ERIC CLAPTON 1968 - Part 1 Heavy Cream
	K E Y to releases: Regular Guest Appearance Bootleg Regular Bootleg Guest Appearance Related (no EC participation)

INDEX Tourography 1968

CONTENTS

WHEELS OF FIRE - Cream
WHEELS OF FIRE - MFSL - Cream
EXCERPTS FROM: - New York Rock & Rock Ensemble/Cream
THE SAVAGE SEVEN - OST - Various Artists
LADY SOUL - Aretha Franklin
LADY SOUL/NOW - Aretha Franklin
OAKLAND/WINTERLAND - Cream
WINTERLAND - Cream
WONDERWALL - George Harrison
HELLO AGAIN ON TOUR - Cream
TIPTOP CONDITION - Cream
SAN FRANCISCO CHRONICLE - Cream
LIVE GEM VOL. 2 - Cream
SAN JOSE - Cream
ULYSSES - Cream
CALIFORNIA '68 - Cream
OAKLAND DAY FINAL REMASTERS - Cream
SWEET CREAM - Cream
CREAMER - Cream
RETURN OF A SUPERGROUP - Cream
CALIFORNIA '68 - Cream
SCATAFARAGUS - Cream
LIVE CREAM - Cream
LIVE CREAM VOLUME 2 - Cream
LIVE CREAM/ LIVE CREAM VOLUME 2 - Cream
LIVE CREAM VOLUME 3 - Cream

Track 1 Recording Started at IBC Studios, London, July & August, 1967,
Over Dubbed, at Atlantic Studio, NY, February-June, 1968.
Track 2 Recording Started at IBC Studios, London, July 1967,
Finished at Atlantic Studio, NY, September 1967.
Tracks 3-4, 7 & 9 Recording Started at Atlantic Studio, NY October 1967,
Finished at same place, February 1968.
Track 2 Recording Started at IBC Studios, London, July-August 1967,
Finished at Atlantic Studio, NY, September 1967.
Tracks 5-6 & 10 Recording Started at Atlantic Studio, NY February 1967,
Finished at same place, June 1968.

Tracks 1-2 Recorded at Winterland, March 10, 1968 -First Show
Track 3 Recorded at Winterland, March 8, 1968 -First Show
Track 4 Recorded at Fillmore West, March 7, 1968 -Second Show

CD1 Tracks: In The Studio
1. White Room
2. Sitting on Top of the World
3. Passing the Time
4. As You Said
5. Pressed Rat and Warthog
6. Politician
7. Those Were the Days
8. Born under a Bad Sign
9. Deserted Cities of the Heart
   CD2 Tracks: Live At The Fillmore
10. Crossroads
11. Spoonful
12. Traintime
13. Toad

Cream:
Jack Bruce - vocals, bass, calliope, guitar, cello, recorder, harmonica
Eric Clapton - guitar, vocals
Ginger Baker - drums, tympani, glockenspiel, marimba, tubular bells, vocals

Additional personnel:
Felix Pappalardi - violas, organ pedals, trumpet, tonette, Swiss hand bells, tambourine

Rolling Stone
Cream is good at a number of things; unfortunately song-writing and recording are not among them. However, they are fantastic performers and excellent musicians. Their latest recording, "Wheels Of Fire," a two-record set inside a silver jacket, proves all this.

One record is subtitled "In the Studio." The set begins with a Jack Bruce original, "White Room," which is practically an exact duplication of "Tales of Brave Ulysses" from their "Disraeli Gears" album, including the exact same lines for guitar, bass and drums. The lyrics are not much to speak of and it's very difficult to imagine why they would want to do this again, unless of course, they had forgotten that they had done it before. The Sonny Bono-ish production job adds little.

"Sittin' On Top of the World," a Howlin' Wolf song, is a fine slow blues, done much closer to the original than the familiar speeded-up version by the Grateful Dead. The song is a good vehicle for Clapton, but that's about it. Wolf's ballad-style singing and melody is far superior to Bruce's. (Those interested in comparisons might want to pick up Wolf's "Real Folk Blues" LP on the Chess label, and compare the two, and then compare that comparison to what the Electric Flag did with Wolf's "Killing Floor," also on the same record. The Flag wins.)

"Passing the Time," a soft sad-circus tune with various instrumental paraphernalia thrown in, is a stone bore. The transition from verse to chorus is absolutely absurd. Ginger Baker stands out on glockenspiel. Of all of Jack Bruce's compositions in this release, only one of them is good, "As You Said." The structure is thoughtful and pleasant. Clapton is totally absent from this cut; Ginger Baker uses only his high hat and Bruce plays acoustic guitar and cello. The way they play back and forth and with each other, each on the melody together, is musicianship worthy of their reputation.

