October 23, 1998
New Radicals: Brainwashing You With
'Dangerous Pop'
On a Friday night in Los
Angeles, there are quite a few places you don't want to be, and
cruising in a car stuck on the Sunset Strip is one of them.
Unless, of course, between staring at high- heeled hookers to the
left and Hollywood (wannabe) hipsters on the right, you happen to
hear your song blaring from a car going in the opposite
direction. Not your song as in that Phil Collins song that
reminds you of your fifth grade girlfriend or boyfriend, but your
song -- the one you wrote, composed, and literally poured your
heart and soul into. That's exactly what happened to Gregg
Alexander, the mastermind behind New Radicals.
"A couple of Saturday
nights ago, I was in a car with a couple of buddies of
mine," recalls Alexander. "There was way too much
traffic on Sunset Blvd. and I heard ["You Get What You
Give"] blasting out of a car on the other side. There were
all these kids really getting into it. I was a little stoned and
was like, 'What the fuck?' It felt like a scene out of those
1950s movies where everybody is hi-fiving each other."
If it seemed rather surreal at
first, Alexander should be prepared to get used to it. New
Radicals' debut album, Maybe You've Been Brainwashed Too
(released on Oct. 20 on MCA Records), is poised to spend the
better part of 1999 digging its catchy, retro-pop heels into
radios nationwide. The video for "You Get What You
Give" was deemed BuzzWorthy by the powers that be at MTV,
and had an impressive first week at alternative and top 40 radio
-- and there are 11 more gems on the album where that came from.
In a nutshell, New Radicals are on the heels of
becoming an overnight sensation. If you are one of the few who
hasn't caught the fever yet, think the squawk of a youthful Mick
Jagger and the sound of the Blow Monkeys circa Animal Magic. Just
don't think Pearl Jam or Nirvana circa anytime.
"There is a whole pathetic
precedent that if a song is angry, or has loud guitars on it, or
somebody is screaming, then it's relevant," says Alexander.
"There's no subtlety in that. We all claim to want
sophistication in our art or music, yet when a really profound
and meaningful dance song comes on, it all of a sudden gets
relegated to meaninglessness. So 'You Get What You Give' is
trying to break type by having an upbeat, uplifting song with
some anger."
In all fairness, Alexander didn't have all that much
to be angry about anyway, growing up in the fairly affluent
Detroit suburb of Grosse Point, Mich. The son of a plumber father
and Jehovah's Witness mother, it took Alexander three previous
tries to figure out his current formula. He had two albums on
A&M Records as Gregg Alexander (1989's Save Me from Myself
and Michigan Rain), both of which are described as
"ambitious songs with a Phil Spector- like production
approach" by Alexander's manager, and one on Epic Records
three years later (Intoxifornication).
Alexander has spent the
majority of his 20s on the road (he drove across the country 12
times, including once with his mother), and the 28- year- old has
seen a lot in his day as a result. Like the time he was caught
somewhere in Kansas with 240 cases of individually- wrapped apple
sauces in the trunk of his convertible (don't ask) or the time he
got frostbite from running barefoot out into the stone cold
Michigan winter looking for his miniature schnauzer. With fodder
like that, it's no wonder there's a wealth of potential chart-
toppers on his latest offering.
On Maybe You've Been Brainwashed Too, Alexander wastes no breath shoving his opinions down our throats via near- perfect pop accolades, and in person, he ain't too shy either. Some of his quotes may be hard to swallow on the surface, like this one:
But that's the way
Alexander's mind works -- about 500 mph faster than the rest of
us. Maybe You've Been Brainwashed Too is the beautiful aftermath
of those thoughts, even if it won't be a hit with the angry- cum-
louder crowd.
"It's obvious
-- but uncool -- to say in this day and age, when you actually
speak in uplifting generalizations, there is a danger of it being
considered trite, so that was one of the motivations for me in
making what I consider one of the most dangerous pop records to
come along in a while," says Alexander. "But it will
really be up to the machine to see if it gets through to second
and third base."
~ Kevin Raub ~
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