This is the most psychobilly of all of Tiger Army's current recordings. Tracks like "Devil Girl," "Outlaw Heart," and a cover of "Twenty Flight Rock" bounce along with a definate rockabilly edge, while the awesome "Fog Surrounds" and "Nocturnal" are harder and closer to punk. The production on this album is slightly odd, such as the use of a voice synthesizer thing on "Werecat," but it isn't bad. This is a breath of fresh air to anyone who likes punk rock. Tiger Army's songwriting is good horror punk, without taking itself too seriously. This band can only get better.
"Incorporeal" and the bitter "F.T.W." (standing for "fuck the world," which is screamed over and over in the song's chorus) are probably the songs that are closest to all out rock. Hey, did anyone else notice that the intro to "Valley of Dreams" sounds sort of like the sad music from the video game EVO? Anyway, "Cupid's Victim" and "In the Orchard" are slower rockabilly numbers that could have been on the first album. But the best song on the album, and probably one of Tiger Army's best songs yet, is "Annabel Lee." It's part rockabilly, part punk, all psychobilly greatness. This is just a great album. No matter what genre of music you like, you have to check it out.
I probably should have given it a 7, since the demo versions aren't that different, and the song "Jungle Cat" isn't that good, but "Temptation" is just a mind-blowingly amazing song. I can't even stress how addictive and catchy that song is. "American Nightmare" is actually a pretty good cover, too. If you see this EP, you might as well pick it up. You have nothing to lose.
So drummer Fred Hell got shot protecting his friends from robbers. They couldn't take the bullet out of his brain, so he didn't play on this album, and now he's left the band. Let's all take a moment to reflect on just how hardcore that is - getting SHOT in the BRAIN and LIVING. Tiger Army never die, indeed. I was expecting this album to be really fast and aggressive, since the band was really angry over poor Hell. However, it's the exact opposite - slowed down and emotional, but a far cry from, I dunno, "emobilly."
The band's professed Smiths influence really shines on this one. There's only one fast song on this album, and that would be "Swift Silent Deadly." The rest are all slow to mid-tempo numbers, like "Through the Darkness," "Rose of the Devil's Garden," and "Santa Carla Twilight." While Tiger Army's imagery is still dark, they've become a far cry from the kitchy B-horror movie anthems of their contempories. And you know, I kinda like it. Geoff Kresge's bass playing abilities have improved greatly since Power of Moonlight, and he's now playing in the style of Peltier on the very first album. This is the exact opposite of what I expected from the band - introspective over aggressive. Yet somehow, it still turns out completely awesome. Good work Tiger Army - I thought I'd never like a slow song again.