Krieg
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Genre: BLACK METAL

Homepage: OFFICIAL SITE

From: SOMERS POINT, NEW JERSEY, UNITED STATES

Formed In: 1995

Select Discography

Endless Path (demo) (1996)
Battlegod (demo) (1996)
Rise of the Imperial Hordes (1998)
None Shall Defy the Wrath (split with Judas Iscariot) (2000)
The Black Plague (demo compilation) (2000)
Split (with Kult of Azazel (2000)
To The Coming Age of Intolerance (split with Judas Iscariot) (2000)

The Church MCD (2001)
Destruction Ritual (2002)
Kill Yourself For Someone You Love (live) (2002)
Resistance is Futile 7" (with Open Grave) (2003)
The Sick Winds Stir the Cold Dawn 7" (split with Satanic Warmaster) (2003)
The Black House (2003)
Split MCD (with Azaghal) (2004)
Death Glorification (split with Morte Incandescente) (2004)
Patrick Bateman EP (2004)
Flesh Descending (split with Nunslaughter) (2004)
Daze West 7" (split with Nachtmystium)

Sono Lo Scherno (2005)
Blue Miasma (2006)
Split EP (with Bael) (2006)
Official Live DVD (DVD) (2009)
Photographs from the Asylum 7" (split with Caina) (2009)
The Isolationist (2010)
Life is Cheap 7" (split with Gravecode Nebula) (2011)
New World Black Metal 7" (split with The Many, Esoterica, and Bitter Peace) (2012)






RISE OF THE IMPERIAL HORDES (1998)

This album, like so many black metal releases, opens with a sample (not sure of the source) that tries to set the stage. It seems to be the prelude to something atmospheric and evil. Instead of atmospheric black metal, Krieg plays quite the opposite. This is raw, noisy, "fuck you" black metal that owes more to the ethos of punk and hardcore than to the cold stylings of Norway or Sweden. Unlike the Scandinavian aesthetic, which usually revolves around repetitive riffing to construct an almost hypnotic feeling, Krieg just pummels the shit out of their instruments in the midst of an utterly chaotic production style. The problem with this is that the guitar riffs are almost impossible to discern in the mix. The drumming overwhelms most of the songs here, and that's a shame, because some of the riffs that we get a glimpse of are downright awesome (to my ears, the opening of "As Humanity Fades" is outstanding). And the vocals are all over the place, too. Undisciplined screams mixed with intimidating snarls with a hint of clean vocals make for a bit of a sonic mess. And I've already mentioned the opening sample, but my biggest gripe with the album is that there are too many samples and interlude tracks. More metal, less movie quotes please. Oh well. I wanted to like this a lot more.

RATING:  2½ out of 5










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