(Amenaza al Mundo/It threatens the world)
- PAGE 1 [ 6 FRAMES ]
- PAGE 2 [ 7 FRAMES ]
- PAGE 3 [ 17 FRAMES ]
- PAGE 4 [ 11 FRAMES ]
- PAGE 5 [ 7 FRAMES ]
- PAGE 6 [ 26 FRAMES ]
- PAGE 7 [ 6 FRAMES ]
- PAGE 8 [ 9 FRAMES ]
- PAGE 9 [ 11 FRAMES ]
- PAGE 10 [ 15 FRAMES ]
- PAGE 11 [ 10 FRAMES ]
- PAGE 12 [ 31 FRAMES ]
- PAGE 14 [ 4 FRAMES ]
- PAGE 15 [ 22 FRAMES ]
- PAGE 16 [ 11 FRAMES ]
- PAGE 17 [ 14 FRAMES ]
- PAGE 18 [ 20 FRAMES ]
- PAGE 19 [ 21 FRAMES ]
- PAGE 20 [ 13 FRAMES ]
- PAGE 21 [ 11 FRAMES ]
- PAGE 22 [ 7 FRAMES ]
- PAGE 23 [ 17 FRAMES ]
- PAGE 24 [ 19 FRAMES ]
- PAGE 25 [ 34 FRAMES ]
- PAGE 26 [ 7 FRAMES ]
- PAGE 27 [ 15 FRAMES ]
- PAGE 28 [ 20 FRAMES ]
- PAGE 29 [ 39 FRAMES ]
- PAGE 30 [ 2 FRAMES ]
All the songs from this album are named after pages from a Fantômas comic book, and the music reflects what is happening in the pages. These songs are based of absolute pure structure, there is no improvisation what so ever. When played live, these songs are played exactly the same as on the album, if not faster!
note: The tracklist does not mention a Page 13, however, there is a track 13, but is just a faint symbol fading from the last track. Track 13 is basically the end of Page 12. However, I don't think this is by accident, because exactly the same thing is present in The Director's Cut This is because they didn't put a track into track 13 becasue 13 is unlucky for some i guess.
And another thing, I knew that this album is really just self titled, but I think self titled albums suck and I prefer to call it Amenaza Al Mundo because it has a nice ring to it. I'm changing all the names now, so nobody complains about it again.
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