

Catcher:          Thank you Melissa.  It’s time I got some answers. (He hangs up, and the spotlight goes out.)

 

Melissa:         (In a sardonic voice) Oh Catcher, you won’t do anything drastic will you?  This is so tragic. (She laughs, and she dials another phone number.  A spotlight shines on Amelia who sits in a like chair at stage left.)  Amelia, dear is that you?

 

Amelia:           (Frantically) Oh Melissa, have you heard from Avery?  Is he coming to take me away?  I can’t take this house anymore.

 

Melissa:         Calm down Amelia.  Avery will be over in an hour.  He said that he has something more to tell you about Catcher?

 

Amelia:           There’s more to tell?

 

Melissa:         Honey I don’t know.  Just sit tight and he’ll be over soon.

 

Curtain Closes

 

 

 

Act Four

Scene Four

 

This scene takes place in the Straub home.  Amelia is waiting anxiously by the phone, and there is a ring at the door. Amelia runs to answer it.

 

 

Amelia:           Oh, Avery, I’m so relieved to see you.  I just can’t take this house anymore.

 

Avery:             I can understand.

 

Amelia:           I’m all packed, and…well…Avery, don’t you have something more to tell me about Catcher?

 

Avery:             What’s that? Oh yes…right…about Catcher.  It’s just that he’s been seeing so much of her lately.

 

Amelia:           I figured as much.

 

Avery:             It’s worse than you think.  He’s been buying her all these gifts.

 

Amelia:           Like what?

 

Avery:             You name it he’s bought it for her.  I don’t know where he’s getting the money for these things, because up until the Sam Watson deal we weren’t doing so well.

 

Amelia:           Catcher said that you guys were doing great business.

 

Avery:             I wish that we were, but we couldn’t land a deal to save our skins.  We were on the brink of selling our offices, and he goes and buys her…

 

Amelia:           What? What did he buy her?

 

Avery:             It’s not important Amelia.

 

Amelia:           God damn it Avery, what did he buy her?

 

Avery:             A mink coat.  He bought her a gorgeous mink coat.

 

Amelia:           But…but…he refused to buy one fore me.  It’s the only thing he ever refused me.  He said that the animals were slaughtered, and that if he bought me a coat he would be fostering their murder.  I pleaded and pleaded, but he refused.

 

Avery:             And she prances about the office in it like the princess de jour.  Catcher is no better; he has no remorse or tact anymore.  He even had the gall to ask me if I liked the coat.

 

Amelia:           Avery, how could he do this to me?  (She embraces him.)

 

Catcher enters through the door while the two are in mid embrace.  He brandishes a pistol in a quavering hand.  Amelia and Avery don’t unlock their embrace until he speaks, and he startles them with his first words.

 

Catcher:          My best friend and my wife.  (Motioning to Amelia with the gun) You know I refused to believe that you were having an affair.  (Motioning to Avery with the gun) And you Avery…how could you betray me and all my trust.

 

Avery:             Catcher.  This is not what it looks like.  I was just…

 

Catcher:          You were just what?  What were you telling my wife now? 

 

Amelia:           Avery, what the hell is he talking about?

 

Catcher:          DON’T DO THAT!

 

Amelia:           Do what?

 

Catcher:          Play innocent.  I know you are just as guilty in this as he is.

 

Amelia:           No Catcher, I’m not guilty…

 

Catcher:          Oh no?  So you still love me.  Is that what you are trying to say?

 

Amelia:           Catcher I never loved you.  I’ve never loved anyone.

 

Catcher:          (Angrily) You loved him, enough to forsake me.

 

Avery:             It’s sad but true.

 

Amelia:           Liar!

 

Avery:             Oh, come off it Amelia.

 

Amelia:           He’s lying.  Catcher, listen to me this is a trap.  Avery is trying to trick you.  I never loved him.  I couldn’t have.  I can’t love anyone. 

 

Catcher:          (Incensed) You’re lying.  I saw how you used to look at me.  You loved me.

 

Amelia:           (In a breathless whisper) It was all a lie.

