The Butler, The Husband, The Wife, and Her Mother
Written by
Howard Meyers
Directed by
Lee Shallat
Executive Producers
Robert Sternin & Prudence Fraser
REVISED FIRST DRAFT
October 1, 1993
Show #106
COLD OPENING
INT. KITCHEN – MORNING
FRAN AND NILES ARE SEARCHING FOR A MOUSE.
NILES IS WEARING A PAIR OF OVEN MITTS.
FRAN IS CARRYING A WHISK BROOM AND A PAPER
FRAN: Here, mouse. Come here, mouse…
NILES: Here, little mousey wousey…
FRAN: (TO NILES) Don’t talk down to
him. (COMFORTING TO MOUSE)
There’s nothing to be afraid of.
We’re just going to put you outside.
NILES: We’re just going to put you outside.
(EQUALLY COMFORTING) And
then we’re going to kill you.
FRAN: Niles! How could you kill Mickey
Mouse?
NILES: If you must know, I’ve always found
his voice annoying.
FRAN: How could a voice be annoying?
(BEAT) You’re not really going to
kill him?
NILES: Miss Fine, need I remind you that the
inspectors from the Professional
Butlers Association will be coming
here to observe my work and decide
to accept me as a member?
FRAN: Really? I thought you were kidding about
that. I mean it sounded so ridiculous
(OFF HIS LOOK) in a profound and
important way.
NILES: I happen to come from a long line of butlers,
and every one of them has belonged to the P.B.A…
until the day my father, butler to the Duke of
Gloucester, accidentally knocked over a vase.
FRAN: And for that they kicked him out?
NILES: He was wrestling naked with the Duchess
at the time.
FRAN: To each his own. Unless Duchess was
a rotweiller.
NILES SPOTS THE MOUSE ON THE TABLE AND IN
ONE SWIFT MOVE GRABS THE COVER TO A SERVING
TRAY AND PUTS IT DOWN OVER THE MOUSE.
NILES: Got it!
NILES LAUGHS AN EVIL LAUGH.
FRAN: Leave the poor little guy alone.
Don’t you believe in instant
karma? He’s an innocent creature.
NILES: Not so innocent. He has brie
on his breath.
CC ENTERS.
CC: I’m famished. Who do you have to
know to get a cucumber sandwich
around here?
NILES HANDS HER A CUCUMBER
NILES: Here. Knock yourself out.
CC: What’s in here?
SHE LIFTS THE LID OF THE SERVING TRAY,
SEES THE MOUSE AND SCREAMS.
CC (CONT’D): Aaaaahh!!!!
FRAN: You scared him!
NILES: Blast! He got away!
CC: I can’t stand mice.
I have to go.
SHE SCURRIES OUT THE DOOR ON TIP-TOE,
BEING CAREFUL TO AVOID ANY MICE.
FRAN: When you gotta go, you gotta go.
NILES: Well, back to the hunt. The
inspectors will be here next
Monday and they frown upon vermin
running free about the house.
FRAN: Then you better change the locks
‘cause CC has a key.
FADE OUT.
END OF COLD OPENING
ACT ONE
SCENE ONE
INT. LIVING ROOM – LATER THAT DAY
FRAN IS LOUNGING ON THE COUCH. ENGROSSED
IN A MAGAZINE. MAXWELL ENTERS FROM
OFFICE WEARING A PAIR OF LARGE, BRIGHT
YELLOW GALOSHES, CROSSES TO STAIRS AND
CALLS UP.
MAXWELL: Children, time to go!
FRAN: You’re not planning on wearing
those boots to the museum?
MAXWELL: My wellies? Yes, there’s a chance
of rain.
FRAN: There’s a chance I’ll fall off the
couch, but you don’t see me
wearing a seat belt?
MAXWELL: Your point?
FRAN: What happened? You’re normally so GQ.
Now suddenly you’re the Gordon’s
Fisherman?
MAXWELL: Miss Fine, I didn’t hire you as a
fashion consultant, I hired you to take
care of the children.
FRAN: That’s what I’m doing. Your son
just got elected class president.
His first day in office you’re
gonna embarrass him with a scandal
like this?
ALL THE CHILDREN COME DOWN THE STAIRS
MAXWELL: (RE: BRIGHTON) There he is.
Hail to the chief!
BRIGHTON HOLDS UP BOTH HIS ARMS IN THE
CLASSIC NIXON VICTORY POSE.
