Season One Episode Guide
Pilot
WRITERS Marta Kauffman/David Crane DIRECTOR James Burrows PLOT
We're introduced to the world's most telegenic
twentysomethings--where else?--at NYC's Central Perk cafe, where
the Friends are having one of their many meandering chats
(Chandler's naked anxiety dream) over lattes. The gang's
personas are nailed before the first commercial break: Joey, the
dim-bulb lothario actor (doing an exaggerated Noo Yawk shtick
that softens in future episodes); Monica, the fastidious
singleton; Chandler, the self-deprecating wiseass; Phoebe, the
New Age flake; Ross, the depressed divorce whose wife has just
ditched him for another woman; and rich girl Rachel, Monica's
high school pal, who runs into Central Perk in a wedding dress
having just left her orthodontist husband-to-be, Barry, at the
altar. Rachel decides to move in with Monica--even if it means
being cut off from Daddy's dollars, prompting her new roomie to
offer Friends' Gen-X mission statement: "Welcome to the real
world. It sucks! You're going to love it." INTRODUCES Central
Perk and the gang; the patented Friends "looking out the window
pensively" shot (performed here separately by Ross and Rachel);
one of TV's most polarizing theme songs. HISTORIC MOMENT Rachel
begins her stint as Central Perk's worst waitress. CREATIVE
CASTING Clea Lewis (Ellen) as Monica's cooking coworker, Franny,
who sets Monica straight about her new boyfriend, Paul the Wine
Guy. BEST LINE "Do the words 'Billy, Don't Be a Hero' mean
anything to you?" (Ross, on how long it's been since he's had
sex) CRITIQUE It's remarkable how quickly this ensemble of
unknowns (save Cox) establishes a comfortable, comedic
vibe--especially in the throwaway "hanging out" bits that pepper
the action: attempting to decipher a Spanish telenovela, trying
to assemble Ross' furniture over a few beers, chanting "Cut!
Cut! Cut!" as Rachel scissors her credit cards. After 22
minutes, these six people are believably set up as lifelong
buddies. B+ [4]
1 THE ONE WITH THE SONOGRAM AT THE END--W Kauffman/Crane D
Burrows PLOT Monica's in a tizzy as she prepares for a visit
from her self-esteem-sucking folks. Rachel gives Barry back his
engagement ring--and learns he's now dating her maid of honor,
Mindy. INTRODUCES Ross' workplace, the Museum of Prehistoric
History; Ross' ex-wife, Carol (Anita Barone), and her
girlfriend, Susan (Jessica Hecht); Barry (Mitchell Whitfield);
Elliott Gould and Christina Pickles as the Gellers. HISTORIC
MOMENTS Ross finds out he's going to be a dad; first Ugly Naked
Guy sighting (Chandler: "Ew! Ew! Ew! Ew! Ugly Naked Guy got a
Thighmaster!"); Gunther (James Michael Tyler) appears at Central
Perk, but has no lines; we learn Monica was once chubby (and
that her dad's nickname for her is "Harmonica"), Chandler is an
only child, and Phoebe is a twin ("We don't speak. She's like
this high-powered driven career type...She's a waitress"), which
explains Kudrow's continuing presence on Mad About You. BEST
LINE "Oh, I think this is the episode of Three's Company where
there's some kind of misunderstanding." (Chandler) NEW 'DO Joey
CRITIQUE A snappy episode, packed with smart back
story--including Monica's anal-retentive, perfectionistic roots.
Establishes the comedically fertile Ross-Susan-Carol triangle.
B+ [1] [3]
2 THE ONE WITH THE THUMB--W Jeffrey Astrof/Mike Sikowitz D Burrows
PLOT Monica bemoans how the gang always picks apart her dates,
but she's even more dismayed when they finally like one--waaaay
more than she does. Meanwhile, ex-smoker Chandler gets rehooked.
