Kimagure Orange Road
"The Two Snapshots"
Volume 2, Story 6
WB Volume 1, Story 14
Written and illustrated by Matsumoto Izumi
Translation & full-script typesetting by : Craig H. Nishida
Editing and Additional help by : Paul Hirose
Craig Nishida
Spencer Hastings
Matthew Klippenstein
Leo Hourvitz
Wes Shull
Last revision : 02-07-95
Comments? Corrections? Suggestions? Please send them to:
kor-trans@gnu.ai.mit.edu
NOTE: WBp#'s are printed first, Normal manga pages in parenthesis()
NOTE: Translation is done from both the normal and WB manga, so there may
be a few extras to those of you not having one or the other.
Example: The subtitles on page 303 (117) are only in the WB's!
---------------------------------------------------
p 303 (117)--TITLE PAGE
[A strip of 35-mm film runs diagonally across the panel. Each frame of the
film is identical and shows the three--Hikaru winking and flashing a victory
sign, Kyousuke wincing and Madoka looking on at Hikaru, uncomfortably.]
MAIN TITLE (at top) _______
The Two Snapshots NIMAI no sunappu
two/double snapshots
SUB-TITLE (at bottom) ______
Printing on the Film of MUNE no firumu ni YAki tsukete...
My Heart... heart 's film (IO) printing/branding
__________
A Heart-Throbbing Summer- tokimeki - NATSU IRO fotogerafu!
Tinged Photograph! throbbing- summer color photograph
---------------------------------------------------
p 304 (118)
1
[Shot of a tree-lined, downtown thoroughfare.]
man: [off]
Uh-hmm, I'm at a loss what u--n komarimashita ne
to do... was-at-a-loss/was-at-wit's-end
2
[Exterior shot of "Cafe ZuBoN".]
Takashi: [off]
I have a policy against watashi wa JINBUTSU wa toranai
taking photos of people, I (T) person (T) not-take-(picture)
but...
SHUGI nan desu ga...
policy what is but
3
[Interior shot. Takashi sits at a table, across from a man, possibly an
editor.]
man: [smiling]
Could you somehow see your soko o nantoka onegai shimasu yo
way around that policy? that-place (O) somehow could-you-do
4
[Takashi looks on, without expression.]
man: [off]
By all means, this project kono KIKAKU wa zehi KASUGA-SENSEI ni
needs you, Kasuga-sensei. this-plan (T) by-all-means (IO)
onegai shitai n desu
request want-to-make (explan)
5
man:
I mean, Sensei, your pictures iya-- SENSEI no SHASHIN wa
are--how do you say... 's photography (T)
nan chu-- ka
(= nan to iu) (talk-to-self)
called-that
Truly marvelous. jitsu ni subarashii
truly/extremely wonderful/splendid
Allowing yourself to take FUUKEI bakari torasetoku no wa
only landscape photos, landscape just (= torasete-oku) (T)
frankly speaking, is a loss letting-take-(a-photo)-
to the photography world. (for-future's-sake)
hakkiri itte SHASHIN KAI no
speaking-plainly photography world/circles
SONSHITSU desu yo--
a-loss is
---------------------------------------------------
p 305 (119)
1
man: [waving as he leaves]
Then, you'll do it?! ja onegai shimasu ne!
then request-to-do (rhet)
2
Takashi: [still seated]
Oh well... I've taken the yareyare to--to-- hikiukete-shimatta!
assignment after all! oh-boy after-all/ see-to-it-(finality/
in-the-end regret)
3
Takashi: [exiting]
(However... Saying I'll do (shikashi... hikiuketa wa i-- kedo...
it is all very well... but/however accepted fine but
______
But what about the kanjin no moderu wa dou shita
all-important model?) essential/ model (T) what-happened
main/most-important
mon darou)
person poss-be
4
Takashi:
(I can't very well use Kurumi (kurumi ya manami o SHIGOTO de
and Manami for work...) and (O) for-work
TSUKAu wake ni wa ikanai shi...)
use can't-very-well consider
Takashi walking FX: ___
su_
[As he exits, he looks to one side. Coming up from the other direction is
that favorite collision target of all Kasuga males... (See chapters 1.3 and
5.1, for example...) She walks home in school uniform, schoolbag in hand,
looking off across the street...]