BRIGHTON: Thank you, thank you.
I am not a crook.
MAGGIE: I still can’t believe
you got elected.
BRIGHTON: Why?
MAGGIE: That means someone had
to vote for you.
FRAN: Hey, give your brother some
credit. We’re all very proud of him.
He obviously commands the respect
and admiration of his classmates,
and he’s showing some real leadership
qualities. Meanwhile, (SOTTO TO
BRIGHTON) your fly is open.
BRIGHTON MAKES THE APPROPRIATE ADJUSTMENT.
MAXWELL: So now we’re off to celebrate
Brighton’s achievement by taking
in the German Expressionist show
at the Met.
FRAN: Oh.
BRIGHTON: There’s a fine line between
reward and punishment in this
house.
GRACE: I love Edvard Munsch’s painting,
“The Scream.”
GRACE IMITATES THE PAINTING BY CLASPING THE
SIDES OF HER FACE AND MIMING A SCREAM.
MAXWELL: Now, Brighton, you get to pick
where we have lunch.
BRIGHTON: I’m the president… McDonald’s.
FRAN: McNuggets too? Please, I’m
already green with envy.
MAGGIE: What are you doing on your day off?
FRAN: Nothing. Absolutely nothing. I told my
my mother I have to stay home and rest.
Otherwise I’d be having lunch right now
with my Uncle Jack and cousin Marsha.
They’re up from Boca, and believe me,
spending an afternoon with Jack
and Marsha, well, don’t ask.
MAXWELL: (IN HIS OVERCOAT BY NOW, AND EAGER
TO LEAVE) I don’t think I did.
FRAN: (OBLIVIOUS, WORKING HERSELF UP)
“Jack the k’nocker,” we call him.
Uncle big mouth. Always trying to
one-up my mother. We buy a
Skylark, he buys an El Dorado. We
move to Flushing, he moves to Florida.
She never won. Oh yeah, one time.
She got a mustache before he did.
GRACE: Fran…?
FRAN: Yes, sweetheart?
GRACE: I’m sweating.
FRAN: So what are you hanging around
here for? Go, go, have fun.
ALL AD-LIB GOODBYE, MAXWELL AND THE
CHILDREN EXIT. NILES ENTERS CARRYING A
SMALL GIFT BASKET.
NILES: Mr. Sheffield?
FRAN: They just left.
NILES: Oh. Lauren Bacall just sent over
some Beluga caviar.
THEY LOOK AT EACH OTHER A BEAT.
FRAN: You make the toast. I’ll
write the thank you.
FRAN AND NILES HEAD TOWARD THE KITCHEN.
NILES: Why is it that we can’t kill a mouse
but we can suck the unborn offspring
from a fish?
FRAN: (BEAT) I’m pro-choice.
DISSOLVE TO:
ACT ONE
SCENE TWO
INT. LIVING ROOM – A SHORT WHILE LATER
FRAN IS ON THE COUCH, TRYING TO GET THE LAST
BIT OF CAVIAR OUT OF THE JAR WITH HER FINGER.
FRAN: Come on, little fish egg.
Come to mama.
SFX: DOORBELL RINGS.
FRAN GETS UP AND OPENS THE DOOR TO SYLVIA.
FRAN (CONT’D): Ma?
SYLVIA: Hi, darling.
SYLVIA ENTERS, GIVING FRAN A PECK
ON THE CHEEK.
FRAN: What are you doing here?
SYLVIA: You feel a little flushed.
Are you overheated?
FRAN: I was lying on the couch,
how could I be overheated?
SYLVIA: Meanwhile your father’s friend Gus
dropped dead on our couch. Lucky
for me I have plastic slip covers.
The paramedics wrapped him up and
took him away.
SYLVIA SITS DOWN ON THE COUCH
FRAN: (STILL AT THE DOOR) Come on in,
Ma, make yourself at home.
SYLVIA: I gotta tell you about my lunch
with Jack and Marsha. Uch, they
give me such a pain. (TOUCHES HER
STOMACH) It feels like there’s an
asparagus spear sticking right
through the wall of my stomach.
FRAN: Ma, it’s my day off.
Do we have to discuss gas?
SYLVIA: So we’re sitting, we’re eating,
and, per usual, Jack’s going on
and on about Marsha. Marsha and
her doctor husband, Marsha and her
four-karat solitaire, Marsha and
her beach-front property right
next to Dan Marino.
