lluh, I write abuiot specifics later.
noon- sat down on a chair in front a computor.
1:10- was hungry and needed to use the restroom but could not leave cause mark and dan and andrzej are somewhere I don't know and somebody has to stay in here. The computers can't be left on their own.
2:30- looked around for a manual for a teacher. could not locate it.
3:25- transplanted self to the room with the inferior computers so I can watch people.
3:32- mark and dan and andrzej come back from their meeting and tell me I should've gone to have lunch or something before now. Now it's too late.
3:34- look on internet. A wet spot on my boxers does form.
4:00- cut staples with scissors. Greg comes to relieve me so I can help dan type up a list of packages we have.
4:23- finish typing list. I'm so bored I need to abuse myself in the restroom.
5:20- cut two staples in half with scissors, at the same time. I write a email to arlis to impress her.
5:43- some student gives me his passport instead of his regular i.d. I look through it and see he has stamps from honduras. There was a man in honduras once who wanted my dad's co workers to put his foot back on after he cut it off with a machete, but it was too late by then.
6:00- an areola itches, I can't tell which one. I ask dan to help me out here, but he says "don't be a baby".
7:30- time to clock out.
Novelty Performance
Setting: An extremely narrow alley between two very tall, windowless buildings. Approximately ten inches wide. Wedged about three feet into the crevice, a WOMAN wearing tap shoes is doing a handstand. She performs a tap dance against the walls of the buildings.
WOMAN (when she's finished): Ta da!
Silence.
WOMAN: Thank you, thank you!
Silence. Dripping of mildew is heard.
WOMAN: This concludes the play 'Novelty Performance' by Julia Gilman.
Fat drops of cement start to fall into the narrow alley and onto the WOMAN.
WOMAN: This production will now be preserved in cement for posterity. Goodnight.
Approximately 500 gallons of cement slowly pours into the narrow crevice until there is no space between the two buildings. End of play.
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