5
collision FX: ______
doshin!
6
Hikaru: [wincing]
Ouch... itete
7
[View pans back to show her sitting on the sidewalk. Takashi still stands.]
Hikaru: [yelling in anger]
Watch where you're going, doko MIte n da yo
you blockhead!! where looking (explan)
___________
kono to--henboku!!
this blockhead
Takashi:
Ah! a
---------------------------------------------------
p 306 (120)
1
Takashi: __ ____
S-sorry about that. A-are su sumanakatta ne ke kega wa nai kai?
you hurt? was-sorry injury (T) not-have
Takashi FX: ___ ___
oro oro
2
[Hikaru blesses him with an angel-of-death glare.]
Hikaru FX: _____
jiro_
3
[She gets up and dusts herself off.]
Hikaru: _________
Hmmph. Mister, are you a fu--n ojisan kameraman na no ka--
photographer? mister cameraman (?)
Hikaru dusting-off FX: ____ ____
pata pata
Takashi heartbeat FX: _____
doki_
4
Takashi: [sweating, perplexed]
.......... ..........
5
Hikaru: [flashing with emotion] _____ __
Coooool! I know!! kakko ii na----_ so-- da!!
cool !
6
Hikaru: [gentle smile]
Hey, take a picture of me. nee atashi no koto totte yo
say of-me taking-(picture)
7
Takashi:
EH? e
8
Hikaru: [striking a pose, hand behind head]
Despite my appearance, ko-- MIete mo YOUCHIEN ni
there was a time in even-tho-appear-like-this in-kindergarten
kindergarten when I modeled
children's clothes at a ita TOKI CHOUNAI no
local clothing goods store. there-was time in-the-town/neighborhood 's
YOUHINTEN
fancy-goods-shop/foreign-goods-shop/
haberdasher's-shop/clothing-goods-shop
______
no KODOMO FUKU no moderu yatte
's children's-clothes 's modeling
koto mo aru n da yo atashi
thing too happen (explan) I
Takashi:
Clothing goods store... YOUHINTEN......
---------------------------------------------------
p 307 (121)
1
Hikaru: [smiling and waving]
Yah, I wish... Just joking. na--n chatte ne jo--dan da yo
I-wish/not! joke be
See ya, mister! ja ne ojisan!
2
[Takashi's pov of the radiantly smiling, pretty girl...]
3
Takashi: [considering]
Hmm. fumu
value/estimate-(something)
4
Takashi: ____
Oh, wait a moment, you. a chotto kimi
just-a-sec you
Hikaru: [stopping]
Huh? e
5
Takashi: [smiling] ______
About modeling... I wonder ja moderu HONTOU ni tanomou
if I really should ask you. model really shall-ask-(you-to-do)
____
ka na kimi ni
I-wonder you (IO)
6
Hikaru: [wide-eyed with surprise]
?! ?!
---------------------------------------------------
p 308 (122)
1
[Exterior evening shot of the Kasuga apartment building.]
2
[Kyousuke sits at the dining-room table in NY Mets jersey, resting chin in
his hands.]
Kyousuke:
Next Sunday? Help you KONDO no NICHIYOUBI? SHIGOTO no TETSUDAi?
with work? next-Sunday work 's assistance
Takashi:
Yeah. I won't be able to do aa chotto KONKAI wa hitori ja
it by myself this time so I a-bit this-time (T) by-myself (T)
need an assistant.
dekinai n de JOSHU ga
not-be-able-to-do since assistant (S)
hitsuyo-- nan da yo
need/require/want what is
3
narration: _____ ______
Dad works as a freelance oyaji no SHOKUGYOU wa furi-- no
photographer! father's profession (T) freelance 's
_________
kameraman!
photographer
Kyousuke:
Yeah, I guess it's okay... un betsu ni ii kedo...
not-particularly okay but
4
Takashi: [smiling]
All right, then. I'm so-- ka ja tanonda zo!
counting on you! then depended-on
narration:
Because of his general da kedo HONNIN no SHUGI to
policy against taking pics but person-himself 's with-policy
of people, he specializes
in landscapes... yara de JINBUTSU wa torazu
what-with person (T) not-taking-(photos)
FUUKEI SENMON
landscape specialty
5
[Two photographs--one of Manami in swimsuit; another of Kurumi in blouse
with floral garland on her head.]