FRAN: Who the hell is Dan Marino?
SYLVIA: How the hell should I know? Anyway, just when I’m about to
scream, they ask me about you.
FRAN/SYLVIA: (ADOPTING AN INFURIATINGLY
SYMPATHETIC TONE) “And how is
Fran doing?”
FRAN (CONT'D): Oh, I hate that tone of voice.
SYLVIA: So I told them you eloped with a
rich Broadway producer, and you
live in a palace on the Upper East
Side.
FRAN: (HURT) Ma, how could you do that?
SYLVIA: What?
FRAN: You left out the butler.
SYLVIA: Damn.
FRAN: So how did they take the good news?
I trust they were devastated?
SYLVIA: Crushed. You shoulda seen their faces.
FRAN: I woulda liked to.
SYLVIA: You will.
FRAN: What, you took pictures?
SYLVIA: (COYLY) No.
FRAN: (REALIZING) Oh no. No way, Ma.
Where are they?
SYLVIA: Looking for a place to park.
SFX: DOORBELL RINGS
SYLVIA (CONT'D): Oh, good, they found one.
FRAN: Forget it. I’m not doing this.
SYLVIA: Fine, that’s your choice. It’s
good to have choices. Not that I
had a choice when I was in labor
with you for ten hours, with that
big head.
FRAN: I’m sorry, Ma, it’ll never happen
again.
SYLVIA: Darling, do it for me. It’ll
shut Jack up once and for all.
After I’m dead, you can tell him
whatever you want.
FRAN: Is it really so important that I
gotta make up a whole story and
pretend I’m something I’m not?
SYLVIA: Would you?
FRAN: No.
FRAN OPENS THE DOOR TO UNCLE JACK AND
COUSIN MARSHA. THEY’RE BOTH WELL-TANNED.
MARSHA WEARS PINK FROSTED LIPSTICK.
THEY’VE BOTH RECOVERED FROM THE SHOCK OF
SYLVIA’S NEWS AND HAVE THEIR GAME FACES
BACK ON. AD LIB HUGS AND KISSES.
MARSHA: Look at you, ya’ caught a husband!
Mazel tov!
JACK: (TO SYLVIA) The way she was
going, we were sure she’d wind up
an old maid.
FRAN: (A BEAT, THEN GESTURING GRANDLY)
Welcome to my home.
JACK AND MARSHA ENTER.
SYLVIA: (INDICATING THE ROOM) Heh, Jack?
Heh? Is this a palace? She’s living
like Seigfried and Roy.
JACK AND MARSHA ARE IMPRESSED, BUT
DO THEIR BEST TO HIDE IT.
JACK: Not bad. How many square feet?
FRAN: Oh, we don’t get into all that.
As long as we’re comfortable,
that’s all that matters.
JACK: (TO MARSHA) Your place is
what…?
MARSHA: Twenty-eight hundred.
FRAN: (NOT SKIPPING A BEAT) Ours is
twenty-eight thousand. (THEN,
REALIZING) The upstairs is
enormous. (BEAT) I’d put out a
spread, but the butler is off
today.
SYLVIA: The butler, Jack.
JACK: Yeah, I heard, Syl.
FRAN: Well, this has been fabulous, but
if you miss your plane I’ll never
forgive myself.
JACK: You really think we’d go home
without meeting the lucky man?
FRAN: You want to meet Mr. Sheffield?
MARSHA: You call your husband
“Mr. Sheffield?”
FRAN: It’s a pet name. You know, Sheff,
Sheffie…
SYLVIA: Chef Boy-Ardee
FRAN: Ma, stay outta my private life.
JACK: Sylvia says he looks just like
Fernando Lamas.
FRAN: When he was alive. Unfortunately
Maxwell’s at a rehearsal, he won’t
be home for hours.
MARSHA: So we’ll wait.
JACK: We bought full-fare tickets, we
can change them anytime.
MARSHA: We’re not going anywhere till we
meet this mystery man.
JACK AND MARSHA SIT.
NILES ENTERS.
NILES: I’m going to run down to the
bank, I’ll –
FRAN: Honey, you’re home!
NILES: Beg your pardon?
FRAN: (CROSSING TO NILES) Rehearsal
went quick, huh? Come here and
meet your new relatives. (SOTTO)
These are the k’nockers from Boca.