Title
comes from Monica introducing the boys to the mythical
thumb-to-index-finger manhood meter (plus, Phoebe finds a severed
thumb in her soda). BEST LINE "'You're such a nice guy' means
'I'm going to be dating leather-wearing alcoholics and
complaining about them to you.'" (Chandler) CRITIQUE Slow pacing
and feeble secondary plots, but on the upside, Phoebe gets ample
screen time, allowing Kudrow to define her delightfully daffy
character. B
3 THE ONE WITH GEORGE STEPHANOPOULOS--W Alexa Junge D Burrows
PLOT Chandler and Joey bring a mopey Ross to a hockey game to
take his mind off the anniversary of his and Carol's first
sexual encounter--but a puck to the face doesn't help. The girls
throw a slumber party and attempt to take Rachel's mind off
being the only one of her hometown friends who isn't getting
promoted, married, or pregnant--and things really pick up when
George Stephanopoulos' pizza is delivered to their pad by
mistake. HISTORIC MOMENT Rachel gets her first paycheck: "Who's
FICA? Why is he getting all my money?" BEST LINE "I think you
have to draw him out. And then, when you do, he's a preppy
animal!" (Monica, speculating on Stephanopoulos' sexual prowess)
CRITIQUE Kudrow, Cox, and Aniston are effortlessly hilarious at
the drunken slumber party, but give the boys their props: Joey's
confusion over the difference between omnipotent and impotent is
a gut-buster. A-
4 THE ONE WITH THE EAST GERMAN LAUNDRY DETERGENT--W Jeff
Greenstein/Jeff Strauss D Pamela Fryman PLOT Dumping is the
theme of the day: Chandler dreads ending it with his heretofore
unseen girlfriend--and it doesn't get any easier after multiple
espressos; Joey enlists Monica to help him break up his
ex-girlfriend and her new boyfriend. INTRODUCES Janice (Maggie
Wheeler), Chandler's whiny, Fran Drescher-soundalike girlfriend
whom everyone hates. HISTORIC MOMENT Rachel kisses Ross for the
first time--as a token of appreciation for helping her do
laundry. BEST LINE "You know what blows my mind? Women can see
breasts any time they want." (Joey) CRITIQUE Ross' unrequited
love for Rachel emerges as the series' one ongoing story line,
and their laundry date is the first time Aniston and Schwimmer
show off their cute chemistry. B+
5 THE ONE WITH THE BUTT--W Adam Chase/Ira Ungerleider D Arlene
Sanford PLOT Chandler becomes the boy-toy of a worldly Italian
woman (Sofia Milos) who's already got a husband and a boyfriend,
while Joey lands his first movie role--as Al Pacino's butt
double. Too bad he can't keep his derriere from overacting.
HISTORIC MOMENT Joey gets an agent (Estelle Leonard Talent
Agency). CREATIVE CASTING Burrows as the movie's director. NEW
'DO Rachel BEST LINE "After all your years of struggling, you've
finally been able to crack your way into show business."
(Chandler, to ass stand-in Joey) CRITIQUE LeBlanc's Joey started
off as the cast's weakest link, but around this time in the
series, he ditches Tribbiani's more cliched aspects and displays
deceptively subtle comic instincts. His performance in Freud!
the musical is a cold-open gem, thanks to his song about penis
envy: "All you vant is a dingle/Vat you envy's a schwang!/A
thing through vich you can tinkle..." A- [4]
6 THE ONE WITH THE BLACKOUT--W Astrof/Sikowitz D Burrows PLOT
Manhattan is hit with a power outage, leaving Chandler trapped in
an ATM vestibule with a lingerie model, the gang confessing sex
secrets in Monica's candlelit pad, and Ross attempting to escape
"the friend zone" by finally asking Rachel out. INTRODUCES Paolo
(Cosimo Fusco), Rachel's smarmy Italian beau; Monica and Rachel's
perpetually peeved downstairs neighbor, Mr. Heckles (Larry
Hankin). HISTORIC MOMENT Phoebe's would-be Central Perk singing
debut is shut down by the titular power outage. CREATIVE CASTING
Jill (Goodacre) Connick as herself. BEST LINE "Who am I going to
meet in a blackout? Power company guys? Eligible looters?"