narration:
...although he occasionally tama ni kurumi ya manami o
takes pictures of Kurumi occasionally and (O)
and Manami, but...
tottari wa shite-ru mitai da
take-pictures-(and) (T) would-like-to
kedo----
but
...that's strictly private sore wa akumade
. that-(one) (T) to-the-utmost
___________
puraibe--to de
in-private
6
[View of a wall, upon which are tacked up photos of palm trees, a billboard
and a basketball hoop.]
narration:
He absolutely never takes SHIGOTO de wa zettai JOSEI o
photos of women as part of for-work (T) absolutely women (O)
his job.
toranai
not-take-(pictures)
_____
He seems to have a stubborn ganko na tokoro ga aru yo-- desu
streak. stubborn case (S) have appear/seem
---------------------------------------------------
p 309 (123)
1
[Exterior day shot of ABCB.]
2
Madoka: ______
Photographic model?! SHASHIN no moderu?!
photography 's model
3
Kyousuke:
H-Hikaru-chan?! hi hikaru-chan ga?!
4
[View pans back to show Kyousuke and Hikaru seated, and Madoka standing in
her ABCB apron.]
Hikaru: [smiling merrily]
Yup! While in town, quite so_ kono aida MACHI de gu--zen
by accident, I was stopped. ! while-in-town accident/chance
KOE kakerarete ne
be-calling-out
_________
For that photographer to ano kameraman atashi ni
choose me--he must have that-photographer me (IO)
pretty good taste.
ME o tsukeru nante
watch/have-his-eye-on the-likes-of
nakanaka midokoro aru na--
very promise/good-points have
5
[Madoka and Kyousuke look at each other, wide-eyed. A sinister aspect has
occurred to them...]
6
Hikaru: [dreamily]
Ahhh! What'll I do? a~~~~_ dou shimashou
! what shall-do
What if these photos kore de sono SHASHIN ga
attract the attention of with-this/now those-photographs (S)
the mass media and show-biz ________
folks... masukomi ya
mass-communication/mass-media and
GEINOU KANKEI no
(public)-entertainment connection 's
HITO-tachi no ME ni furetari shite...
people 's attract-(their)-notice-(and)
Then, in a flash, I'll become n de motte ichiyaku
a star. since by/then/for suddenly/with-a-leap
______
suta-- ni natchattari shite
turn-into-a-star-(and)
Hikaru FX: ______
uttori
[In the background, Hikaru visualizes her dazzling future.]
top magazine: [left] _______
Stunning Debut!! SHOUGEKI debyu--!!
shock debut
top magazine: [right (partially cut off by speech bubble)]
Hiyama Hi... HIYAMA hi
bottom magazine:
The Prospect of a New KITAI no OOGATA
Superstar. expectation/anticipation 's large-size
SHINJIN
new-star
news conference banner: _______
Debut of a New Superstar!! OUGATA SHINJIN debyu--!!
large-size new-star debut
Hiyama Hikaru HIYAMA hikaru
News Conference KISHA KAIKEN
7
Madoka:
But Hikaru, you better be demo hikaru KI o tsuketa ho-- ga ii yo
careful. but take-care better
---------------------------------------------------
p 310 (124)
1
Madoka: _________
Was that person really a sono HITO HONTOU ni kameraman na no?
photographer? that-person really photographer
There are cases of damasarete
being deceived and taken being-deceived
off to some strange place...
hen na toko tsurete-karetari suru
(= ikaretari)
be-taken-to-a-strange-place-(and)
koto datte aru n da shi
cases even exist (explan) consider
That kind of thing can be so-- yu-- no tte
pretty scary. that-kind-of (nom) (T)
kekko-- kowai no yo
quite scary be
2
Hikaru: [mouth pursed in thought]
Well... so-- ka na...
Come to think of it, I so-- ieba tashika ni
recall the guy had a sorta come-to-think-of-it if-I-remember-correctly
perverted, mustached face... ______
sukebe so-- na hige ttsura
perverted seem mustache face
_____
no ossan datta kedo...
