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Taylor
Graham
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PRELUDE TO A DEATH
It’s like you’ve done this before.
The rehearsals with various members
of the full cast.
Paramedics, specialists
in ICU.
This time,
you arrive home late from work,
puzzle the key into the lock.
The dark entry.
Silence. The silence
pre-television, pre-ringing
phone, before radio news
and big bands on the phonograph.
Even before the lilting
Blue Danube on a windup Victrola
he inherited
from an ancient aunt
when he was very young.
Before running water
from the tap.
Tonight, the house is full of
the silence that came before
a rhythmic tide
of breathing
from the first bedroom.
WORD SLINGER
A lot of syllables are flying
through the air,
crawling out of the woods
to line up in stanzas
you pound out key by key.
Not every word’s been
caught from high ’n wild
or shot absolutely dead.
But you’ll sing that savage
beast till it lies down
sweetly at your feet.
You’ve got to capture it
as fast as you can write.
Write it down, you say,
to set it free.
INSOMNIA AGAIN
This is Inquisition
in chains
of thought, concatenating
something you said
or else you didn’t.
They flip a light
straight in your eyes: Full
Moon Harvest, Hunter.
Grim Reaper. Word
chained to metaphor
metastasizing into
the pale growth
of thought that eats at
twisted sheets.
Incandescent
thirst. Sweat.
Repent.
Taylor Graham is a volunteer search-and-rescue dog handler in the Sierra Nevada, she also helps her husband (a retired wildlife biologist) with his field projects. Her poems have appeared in Grand Street, The Iowa Review, The New York Quarterly, Poetry International, and elsewhere. She is also included in the new anthology, California Poetry: From the Gold Rush to the Present (Santa Clara University, 2004).
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