Short Discussion
Benefits of being able to do stage make-up
great to
be seen by your audience
sometimes
the make-up artist is the only one being paid, especially in community
theatre can
use make-up to change features
Pair up students- only one student will
sit in the make-up seat. This individual will
work on the
right side of their face, their partner will put make-up on the left
side
of their
face
Find a student willing to be the demo
Activities
Beginning with highlights, discuss placement
(above eyebrows, down top of the nose, on top of or slightly above cheekbones,
on chin) and application (not to thick, it is easier to add more that take
away; blend edges), while conducting a demo. Have students put make-up
on after each demo.
Move on to shadows, not too heavy, on the sides
of the nose and two finger widths below the highlight on the cheek.
Discuss ways highlights and shadows can change features, demos and experimentation
with certain looks. On to eye liner and eye shadow - how to create
the illusion eyes are larger, smaller, closer together, further apart,
etc. Next, blush and lipstick- placement, shades, styles, and so
on. A chat about the importance of powdering to set the make-up and
help prevent running under the hot lights. Students do not have to
powder if they do not intend to wear make-up after the class, it will only
make it harder to get off.
Discussion
Look at everyone’s work and talk about
the different styles and unique attributes.
What worked for you? What didn’t?
Clean Up
Allow 10 minutes at the end of the class
Designed by S.R.