Positions
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•Bara•
the slave lies on stomach upon floor, forehead pressed to the floor, wrists interlocking over small and thin part of back, stays motionless until bound.
•Belly•
the slave move so that they are on thier belly, legs shoulder-width apart, arms at sides, palms faced towards sky, forehead pressed upon the floor, the boy/girl crawls on stomache Mistress' feet.
•Blanket•
This is not a command, but it is an action a kaji should remember. If object is thrown over head, he/she is to remain quiet and motionless until freed from it. When a cloak, blanket, or covering of any type is thrown over head, a kaji is to remain silent until the Mistress frees him/her.
•Bracelets•
the slave gets down upon knees, thighs parted, back slightly bent, head held high, eyes lowered to ground in submission, arms are extended, wrists side by side ready to be bound. (there are different styles a Mistress may prefer, such as hands behind back or kaji standing, feet shoulder width apart)
•Capture•
the slave lays upon ground on back, bends knees, bottom of feet against
ground. Hands rest at sides, body remains motionless.
•Crawl•
a slave gets upon hands and knees, forearms flat on ground, head nearly touching ground, but slightly raised above it, crawls to Mistress until reaches Mistress' feet.
•Display•
kaji stands, feet spread shoulder width apart, fingers intertwining behind neck, elbows back, arms in shape of a bow, head held up, eyes down-cast.
•Gorean Bow•
the slave kneels, thighs parted, bends over backwards until head rests upon the floor, they place thier hands on the floor behind thier head, then pulling kaji's self up, back arching while doing so.
•Hair•
you stay in the position you were in, you bend at waist, gathering hair and flipping
over head and offering it to Mistress as She may do what She wants with it.
•Heel•
kaji stays behind Mistress' left foot, as She moves, kaji must remain behind the foot, not ever coming into contact with it, but walking with it as it moves.
•He-sleen/She-sleen•
kaji gets on elbows and knees, hands go behind head, fingers interlocking, raises buttocks high in air.
•He-sleen quadruped•
slave is on his/her hands and knees, is not allowed to use hands for anything, he/she must use his mouth, he/she may not speak, only grunt like an animal. This is position is either used for entertainment or discipline.
•Karta•
a slave kneels, thighs parted, chest resting upon floor, arms extended, palms face down resting upon the ground, ankles may interlock or not. (variation= suga- same as karta only wrists interlock)
•Ko'lar•
kaji kneels at Mistress' feet, sitting on his/her heels, raises arms and interlocks wrists above head.
•Leading•
- the kaji stands and moves behind the Mistress, moving to the left or right, depending on which of Her hands is dominant. kaji bends at waist, hands behind boy/girl's back, head placed upon the Mistress' hip, that She might lead the boy/girl by the hair.
•Leasha•
the slave kneels, back facing Owner, thighs parted, back slightly bent, wrists interlocking behind back in smallest part if bracelets are required, turns head to left, eyes down-cast, lips parted a bit, waits to be leashed.
•Leasha-High•
same as Leasha, only standing, feet parted shoulder-width apart
•Nadu•
the kaji kneels, thighs parted widely, head held high to honor ko'lar, eyes lowered to Mistress' feet in submission, palms rest upon thighs face up.
•Nestle•
when a kaji is told to nestle, he/she is to fit him/herself against the Mistress' side, snuggling in the crook of Her arm
•Obediance•
a kaji lies on his stomach beside Mistress, placing his/her chin on Her feet.
•Obeisance•
There are 3 different forms of this position, though all have the same basic
meaning behind it. Each is a show of submission.
1. A slave kneels in nadu, head is lowered.
2. from nadu, the slave lowers head to the ground, hands pressed against the ground, resting near shoulders.
3. slave moves on stomach towards Mistress' feet, until he/she reaches them to kiss and lick them, then sliding back.
•Prostrate•
a slave kneels, pressing forehead to the ground, arms placed out in front of
him/her, palms down, fingers spread.
•Run•
a slave takes small and quick steps, legs nearly straight, feet hardly leaving the floor, back straight, head is turned to the left, arms rest at sides, palms face outward, drops down in nadu with style and grace.
•Slaver's Kiss•
a slave gets on hands and knees, forehead pressed to the floor, buttocks raised in the air, thighs wide.
•Slave Lips•
the kaji turns head to Mistress, puckering lips, waits still until the kiss releases her/him.
•Slave Rape•
boy/girl lies on back, thighs widespread, hands resting above heading on the
floor, wrists interlock. The kaji waits to be raped.
•Submission•
kaji kneels, bends over at waist, pressing right cheek to the ground, taking Mistress' foot and placing it on his/her neck, showing complete and total submission.
•Sula•
the slave lies on back, feet shoulder-length apart, wrists interlocking or head, eyes lowered.
•Sula-ki•
(also known as alternate sula) same as sula except hands rest at sides, palms open and facing up, slowly lift hips off of the floor.
•Standard Binding Position•
kaji lays on the ground, wrists interlocking in the thin part of the back, ankles crossed.
•Table•
on all fours, back level, eyes lowered, thighs far apart, elbows locked..often a slave in this position will be used to rest food/drink or feet upon
•Tower•
it is the same as nadu except thighs are kept together and the palms face down.
•Usage•
slave is on hands and knees, legs spread far apart, head straight, remaining
motionless until a command is given.
•Walk•
at this command, a boy/girl turns gracefully, walks silently, feet hardly leaving the ground, hips sway, body straight and proud, at the object, stop. Stand tall and straight, shoulders back, chest thrusted outward, belly in, swing on hip outward a bit, hands remain at sides, points with one foot, eyes are down-cast.
•Whipping Position•
a slave gets on knees, head pressed to the floor, arms interlocking at belly,
waits silently, not moving.
***please do the homework in a timely fashion***
Tri-Moon extends T/thier thanks to the Pleasure Gardens for providing material for these pages