(Monica) CRITIQUE The series is at its best when plot
contrivances are put aside for chatty, casual comedy mixed with
physical high jinks (Ross wrestling Paolo's cat on the balcony is
definitive Friends slapstick). A- [1] [2] [4]
7 THE ONE WHERE NANA DIES TWICE--W Kauffman/Crane D Burrows PLOT
Ross and Monica mourn the passing of their maternal
grandmother--who doesn't quite make it into the light with her
first attempt (see title)--but it's Ross who ends up six feet
under. HISTORIC MOMENTS One of Chandler's female coworkers
mistakes him as gay, thus kicking off the series' long-running
gag. Mr. Bing is soon shocked to learn that--as Monica explains
it--he has "a quality." The show goes on location for the first
time (at a cemetery), but it's a little off-putting to see the
cast in actual daylight. CREATIVE CASTING Father Knows Best's
Elinor Donahue plays Ross and Monica's aunt. BEST LINE "When I
first met you...I thought maybe, possibly, you might be
[gay]...but then you spent Phoebe's entire birthday party
talking to my breasts, so then I figured maybe not." (Rachel, to
Chandler) CRITIQUE Friends is atypically adept at handling
sitcom schmaltz--e.g., babies and weddings--but the somewhat
maudlin sentiment of Nana's death lands with a thud. B- [3]
[4]
8 THE ONE WHERE UNDERDOG GETS AWAY--W Greenstein/Strauss D Burrows
PLOT It's Thanksgiving, but nobody's feeling grateful when the
gang gets locked out of Monica's apartment after running outside
to see an escaped Underdog balloon from the parade. HISTORIC
MOMENT Chandler boycotts Turkey Day because his parents announced
their breakup over Thanksgiving dinner (he prefers a meal of
tomato soup, grilled cheese, and Funyuns). INTRODUCES Jane
Sibbett as the new Carol. CREATIVE CASTING ALF's Max Wright as
Terry, Central Perk's boss. CRITIQUE While this is a holiday
episode first and foremost, it's the subplot--new model Joey
inadvertently becomes a clinic's poster boy for VD--that's truly
worth celebrating. B [1] [4]
9 THE ONE WITH THE MONKEY--W Chase/Ungerleider D Peter Bonerz
PLOT The gang decides to forgo the desperate scramble for New
Year's Eve dates and have dinner together--but one by one they
break their resolution. INTRODUCES Marcel the Monkey, rescued
from a lab by Ross' friend Bethel. HISTORIC MOMENTS Joey kisses
Chandler at midnight--further fanning the "Is Chandler gay?"
flames. Phoebe gets her first on-screen kiss from a shy
scientist--but it establishes the Friends tradition of rarely
letting Miss Buffay keep a man for more than one episode when
he's quietly whisked off to Minsk; Phoebe finally sings her
first song in Central Perk. CREATIVE CASTING Hank Azaria as the
scientist; The Invisible Man's Vincent Ventresca as Monica's
boyfriend "Fun Bobby." BEST LINE "Hey, that monkey's got a Ross
on his ass." (Chandler) CRITIQUE Introducing the monkey was
perhaps Friends' biggest blunder-- forcing Schwimmer to do
comedy opposite a simian is beneath him. "Monkey" illustrates
the writers' tendency to overplot (was it necessary to add
Rachel getting into a catfight at the airport?), and the
multiple story lines never quite jell. Still, any ep that gives
Phoebe center stage gets bumped up a grade. B [2] [4]
10 THE ONE WITH MRS. BING--W Junge D Burrows PLOT Chandler's
mom, a lusty and beautiful romance novelist, hits town--and hits
on Ross. Phoebe and Monica make a love connection of their own:
After they startle a cute guy with a catcall, he's hit by a car,
leaving him in a coma and the girls fighting over nursemaid
duties. HISTORIC MOMENT We learn Chandler's mom bought him his
first condoms. INTRODUCES Morgan Fairchild as Chandler's mom.