NILES: (SOTTO) And they just k’nocked
at your door?
FRAN LAUGHS EMBARRASSEDLY, AS THOUGH
NILES HAD SAID SOMETHING VERY INTIMATE.
FRAN: Stop, Sheff, not here. (TO THE
OTHERS) He’s so naughty. (SOTTO
TO NILES) You’re Mr. Sheffield,
I’m your wife, we’re deliriously
happy.
NILES: (LAUGHS, THEN SOTTO) What’s
in it for me?
FRAN: Does the phrase “hairline crack in
the Ming” mean anything to you?
NILES QUICKLY CROSSES TO JACK,
HAND EXTENDED.
NILES: Maxwell Sheffield, producer.
JACK: (SHAKES HANDS) Jack Norman.
MARSHA: (SHAKING) I’m Marsha,
nice to meet you.
NILES: Likewise. (EXTENDS HIS HAND
TO SYLVIA) And you are…?
SYLVIA: Your mother-in-law.
NILES: (MAKING A JOKE OF IT, SMACKS
HIS FOREHEAD) OH, right! I was
drunk at the wedding. (LAUGHS, PUTS
AN ARM AROUND SYLVIA’S SHOULDER)
How are you, mumsy?
JACK: They say entertainment is recession-
proof. I take it business is good?
NILES: Too good. I curse every moment
I’m away from my beautiful bride.
FRAN: Oh, Sheff…
NILES: Sure, I hobnob with the rich and
famous. But the only time I’m
truly happy is when I’m with her.
She’s my center. My compass. The
love of my life. Sorry, sometimes
I get swept up in the magic that
is Fran.
FRAN: Hey, who can blame you? (THEN)
So, Marsha, how are things with
you and whatsisname?
MARSHA: (DEFENSIVELY) Stan. And they
couldn’t be better. That man
would throw himself in front of
a truck for me.
FRAN: That’s how she lost her first husband.
MARSHA: (GIVES FRAN A LOOK, THEN PROUDLY)
Stan is a doctor.
FRAN: (DISMISSIVELY) Podiatrist.
MARSHA: So, where are your kids? I want
to meet your kids. I should say
his kids, ‘cause, you know,
they’re not the fruit of your womb.
FRAN: That’s why this womb can still
wear a bikini.
NILES: Unfortunately the children, who
adore my sweet Fran, went to the
museum.
SYLVIA: (PICKING HER TEETH WITH A
TOOTHPICK) They’re very cultured.
MARSHA: (ACCUSINGLY) They’re off by
themselves? In this city?
FRAN: Marsha, please. What kinda mother
you think I am? They’re with,
uh… (TO NILES) who are they
with…?
NILES: Niles the butler.
FRAN: Oh yeah, I love him.
JACK: I thought it was his day off.
FRAN: It is. But it’s, you know…
(TO NILES) what’s it called
again?
NILES: I can’t wait to hear.
FRAN: It’s Butler Day at the museum.
MARSHA: Butler Day?
FRAN: Bring your butler, get a free
beverage.
SFX: DOORBELL RINGS.
NILES REFLEXIVELY STARTS TO GET THE
DOOR. FRAN STOPS HIM.
FRAN (CONT’D): (TO NILES) Babe, you always get
the door. Let me wait on you.
FRAN CROSSES AND OPENS FRONT DOOR TO THE
BUTLER INSPECTORS. TWO FASTIDIOUSLY DRESSED
GENTLEMEN NAMED STANTON AND GEORGE.
FRAN (CONT’D): Hello. Who are you?
STANTON: We’re from the Professional Butler
Association.
GEORGE: We’ve come to observe Niles.
FRAN: Oy, I thought you were coming
next Monday.
NILES HAS CROSSED IN FROM LIVING ROOM.
STANTON: It’s our policy to show up early,
to catch the prospective member
unawares.
FRAN: Boy, you butlers are sharks.
Unfortunately, Niles isn’t
here. (TO NILES) is he, darling?
NILES: (CONSIDERS HIS OPTIONS, THEN)
No, darling, I’m afraid Niles is out.
FRAN: You’ll have to come back.
NILES: (POINTEDLY) Actually, darling,
that might not be good. If they came
back to observe Niles they might
confuse him with someone else.
FRAN: Huh? Oh, yeah. What he said.
NILES: (USHERING THE INSPECTORS IN)
Come in. We’ll tell you everything you
need to know about Niles.
