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Since that time, the piece has been refined further for this performance by Japanese and Australian dancers. The title indicates her second journey from Melbourne to Nagoya and also the beginning of her journey in pursuing new artistic expressions. The dance's curvilinear body movements echoed the lines of Hartung's drawing, and harmonized with the music to create a soothing atmosphere. The roof garden, surrounded by glass panes, was the setting for the performance. First, the three dancers created linear body movements, when they were suddenly interrupted by Nohmi's dance.

Recorded August 1 and 2, 1976 at Bearsville Studios, Woodstock New York. Throughout the 132 minutes, veteran reed player Buddy Collette, who has been part of the Los Angeles jazz scene since the mid-'40s, tells a bit about what he has seen and experienced through the years. The only music heard are brief interludes by Collette on his horns between the spoken sections. The often-fascinating storytelling could have been twice as long. Curson's melancholy, heartfelt tribute Tears for Dolphy mirrors the shock that was felt when Eric died in Berlin at the end of June 1964.

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