Reviews on June 25 2003

(Sorry For those who hate the power electronic/noise/industrial genre, maybe there will be more punk review on the next batch…)

 

BxHxNxFxTxEx       Oh, Noise

(Legion Sudan; CDR; 15 tracks; 21 minutes 56 seconds)

(File Under : First it was punk, now it’s… mmm… something noisy…)

Denmark’s NxFxTxEx is the kind of noise project I receive too much records for the interest I may give to them, some records are ok, some suck (I mean sounds like they took 10 minutes to finish) and some are nice, so I don’t listen to the records as soon as I get them. This one goes in the third category and it makes me realised that it should have been a great idea to play it before. For this time, Eli uses Danish trashers Broken Hallux (that seems to be a real kick ass sweat shorts-bandana band) and it goes a way further than the just distortion over the band’s tape, this is actually processed loops made with Broken Hallux sounds. Some tracks are real enjoyable loop noise where sometime you can hear volume playing more distortion and direct samples from the band. The results is quite amongst the best shit NxFxTxEx released by far and the most enjoyable part of the split is at the end when a big fat 7 minutes monster ambient drone that come on hooking my ears and say “that’s the shit”. Just for this one take a look at this records… But the rest is very nice too. That’s a good NxFxTxEx release. But notice that the sound of Broken Hallux is possibly quite important here… Viva Carlsberg noise and punk united…

Legion Sudan/NxFxTxEx     www.legionsudan.cjb.net

Broken Hallux                       https://www.angelfire.com/theforce/brokenhallux/

 

 

Chrysalis/Pedestrian Deposit          split

(Cipher production; Business Card CDR(limited to 100); 2 tracks; 4 minutes 58 seconds)

(File Under : Short noise chaos guerrilla)

Where does this world been when people got to release split release on a business card CDR (for those who don’t know, a business card CDR are CDR shaped like a business card and got only around 5 minutes of audio space). But as I heard Australia’s Chrysalis is so perfectionist that it took him months to record that song. But that’s a pretty crushing song that opens with some loud songs before going to the deeply harsh high tone alternance of high parts and drones. The song is really well recorded and sounds really silly. Pedestrian Deposit from California play similar slitting razor harsh noise with an unhealthy dose of hard high parts nauseous silence and some very deranged wall of noise. In a sense I must admit that when you’re doing a split Business Card CDR the time is so limited that you have to give the best of yourself and these project I guess (since it’s my first exposure to them) may have done that. At least if you’re searching for a very violent noise records that you really don’t want to get bored of, check this shit out since that’s the most shit I’ve heard this side of the PCRV/40 Watt Wombs split

Cipher Prod./Chrysalis         http://www.cipherproduction.cjb.net

Pedestrian Deposit               http://www.monorailtrespassing.com

 

 

Concrete Violin/Richard Ramirez    For William S. Burroughs and Yukio Mishima

(Axis Mundi; CDR; 7 tracks; 54 minutes 34 seconds)

(File Under : Unbelievable noise vortex)

Holy fucking shit, this is a hard meeting that I’m waiting for a while for! First, Richard Ramirez fan (if he got fans) can be a little disappointed by the fact that there’s no real material by mr. Ramirez, but the recording consist as a remodelling of Ramirez tracks by Concrete Violin. First what interested me in the release is the title, since I really like both authors, I was really interested in this records. The album begins with a very solid wall of noise in the way both artist can scare you about. I never really listen to some of mister Ramirez stuff, but I may assume that most of his shit are all pretty voracious like that. The kind of noise played here is a kind of very thick wall of noise with some very phasing modulations here and there that makes me really comfortable, that really what I like in some artists like Concrete Violin and his Eyegouge CD sounds like that too, is that kind of fact that the sounds is so think that it drains every other ambient sounds that are around. There is few time I wanted more noise assault than here, I raised the volume of the stereo. The album is so well mastered that I didn’t noticed the track change. For example, between track 2 and 3, the way the sounds change is less evident that at 36 second of the third track the sound is so drastic that you think the song changed, but it haven’t. In a very high looking point, most of all tracks sound the same, but that’s a good same. That’s what I call monotonous noise and I guess few noise project achieve doing that kind of very brutal assault and maintaining a good level of interest in the noise, trust me, that’s a compliment. But it’s not that monotonous, for example, track number 3, The Western Lands, got a lot of screechings and sonic assault that will make you run for Tylenol for the earache you’ll suffer. The cover art is a black pixellised drawing on a big glossy colour cover that looks like a restaurant menu. Inside there’s a picture of Burroughs and one of Mishima which is a too pixellised picture, same for the Burroughs’ picture on the disk. In some ways this is a very interesting release that every fan of harsh noise should check and more points too for the literature reference, that’s something I really appreciate in some project and Concrete Violin are good at it… I figure too on the readings I did of the reactions about this CDR that people liked it too on the Texas front. Nice shit.