's mister/Joe/buddy was but
3
Hikaru: [hurling herself at Kyousuke]
Then, Sempai! Please come ja sempai! KONDO no NICHIYOUBI
with me next Sunday to the then next-Sunday
photo shoot!!
satsuei no TOKI issho ni tsuite-kite
photographing-time together coming-with-me
kudasai ne_!!
please
Kyousuke:
Eh! e_
4
Kyousuke FX: ______
chira_
5
[Madoka looks on without expression.]
6
Kyousuke: ___
Oh! B-but I'm helping my a_ de demo NICHIYOUBI tte ore
father with his work on ! but Sunday (T) I
Sunday. _____
oyaji no SHIGOTO no TETSUDAi nan da
father's work 's assistance what is
Hikaru:
How bo-o-oring. naan da tsumannai no
what's-that uninteresting
7
Madoka: [leaning in]
Then, shall I go with you, ja atashi ga tsuite-itte-ageyo-- ka!
Hikaru?! then I (S) shall-go-with-(you) (?)
hikaru
Hikaru:
Huh?! You, Madoka-san? e_ madoka-san ga?
8
Madoka: [off]
You'll feel safe with me, atashi to issho dattara ANSHIN desho
right? together-with-me when-be safe poss-be
Hikaru: [beaming]
Yes! hai!
---------------------------------------------------
p 311 (125)
1
[Exterior shot of a train station.]
" station, is my best
guess.>
2
[Madoka and Hikaru wait near the ticket machines.]
Takashi: [off]
Hi. Sorry to keep you yaa omatase!
waiting!
3
[Their eyes grow wide with surprise.]
4
[As does Kyousuke's... Oblivious to it all, Takashi merely smiles.]
5
Kyousuke:
Hikaru-chan... And hikaru-chan... AYUKAWA mo...
Ayukawa...
Why are you here? nande koko ni iru no
why at-this-place be-here
Madoka:
Kasuga-kun?! KASUGA-kun?!
Hikaru:
Sempai, why... SEMPAI do--shite......
6
Takashi: [swiveling his head]
Huh...? WHAT?! e... e?
7
Kyousuke: [somewhat irritated] _____
Dad... Work means taking oyaji... SHIGOTO tte
landscape pictures... dad work (known-as)
FUUKEI toru n ja...
landscape taking-(pictures) ('cause)
Takashi:
Nobody said anything like DARE-mo sonna koto
that. nobody that-kind-of-thing
Ittoran ga
(= Itte toranai) but
saying -take-pictures
Madoka & Hikaru: _____
"DAD"?! oyaji?!
---------------------------------------------------
p 312 (126)
1
Madoka: _________
Then, the photographer is... ja kameraman tte no wa...
Kasuga-kun's otoosan then photographer (quote)
?!
KASUGA-kun no oto--san?!
's father
2
Takashi:
What's this, Kyousuke? nan da KYOUSUKE
what's-this
You and these girls know omae kono ojo--san-tachi to wa
each other by sight? you these-girls (define)
KAOmishiri na no ka?
know-(them)-by-sight (?)
Kyousuke:
Yeah. We go to the same un ONAji GAKKOU no
school. same-school
3
[Horror-struck, Hikaru plays back a scene...]
Hikaru:
Oh no! a ikenai!
Hikaru: [flashback] ___________
Watch where you're going, doko MIte n da yo kono to--henboku!
you blockhead!
Takashi: [flashback]
Ah! a
4
Hikaru:
(How awful...! It was (ya da----_ SEMPAI no oto--san datta
Sempai's otoosan?) unpleasant! 's father was
no kaa)
(?)
Kyousuke: ______
(So, that "model" you were (ja moderu tte hikaru-chan no koto
talking about was then model (quote) about-Hikaru
Hikaru-chan?!)
datta no ka?!)
was (?)
5
Hikaru: [brightly, to Takashi]
Well, shall we go, saa mairimasho-- ka oto--sama!!
otoosama?!! well shall-go (?) revered-father
father".>
Takashi:
Eh?! e?!
6
Kyousuke: [wincing]
O-otoosama... o oto--sama......
[Madoka looks at Kyousuke, overwhelmed by it all. Takashi and Hikaru walk on
ahead.]
