Art - Raphael’s Madonnas
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Last modified 1st of October 2009
This page
is about Art
generally speaking,
and two specific Madonnas
by Raphael
more particularly.
It is the result of many contributions sent
from a number of countries in different
languages and often translated into
Many interviews have been made
with persons having deep knowledge
about artistic
painting from before
the
Renaissance and later, as well as
with art
history academic
and museum
specialists (in Europe - other), also in
religious institutions, churches, and
cloisters preserving discreetly genuine
Raphael
and many other ancient art works,
some since the XVIth century
and before!
This page is continuously updated after
exchanging ideas and opinions with
competent cooperating teams about related
events, ancient and newly obtained relevant
facts, library
research
and investigation details
from 1960 to 2008, as well as computer
and internet item
and data since they have
been openly accessible by the 1990s.
This site
is now open (1st of Jan 2009)
as a
free internet
forum for
discussion by email
only if not
specified otherwise.
Advanced anonymity
can be guaranteed by
Proxy - Gateway technology. See Special4u
As many references as possible are
directly
linked
to their open sources
publicly available
on the internet
by underlined words or linked
images and videos.
The private or
professional information
sources
for this journalistic activity ( 1964-2008, CV ),
will not be disclosed and are protected
by
Injo InjoD Jenq Gräv Perinv icj ajis ijk jurHo
Email addresses: wetry2@gmail.com
Raphael’s
many Madonnas
Web
page by Pierre André THIBAULT, PAT,
in Copenhagen, Denmark, 2008, for Special4u,
with Copyrights
for the copied, printed,
or reproduced texts,
articles,
images,
icons,
pictures,
maps, photos,
videos,
URL internet addresses, and links,
as
mentioned above and below.
Most texts relevant for this
site and pages are
retrieved and outspread on
many art sites and
pages of the internet and
are often developments
of basic art pages at Google and Wikipedia.
You can search the keywords
you want at these
two sites or at most major art search engines.
Most of the references used in this article
are directly linked to their source by underlined
hyperlinks and linked pictures or videos.
Other open source information is listed or
mentioned on
separate pages linked all along
this text when
needed, or when too long, too
vast, in different
formats, with picture or video
material, and
simply too much to fit in this
already much
extended document Special4u.
Email: wetry2@gmail.com
Web text first
published and archived
1998 in a
much shorter version, and
since, updated
when corrections,
new facts and
new relevant completing
contributions are sent by
readers.
These
contributions are added to the
present text
roughly as they are received
if not needing
further corroborating.
They are
submitted to the appreciation
of competent
collaborators and finally
accepted for
publication by consensus
with the other
concerned Special4u teams.
They are
inserted at a more or less
convenient place
in this story after
double checking their likelihood.
You can send any
suggestion of
improvement or better and
more
suitable
positioning of an item in
this text.
After 2006 this dynamic
web text
is free of © if
for non-commercial
or non-political use.
Search the meaning of words at
for example Wikipedia, Google ...
Internet, Search engines, Encyclopedias,
Dictionaries, historical,
military, marine, navy,
war, and art
museums, castles, monasteries,
cloisters,
abbeys, churches, cemeteries,
Maps, Libraries, Judicial Courts,
Police reports,
news papers,
religious institutions, Special4u
archives have been used
extensively as
practical tools
for the journalistic
investigation
and the five-decade-long research work
behind
this web
article.
Still essential and
substantial parts of it is the
result of a
large number of public lectures,
institutional
meetings, professional journalistic
interviews, and perhaps most
important,
private family
and personal discussions,
conversations,
and dialogues, with many
persons, often
retired when I met them and
now mostly
deceased, some still alive by 2008.
I spoke either
with them personally, or with
relatives who
had heard from them directly
and genuinely knew
about what I needed
for this
inquiry.
Many of those
named here have witnessed or
been the main
actors in the events mentioned
in this text.
Even a number of
still secret artistic records,
religious,
military, administrative, and bank
documents, as
well as art works have been
eyed, sometimes
copied, drawn, sketched,
or photographed!
This article is showing with computer and
Internet technology an example
of what art
controversy has been about in
centuries
and the quest it will probably continue to be
in the future.
Hieronymus Bosch for all future
For a
research, a valuation, or a deal suggestion,
or for more
about Pierre André THIBAULT,
click here, or go back to the "Special4u" site,
or to http://special4u.50megs.com,
or click here
on PAT record.
Web text
first published 1998 in a much
shorter version.
First published in this more
complete version in 2000.
Updated 2002, 2003,
2004, 2005, 2006, 2007, 2008,
After 2006, any text, picture, video, by
is free of
all Copyrights © if for
non-commercial and non-political use.
Any
creation under these names or pseudonyms
can be
considered as “free stuff” or “Open Source”
material if
not for making money.
For reference to, or copying from any item from
this site,
we thank you if you just cite
or quote
special4u.50megs.com as your source, or simply
link to it.
For
example, the source of much of the information
on this
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Wikipedia, Google,
Yahoo, special4u.50megs.com…
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working especially for
you at Special4u:
Ew Jo An Ia Jos Pim Joj Had Mus
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