*Articles*

From the San Francisco Examiner Friday, December 11, 1998 LOVE LOOKS HOT, BUT ROCKETH NOT

At Live-105 extravaganza, Garbage is hot By Craig Marine Examiner staff critic San Jose-A beautiful, powder blue Fender Stratocaster electric guitar sailed through the cramped, stuffy air of the Events Center Thursday night, with Courtney Love onstage screaming at the crowd to ensure that only a female audience member took home her spontaneous gift. At one point, it seemed as though Love, lead singer for the band Hole, was about to launch herself into the crowd to take the prize away from anyone checking in too high on the testosterone level. While it was one of the finest moments of any rock concert in these parts ever, it also may have been the finest moment of Hole's performance, which was disappointingly staid and predictable. Rancid was the final band at the LIVE-105 "Not So Silent Night" benefit concert on the San Jose State University campus, but Hole was the band most of the crowd came to see. At least, they came to see Love, who has become bigger than the band, largely through her own grandiosity. The big question with Courtney Love, largely unasked, is whether she would ever have been a rock star if she had not married the late Kurt Cobain, Nirvana's troubled driving force. The even bigger question, especially not asked, initially out of respect for Cobain's suicidal demise, was whether Love would be as big a rock star if Cobain had not exited this mortal plain in such a dramatic fashion. Early rock star deaths, horrific as they may be, make instant legends. The answer to the first question, based on Hole's performance Thursday, is yes-she certainly has unmistakable star quality. The answer to the second question is no-truthfully, watching the audience and gauging the band's proficiency, no one would be paying this much attention to her under different circumstances. Hey, somebody had to say it. Love is a current media darling. Her unquestionable beauty-amply displayed Thursday is a tight-fitting, low-cut gown-and her excellent movie portrayal as the drug addicted wife of magazine publisher Larry Flynt, have put her on endless magazine covers. And Hole's latest album, "Celebrity Skin," is filled with gems. But if you wanna be a rock 'n' roll star-especially if you are going to include a surly attitude into the mix, you better be able to bring it alive. And that's where Love and Hole drop the ball. There was way too much posturing and way too little musical explosion. At times, like with the alternately lilting and slashing "Malibu," Hole clicked with the crowd. But too often the songs seemed too drone on while the audience headed for the nacho vendors. LIVE-105 always has the best of the radio station mixed-bag concerts, because the station has been so instrumental in giving air play to otherwise unheard-of bands on the way up. Thursday night's line-up was no exception, with bands like Offspring and garbage and Soul Coughing and Cake and Everlast taking half an hour to 45-minute stage slots. Each of these bands could probably sell out a concert at the Fillmore Auditorium on its own, so seeing them together made the show a hot ticket. And while Hole was a great attraction, it was bands like Soul Coughing, and especially Garbage, that really lit the audience's fuse. Ironically, Garbage's driving force and guitar player is Butch Vig, who produced Nirvana's breakthrough record, "Nevermind." With singer Shirley Manson leading the band through a raucous set, Garbage far and away won the battle of the bands. Manson, the Scottish firebrand, is an interesting contrast to Love. While Love's sex appeal is based largely on her looks and angry, take-no-prisoners reputation, Manson is able to convey an equally captivating stage presence without resorting to revealing gowns-not that there's much to reveal, quite honestly. The energy she brings to her singing is the same energy Love often wastes yelling at photographers and demanding that the crowd form a mosh pit, both of which she did Thursday. Love may be a victim of her own unrelenting self-promotion, but a good band just rocks the place, and it was Garbage who owned the crowd Thursday on the basis of their musicianship. Another group that faired well in their limited set was Offspring, the psuedo-punk popsters who had the crowd bopping non-stop through their catchy and ultimately forgettable tunes. If there is anyone alive in 20 years not related to the band who who can name three Offspring tunes, they can look me up and get three free passes to take me off my life-support system. Which isn't to say the music isn't good, it's just not much of anything-the way you can eat a tub of movie popcorn and want to go out to dinner afterward. Thursday night was an evening of Garbage's triumph, Hole's unmasking and a satisfying blend of some of the best ear-candy out there. Give me the real deal every time. ....... submitted by ~dea~

From San Francisco Chronicle Saturday, August 19, 1995 LOVE LOSES IT AT LOLLAPALOOZA

Hole's Shoreline set cut short when Courtney scuffles with fans By Sam Whiting Chronicle staff writer An emotional and defiant Courtney Love jolted alive a heat-stricken Lollapalooza last night by leaving the Shoreline Amphitheatre stage twice to challenge members of the audience before she was finally carried away in the arms of a security guard. On her daughter Frances Bean's third birthday, she first went after two men, flipping them off, then jumped off the stage after them, apparently because they were showing insufficient enthusiasm. After she was carried out of the arena, the music of Nirvana, her late husband, Kurt Cobain's, band, was piped in on the grounds, his voice singing, "All alone is all we all are." Love had been in tears for much of her set. Clad in a black leather miniskirt and matching sleeveless vest, with a black fishnet-stockinged leg placed atop a speaker monitor, she strummed an aqua guitar at high voltage, backed by her band Hole. It was four screaming songs before she took a long pull of a cigarette, and addressed the crowd, "Let's hear some respect for elastica," she exhorted, then, "louder, you fucking pussies." The crowd responded as much out of fear as appreciation, but the best response of all came to her plea for, "respect for Frances Bean Cobain, who's 3-years-old today." Then she led a happy-birthday sing-along. Love in Tears Love's glittery, emotional set-she was noticeably crying through much of it-was like a cool breeze against the hot wind that blew the rock-and-grunge road show into Mountain View for its fifth-annual visit-at least until things got bizarre. Sonic Youth closed the show with its particular brand of spacey reverb-heavy rock. Even with an elaborate psychedelic light show behind them, Youth couldn't match the spectacle of Love's histrionics. The absence of a major-name headliner didn't shrink the crowd, which arrived through the afternoon and into the night in what was predicted to be a sellout by the time Courtney Love and Hole took the stage promptly at 8:25. The top-billed act was Sonic Youth, but it was clear that Hole was the main draw, followed by Elastica, a female British pop-punk band that replaced Sinead O'Connor, who withdrew midtour due to pregnancy. "I came because of Hole, but then I found out Elastica was playing, which was even better," said Lisa Burke, 12, of Mountain View, who bopped and swayed in her seat throughout Elastica's tight 40-mnute set. Yesterday was the final stop on the nationwide summer tour, and the artists seemed as if they'd had enough. David Yow of Jesus Lizard sang one song while lounging in a seat in the audience, six rows up. At the end of the set, he introduced the following act: "Next up is Beck to fuck you in the face." No one could be sure if he was joking; the tour has been marked by back-biting and online sniping between bands. ......submtitted by ~dea~

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