STANTON: I take it, sir, you’re the
gentleman of the house?
NILES: Apparently.
STANTON: And you are the lady?
FRAN: (DEFENSIVE) Yeah, can’t ya’ tell?
STANTON REACTS. THEY CROSS INTO THE
LIVING ROOM.
FRAN (CONT’D): Guys, these are inspectors from the
Butler Association. They want to
talk to me and him – Max – about
our butler – Niles – who isn’t here.
NILES: (FOR THE INSPECTORS’ BENEFIT)
And we miss him so. He’s quite indispensable.
JACK: Are you guys butlers, too?
STANTON: Yes, we are.
JACK: I’m surprised you’re not at the museum.
STANTON: (CONFUSED) The museum?
NILES: So, what can we tell you about
Niles? He’s organized, efficient,
considerate, tactful… I could go
on and on, but in short, Niles is
one of the greatest – perhaps the
greatest – service professional
of our time.
FRAN: I’ll say. He’s right up there
with Mr. French.
THE FRONT DOOR OPENS AND MAXWELL BARGES IN,
UPSET, FOLLOWED BY THE KIDS.
MAXWELL: You’re not going to believe this!
They had to close the museum
because of a bomb threat. What
kind of world are we living in?
HE’S TAKEN OFF HIS COAT AND THROWS
IT TO NILES.
MAXWELL (CONT’D): Here.
THE COAT HITS NILES, BUT HE MAKES NO ATTEMPT
TO CATCH IT, AND IT FALLS TO THE FLOOR.
STANTON: Who is this person?
FRAN: Uhh… that would be Niles
the butler.
FADE OUT.
END OF ACT ONE
ACT TWO
SCENE ONE
INT. LIBRARY – A SHORT WHILE LATER
FRAN, NILES, MAXWELL AND THE KIDS
ARE IN MID-CONVERSATION.
MAXWELL: I leave the house for twenty
minutes, and I come back to some
bizarre parallel universe. I’m
you, you’re me, and you’re married
to her.
FRAN: He could do worse.
NILES: And I have. Sir, I would be the
last to coerce you…
FRAN: Coerce, coerce.
NILES: But I would point out that if Miss
Fine’s relations see through our
little charade, they’ll never let
her forget it. Or her poor mother.
FRAN: And if you blow it for Niles, he won’t
get in the Butler Association and his
family name’ll be mud forever. By the
way Niles, what is your family name?
NILES: Just Niles. Like Cher.
FRAN: The important thing is, your
employees are bonding. It’s a
beautiful thing.
MAXWELL: Perhaps you’ll get your next
job together.
FRAN: C’mon, I’m helping my mother,
Niles is helping me, and so far
you’ve been no help at all…
Mr. Sheffield, sir.
GRACE: I thought you weren’t suppose
to fib.
FRAN: Technically no, but there’s a
gray area when somebody’s feelings
are at stake. Like if your friend walks
out of the ladies’ room with the back
of her dress tucked into her panty hose
and her tush hanging out, you have to
tell her. But if she asks “Did those guys
over there see anything?” you fib
through your teeth.
BRIGHTON: You gotta love her.
MAGGIE: Father, I think you should do it.
GRACE: Me, too.
BRIGHTON: Fran and Niles do so much for us.
It’s the least we can do for them.
FRAN: How sweet.
BRIGHTON: (TO MAXWELL, DELIGHTED) And I get to boss you around.
MAXWELL: (TO FRAN AND NILES) Look, if you
can pull it off, fine, but I won’t be a part
of it and neither will the children.
BRIGHTON: So what you’re saying is we have no rights?
MAXWELL: None whatsoever.
BRIGHTON: Just checking.
MAXWELL AND THE KIDS EXIT TOWARD LIVING
ROOM, FRAN AND NILES EXCHANGE A LOOK AND
FOLLOW ALONG.
RESET TO:
INT. LIVING ROOM – CONTINUOUS
THE INSPECTORS ARE STANDING IN BUTLER
POSITION, OBSERVING. SYLVIA IS SHOWING
JACK AND MARSHA VARIOUS OBJECTS D’ART
MAXWELL AND THE KIDS ENTER AND HEAD FOR
THE STAIRS. FRAN AND NILES ENTER BEHIND THEM.
SYLVIA: This they picked up in Rome…
This they picked up in the Orient…
And this, isn’t this gorgeous? This
they picked up for me.
