Featured Poet


Catherine Daly

_________________________


( Los Angeles, California )


Of Hollywood


I set off for Frederick's playing Lawrence Ferlinghetti's underwear poem,
     taking notes
on the flip side of a book xeroxed and sent to the boys for option – 
     rejected
     and recycled -- an extended single joke on The Rules, 
          how to lose a man, illustrated with stick figures, one page a bra,
               "32D",
          the bra that should be left behind, as quickly as possible, 
               in his apartment.
Frederick's of Hollywood is Hollywood Boulevard, 
the desolate stretch east of Vine.  Many of the sidewalk stars there 
          are blank, next to
          Little Jack Little and June Havoc, 
          Jack Palance and Fleetwood Mac.
               While Lana's soda shop may have been there, 
               Hollywood High, at Sunset and Highland, is now considered 
                    too far to walk 
                    from here.

Nearby copy cat lingerie stores sell tawdrier lingerie, the shortest 
     schoolgirl get up, American flag print thongs.
Frederick's pink awnings are flanked by 
Hollywood Toys and Costumes, which stocks wigs,
and St. Pierre's Magic Supply, a real magician shop with, in its vitrine,
     Dlx. Top Hat Table, Dagger Head Chest, a dusty wrist guillotine 
          with a rubber hand stuck in it,
          signs decorated with stick figures, like those opposite these notes,
          hopefully drawn 
          but probably not drawn by a child,
Mirage the hologram maker my Theory of Knowledge professor used,
realistic thumb tips, angel wings, and various manacles that read 
          from stage –
               not those manacles in vitrines farther west.

Frederick's lingerie museum has stage and screen underwear plus a brief 
     historical overview.
In von Stroheim's Silk Stockings, Cyd Charisse's bustier had
more than 100 garter clips attached since the silk "stockings
     had to be pulled from every angle
     so that at no time
     would [they] wrinkle or show creases."
          Lana Turner, from The Merry Widow, Greta Garbo, The Gorgeous Hussy,
Pamela Anderson in an old Frederick's catalog during her modeling days.

Joan Collins was in a movie called The Red Velvet Swing, which reminds
     me
that when my  Mom worked for The Chicago Tribune, she went
     undercover at a lounge called The Velvet Swing, although I had always
          pictured the velvet as black or purple velvet, 
with a friend.  It was a bar waitressing job except the girls took turns 
     swinging on a swing over the bar.

I have always recognised Frederick's for their 70's shoes, specifically the
     five-inch stilettos with real spikes in the catalogs my parents
     occasionally had, since
Dad bought Mom a joke lingerie item each Christmas for her stocking.
While the shoes are like those in the 70's again, the spikes are 
     disappointingly encased in lucite.

I have always wondered about the "no bra" bra, and see it comes with
     Sexi-Set adhesive.
Bras with nipples and nippled pads for stuffing bras "have that 'cold
     weather' look at all times", or in slang used by the boys -- my fiancé
     and his writing partner, former lead phone salesman at Victoria's Secret
         catalog -- "turn on your headlights."
My favorite, in theory, is the underwire alone -- although there is no 
     comfortable underwire, women have a rib there -- with two strategically 
          placed netting daisies,
although the newest technology is the water bra, or "liquid dream".  
Why get implants?

Since I locked my keys in my car, I have the special treat of standing on
     Hollywood Boulevard in front of Frederick's, looking at Musso & 
     Frank's, where Fitzgerald hung out during his final decline, home of the 
     overpriced food from the 20’s and old style martinis -- a shot and a half 
     of gin and an olive to cling to like a life raft.
A real school girl with a regulation-length plaid skirt -- never more than 
     three inches above the knee, they make you kneel in the principal’s 
     office and they measure from the floor to your hem -- walks past with 
     her arms xed across her chest, her fists near her shoulders
as I am clutching my notes to myself and smearing ink all over the front of
     my white t-shirt, waiting for AAA.




Porciumcula


They zoned the miasma into Vernon,
divided speakeasies and the slaughterhouses' stench --
beef lung, fish cheeks, pumpable meats,
everything but the squeal -- from Anglos.

Ravenous rats like traffic flow past 
Beaux Arts bridges.  Naiads lift 
rusted lanterns trailing raveled and unraveled wire,
illuminating the Taylor Yard's streaming steel 
parallel the Porciumcula River.

Over roads rutted by heavy loads and tracks 
to abattoirs shuttle human resources,
tax dodges commodified like pork bellies.

Freight trains dice early from late shift.




Next - Anthony Robinson
Contents

Contributors
Winter 2003 Issue
Home