BEST LINE "You don't kiss your friend's mom. Sisters are okay,
maybe a hot-lookin' aunt, but not a mom. Never a mom." (Joey, to
Ross) CRITIQUE Jay Leno's appearance is a portent of the
annoying stunts and NBC crossovers to come. While the Episode
One introduction of Mr. and Mrs. Geller brilliantly informs the
Ross and Monica characters, the idea that Chandler's mom is a
bawdy sexpot is just plain confusing. Add the forced Coma Guy
story line and you have the weakest Friends outing yet. C [2]
[3]
11 THE ONE WITH THE DOZEN LASAGNAS--W Astrof/Sikowitz and
Chase/Ungerleider D Paul Lazarus PLOT Ross prepares for the
birth of Carol's baby--though he can't decide if he wants to
know the sex; Joey and Chandler prepare to take a big step as
roommates--buying a table; Phoebe prepares to tell Rachel that
Paolo made a pass at her. HISTORIC MOMENTS We see Phoebe at work
as a massage therapist; a first look at Carol and Susan's
apartment; Joey and Chandler buy a Foosball table; and it's
official--Ross' baby is a boy! BEST LINE "We are way past the
fling thing. I mean, I am feeling things that I've only read
about in Danielle Steel books." (Rachel on Paolo) CRITIQUE
Masterfully silly cold open--the gang humming the Odd Couple
theme in Central Perk--sets the tone for this meandering,
somewhat scattered but charming installment. B+
12 THE ONE WITH THE BOOBIES--W Junge D Alan Myerson PLOT It was
bound to happen with all this barging in and out of each other's
apartments: Chandler walks in on a half-naked Rachel. Joey meets
his dad's longtime mistress. INTRODUCES Joey's philandering dad,
Joey Sr. (Robert Costanzo), and his prototypical Italian mom,
Gloria (Brenda Vaccaro). HISTORIC MOMENTS A flustered Chandler
coins the phrase "nipular area." Joey and Chandler sleep
together (sharing a sofa bed while guests stay over); first
reference to Chandler's dad being gay. CREATIVE CASTING Fisher
Stevens as Phoebe's beau Roger, a psychiatrist who alienates
everyone with his spot-on analyses of their lives. NEW 'DO
Monica BEST LINE "If I turn into my parents, I'll either be an
alcoholic blond chasing after 20-year-old boys or--I'll end up
like my mom." (Chandler) CRITIQUE The goofy parent-child role
reversal of the Joey story line is tired, but the show does a
hilarious job of mocking its Gen-X hipness with Roger's bitter
denunciation of the gang's "codependent, emotionally stunted"
dynamic: "You're all like 'Oh, define me! Define me!'" B [3]
[4]
13 THE ONE WITH THE CANDY HEARTS--W Bill Lawrence D Burrows PLOT
It's Valentine's Day and the gang is--go figure--dealing with
dating disasters: Chandler's blind date turns out to be his
ridiculously irritating ex, Janice; the girls nearly torch
Monica's apartment with an out-of-control "boyfriend bonfire";
poor Ross ends up sharing a table with his ex-wife while on a
date. BEST LINE "C'mon, man--she's needy. She's vulnerable. I'm
thinking, 'Cha-ching!'" (Joey) CRITIQUE What Friends does best
is mine laughs from love woes. Janice and Chandler's
anti-chemistry continues to yield shrill comedy, and the bonfire
is just the kind of true-to-life silliness we watch this show
for. B+
14 THE ONE WITH THE STONED GUY--W Greenstein/Strauss D Myerson
PLOT After five years of data processing, Chandler heads to a
career counselor--and learns he's ideally suited for...data
processing. Monica tries to land a head chef position, but is
chagrined when the restaurateur attends her tasting stoned. Ross
dates the curator of insects at his museum, but bugs out when
she wants him to talk dirty. HISTORIC MOMENTS Chandler's
heretofore vaguely defined job is slightly elucidated when he's
promoted to processing supervisor, with a phat new salary and
office--though it's never quite clear what he does, which poses
a problem for the girls in Episode 84; introduction of the
"wenus" concept (weekly estimated net use of systems). CREATIVE
CASTING Jon Lovitz as the pothead. CRITIQUE Lovitz's stoner
shtick is an unfunny stunt-casting gimmick, but the ep is
redeemed by an all-time classic scene in which Joey teaches Ross
to talk dirty: "If you can't talk dirty to me, how are you going
to talk dirty to her? Now, tell me you want to caress my butt!"
A- [4]
15 THE ONE WITH TWO PARTS--W Crane/ Kauffman D Michael Lembeck
PLOT Joey falls for Ursula, Phoebe's ditsy and bitchy identical
twin--continuing Ursula's lifelong habit of stealing all of her
sister's stuff. Ross goes to Lamaze class with both Carol and
Susan; Chandler has to fire his office crush. CREATIVE CASTING
First in a series of NBC Must See TV crossovers: Mad About You's
Helen Hunt and Leila Kenzle drop by Central Perk and--get
this!-- mistake Phoebe for Ursula. CRITIQUE Flights of fancy do
not suit this sitcom at all, and this installment is full of
them--including Rachel dangling off the balcony tangled in
Christmas lights, and the hackish split-screen gimmick when
Phoebe and Ursula "meet." Even worse, the script boasts nary a
laugh-out-loud joke. One redeeming factor: the setup of the
subtle sweetheart dynamic between Joey and Phoebe. C+ [4]
16 THE ONE WITH TWO PARTS--PART 2--W Crane/Kauffman D Lembeck
PLOT The high jinks continue as an injured and uninsured Rachel
(who twisted her ankle in Part 1) needles Monica into defrauding
the hospital by letting Rachel use her insurance. Ross continues
to grapple with impending fatherhood. CREATIVE CASTING Painful
NBC crossover, Part d'oh: ER's George Clooney and Noah Wyle play
two hunkalicious M.D.'s whom Monica and Rachel date. HISTORIC
MOMENT Phoebe and Joey kiss! (Of course, he thinks she's
Ursula.) CRITIQUE Far superior to the pallid Part 1 thanks to
Monica and Rachel's wickedly funny insurance-fraud-necessitated
identity swap. ("See, I was supposed to get married, but I left
the guy at the altar," says Monica, as "Rachel," to the docs.