Hikaru: _____
Oh, shall I carry your bag a kaban o-mochi shimasho-- ka oto--sama
for you, otoosama? bag bag shall-do (?)
Takashi:
Ah, th-thank you. a do do--mo
---------------------------------------------------
p 313 (127)
1
[Hikaru poses for the camera.]
camera FX: _____
pasha
2
[She splashes through the shallow water at the beach. As I recall, this shot
was later used in the anime episode as well...]
camera FX: _____
pasha
3
[View down the deserted beach at a lighthouse at the far end.]
4
[Takashi and Kyousuke share a private conversation...]
Takashi:
But... You're so sly. shikashi... omae mo sumi ni okenai na
but you even be-witty-&-knowing
Kyousuke:
Eh? e
5
[Oops, not so private. View pans back to show Madoka right there as well...]
Takashi:
To think that girl's your ano KO ga omae no KANOJO
girlfriend...! that-girl (S) your-girlfriend
datta to wa na--_
was even-though !
She's pretty considerate, nakanaka KI ga kiite i-- KO
and quite nice, isn't she?! very being-considerate nice-girl
ja nai ka e_?
is-not (?) huh?
Kyousuke:
WHA! na_
---------------------------------------------------
p 314 (128)
1
[Madoka's pov of Kyousuke.]
Kyousuke FX: ______
chira_
2
[His pov of an expressionless Madoka.]
3
Kyousuke: [blushing]
Th-that's not it! chi chigau yo! hikaru-chan to wa
Hikaru-chan isn't really... mistaken (define)
betsu ni...
-particularly
4
[Shot of Takashi, who's probably starting to figure it all out by now.]
5
Madoka:
Then... I guess I'll go ja...... atashi sorosoro KAEro--
home now. then I now shall-go-home
ka na
I-wonder
It looks like it'll be ato wa atashi ga inakute mo
okay if I skip out on the remainder (T) I (S) even-tho-not-here
rest...
DAIJOUBU mitai da shi...
all-right seems-to-be consider
6
Kyousuke:
Eh? e
7
Madoka:
See ya. ja ne
8
Kyousuke:
Ayukawa... AYUKAWA...
[She walks off. Both Kasugas turn to watch her leave the beach.]
---------------------------------------------------
p 315 (129)
1
Takashi:
Kyousuke! KYOUSUKE!
2
Takashi:
I wanted to ask that girl, ano KO ni mo tanomitai
too... that-girl (IO) too want-to-ask
n da kedo
(explan) but
______
You think she'll do it? yatte-kuresou ka na moderu!
Modeling?! look-as-if-do- I-wonder model
(favor-to-me)
3
Kyousuke: _____
Dad... oyaji......
4
Takashi:
Hey! If you don't get going hora! HAYAku Ikanai to HONTOU ni
soon she'll really be going look! soon if-not-go really
home!!
KAEtte-shimau zo
going-home-(finality/regret) !!
Kyousuke:
Y-yeah! u un!
5
Kyousuke: [running off] ________ _____
Thanks, Dad!! sankyu-- oyaji!!
6
[Takashi watches him leave.]
---------------------------------------------------
p 316 (130)
1
[Kyousuke catches up to her at a crosswalk. Madoka waits for the signal to
change.]
Kyousuke:
Ayukawa! AYUKAWA!
[She turns back to look...]
2
Kyousuke:
Wait! MAtte yo----_!
[...and turns away from him.]
3
[The signal light changes...]
4
[...and Kyousuke flashes with the Power...]
narration:
Nnnngh!! e--i!!
5
[...changing it back to "don't walk".]
signal FX: ___
pa_
6
Madoka FX: _____
pita_
7
Kyousuke: [smiling in relief]
(Just in time!) (maniatta!)
ha_ ha_
Madoka: [looking up at signal, perplexed]
(Huh? But it just changed.) (are kawatta bakari na no ni)
changed just although
---------------------------------------------------
p 317 (131)
1
Madoka: ______
What? Me? Model? e atashi ga moderu ni?
I (S) model (IO)
2
Madoka: [turning her back to him] ____
I'm not the type. atashi sonna gara ja nai yo
I that-kind-of-type am-not
3
Madoka:
Hey, Kasuga-kun. If you hora KASUGA-kun HAYAku modonnai to
don't hurry back you won't look! soon if-not-return
be able to help your father.
oto--san no TETSUDAi ga dekinai desho
father 's assistance (S) probably-cannot
4
[Kyousuke stands speechless.]
