«
Thomas Reynolds
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Half
She
sets
down
her
glass,
still
half
full,
and
looks
out
the
window
down
the
fissure-like
road.
In
the
pasture,
a
cow
stands
in
the
pond
up
to
its
flanks,
only
a
head
and
body
above
cattails.
The
door
is
half
open,
and
as
if
suddenly
cold
on a
hot
July
afternoon,
she
pushes
it
shut,
then
deadbolts
it,
as
if
he
doesn't
have
the
key
(or
they),
the
conflicting
halves
of
her
husband,
one
need
and
apologetic,
hearing
her
call
him
in,
and
the
violent
paranoid
who
reaches
the
gate.
"I'm
halfway
home,"
he
called
from
Kansas,
only
miles
from
the
exact
center
of
the
U.S.,
where
one
half
meets
the
other.
That
was
yesterday,
and
the
day
is
halfway
gone,
but
not
her
fear,
the
aching
dread
that
lingers,
waiting
on
quiet
paths.
Is
there
even
one
half
left
of
the
girl
who
loved
the
black
quarter
horse,
riding
over
the
Flint
Hills,
with
freckles
and
easy
laugh.
Or
only
the
narrow
portion
who
spooked
at
blowing
leaves
along
the
creek,
expecting
a
copperhead
and
hated
who
she
was?
Which
of
his
two
selves
will
climb
from
the
semi
truck
cab,
sweep
up
the
cracked
steps
to
take
her
in
his
rough
hands?
The
white
porcelain
horse
she's
clutching
smashes
to
the
floor,
when
the
plume
of
dust
materializes
above
the
far
hill.
The
truck,
when
it
appears,
seems
to
hurtle
above
the
grass,
only
the
top
half
visible,
slicing
through
the
earth.
The
Old
Woman
In
The
Hills
Some
day
I
may
be
more
animal
than
human,
abandoning
house
and
shed
to
crawl
on
all
fours
blind
as a
mole
into
the
brush.
My
husband
lies
beneath
the
cottonwood.
The
dark
woods
take
back
the
farm,
inch
by
inch.
Fingers
that
once
threaded
needles
can't
grip
a
spoon,
or
reach
above
my
head
to
comb
thinning
hair.
But
I
only
have
to
look
to
the
arm
of
this
chair
for
inspiration,
the
thin
spider
my
elbow
accidentally
crushed
as I
set
down
my
book.
How
after
the
initial
blow
and
desperately
flailing
limbs
it
crawls
to a
safe
position
beneath
frayed
flannel
padding,
one
bent
leg
slightly
twitching
while
it
measures
its
injury.
Wind
ruffles
the
flannel
as
afternoon
gives
way
to
evening
cool,
and
minutes
that
seem
like
hours
pass
before
I
see
the
first
workable
legs
flare
to
grip
the
worn
oak
of
the
rocker
and
slowly
pull
the
stiff
body
forward.
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Thomas Reynolds has an MFA in Creative Writing from Wichita State University, and currently teaches at Johnson County Community College in Overland Park, Kansas. He has had poems published in various print and online journals, including
New Delta Review, Alabama Literary Review,
Aethlon-The Journal of Sport Literature,
Midwest Poetry Review, Flint Hills Review,
The MacGuffin, The Pedestal Magazine, and
The Cape Rock.
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