The
Gospel Project
Annotation
Guide
Bob Dylan Live 1979-80
MY ANNOTATIONS ARE STRUCTURED
ACCORDING TO THE FOLLOWING TEMPLATE:
DATE OF CONCERT
VENUE (CITY AND THEATER)
SETLIST:
THESE SETLISTS REFLECT THE MOST COMPLETE SHOW RELIABLY REPORTED BY
AN AUTHORITY.
PERFORMANCES I'VE CONFIRMED THROUGH MY RESEARCH ARE IN BLACK, WHEREAS THOSE I'VE BEEN UNABLE TO CONFIRM ARE IN RED.
I HAVE LISTED DISCREPANCIES BETWEEN MY OWN RESEARCH AND THAT OF THE
FOREMOST AUTHORITIES ON DYLAN'S LIVE PERFORMANCES HERE.
COMMENTARY:
THIS SECTION REFLECTS MY OWN COMMENTS ON THE PERFORMANCE IN
QUESTION, RATHER THAN THE RECORDING OF THAT PERFORMANCE.
ANNOTATIONS:
THE PURPOSE OF THESE ANNOTATIONS IS TO
ASSIST LISTENERS IN IDENTIFYING PERFORMANCES.
THEREFORE, ANY NOTABLE CHARACTERISTICS IN EITHER RECORDING OR
PERFORMANCE IS LISTED HERE TO HELP DISTINGUISH THE PERFORMANCE FROM ANY OTHERS.
ALL ANNOTATIONS REFLECT ANY
CROSS-REFERENCING BETWEEN SOURCE RECORDINGS, THUS EDITS AND OMISSIONS WHICH
OCCUR ON ONE SOURCE TAPE, BUT NOT ANOTHER, ARE NOT REPORTED HERE.
ANNOTATION
KEY:
BLACK TEXT = Confirmed
Performance/Comments/Observations
RED TEXT
= Flaw or Missing/Unconfirmed Portion of Recording
BLUE TEXT
= Dylan's Comments or Statements Transcribed
GREEN TEXT = Notable Performance (in my opinion)
CERTAIN SONGS, SUCH AS THE SAMPLE
"SERVE SOMEBODY" BELOW, REFLECT DISCREPANCIES WITH THE COPYRIGHTED
LYRICS OF THE SONG. IF THERE IS ANY
VARIATION, THE FIRST BULLET POINT BENEATH THE SONG TITLE LISTS THE PERFORMANCE
ACCORDING TO THE ORDER OF STANZAS IN THE COPYRIGHTED COMPOSITION.
FOR EXAMPLE, IN THIS INSTANCE, DYLAN PERFORMED THE FIRST AND
SECOND STANZAS ACCORDING TO THEIR COPYRIGHTED ORDER. HE THEN PERFORMED HALF OF THE FOURTH COPYRIGHTED STANZA TOGETHER
WITH HALF OF THE THIRD COPYRIGHTED STANZA.
THE SUBSEQUENT BULLET POINTS GENERALLY IDENTIFY LYRIC DISCREPANCIES
WITHIN A STANZA, IDENTIFYING THE STANZA IN PARENTHESES.
SERVE SOMEBODY
SOURCES:
THIS SECTION IS MODELED AFTER SIMON'S RECORDING COMMENTS
LISTED ON HIS UNOFFICIAL BOB
DYLAN FREE TAPE LIBRARY WEBSITE-- THIS NOTES ISSUES WITH INDIVIDUAL
RECORDINGS, RATHER THAN WITH THE PERFORMANCES THEMSELVES.