5
Kyousuke: [flashing with emotion] ___
Then I'm leaving too!! ja ore mo KAEru!!
then I too go-home
6
[Madoka turns back to look at him in surprise.]
7
Kyousuke: [still vehement] ______
If you model for him I'm AYUKAWA ga moderu yatte-kurereba kitto
sure he'll turn out good (S) if-do-modeling surely
pictures!!
i-- SHASHIN ni naru
good photograph (IO) become/turn-into
to OMOu n da!!
think-that (explan)
If that isn't obvious then sore ga MIrenai to naru to mo--
there's no point in staying that-(one) (S) if-not-see become certainly
here!!
KAEru kkya nai yo!!
(= ikkereba?) not-here
if-go-home
---------------------------------------------------
p 318 (132)
1
Madoka: [wide-eyed] ______
But Hikaru is the model... datte moderu wa hikaru ga...
but model (T) but
Kyousuke:
Hikaru-chan has nothing to hikaru-chan wa kono sai
do with this! (T) this-juncture/now
kanke-- nai!
have-nothing-to-do-(with)
2
Kyousuke:
Anyhow, I want you to be tonikaku AYUKAWA ga
the model!! anyhow (S)
______
moderu ni natte-kurenakya yada!!
(= kurenakereba) unpleasant
if-not-become-model
3
[Madoka portrait--she's touched.]
4
Madoka: [gaze downcast]
You're just like a spoiled marude dadakKO ne KASUGA-kun wa
kid, Kasuga-kun. just-like spoiled-child (T)
5
[Isolated shot of her hand as it grasps him by his wrist.]
Madoka FX:
gui_
6
[View pans back to show her marching back, with Kyousuke in tow.]
Madoka:
Grr... Really! moo honto ni!
7
[Kyousuke portrait--joy!]
narration:
Ayukawa...!! AYUKAWA----!!
---------------------------------------------------
p 319 (133)
1
[4 photos of Madoka, looking very demure.]
camera FX: _____
pasha
2
[Late afternoon shot down the beach. In the distance, two tiny figures
prance at water's edge. Possibly Madoka and Hikaru...]
---------------------------------------------------
p 320 (134)
1
[Exterior night shot of the Kasuga apartment building.]
2
Kyousuke: [looking over the developed shots]
Wow! hee---_
Takashi:
So what do you think of my do-- da washi no HAJImete no
first-ever model photos? how is-that my first
JINBUTSU SHASHIN wa?
person photos (T)
3
[A single frame of film showing Madoka.]
4
[Kyousuke holds it up to the light.]
Takashi:
She has a mysterious charm sono KO wa FUSHIGI na miryoku ga
about her. that-girl (T) mysterious/ charm/ (S)
wonderful fascination
aru ne
have
Her facial expression HYOUJOU ga
changes frequently--like facial-expression (S)
a cat's eye.
neko no ME no yo-- ni yoku kawaru
cat's-eyes like-a frequently change
5
Takashi:
By the way, I have a favor tokoro-de KYOUSUKE ni tanomi ga aru
to ask of you... by-the-way I-have-a-favor-to-ask-of-you
n da ga...
(explan) but
Kyousuke:
Eh? e
6
Takashi: [smiling] ______
Next time, I'd like to take KONDO wa sono KO no nu--do ga
nude photos of her! next-time (T) that-girl 's nude (S)
toritakunatta!
want-to-take-(photo)
Kyousuke: [freaked out]
WHAAT?!! e_!!
7
[He visualizes a shimmery, nude Madoka.]
Kyousuke: [blushing, aghast] __ ______
N-nude...! nu nu--do~~~~~~_
---------------------------------------------------
p 321 (135)
1
Takashi:
Yeah! Could I have you ask sou! hitotsu omae kara
her for me? one you from
tanonde-moraenai ka?
not-ask-(favor-for-me) (?)
2
Kyousuke: [forcefully]
Y-you're joking!! jo jo--dan!!
A-absolutely not!! ze ZETTAI dame!!
absolutely no-good
3
Takashi:
There's no way? do--shite mo?