SHE STICKS IT IN HER POCKET.
FRAN: Ma!
SYLVIA: But I already have one.
SYLVIA IMMEDIATELY PULLS IT OUT
OF HER POCKET AND RETURNS IT TO
IT’S ORIGINAL POSITION.
JACK: (TO SYLVIA) I am so parched.
MAXWELL PASSES BY.
JACK (CONT’D): You got something to drink?
MAXWELL: (AUTOMATICALLY) Niles!
JACK: (TO MAXWELL) Sorry. You got
something to drink, Niles?
MARSHA: (RE: MAXWELL) Touchy, touchy.
THE INSPECTORS LOOK AT EACH OTHER.
STANTON/GEORGE: (DISAPPROVINGLY) Touchy.
THE INSPECTORS WRITE ON THEIR CLIPBOARDS.
STANTON: Just like the father.
THE INSPECTORS CLUCK THEIR TONGUES.
JACK: My Marsha knows how to run a
household. She says jump, they go
out on a ledge.
FRAN: (SOTTO, TO NILES) That’s how
she lost her second husband.
STANTON: Well, I think we’ve seen enough.
MARSHA: (TO STANTON) You can’t really
hod the butler responsible.
After all, the help reflects the
hostess.
MAXWELL: (BEAT, THEN TO JACK AND MARSHA)
Will that be crushed ice or cubes?
BRIGHTON: All right Dad!! – (COVERING)
e-o. My butler, with whom I have
a cool kind of hepcat kind of
beatnik kind of –
MAGGIE: Shut up, Brighton.
BRIGHTON: Thank you.
MAXWELL: My apologies for the momentary
lapse. The bomb scare must have
rattled my nerves. (TO INSPECTORS)
They haven’t been the same since that
unpleasantness in the Falklands.
GEORGE: You saw action too? Which
ship were you on?
MAXWELL: The other one.
MAXWELL STARTS TOWARD KITCHEN.
BRIGHTON: Oh, Niles?
MAXWELL: Yes, Brighton.
BRIGHTON: That’s Master Brighton. While
you’re at it, rustle me up some
chips – I’m thinking onion and
garlic – and a nice tall glass of
soda. (TO MAGGIE AND GRACE)
Ladies?
MAGGIE: Soda sounds good. And some cake.
GRACE: And ice cream. In the soda.
With a crazy straw.
MAXWELL: Do you really think your father
would approve of all these sweets
in the middle of the day?
NILES: It’s not a problem for me.
MAGGIE: (TO NILES) You’re the
coolest dad.
MAXWELL: She never says that to me.
FRAN: Of course not, you’re the butler.
MAXWELL: Right.
BRIGHTON: (TO MAXWELL) And while you’re
out there, let’s lose those boots.
MAXWELL REACTS AND EXITS,
FOLLOWED CLOSELY BY GEORGE.
FRAN: (PINCHING BRIGHTON’S CHEEKS)
Is this a darling child or what?
(SOTTO) Blow it and I’ll pinch your
cheeks right off. (THEN, TO
EVERYONE) He just got elected
president of his class.
BRIGHTON: I believe in a place called
“hope.” Where are my drinks?
BRIGHTON SNAPS HIS FINGERS.
SYLVIA: (RE: BRIGHTON) Smart as a whip,
that one. He’s gonna be a real
doctor. A doctor doctor.
BRIGHTON: A gynecologist.
MARSHA: How nice. You should see our
Libby. Here she is at the
equestrian center.
MARSHA SHOWS FRAN A PHOTO.
FRAN: (POINTING) Oh, beautiful smile.
MARSHA: That’s Lightning. There’s Libby.
FRAN: Oh look at her, she’s got your
nose. The old one.
MARSHA LAUGHS WEAKLY. NOTE: AT SOME
POINT DURING THE FOLLOWING, MARSHA
WANDERS UPSTAIRS.
JACK: Max, why don’t we let the gals gab
while I tell you about some
exciting real estate opportunities
in the greater Boca Raton area.
NILES: I really don’t think…
JACK: Wait, you’ll listen, you’ll decide.
Prices have never been better
thanks to Hurricane Andrew.
Lotsa fixer-uppers.
JACK LEADS NILES OVER TO THE PIANO, TAKES
A SKETCH OUT OF HIS POCKET AND GOES OVER IT.
