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introduced by: HAZEL P. MARUCOT
BORACAY | PAGUDPOD | MACTAN ISLAND | PANGLAO | CAMIGUIN | DAKAK | HONDA BAY | EL NIDO | PEARL FARM | SIARGAO
| TUBBATAHA REEF MARINE PARK | IFUGAO RICE TERRACES | THE IFUGAO EPIC "HUDHUD" | VIGAN HERITAGE VILLAGE | ST.PAUL SUBTERRANEAN NATIONAL PARK |
| PHILIPPINE BAROQUE CHURCHES | STO.TOMAS DE VILLANUEVA CHURCH | NUESTRA SEÑORA DE LA ASUNCION | SAN AGUSTIN CHURCH |


PHILIPPINE BAROQUE CHURCHES (Manila, Bulacan, Ilocos Norte, Miag-ao)

The Philippines' Baroque churches are cited on the World Heritage List because of their unusual interpretation of a major artistic style. Baroque architecture, which was the dominant western style from around the mid-16th century until the death of France's Louis XIV shortly after 1700, reflects a life dominated by the desire to impress through exuberance and extravagance. Although the style has produced celebrated works, it takes its name from barroco - Spanish for a large, irregular, and expensive pearl considered bizarre rather than beautiful. Baroque evolved as Europe was undergoing relentless religious wars; architecture and its ornamentation became tools to woo a congregation's loyalty. The Filipino brand of baroque began in the late 16th century when Catholic missionaries came from Spain and Mexico. The local version contrasts with courtly Europe's rendition - although at first glance, there are the familiar gilding, florid floral themes, fully decorated pillars and fancy backgrounds. Four parishes in particular are considered of unquestionable importance to understanding the baroque attitude and human creativity.