"Yeah, I know it's pretty selfish but, hey--that's me!") Still,
the gooey Marcel-in-peril ending is unforgivable schmaltz. B
[4]
17 THE ONE WITH ALL THE POKER--W Astrof/Sikowitz D Burrows PLOT
The girls try to beat the guys at poker, while Ross keeps
bluffing about his feelings for Rachel. HISTORIC MOMENT Rachel
gets an interview for an assistant buyer spot at Saks Fifth
Avenue. CREATIVE CASTING Beverly Garland as Monica's Aunt Iris.
BEST LINE "Hello, Kettle? This is Monica. You're black."
(Phoebe, when Monica calls Ross "competitive") CRITIQUE Besides
being rife with genius Chandler comebacks (Rachel: "Guess what?"
Chandler: "Uh, okay--the fifth dentist caved and now they're all
recommending Trident?"), "Poker" proves the power of this
ensemble; the six players spend almost the entire 22 minutes
together, and it's the best episode so far. A [4]
18 THE ONE WHERE MARCEL GETS AWAY--W Astrof/Sikowitz D Bonerz
PLOT Rachel loses Marcel, throwing a monkey wrench into Ross'
plan to confess his true feelings for her. HISTORIC MOMENTS We
learn Marcel is an illegal exotic animal; Barry tells Rachel he
wants her back. CREATIVE CASTING Megan Cavanagh (Marla Hooch
from A League of Their Own) as Luisa, the animal control officer
(and Rachel and Monica's former classmate). BEST LINE "What
happened to, 'Forget relationships! I'm done with men!'--the
whole, uh, penis embargo?" (Ross, to Rachel) CRITIQUE The nadir
of Friends first-season simian-centric plots, chockful of
pointless monkeying around, including a random Shaft gag that
culminates with Phoebe getting shot in the butt with a
tranquilizer gun. Oh, the hilarity! C [4]
19 THE ONE WITH THE EVIL ORTHODONTIST--W Doty Abrams D Bonerz
PLOT Rachel reconnects with Barry--even though he's now engaged
to her best friend and former maid of honor, Mindy. Chandler
sends himself into a stress spiral when a girl doesn't call him
after "one of the greatest first dates of all time." HISTORIC
MOMENT We learn that Joey cooks naked: "Toast, oatmeal, nothing
that spatters." CREATIVE CASTING Jennifer Grey as Mindy. BEST
LINE Probably the best cold-open line of the series. Chandler:
"I can't believe you would actually say that. I would much
rather be Mr. Peanut than Mr. Salty." Joey: "No way. Mr. Salty
is a sailor, all right? He's gotta be, like, the toughest snack
there is." CRITIQUE Aniston is a whiz at milking Rachel's
high-strung guilt for laughs, but did we ever really believe
Rachel would end up with Barry when millions of viewers are now
rooting for Ross? B [1] [4]
20 THE ONE WITH FAKE MONICA--W Chase/Ungerleider D Gail Mancuso
PLOT After Monica's credit card is stolen, she tracks down the
thief and becomes enamored of the Fake Monica's free-spirited,
rule-breaking ways. HISTORIC MOMENT Ross sends Marcel--who's
reached his sexual peak and is getting aggressively randy--to a
zoo in San Diego. CREATIVE CASTING Broadway's Claudia Shear as
faux Mon; Harry Shearer as a creepy animal collector. BEST LINE
"Let's just say my Curious George doll is no longer curious."
