Site hosted by Angelfire.com: Build your free website today!
Production Diary

...And here is a diary of our best efforts to stage the show...from first rehearsals to final production.

First Reading Ok, so it's Sunday afternoon, and I'm in the rehearsal room trying to explain to a group of people why Terry Pratchett is such a good author, why it will be great fun to stage his play, and why on earth the book is centred around a flat world, carried through space on the back of a giant turtle. My potential cast smile at me sympathetically, as I struggle to explain the plot. Four witches, numerous vampires, a queen, an Igor and a dog with two tails later...some of them are still smiling.

Casting I count the number of characters listed in the script. I do some quick mental arithmetic. I count them again. Surely not...It slowly dawns on me that I'm going to have to convince 32 people to act in the play, not to mention the numerous others I need for technical and backstage support. It's time to start ringing people up...

Readthrough Thrilled to find myself with a full cast, I head down to the theatre for what is effectively the first rehearsal. 32 people sounds like a lot on paper, but gather them in one room and I suddenly realise just exactly how many people that is. We read through the script together for the first time, and I laugh in the same places I have been laughing at while reading it on the train to work all these months. But now...other people are laughing with me! What a relief!

Early Rehearsals After three rehearsals, I can see we are going to have a bit of a problem. You see, it's like this...the script is too funny. At every other line the whole room bursts out laughing - either at a joke, someone's funny accent, or because we can't pronounce some of the names. No-one warned me about this. Who said this directing lark was easy?

The Wonder of Modern Technology! With the acting under way, we sit down to make a list of the special effects we will need. 'Mist' is probably the easiest, followed by 'vampire teeth'. The 'loud, bright explosions' shouldn't be too much of a problem, but the glowing anvil might be tricky. Best of all is the seven foot tall grim reaper - complete with glowing eyes...I silently thank Stephen Briggs for not including the 'Nac Mac Feegle' that appear in the book - an army of little blue men is perhaps beyond me...

Jean gets some acting tips from the real Nanny Ogg!