Kyousuke:
FORGET IT!! dowa -me!!
(dowasure) = forget derogatory-suffix
4
Takashi:
I see. so-- ka
Takashi FX: _____
niko_
5
Takashi:
I'm a little sorry to hear chotto ZANNEN da kedo
that... a-bit regrettable is but
Well, okay. I'm joking. ma-- i-- ka jo--dan da yo
well okay joke is
I thought for sure you'd kitto so-- yu-- darou to OMOtta yo
say that. surely that-kind-of poss-be thought-that
[Kyousuke finds a photo.]
6
Kyousuke: [picking it up]
Huh? I-I didn't know about are? ko kore itsu-no-mani......
this one... this-(one) unawares
Takashi: [off] _______
Oh. That snapshot is a free aa sore wa tada no sunappu sa
one. It's not for the job. that-(one) (T) for-free 's snapshot
SHIGOTO no ja nai yo
work is-not
7
Takashi: [off]
Somehow, looking at the two nan-ka omae-tachi o mite-ru to
of you brings to mind your somehow you-plural (O) when-am-looking-at
mother and me when we were
young. washi to ka--san no WAKAi koro o
me and mother 's when-young (O)
OMOi dashite na
recalling/bringing-to-mind
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p 322 (136)
1
[The picture in question. In it, Madoka has Kyousuke by his wrist as they
walk down the beachfront road. The two look into each other's eyes.]
2
Kyousuke: [studying the picture]
Hmm. Mom, huh? fu--n ka--san kaa
hmm mom (?)
Takashi:
But you probably don't mottomo omae wa yoku
remember her too well. but you (T) fully/for-certain
OBOete-nai daro-- kedo na
poss-not-have-a-clear-recollection but
3
narration: _____
Like Dad and Mom when they oyaji-tachi no WAKAi koro mitai da tte----
were young... dad-(and-mom) 's when-young seem-to-be
4
[A cropped view of the picture in panel 1, showing Madoka only.]
narration: ___
Maybe... I wonder if I'm moshi-ka-shite---- ore AYUKAWA to
tied to Ayukawa by a red maybe I w/Ayukawa
string?
AKAi ITO de musubarete-ru no ka na?
by-red-string are-tied I-wonder
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p 323 (137)
1
Takashi: [picking up another picture, with a grin]
Oh, that's right. Kyousuke. o so--so-- KYOUSUKE
Here's another one... mo-- ICHI-MAI aru n da ga
another one (counter) here-is (explan) but
2
Takashi: [handing it to him]
This photo also seems to kono SHASHIN mo washi to ka--san no
bring back memories of your this-photo too me and mother 's
mother and me when we were
young. WAKAi koro mitai de yokatta yo
when-young seeming was-good
Kyousuke:
What?! he?!
3
[A view of the picture in question. Hikaru leaps into Kyousuke's arms.]
Kyousuke:
Ehhhhh?!! e~~~~~_!!
narration:
Somehow, with Hikaru-chan hikaru-chan to mo da nan-te------
too... including be somehow
I'm confused...! KONRAN suru na--_
be-confused
4
[The family surrounds Kyousuke, who sits staring at both pictures in his
hands.]
Takashi: [highly amused]
Life is good, huh, Kyousuke?! i-- naa KYOUSUKE!
You're doubly blessed RYOUTE ni HANA to wa kono koto da na
.
Manami: [smiling]
Wow. Oniichan is he-- oni--chan tte igai to
surprisingly popular with (T) unexpectedly
girls, hmm? ____
moteru no ne----
is-popular-with-girls (rhet)
Kurumi: [wide-eyed] __ ____
Oh no... How indecent... ya da-- ya--rashi--
(= iyarashii)
unpleasant/indecent
5
[Exterior night shot of the Kasuga apartment.]
Kyousuke: [off]
What the heck sort of mother ittai donna ka--san
was she?!! what-in-the-world-kind-of mother
nan da yo!!
is-this
narration:
But... Which one did mom shikashi---- ka--san tte HONTOU wa
really resemble? but mother (T) really
ittai dotchi ni nite-ta
in-the-world in-which did-resemble
n desho-- ne?
(poss-explan)
---------------------------------------------------