Axis Mundi                kk33deg@hotmail.com

 

 

V/A                 Hardware : Uncensored videos, rock, vol. 1

(Interscope; DVD; 10 tracks; around 40 minutes)

(File Under : A collection of undermined boobsy videos)

I can not believe my eyes when I received that shit, a DVD full of uncensored videos. One thing that is good is that for the exception of a classic crap on this, I never heard any of these song or see these videos. The first video is a Monster Magnet, the only impression I got is that they are the Cradle Of Filth of stoner, showing breasts everywhere and that song I guess is not the best I’ve heard from them. Queen Of The Stone Age perform a really subversive video of song enumerating kind of drugs with a very stunning end with a baby fucking a woman, among the best of the DVD. Next is the cock-rock legends Mötley Crüe performing their macho cock rock anthem Girls Girls Girls while riding their Harley-Davidson from a stripper club to another. Fuck! Who told them they are cool and who told them that they are example of virility? Bloodhound Gang perform a really cool song but I really don’t know what to think of videos that the filming crew is naked woman. But I really appreciate this since I always liked the Bloodhound Gang’s attitude. Next are Fig Dish, a buch of bad Weezer/Foo Fighter wannabes that spent a day in the shooting of a porno movie, there boobs everywhere and the less intelligent part of the DVD including two member of the band saying Hou houu’s while fucking two women with their legs up… Nasty and stupid. Next is the Long Beach Dub All-Stars that plays a gentle videos playing under the sun on trucks while the singer is watching him playing with a porn star (that one of my friend named but I can’t remember), but the song is really nice as I love ex-member’s Sublime. Next is punk-attitude 3 guitars boring nu-metal Dragpipe playing in a set full of yuppies and bitch and they smash a corvette and the bring breast-naked bitch out of the set (while one punch the singer in the face) and kick yuppies ass before leaving. If they were a good band this video should have been really nice, but the music sucks hard. The Dwarves performs here at their best. This song is from their more techno album and really rips, The video is like the singer in a closed room who digs hole and watch scenes from there where other members are with naked chicks, not offensive and with a really amazing song that stayed in my head for weeks after. Molotov suck hard on this one playing the second video of the DVD with chicks naked as the filming crew. And the worst thing is that they play in a kind of cube with tits on the wall that throw milk after. And the music is really dumb, I mean stupid and boring. The final video is my fave and is from Sweden’s dirty punker Backyard Babies that play a really awesome song called Look At You and performs in a stripper bar, where you just see one women stripping shortly in the middle of the video and you see the bands acting dumbly in everyday life. My punk heart liked it. But the best part of the DVD is the trailer for the hip-hop DVD of this collection, now you realised that this DVD wasn’t too much disrespectful for women… But I guess I’ll never pays for that kind of DVD, maybe more violent less sexist videos should have been much more appreciated and more thrash metal… Not recommended…

Hardware                  

 

 

Minus                                    Halldor Iaxness

(Victory; 14 tracks; 43 minutes 34 seconds)

(File Under : zenny nordic Rock’n’roll-core)

Since I’m a Sigur Ros fan I wanted to look at these compatriots band of them that looked like they are in the same way. Anyway you can slap in me in the face for this dumb association of two band, a country and the result of the same genre, cause it isn’t. Minus sounds more like a mix of At The Drive-In and Refused (I hear you running to the record store) with the Zen attitude their country give them. I dunno, but the Iceland people looks like a bunch of too peaceful people, just take a look at Sigur Ros and the fact that I guess I never heard of a dirty hatefull pagan total war Black Metal band coming out of the volcanoes of Iceland… Weird thing for a Scandinavian country… Well back to Minus. The thing with Minus is that before writing this review I listened to the album for about a month a few listens every week and I got the strange intuition that it’s not the same album at every listens… The sounds is very strange, for example the singer looks like the bastard child of Denis Lyxzén and Cedric Bixler in a valium mood. But the album still rock the house in. I like that sounds the band got like the guitars are really dirty and the drum sounds really tight yet played both aggressively and moody. I always got the impression that while headbanging I can start to fly. The most strange song of this album I guess is the song My Name Is Cocaine that got funny lyrics (I’ll make a schoolteacher not want to teach/I’ll make a priest not want to preach) and feature something that sounds like a keyboard. Last song reminds me a lot of the mighty Portishead with that gentle women vocals and these very noisy sounds behind, you finish this album with a really good impression. Their sound is so great that it should be really awesome to do remix, I hope they should release something with remix on it since their sound is appropriate for that. But trust me, I really don’t know why but this band don’t give me the same impression at every listening. But I guess it’s that kind of band that can get higher public and that you feel really confortable with that like the afore compared Refused and At The Drive In, as long as this shouldn’t be post-mortem fame like these. Get your ass moody for this one.