(Rachel, after an amorous Marcel attacks her stuffed animal)
CRITIQUE A thin, hokey episode with a semi-sappy, "carpe diem"
theme that doesn't jibe with the series' tone of slackeresque
cynicism. And that "Marcel-likes-to-hump-things" joke isn't
getting any funnier the zillionth time around. Good riddance,
Fuzz Boy. C [4]
21 THE ONE WITH THE ICK FACTOR--W Junge D Robby Benson PLOT
Monica is dating "young Ethan" (Stan Kirsch), but doesn't find
out how young he is until after she deflowers him. Chandler
discovers his entire staff hates him when he hires Phoebe as his
temp secretary. At least Rachel likes Chandler--if those sex
dreams she keeps having about him mean anything. HISTORIC
MOMENTS We learn Monica is 26; the Chandler-loves-Joey theme
stays alive when Rachel dreams about the two of them going at
it; Carol goes into labor. BEST LINE "Oh God, I just had sex
with someone who wasn't alive during the Bicentennial!" (Monica)
NEW 'DO Chandler CRITIQUE A perfectly balanced episode: Monica's
shrill hysterics over her jailbait boyfriend are countered by
Chandler's chagrin over being "Bossman Bing." Genius subplot
alert: Ross buys a beeper so Carol can reach him when she goes
into labor, but he gets all the wrong messages when his number,
55JIMBO, is frequently mistaken for the gay prostitute 55JUMBO.
A-
22 THE ONE WITH THE BIRTH--W Teleplay by Greenstein/Strauss;
story by Crane/Kauffman D Burrows PLOT The gang descends on the
hospital when Carol goes into labor, but Ross and Susan's
constant bickering in the delivery room gets them tossed
out--and eventually locked in a storage closet. Not that Rachel
notices: She's too busy flirting with the cute obstetrician.
HISTORIC MOMENTS We learn Joey is 25; Chandler foreshadows his
romantic future when he offers to have a baby with Monica if
they're both unmarried at age 40. CREATIVE CASTING Jonathan
Silverman as the obstetrician; Leah Remini (The King of Queens)
as a single mom Joey helps get through labor; June Gable (later
cast as Estelle, Joey's agent), as a nurse. BEST LINE "I love
them--each one's like a little party in my uterus!" (Carol,
after the doctor asks how she's doing with the contractions)
CRITIQUE Once again, Friends delivers standard-issue sitcom
devices (the locked-in-a-closet gag, the tearjerker ending) with
exceptional charm and restraint. Schwimmer works his patented
nebbishy anxiety to great effect, while Phoebe reminds us that
she's actually the most insightful Friend with a casually sweet
observation of the squabbling Susan and Ross: "Here's this
little baby who has, like, three whole parents who care about it
so much they're fighting over who gets to love it the most."
Dammit--we told ourselves we wouldn't cry. A- [2] [4]
23 THE ONE WHERE RACHEL FINDS OUT--W Chris Brown D Kevin S. Bright
PLOT As you might have already guessed from the title, Rachel
discovers Ross' love for her when a careless Chandler lets it
slip at her birthday party. Even if Rachel wanted to reciprocate
she can't, because Ross is in China on a museum trip, where he
digs up a new fossil--and a new girlfriend. INTRODUCES Julie
(Lauren Tom), Ross' new squeeze. HISTORIC MOMENT Major product
placement of Cap'n Crunch's Crunch Berries in Chandler and Joey's
kitchen. BEST LINE "Wow, you're going to be making money hand
over fist." (Phoebe, learning what Joey will earn for his sperm
donations) CRITIQUE Though the long-awaited Ross-'n'-Rachel
romantic revelation is ostensibly the focus of "TOWRFO," we found
ourselves more entertained by the randy b-story: Joey's got a
hot-to-trot new girlfriend, but he's also participating in a
paying fertility study that requires, of all things, celibacy.
There's nothing like sex jokes to temper shmoopy sitcom
sentimentality. B
[BOX]
KEY
[1] Ugly Naked Guy Sighting
[2] Phoebe Song Alert
[3] Parental Pop-In
[4] Celeb Drop-In (Non-recurring)
Illustration/Photos:
COLOR PHOTO: WARNER BROS. TV
NO CAN "I DO" In the debut episode, runaway bride Rachel explains
her altar state to some Friends
COLOR PHOTO
SEASON OF HOPE (1) Lingerie model Connick guests as herself; (2)
Ross introduces his simian pal; (3) the Gellers lose Nana
1
COLOR PHOTO: ALICE S. HALL
[See caption above]
2
COLOR PHOTO
[See caption above]
3
COLOR PHOTO: NBC/EVERETT COLLECTION
WHAT'S UP, DOCS? Clooney and Wyle prescribe romance
COLOR PHOTO
THE MAMAS AND THE PAPA Ben meets the extended family