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Taylor
Graham
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SEE-THROUGH WINGS
You collect insects, itchy jewels
dazzling as cut-glass
that intensifies reflected
light. As if you’d always lived
under glass. You watch the world
spin by, remote, astonishing
as fancy:
a once-famous figure skater
whirling among screams and
shards of shattered windshield.
An artist pieces it back together:
that dim aristocratic house
across the street, old wallpaper
under a magnifying lens, bursting
into rhapsodic sparks;
your mother in tears like a half-
diced onion.
But you remain Tatter-Demalion,
Prince of Skies.
Another hapless insect
hazards its bright winged path
to you through air.
CAMOUFLAGE
You cleaned house all morning
then drove in August heat & traffic
with a trailer-load of junk; tin cans
& cardboard, newspaper to recycle.
Got home ragged. Walked out
one last time to fill the birdbath
& water the periwinkle
that’s never prospered, blossoms
just blue enough to prove
it’s still alive.
And that’s where Bullfrog
showed himself, camouflaged
like any housewife
inside her life. Dull-mottled.
Frog, singer of songs to celebrate
the ancient watery beginnings,
gurgling like your garden hose;
& transformation (isn’t that
what recycling’s all about?);
& cleansing (your newly-vacuumed
house); & rebirth.
Ah, there’s the tough part.
Frog only sings the possibilities.
Do you dare bend down
and kiss him?
GHOST-STORIES
Who was that pale-cheeked girl
at summer camp? All she recalls, now,
are pink-eye and a white cot
in the infirmary. Fifty years
ago, must be the breakdown of memory
with age. Whatever happened
to the girl who listened to blackbirds
singing in the willows? Who was
that ghost of a girl
who picked paintbrush blooming
in a bend of the creek?
All she recalls is a blizzard
of feathers in some pillow fight
and the other little campers
scampering like spirits
into the dark.
Her memory.
Taylor Graham is a volunteer search-and-rescue dog handler in the Sierra Nevada, she also helps her husband (a retired wildlife biologist) with his field projects. Her poems have appeared in Grand Street, The Iowa Review, The New York Quarterly, Poetry International, and elsewhere. She is also included in the new anthology, California Poetry: From the Gold Rush to the Present (Santa Clara University, 2004).
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