Minus             www.minus.tv

Victory           www.victoryrecords.com

 

 

Never Presence Forever      SCUM

(PAC Rec; business card CDR (already sold out); 4 tracks; 5 minutes 08 seconds)

(File Under : Noise loop and minimalism fest)

Wow, my first PAC release, I mean as a slacker I always miss that kind of ultra-limited release. So here my first here’s-what-you-missed-since-you’re-not-cool-enough-to-get this-release review. I’m glad to got this since this is one of my favourite project release. This seems to be more of a self-release stuff than a label release since there’s just NPF’s address and info, nothing about the label, but I think Andrew paid for the artwork… This business card CDR feature 4 tracks. The first one is a very moody ambient soundscape with some crispy sounds and this the longest track of the release, one minute fifty-nine seconds. The second track is a kinda more fast and loud drone with some moody noise fade in, very nice. The third track is a kind of noise and harp interlude and the twenty seconds of it make me want more, but is sounds like the second track off last year’s “Disturbed Visceral Nociception”. The fourth track is the reason of this release I guess, it’s a cover of Napalm Death’s Multinational Corporation. The begins with a very disturbing noise track where the lyrics of this track and end up with some industrial beats. I dunno what else to say about this except that a very big fan of Never Presence Forever like me that realized that the project never release something since “Disturbed Visceral Nociception”, well that’s a gift from whatever you think is great. The artwork is kinda awesome, there’s a copy of Napalm Death’s “Scum” artwork with the spelling Never Presence Forever instead of Napalm Death and some information and fuck you’s to those who are not his friends and to life and to the world… Pretty hatefull… But I guess I need more please and more than the Recycled tape too…

PAC Recs                              http://www.troniks.com/

Never Presence Forever      http://www.holyterror.com/neverpresenceforever

 

 

Outermost/Skt. Adolf            collaboration

(Anima Mal Nata; CDR; 10 tracks; 57 minutes 52 seconds)

(File Under : Noise loop and minimalism fest)

This is the second meeting between Kei Yakota (Outermost) and Marcel Herms (Noisebitch, Fever Spoon and Skt. Adolf), I guess they liked the formula off their first meeting as Outermost/Noisebitch a couple of month ago. OK, first you will enter this CD with some of the most crazy loops that reminds of a bunch of tap dancer with a flute loop overand some white noise over. The mixing is so raw that sometime I have the impression that my CD skip like at the middle of the second track, but it seems normal since it did the same thing at the same place with different CD player. But the result of this collab is very awesome, the loops sounds so silly that you’re very proud when each song is over. In a way this is not the harshest noise I’ve seen, but this is truly among the most nerve banging ones. The sonds is more minimal in the Outermost way sometimes and the sounds is more charged sometimes filled with a discharge of loops and heavy noises but the most stressfull aspect of the CD is that the CD skip. That’s really sick

Anima Mal Nata                   marcelherms@knoware.nl

 

 

Sewer Election/Filthy Turd   split

(Voltagestress*r; CDR(limited to 30); 4 tracks; 50 minutes 36 seconds)

(File Under : Well constructed Viking power electronics meet blower monolith dirty assed British jet engine noise)

Here’s a release I anticipated for a while due to the meeting of two project I actually wanted to hear for a while. Sweden’s own Sewer Electron begins this long tracks split with a song that begins with some undertoned statics and felt into a very high on power electronics manipulation slapped with return to statics and samples about alcohol and drugs. A long tracks that is really enjoyable to listen to. Filthy Turd continues on their becoming trademark monolithic heavy white noise explosion, it sounds actually a little bit less interesting than their previously reviewed Filthy, Jealous, Violent CDR, but that’s actually enjoyable. The other Sewer Electron track sounds quite exactly like the first one, I dunno if that’s what Daniel wanted to do, but that’s my feeling about it. But actually I really liked that track too, I really want to hear more from the Swede soon. The other Filthy Track is quite better I guess, and this is nearly interesting to say that average length for each track is 12 minutes. The songs is again quite long and monolithic, but there’s some high screechings that makes me feel like I what to take of this white noise carpet an see that little noise dwarf village playing noise. I felt really concentrated on the sound while listening to it. The package is quite a step forward in the production of the DIY frantic label since it got a drawing on the cover and a prehistoric skull that looks like Dan Lilker’s skull on “Sounds Of The Animal Kingdom”. Anyway act fast and contact Eeyow Karoom for a copy of this one since it’s limited and it rocks…

Voltagestress*r         http://members.tripod.com/~sore_throat/stress/index.htm

Sewer Election           http://drink.to/sewerrecords

 

 

 

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