 

Catcher:          (Quietly) So is all of this. (Catcher shoots her in the face.)

 

Avery:             Christ Catcher, what have you done?  You shot your wife.

 

Catcher:          She was already dead to me.

 

Avery:             Listen, I wasn’t having an affair with your wife.

 

Catcher:          Do you take me for a fool?  Do you see a jester standing in front of you?

 

Avery:             No Catcher…I…

 

Catcher:          What?  What lies do you have for me now?  I am quickly tiring of your lies, Avery.

 

Avery:             Fine.  What do you want to hear?  Do you want to hear that I loved your wife?  Is that it?  Well I did love her Catch. I loved her as much as you for a time.  I courted her long before you came around, and I would have for long after.  I knew she couldn’t love me back, but I accepted that.  I knew that she never loved you either, and I rejoiced in your foolhardy oblivion.  It was pitiful how foolishly you loved her.  There were so many times I wished to tell you, and so many times I did in stride, yet you never believed me.  It’s ironic that the one instance I told you the truth was the very instance you didn’t believe me.

 

Catcher:          It’s unfortunate, Avery.

 

Avery:             Don’t you see that I played you like a lute.  Don’t you see I have succeeded in luring your wife from you, though I didn’t suppose it would end this way?  This is my wife’s doing no doubt.  It is just the same.  You were merely my pawn, my marionette, and I your puppet master. (He laughs)

 

Catcher:          Is life a game to you Avery, and I your poor player?  (With gritted teeth) Well I shall strut no more for you. (He shoots Avery.)  I hope you burn in hell Avery Unger.

 

From another entrance Melissa enters, quietly clapping. 

 

Melissa:         Oh, he’ll burn in hell for sure.  And he’ll have good company too.

 

Catcher:          Melissa, what are you doing here?

 

Melissa:         You were never one to listen to explanations, Catch.

 

Catcher:          What are you talking about?

 

Melissa:         And to think.  My husband thought that he was the puppet master. 

 

Catcher:          Melissa, what the hell are you saying?

 

Melissa:         Are you really that thick Catcher?  You’ve been played for a fool.  You’ve waxed idiotic. Your wife wasn’t having an affair.  Avery just tried to make you despise her so that he could have her.  He told her that you were having an affair with your secretary, and he left it to up you two to do the rest.  That is until I learned about my husband’s sizeable transgression.  You see Catcher, you and I are a lot alike.  We both loved our spouses blindly and wholeheartedly, and in the end we got burned.  But I was smarter.  I used you to get to Avery…You should have seen the look on his face…It’s kind of like yours right now. 

 

Catcher:          How could you do this to me Melissa?

 

Melissa:         Oh, Catcher, you of all people should understand the wrath of a spurned lover.  I just was smarter than you.

 

Catcher:          You killed them.

 

Melissa:         Oh no honey, I’m not the one holding the gun.  You’re the one who pulled the trigger.  I just helped.

 

Catcher:          (Realizing what he’s done he leans over Amelia’s corpse) Oh, Amelia, how could you?

 

Melissa:         If it helps, she really never did love you.

 

Catcher:          Shut up you depraved psychopath.  Do you realize what you’ve done?  What you made me do?

 

Melissa:         No one made you kill them Catcher.  No one made you bring the gun.

 

Catcher:          I’m suddenly glad that I did. (He aims it at Melissa’s head, but there is a gunshot, and he falls down in a heap next to Melissa’s feet.)

 

Ben:                (Stepping through the open door) Hello Brother.

 

Melissa:         Hello lover.  (They kiss passionately.)

 

Ben:                It’s sad really.  It started as a simple lovers’ quarrel, but it escalated into a double murder.  And then he pointed the gun at you.  (Imitating crying and stuttering) Officer…we ttrried tto ssstop them.  It wwas ssself ddefense.

 

Melissa:         Open and shut.

 

Ben:                (Laughing) People are fools.

 

Melissa:         (Laughing) Yeah, they really are.

 

Curtain Closes

 

END OF ACT FOUR

 

END OF PLAY