MAXWELL ENTERS FROM THE KITCHEN WITH A
TRAY OF REFRESHMENTS, FOLLOWED CLOSELY BY
GEORGE, TOO CLOSELY FOR MAXWELL’S COMFORT.
NILES LOOKS OVER FROM WHERE JACK IS SHOWING
HIM THE SKETCH.
NILES: Back so soon, Niles? (TO
INSPECTORS) Speedy service,
as always.
MAXWELL: Thank you, sir. It’s all part of
being a good butler.
HE TRIPS ON THE EDGE OF THE RUG AND ALMOST
GOES SPRAWLING, BUT MANAGES TO RECOVER HIS
BALANCE AND MIRACULOUSLY KEEP WHAT’S LEFT
OF THE REFRESHMENTS FROM SPILLING OFF THE
TRAY.
NILES: (LAUGHING HEARTILY) He’s a
master of physical comedy.
FRAN: He studied with Buster Keaton’s
butler.
AS MAXWELL GIVES JACK HIS ICE, HE
ACCIDENTALLY KNOCKS JACK’S GLASS OVER.
JACK: Hey! Schlemiel!
NILES: (LAUGHS HEARTILY, HOLDING
HIS SIDES) Enough, Niles, you’re
killing me.
MAXWELL QUICKLY SETS THE GLASS
RIGHT AND MOPS UP.
BRIGHTON: Do that trick where you free up
our trust funds.
MARSHA ENTERS DOWN THE STAIRS.
MARSHA: Fran, your master bedroom is to
die for. All that closet space…
(POINTEDLY) with none of your
clothes.
MAXWELL: I sent them out to be dry cleaned.
MARSHA: All of them?
SYLVIA: They had to after the fire.
JACK: You just had a fire? I don’t see
any damage.
FRAN: It was a closet fire. We
contained it.
SFX: DOORBELL RINGS
FRAN/MAXWELL/NILES/SYLVIA: I’ll get it!
MAXWELL: I’m the butler, I’ll get it.
MAXWELL CROSSES TO ANSWER THE DOOR.
MARSHA: Oh no, you’re not fooling me for a
minute. This entire marriage is a sham.
(INDICATING FRAN AND NILES)
You’re not sleeping in the same bedroom.
Admit it.
FRAN: Okay, we’re not. But there’s a
simple explanation (AT A LOSS)
which is none of your business,
‘cause it’s private.
SYLVIA: Maxwell served in the Falklands.
It’s a war wound.
GEORGE: I thought it was Niles who
served in the Falklands.
SYLVIA: Oh, right. Maxwell’s a producer.
It’s a theater wound.
FRAN: (INCREDULOUS) “Theater wound”
Ma, is there oxygen on your planet?
MAXWELL CROSSES BACK WITH A TEN
YEAR OLD CHILD.
MAXWELL: This is Master Crawford. He’s
here to invite Brighton to an
inaugural ball.
FRAN: (TO BRIGHTON) Oh, isn’t that
nice, they’re throwing you a big
bash. We’ll get your hair cut,
but not on a runway.
CRAWFORD: The party’s for me. I’m the
president. (INDICATING BRIGHTON)
He’s just the eraser monitor.
MAGGIE: I knew no one would vote for you.
FRAN: (TO MAGGIE AND GRACE)
Time for bed, girls, you’re getting
cranky.
GRACE: It’s only three o’clock.
FRAN: You’ll read.
MAGGIE AND GRACE EXIT UP THE STAIRS.
EVERYONE LOOKS AT BRIGHTON.
MAXWELL: Brighton?
BRIGHTON: Excuse me.
BRIGHTON RUNS INTO THE KITCHEN.
FRAN: Oh, Brighton.
FRAN FOLLOWS.
MAXWELL: Excuse me. At a time like this
they may need… refreshments.
MAXWELL EXITS TO THE KITCHEN. STANTON
AND GEORGE START TO FOLLOW, BUT NILES
INTERCEPTS THEM, STEERING THEM AWAY.
NILES: Let me take this opportunity to
tell you a little more about Niles.
It’s hard to talk in front of him,
praise embarrasses him so. Did
I mention that he’s the greatest
service professional of our time?
STANTON/GEORGE: Yes, you did.
NILES: Let’s pick up from there.
RESET TO:
INT. KITCHEN – CONTINUOUS
BRIGHTON: Everyone made such a big deal
when I was running for president,
I didn’t know how to tell you I lost.
