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Schoenhut Doll Study Part II
SCHOENHUT DOLL STUDY PART 2

PRESENTED BY CHARMAR

The Schoenhuts were among the most inventive of all the doll makers. They were not the first to use wood, nor were they the first to make jointed dolls or sleeping eyed dolls. But they took a hard look at what was out there and figured out how to make it better.

"Granddaughter Dorothy frequently mentioned an incident concerning her mischievous three-year-old brother, Norman saying,""Norman broke three bisque-headed dolls in a periond of three weeks by giving them a ride on his Pony-Blitz."" This is was the inspiration for the ALL WOOD doll. When Dorothy"s father brought the first all wood doll home he gave it to her saying,""Here is a doll that your brother can't break."" Norman asked, "How do you know?" and his father told him that a test doll had been thrown down five stories into the courtyard of the factory and it didn't break." After lunch Norman took the new doll and threw it out the second floor window to the cement below. It suffered only a smashed nose."

The previous paragraph was written by our very own "lad". This is the story as told to her by Marion Ball Poe. (Dorothy Schoenhut and Marion went to Drexel University in Philadelphia and were good friends).

Besides appealing to mothers by touting the educational and play value of their dolls, they also appealed to fathers by showing a cut-away doll in an advertisement showing the patented spring-loaded joints and stressing the engineering which made them possible. These joints compressed when the joint was bent, which is just the opposite of an elastic strung doll.

As a result, these dolls, which were all made between 1911 and 1924 still hold a pose like the day they were made.

Much of the charm the Schoenhut dolls have for me is in the playfulness of the dolls. Many long time doll collector's had to pay so much money for their Schoenhuts that they were very carefully placed in the best doll cabinet to be admired in passing. I do understand this thinking, but these dolls, more so than any of the other very old dolls, are meant to be played with! I love to make scenes with them.

PLEASE NOTE: This picture will have to be readded; lost on the Net currently -- sorry! L-R: Dorothy - 15/316, Miss Dolly - 15/316, George Henry - 14/107 (toddler face - reconstructed), Ideal WWI Liberty Boy, and Theodore - 15/316 (original boy wig on Miss Dolly face head)

We'll get into reconstruction and restoration later in the program.

Schoenhut dolls in original condition are very hard to find. Many dolls were sent back to the factory for a repaint for a younger sibling. Many were painted beautifully by owner-artists. Others were painted by those who had no knowledge of art or dolls, but for whatever reason, decided to paint them anyway. You can see these dolls at doll shows and on the listings here at eBay.This is prime example of a horrible repaint. One of these days we will show you what she looks like re-done.

17/316 (we think!)

There is still a mystique about having a perfect, all original, non-repainted Schoenhut doll. Doc Gipe has some wonderful examples that he has agreed to share with us today....and they are truly beautiful!

L-R: 21/316 All original Miss Dolly Nurse, 16/102 Nude Carved Hair, 16/102/Original clothes?, 13/107 All original toddler face,I believe, and in front, a Bent limb Nature baby.

Some dolls simply must be restored. My 15/317 sleep eyed Schoenhut is an example. She was dirty to begin with, then was shipped to me wrapped in newspaper, so she was also covered in ink. She had no eyes and the back of her head was missing. I'm sure most of you have seen this pic before, but for all those who haven't, here she is.

A friend of mine carved eyes and my daughter Rviola painted them. I cleaned the doll with soap and water and then used 2000 grit sandpaper from an Auto Supply shop to try to smooth the edges of the paint chips. I believe she was a factory repaint, because the colors are the same where it has chipped off and where it has not. I made her a wig from lovely mohair from Plum Creek Doll Supplies, and she just had to have her picture taken when we were experiencing gale force winds! Dolls! They can be very opinionated!

Katie almost done but wearing a borrowed dress.

When I was talking on the board about the "no-eyed" schoenhut, PatG sent me extremely clear photos and a sketch of what the painting on the eyes of her 21" sleep-eyed looked like. These were invaluable to Rviola when she was doing the painting. Every Schoenhut restoration article I have seen stresses the importance of having a duplicate doll right in front of you while you work. Otherwise your personality will start coming through in the restoration instead of that of the Schoenhuts. I think that may be the reason for so many bad repaints. If you don't have a duplicate doll or some very detailed pictures to go by, you will be trying to re-create the dolls coloring and lines from memory.

21/317

PatG also has another lovely Schoenhut. She is model number 19/301 dressed in her original underwear.

Jayne has some lovely dolls, too. I don't have pictures of all of them, but I will try to identify the ones I have.

L-R: Rarer 14/101. 16/301, and 16/102 Carved hair repaint

She has also sent us two dolls for restoration. The first has cracks and/or disintegration of the mold on the upper forehead and at the neck. There are also severe dings all about the face. Many Schoenhut collectors would not have the dings and scrapes repaired, but since there are already splits in the wood, I think it is a good idea. Who knows when the dings will degrade into splits?

16/301

The other doll she sent to us has severe problems at the mouth, upper lip and nose. They are so rough, I fear they too will begin to split. The heads were rough turned on a lathe and then steam-pressed molded into the shapes we see. All natural material has the tendency to revert back to its original shape and this is what we must prevent here. Working on this area of the mouth and nose is the hardest thing to restore on a Schoenhut.

The most time consuming part of doll restoration is the thinking! You have to decide how little you can do to save the doll - and yet not do too much so that you devalue the doll or change its features. We have had her dolls for about two weeks - they are untouched. We just keep looking and thinking.

George Henry is a completely remodeled Schoenhut.  When we got him, he was repainted so thickly that we couldn't tell that he was really one of the bald toddler faced boys.  Well, these are my least favorite of all the schoeys, so I asked Rviola to make him a new face and carved hair.  Since he was already destroyed, we figured there was no loss involved.  You will never find another like him because he has a newly made face - but he is my favorite of all!

I also bought a body with no head on eBay.  I asked my wood carver friend to carve me a face.  He did the beginning carving, and when I asked him if he thought the doll would be a girl or a boy he answered, "A Girl!  Boys aren't nearly so much trouble.  And because she is so much trouble, I think you ought to name her Martha!"   Here is Martha's head in progress. She still has a long way to go, but I like the way she is getting such a personality!

She will be a 14" doll when done.

As this study is winding down, I invite you all to post your favorite pics of your Schoenhuts. I hope you enjoyed this presentation and I hope you learned a little more about Schoenhut dolls. The most important thing about them is that they were meant for play! So enjoy! I know Rviola does, and I surely do!

"... and the band played on .....

Thanks for inviting me to do this study. :) Marty

Bye-bye! Thanks for stopping in!

NOTE: Another pic to be readded - 15/316 Original boy-wigged Miss Dolly face Theodore


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