Corrine De Winter( Springfield, Massachusetts )Jim McCurryWhat’s Dying in AmericaHappens like a thought Between pages. It's the itch beneath your skin You cannot reach. What's dying in America Happens forever- a yellow orchid In Nevada, a child fallen from a window In Manhattan, A man frozen to death in a trailer In West Virginia. The voices of the ill Roaming the Bowery. What's dying, those things we cannot name. The war that starves us all. The silence that descends. The long line of dead That beg us to remember them.( Galesburg, Illinois )Amy Small-McKinneyFort Collinson out there somewhere near Horsetooth, closer to iodine sunsets precisely as I invent my grandfather one eye casting a beacon, to a third a loka of constant & mysterious adjustments, a world of opacity & trust ______ Actually, Q. W. as if hired labors were leisure at Robson’s Field would say, I have nothing. I want nothing, and then step homeward to sit in the rocker insistent amid ministries of the broom ______ Suddenly moonlit clouds sweep toward the Gary inferno ______ there is a time to be left alone ______ Little mop, we never met. No, little mothers, not in this cell, or that seminar, or terminal railway cathedral ______ Neither of us grills anyone under lights so hot they melt all sense of noncomplicity. All simplicity, all manly, womanly sympathy – sinew of heart quite apart from national or human duty. ______ Who calls? Not even March & what unnatural caroler, a chorus of one, to greet the thaw? Is this some bird of night, some gothic scavenger or only an owl to start the impossible interrogation?( Blue Bell, Pennsylvania )Jim YagminLetter From A Scarred & Aging BodyDear X, This is my ankle. Its slit of infinite e. This is my belly. Its brittle scab Of question mark. I told you About the car that buckramed Into mine. I do love these breasts Suckled nearly two years. Still I disappear Need I disappear? ** I love the brown brick buildings. Limestone. Do you? My daughter and I. Light swipes A silver door. Someone is singing: Oh What A Beautiful Morning. We walk quickly because he is tone deaf And annoyed. We walk quickly Though notice the boy with black hair Notice her and I remember A boy with black skin Lifting my skirt. I remember everything now. Everything ** Inside this body— Memory— The hokey song Inside the scar. It promises I will remain Light against your door. Its promises Are not to be believed As always, A( San Francisco, California )Sue BlausteinGhazal 34Heartbreak leaves my heart alone then nothing breaks nothing comes and nothing’s quiet Maybe you'll turn in boredom to my arms hungry from the commercials of night I am left to love the shadow of love a blonde strand across my sheets I am thirsty like when in the desert I dreamt of thirst and woke to you I could not touch what holds no form a body of water that can’t be held( Wisconsin )Steve De FranceFor Su Tung P’oThis weekend made me think of old Chinese things: Su Tung P’o traveling on boats and horses, Chuang Tzu waking from his butterfly dream. Saturday night at a reunion with old friends it was beer and some popcorn, not fish, wine and salted plums. But the same moon – that white cranes flapped across at Red Cliff – rose slowly and lit Mill Road. I went home the earliest anxious about the alley – addicts behind green garbage carts like bandits on the road. In my time, I’ve never seen crop failures or heard hungry peasants cry, but there’s plenty of social disorder. Slapped children, millionaires and few leaders. No one with the stature of the ancients. None big enough to move rivers like sage kings, or use words like “Promised Land”. In 1080, Su Tung P’o was a Special Supernumerary of the Water Bureau. I’m not a Special Supernumerary – I’m a Water Plant Operator One. But I feel a bond, fattening up in civil service, preparing a one room cabin for retirement. Sunday, on my shift at Linnwood the sky was gray over the lake and I watched rain from the East Pump Room. Dreaming, I imagined monks on the settling basin, leading oxen, and excursion boats tied up, idled by the mist. My watch over, I went to Washington Park and ran the path around the littered pond. Canada geese came barking, slamming from the west, slapping water jabbing mallards, and blowing feathers just as my glasses fogged, blurring the “distinction that must exist” between a wandering official a Water Plant Operator and a spraying, disruptive flock of geese.