FRAN: Aw, honey. Well at least you
got nominated.
BRIGHTON: I nominated myself.
FRAN: Oh.
MAXWELL: Brighton, it doesn’t matter that
you’re the (WITH DIFFICULTY)
eraser monitor. I’d be proud of
you even if you were the…
BRIGHTON: There’s nothing lower, Dad.
FRAN: Who needs to be the president?
All that paperwork, meetings after
school, responsibilities? Plus no one’s
ever assassinated an eraser monitor.
MAXWELL: What Miss Fine is trying to say
is… What exactly are you trying
to say?
FRAN: Honey, we’re proud of you no
matter what you do, as long as you
do it well. You don’t have to pretend
you’re something you’re not.
BRIGHTON: Isn’t that what you’re doing?
FRAN: (BEAT) Yes, as a matter of fact.
And why doesn’t my mother think
I’m good enough?
RESET TO:
INT. LIVING ROOM – CONTINUOUS
SYLVIA: Oh sure, they got their own
Lear jet. They flew me to
Pennsylvania for a Hershey.
JACK: (TO MARSHA) I’m lucky if
you drive me to the dog track.
SYLVIA: Fran and I are more than mother
and daughter. We’re like the best
of friends.
FRAN ENTERS.
FRAN: Ma, why can’t you love me
for what I am?
SYLVIA: Eighty-six it. I’ve got them
eating out of my hand.
FRAN: Enough with the charade.
SYLVIA: Fran…
FRAN: Ma, let it go. It’s over. You
were just like this with Perot.
(TO JACK AND MARSHA)
The truth is, I’m not married. This
is not my house. I’m the nanny here.
I work for Mr…
SHE POINTS AT MAXWELL, NILES WHIMPERS.
SHE POINTS AT NILES.
FRAN(CONT'D): Sheffield.
NILES SIGHS, RELIEVED.
SYLVIA: (HOLDS HER STOMACH)
Oy, there’s that asparagus spear, again.
MARSHA: (ECSTATIC) You’re just a nanny?
Did you hear that, Daddy? She’s
just a nanny.
MAXWELL: If I may speak as just the butler…
Miss Fine is not just anything. She’s
an essential part of this family. She’s
transformed this house into a home,
she’s done wonders with the children
and I haven’t seen Mr. Sheffield this
happy for a long time.
FRAN: Oh, that is the sweetest. Thank you,
Mr. (CATCHES HERSELF) Niles.
STANTON: That was a very moving speech.
GEORGE: And totally inappropriate.
NILES: I’ll decide what’s inappropriate
in my home. I like a bit of sentiment
among the servants.
MARSHA: You hear that, Daddy? Servant.
JACK: Yeah. That must really hurt, Syl.
SYLVIA: Ah, shut up, Jack! I wouldn’t
change Fran for all the Marshas
in Miami. Now go get the car,
I’ll meet you out front.
SYLVIA WALKS MARSHA AND JACK TO THE
DOOR. FRAN FOLLOWS IN TOW.
FRAN: Ma, you’re the best.
THEY HUG.
SYLVIA: Meanwhile, don’t quit your job.
Your boss has the hots for you.
FRAN: Ma!
SYLVIA: Me, I love you just the way you
are, but your father’d like to see
a ring on your finger.
SYLVIA EXITS.
STANTON: Well, we’ve seen all we need to
see. (TO MAXWELL) Niles, we’d
like to welcome you to the
Professional Butlers Association.
MAXWELL: I don’t know what to say.
I’m really rather touched.
CC ENTERS.
CC: Good afternoon, all.
FRAN: Oy.
CC CROSSES TO THE SOFA.
CC: (TO MAXWELL) I just had a
fabulous conversation with our
investors. I think I got us the
St. James Theater for January.
MAXWELL: Wonderful. (TO NILES) Did you
hear that, Mr. Sheffield?
NILES: Yes, I heard and I’m very excited.
CC: Mr. Sheffield? What is going
on here?
SHE SEES THE MOUSE RIGHT NEXT TO HER ON
THE BACK OF THE SOFA AND SCREAMS.
CC (CONT'D): Ahhh! I have to go! I have to
go! Max, I’ll call you later.
NILES: Looking forward to it.
CC REACTS AND EXITS
FRAN: (TO NILES) Now that’s
what I call karma.
FADE OUT.
END OF ACT TWO
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