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Prominent Poles

Tomasz Stańko, jazz trumpet player, composer, and pioneer of the jazz avant-garde.

Photo of Tomasz Stanko, jazz trumpet player

Summary. Review (BBC): Tomasz Stanko has been described as 'the Polish Miles Davis' so often now that it's become completely unnecessary to describe his style of playing or the texture of his tone. If anything it's his direction that warrants analysis as we all wait to see what comes next. Previous albums like From the Green Hill leant toward a jazz-meets-folk dynamism but the critical acclaim heaped upon his last, more conventionally jazz tinged release (The Soul Of Things) has allowed him to continue in a similar vein with the young Polish rhythm section he has fostered since 1994. ..
Review (Jazzitude): Polish trumpeter Tomasz Stanko has earned a well-deserved reputation as one of the best European jazz trumpet players around. Now that reputation is growing to the point where the word “European” will need to be eliminated. Working with a quartet made up of young, accomplished Polish players, Stanko has produced two recordings—The Soul of Things and the brand new Suspended Night—that are as defining and innovative as was the Miles Davis Quintet comprised of Davis, Wayne Shorter, Herbie Hancock, Tony Williams, and Ron Carter. ..
Review (The Sydney Morning Herald): …His identifiable sound has made him a star of the European jazz scene. In recent years he has made a significant impact in the US, too: The New Yorker called him "one of the world's most original and inventive jazz trumpeters"…

Born:   July 11, 1942, Rzeszow, German occupied Poland (presently Poland)

In 1962 he formed the quartet Jazz Darings, with Adam Makowicz (later replaced by Janusz Muniak). Later he played in Trzaskowski’s and Komeda’s bands. In the period 1968–1973 he had his own quintet , which included Muniak and Seifert and was one of the most renowned Polish modern jazz bands. In 1970 he performed with the Globe Unity Orchestra; later he worked with Urbaniak. From 1974 to 1978 he played in a quartet with Vesala; thereafter he performed again as a leader, and in 1980 recorded as an unaccompanied soloist in India at the Taj Mahal and the Karla Caves temple. In addition to occasional solo engagements (from 1978) he played in the group Heavy Life with Freeman, Spaulding, and others (1980), performed with DeJohnette and Reid (both 1983), belonged to Taylor's big band (1984), and formed his own group Freelectronic (1985). In the 1990s he recorded on the prestigious Munich label ECM. Music composed for films and theatre holds an important place in Stańko’s work. Technically Stanko is highly accomplished; he plays a form of free jazz that displays both European and American influences.

Selected works:
• Jazz Jamboree '61 (1961) • Astigmatic (1965) • Music for K (1970) • Balladyna (1975) • Music 81 (1984) • Bluish (1992) • A Farewell to Maria (1993) • Matka Joanna (1995) • Leosia (1997) • Litania: The Music Of Krzysztof Komeda (1997) • From the Green Hill (1999) • Soul of things (2002) • Suspended night (2004) • Lontano (2006)

Source;
Based, with modifications, on an article from Wikipedia:
Wikipedia
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Other sources:
Tomasz Stanko's homepage + listen to Stanko's music!
BBC + listen to Stanko's music!
Jazzitude
The Sydney Morning Herald

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Prominent Poles