Mick On Mac:
How Rock's Most Volatile Lineup Decided To Get Along
by Rex Rutkoski
"This band has had emotional ties with one another. These are people that
cried and laughed and cried for years. This is a very special, powerful, moment for us,
this whole reconvening of Fleetwood Mac." --Mick Fleetwood
After emerging from their own heart of darkness, these are the best of times for that
enduring institution known as Fleetwood Mac.
That cheerful assessment comes from one of the band's namesakes and founders, Mick Fleetwood.
The magic is back, he insists. "This band is playing better than 20 years ago, and so we
should. We have perfected our craft as people and players and performers. It's a very
vibrant situation," the 50-year-old Fleetwood says.
"It doesn't for one moment feel like firing on three cylinders at all. This thing is totally
cohesive, and it's a good show."
The centerpiece of the group's reunion was the live MTV special and release of THE
DANCE, the recording of that concert. The album offers renditions of 13 Big Mac
classics, from "Dreams" to "Rhiannon," "Don't Stop" to "Tusk," as well as such tracks
as "The Chain" and "Silver Springs."
The album, produced by Lindsey Buckingham and Elliot Schiener, also features four
new songs, including the Christine McVie composition "Temporary One," Stevie Nicks'
"Sweet Girl" and two new Buckingham tracks, "Bleed To Love Her" and "My Little Dream."
This year also marks the 20th anniversary of the band's landmark RUMOURS album
and the 30th anniversary of the founding of the original Fleetwood Mac.
Mick Fleetwood draws from that bank of memories and shares his thoughts about the
future in this conversation. Fleetwood Mac will perform at a sold-out Gund Arena this
Monday, November 24.
SCENE: How is the tour going?
Mick Fleetwood: It's been going very well. It's really gratifying starting a tour, and it's
all basically sold out. And it was from the moment tickets went on sale. That and just having
had a number one album, we couldn't be wanting for anything. It's just fantastic. The
audience is great. They are wilder than ever, and understandably so. The demographics is
very spread [out] -- people in their late 40s and so forth and also a lot of young people out
there, which is great for us. It's a really nice vibe. There's a sense of history that takes place
at a concert. People bring their memories. They are remembering being at college and seeing
Fleetwood Mac and things like that. There's a sentimental value aspect, too, in addition to a
great rock and roll show.
SCENE: You've said that you were always uncertain whether a reunion of this nature
would ever happen. Did it surprise you when it finally happened?
MF: Yes, but Lindsey and myself had worked together for nearly a year in the studio
prior to this. A lot of healing had taken place. We reaffirmed a great relationship between
just two guys, and musically we were having a lot of fun in the studio doing the work on
Lindsey's album. And that allowed this to even be contemplated. It became a reality. Chris
came in and did keyboards. John came in and did some songs. We had all creatively been
aligned before any business had been discussed in terms of us going on the road. Obviously,
the tongues started wagging when half of Fleetwood Mac was working in the studio. At
that point, we all started saying it was not a question that we would never do it, but it was
a question of when. We realized we were having fun doing it, and it was a real possibility.
And Lindsey had a great comfort with not being threatened with the wheels and world of
Fleetwood Mac. He spent a long time on his own reaffirming who he was as a musician
and person. He realized that what he represents artistically would not only survive in
Fleetwood Mac, but survive when we stopped doing it. We are blown away by the results.
I felt pretty comfortable this would not be a failure. I had no idea it would be received to
the accolades and proportions that it has been. It's a great scenario to be involved in.
SCENE: What's your favorite moment in concert now?
MF: I think it's walking on the stage knowing people are just literally adoring you. There's
no better feeling than that. Everyone is so very well represented during the show. It's
two-and-a-half hours of really well-balanced material, some quirky stuff, some classical stuff.
It's five people, five players, five singers. That's what the show is. It's about five people,
not about bombs going off, not about dancers coming out in G-strings. It's about Fleetwood
Mac and their music.
SCENE: When it comes down to it, what is the strength of Fleetwood Mac?
MF: When it does function, we've always paid a lot of attention and taken a lot of care
with what we do. That integrity, which is how I hope people see it, is there. As strange and
as crazy as we've been, there was always an underlining thing that if we do it, we've got to do
it really properly. A lot of care and attention is given to the albums, making albums, and a lot
of passion certainly is demonstrated there. The passion word is what makes this band pretty
damn unique in the way people identify with the individuals in Fleetwood Mac. There is
something really human about us as a bunch. The music is one thing. As glitzy as this
business can get, there is still something really accessible with these people in Fleetwood Mac.
