You read a story. Bradley Fortune just got his novel about the rich man who found an abandoned child and raised her, published, or Mrs. Marshall's son found his mother's manuscripts based on her life in the orphanage in a dresser drawer and sent
them off to the publisher who did not care that Mrs. Marshall's use of grammar
and spelling was not even close to medium. They were just interested in her
native charm.
That never happens. Writing is hard work. You need at least five days a week
and possible six days to write. Oh the seventh? Well that's the day of rest.
Someone made this idiotic rule, to write what you know which resulted in extensive journal writings, the thinly disguised autobiography, the lawyer
;writing about crime cases, etc. Well forget about that. If you do not know about a subject, find out. If you are shy and do not want to ask, for example,
a chef, how he went through cooking school, go to the library, go on the
internet and find out there. Listen to how people speak to find out their
dialects. Watch good television shows and not so good ones like talk shows.
By the way, the Sally Raphael Show is a good talk show with many relevent subjects.
The guests on the latter often are from various parts of the United States and
since a lot of them are usually poor and uneducated, you can record their way
of speaking. Take a note pad or a tape recorder (hidden) to a mall, school, or
any place and record the conversation. Take notes of what people are doing.
Write your impressions, your dreams, describe the scene outside the car,
plane, or bus when you went on vacation. Go to an office, write down how the
insurance agent does things, etc.
This is good for background or maybe a story. After you get the characters,
change the settings. Instead of an insurance office, make it a dentist's
office. Make the woman with red hair,a woman with black hair. Make the man
from Arkansas, a man from Toledo. Make the couple discussing their son's new
bicycle, two policemen discussing the up coming barbecue. With fiction
;anything goes.
The Pro Abortion movement has gotten a lot of help from those who wrote stories of abused wives,impoverished mothers saddled with large families, and girls abandoned by their families because of an unwanted pregnancy. Often the hardship is written in graphic detail, so that the unborn baby is seen not as a joy but as an inconvenience. Also too is the dreadful genetic disease that caused a girl to abort her baby. Unfortunately, abortionists seem to give the impression that horrible things will happen to a woman who does not abort her unwanted baby —her husband will leave her, her friends will abandon her, the baby will have a rare genetic condtion that causes his mother immense financial hardship, etc. Adoption stories are written from the standpoint of unloving rich parents just tolerating adoptive child. Often times, sexual abuse is shown in these fictious accounts.
How should the Pro Life writer fight back? Not all large families are poor. Parents do help their daughter make the right decision for her unborn child and forgive her for not marrying first. Adoptive parents are just as loving as birth parents, the new baby or older child being a joy to them. One does not need to be sentimental or Pollyanna (got that from a Disney movie). Oh yes, even if the baby is first unwanted, it will not be the only one in the family with that rare genetic disease, and not all husbands nor friends will abandon the mother because the baby was first unwanted. Rich people are just as loving as poor people. Half a truth is just as bad as no truth at all.
I will give you an example and in the place of the swear words, use "**xx00" I
will pretend I am a writer, "Bobbie Smith" (apologizes to any real Bobbie
Smith who might be out there.) writing about a couple of low class/low
educated/quit school because they did not want to study/etc. type scum on the
edge of a separation or divorce.
I'll give you an example of a story about a divorced woman who finds herself pregnant with a decision to make. Should she get rid of the baby or not? The following scene is before the divorce.
First how the writer does it, and then how it may be conceived.
Look you **xx00," said Sheila, "I don't care if you want a divorce, I won't
give you one."
Harold turned on the light, and looked in the beer, ignoring her.
"Where's the beer, you **xx00," he said.
"Look here, you **xx00 loser," she ranted, "if you did not hang around all
year with your beer belly showing, we'd be drinking champagne."
Sheila then took out her broom and hit Harold.
Now here is how a God fearing person, or a person like your
cultured Victorian grand parents or great grand parents might see the passage.