TWO BLIND BRITS
In A Smell of Burning we catch up with the Joneses over breakfast. They're a couple we suspect have been
together awhile. Their conversation is rote, having forgotten how to listen long ago. We're given the impression they
like it that way, for any break from their routine is cause for consternation. The Joneses are a couple
immersed in the details of the mundane, to the neglect of events occurring around them.
Enter Mr. Robinson. He claims he is Deputy Head of the City Surveyors Department, and he is there to supervise "certain alterations
in the structure of the Status Quo." Mr. Jones, who's engrossed in toasting bread - an act he performs the
same way with the same problems everyday - hardly pays him a second thought. His wife, no more curious than her
husband, fetches a hatchet at Mr. Robinson's request and sends him on his way to perform whatever duties it is the Deputy Head of the
City Surveyors Department does.
A few minutes later there is a scream from the upstairs apartment. It is the residence of one Mrs. Prendergast, the Alderman of the Borough.
Mr. and Mrs. Jones pause long enough to complain to one another about screaming in the morning,
but are instantly resumed in their morning tasks. Mr. Robinson soon returns, wiping the hatchet clean, and
returns it to its place in the kitchen, the Joneses failing to connect their neighbor's scream with the weapon.
annihilation, but the blinders which got society to
this point in the first place are still in place.
In the second play, Then . . . , we are confronted with a post-nuclear holocaust world. Phythick is a
mathematician who thinks he's the only person to have survived the blast. The play opens with him pondering
his existence, wondering if his life can or should go on, when a girl walks by. She is nameless, a former
beauty pageant queen, and has never possessed a thought of her own. The girl, like Phythick, has a paper bag on her head.
Before the blast, the nation's top scientists advised everyone to wear paper bags on their heads. They said it would protect
against the explosion. People, being what people are, grew complacent to the advice so when the day came only Phythic and the girl
bothered to put their bags in place. Through the bags, the playwright has created a vehicle
to caution against the dangers of blind faith. First, The bag over-the-head imagery represents the blind faith in government by a populace that would let nuclear armament escalate to such a level as to cause global destruction.
Second, it conveys the empty-headedness of the girl (a blind faith in what others tell her) and third, the unfailing belief in science on the mathematician's part (a blind faith of its own).
The faith of Phythick and the girl has saved them from annihilation, but the blinders which got society to this point in the first place are still in place.
Campton has given the theatre two excellent plays about the sin of self-involvement. They offer a bleak perspective of the world in 1957, and perhaps a view bleaker still of mankind's future. In light of America's present pursuit of new and mightier
defenses, however, these gems are as timely now as they were then.
posted 01/31/01
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