You can feel people really identify with the painful moments and happy moments this band has had.
SCENE: There's been some great loyalty shown by fans...
MF: Fantastic. You cannot ask for a better situation to have had that loyalty.
SCENE: Where do you see all this heading after this tour? Is this more than just a one-time reunion?
MF: We don't know. One of the things we vowed when we started doing this [again] is we
weren't going to get the pressure cloud we had for so many years, where we are going out for
two-and-a-half years. We all have our lives, and we want to keep our own well-being. With
that in mind, we want to do our own things and certainly remain open to other possibilities.
We are now in the position where we have a lot of options. And those options being there,
there is no doubt this band could go someplace in the future and make a fantastic studio
album. All the craftsmanship and writing skills are intact. We are getting along great. It's a
much more . We're not sitting around pressing the wrong buttons. We know each other far
too well. We don't want any of that negative side that basically this band has had. We
worked too hard for too long. All the relationships were so intermingled. It was too much
basically. We survived it. We were able to do that in good humor. We are good friends.
This band has had emotional ties with one another. These are people that cried and
laughed and cried for years. This is a very special, powerful, moment for us, this whole
reconvening of Fleetwood Mac. It's a very happy tour. It's gratifying. It's going very well.
Whatever happens now, this, at the very least, has been a fantastic excursion for Fleetwood
Mac and, I hope, for people who enjoyed the band. I would always say we are so musically
equipped to make more music. If you ask me what I would like to happen, I would tell you I
would love us to do that. Whether that happens or not, I don't know. If nothing happens,
we've had a great run.
SCENE: Do you have any idea what the public's perception of Fleetwood Mac might be?
MF: I feel they see a lot of regular people [in us], with a lot of regular human
weaknesses and strengths, just a bunch of people struggling to make it.
SCENE: When someone next century sits down to write a definitive history of music
in this century, what should Fleetwood Mac's place be in the history of rock?
MF: With all the variety of music and people who have been in Fleetwood Mac, the
group has always been a real home where the framework of Fleetwood Mac has allowed
a real nurturing of some fantastic talents who came in and out of the band during its career.
I think that's what Fleetwood Mac really represents -- a fantastic framework for people to
blossom in.
SCENE: Do you feel the band has helped advance rock music?
MF: There is a lesson to be learned from us -- that it's perfectly cool to take a lot of
trouble with what you do. Rather than look at it as an indulgence, look at it as resources and
time spent doing what you want to represent. We've never been scared of making a new
album and spending so much time in the studio making an album.
SCENE: What were your goals in making THE DANCE?
MF: Once we decided to do the MTV thing, it was a good problem to have when
you have three singer-songwriters, and you've got to find the right way to balance their
strengths. It was fun recreating the old work. It was very gratifying to know we still had
all those chops working together if we want to turn on the new creative part [for a studio album].
SCENE: You certainly can't call Fleetwood Mac a dinosaur band.
MF: You absolutely can't. All the cynics who may have been out there when we
started pretty much have come full circle in almost an apology type thing, which is well
taken or realized. I don't get that dinosaur feeling at all from the reviews and the atmosphere
at the shows. People are really happy we are doing this now. It is not the "D" word. This is
alive and very well. Lindsey said one of the things that makes this band survive on a real
version of surviving is that there is a certain darkness to some of the work we did, which made
the other side commercially popular. We are commercially popular music, and yet we are not.
We have survived because there is an underlying thread of realness. Crafting of a pop song is
certainly something that, as a band, we've become really good at. Songs that are accessible,
that's what a popular song is. But yet there's depth there. All these songs have a darkness to
them that is not flippant. We have fun with what we do, yet there is an underlining thing that is
taken seriously, that balance we have ended up wandering into or crafting, I'm not quite sure
which it is sometimes. [laughs] That's a fair description of what we are and why we are still here.
SCENE: What haven't you done in music that you would still like to do?
MF: As a musician and player, I would love to play with and certainly produce Peter
Green, the original guitar player in Fleetwood Mac. That would be one hell of a pleasure
personally to work with Peter again. That would give me a great deal of pleasure.
SCENE: It would be great to introduce him to a younger generation that might not be aware of his talents.
MF: Yes. He gave me a lot back then in terms of confidence and understanding what's
important musically. Now he's playing again and having fun playing.