( California )Eileen MoellerDancingFirst he used to do it in the house. Right in the middle of the living room, or sometimes in the kitchen. And go through his routine. My mother would stare absently at the floor. And I would usually smile and clap my hands. Later on, he started doing it in restaurants. Sometimes on sidewalks, too. I remember once he did it in the middle of a crosswalk. Some guy honked his horn and called him a name. My mother grabbed Roy by the arm and pulled him all the way over to the corner. It was August, so it was a hot day. And when we got to the corner, he had really started sweating. My mother took out a lacy handkerchief and tried to mop his brow with it. As she cleaned him up, he stopped moving for a minute, until she was done. And then, as we waited for the crossing light to change, he took hold of her hand. The light changed. And we walked back across the street. When we got to the other side, he bent down looking at me, put his index finger to his temple, and made a quick stirring motion. And in a startlingly clear voice said, while pointing at his temple, "All gone." Then he smiled his kind of foolish smile, and made a pistol with his hand and pointed it at his head. And as we walked down the street he kept saying: "Shoot me. I wish somebody would shoot me." I was away when he died. But it was not long after this happened.( Philadelphia, Pennsylvania )Oswald LeWinterFirst SonnetWhen the family crowded into the Summer Street kitchen I was all hers for a while: belting out God Bless America, cheeks aglow, loud as Kate Smith on the Ed Sullivan show, or the special birthday song we learned from Big John and Sparky on the little Bakelite radio. Tucked tight within her arms I basked in her smile, the cloud of her powder scent and smoky breath, what I'd later know to be bliss, afloat on the feel of her lips on my cheek, her drawn out kiss, as the aunts and uncles laughed and clapped for us both. Most of the time it was more like I was a mouse, eclipsed by the whirr and squeak of the clothesline, the whish whish whish of the scrub brush in her fist, a pest, a maker of dirt underfoot, scuttling around the house, furtive and filthy as soot: a pox on her cleanliness, tiny against the enormity of the mess.( Germany )Lenny LianneThings Die, Things Survivela sopravvivenza non ? obbligatoria; cambi ? Giordano Bruno I shred letters found in suits of men, who fled a bartered heart. I gather flowers without roots before they dry and break apart. I climb sand dunes near a quay to see gulls as they swindle waves. I mourn each birch or oak tree felled to become wine barrel staves. Skies clear utterly as Winter wields icy power. Clouds freeze as it sleets. I spread my blanket in green fields as clouds mass in warring fleets. Poets aren’t bards. Most ape the infernal drivel of those genius has disappointed, the worst claim to be sapient or eternal. Their metaphors dry like words disjointed. What rises unasked to my lips as verse comes out of necessity, like night’s breath. I pay for it with pain out of the purse of daily life. Each payment is a tiny death.( Ramona, California )Nothing but TroubleThe pyracantha bush taps fingers against the window in a code he doesn’t bother to comprehend. Down the street one car horn blasts twice in reprimand. Even the wind hurls its own slurs. More and more, every noise annoys him, especially his wife cracking an ice tray over the spine of the sink, a cipher that splits the air like an angry bird. Up early, she is alone in the kitchen making the same flavor Kool-aid she’s made every day but puts no smile on the pitcher anymore. In the beginning he trusted familiar things he’d known all his life – squirrels at the bird feeder, husk of snake’s skin in the attic, red and white soup cans on the far side of the pantry – all the household gods of modest means. But over the years he’s learned he travels, locked in place. As the moon pales and plunges, he is a bird bashing its head against the empty picture window while the waking world wishes him nothing but trouble.
I - Thrum of Wings
III - Raw Silk in the Mouth
IV - The Parenthetical Body
Review - Suzanne Frischkorn
Review - Nicole Cartwright Denison
Essay - C. E. Chaffin
Featured Poet - Sandra Beasley
Contributors
Current Issue - Summer 2007
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