Featured Poet





Edison Jennings

( Abingdon, Virginia )



_________________________




Things to think about when thinking about the end of things:

static light and quickening heart when you saw the frescoed face, 
her parted lips calling through the cloistered calm 
suddenly imagined words: come, come quickly!

or how a trumpet taunted time,
its predictable plod, with high-stepping dance-hall notes
that skipped and pirouetted among the ranks of dead;

or the pulse of wing-pumped air when a hawk rose,
pigeon talloned to its breast, rose
inches from your startled, clumsy soul;

or dirt’s tang tasted in a strawberry 
plucked from a wild-sown tapestry stitched across
a green expanse long since dense with condos;

or how you dreamed The Song of Songs then woke alone
to silent dark that cupped desire like a grail,
ever filling, never filled.




__________________________________



Jennings' Comments...

This poem was a bit of a stretch for me, and not just the long—too long?—lines. I guess I tried to move through a process of chaotic association—that is, the overflow of emotion recollected in anxiety, to put a spin on Wordsworth. The chaos of memory is, I hope, momentarily suspended in a poetic structure that exposes that chaos as the physics, or metaphysics, of paradox. I’m pretty sure I did not succeed, and I beg the reader’s patience in my self-indulgence. By the way, the trumpet player in the second stanza is, of course, Louis Armstrong.



Next - Will Roby

Contents


Contributors
Current Issue - Spring Supplement 2006
Home