"Pressed Rat and Warthog," a Ginger Baker poem recited to a good background of drum rolls and Clapton's chording, is a track open to individual taste. It's nice, but not what you want to get the album for. The trumpet solos spoil whatever mood was trying to be evoked by their superfluousness and obviousness.

It is unfortunate that the group chose to do "Born Under a Bad Sign," that fine blues that Booker T. Jones wrote for Albert King. King's guitar solo can hardly be improved, although Clapton does do it with his own style. The real mistake is that Jack Bruce doesn't have a good voice for blues, but he chooses to try it out on one that is currently popular in an exceptionally fine original version. His throuty breathing is just plain wrong. Ginger Baker also ought to learn that knocking on a cowbell and woodblock does not make a song funky.

There is really only one good side to come out of the studio, and that is "Politician," a track which really gets to the heart of Cream's very real problem. Because only rarely do they have a good original song to work with, their standard procedure is to put a strong rhythm and chord structure behind it and sort of recite the lyrics, spoken almost rather than sung because there is no melody. The trouble with this studio LP is that confronted with this problem - and their predilection to use miserable originals rather than revive a good blues - they have chosen to add layers of superfluous instrumental work. this is particularly ironic in that Cream is the group that initiated the concept of a trio with only the three essential instruments really commanding a piece.

What makes "Politician" the most successful is that, although it is not a song of much merit, they don't muddy it with a lot of meaningless studio garbage, but use the studio to overdub two more guitar parts. In "Those Were the Days," half of it is studio garbage and the other half is the driving drum-bass-guitar combination.

Disraeli Gears had this same problem of paucity of mnaterial. In that previous release they had three good originals, used a few good blues, and for the rest of it wailed with only three instruments, so that despite the lack of good original material, it was still fine listening. It took only four days to do Disraeli Gears "from stem to stern," as their producer, Felix Pappalardi, has put it, and several weeks for the studio work in their new release. Disraeli Gears was far better.

Fortunately, however, the other record in this set is "Live at the Fillmore" where it was recorded several months ago. For one thing, it at least proves that you can do an excellent live recording of a rock and roll group (something, amazingly enough, none of the San Francisco groups have yet done, despite the popular belief that their sound is designed for live performances).

By and large, the live performance is excellent. Jack Bruce is not very good with a harmonica and it amazes me why he plays it at all. His solo on "Traintime" is loudly amateurish. If they had dumped this cut and put in three of the studio sides ("Sittin' On Top of the World," "As You Said," and "Politician"), we would have one really fine record instead of a set that is 1 3/4 good and 2 1/4 mediocre.

"Toad" is a fine number; the live performance is much better than the previously recorded studio version. Here Clapton really displays his superlative chording and rhythm abilities. Ginger Baker's long drum solo is pretty good, on the whole. His tendency to be sloppy is not evident, and he gets moving quickly and sustains the tension well (Though he nearly loses it once when he seems to have momentarily choked and come out of it with a few repetitive minutes).

The really fine side of this whole business is the one with "Crossroads" and "Spoonful." This is where Cream really shines because it is where they are at: live, without superfluity of any kind, and into the blues. Clapton is a much better blues singer than Bruce, and his vocal on "Crossroads" is a relief. The tune is Clapton's showpiece, and he does it just like he's supposed to. It's far and away the best cut on the album.

"Spoonful" only really gets going about a third of the way into it. The only criticism I have about this cut is that Jack Bruce's bass-playing is much too busy when he should be the bottom of the sound. On the other hand, he and Clapton really move. The way they do it as a trio is excellent: Clapton and Bruce get going into their "rolling and tumbling" groove, making it madly through the record while Ginger Baker is playing vertically, walking along at just as mad a clip. This is the kind of thing that people who have seen Cream perform walk away raving about and it's good to at last have it on a record.

Anyway, the whole bundle comes in a double-fold packet with this exploding psychedelicized imitation Saul Steinberg (of the New Yorker) cartoon mural on the cover and a totally tasteless Ken Kesey-ism on the inside.

The album will be a monster. (RS14)

Copyright © 1968-1998 Rolling Stone Network. All Rights Reserved.
Rolling Stone Network


Musician
"...Cream is the greatest power trio in rock history...These recordings remain the pinnacle of all three careers [Clapton, Bruce & Baker]...Finally remastered in a way that lets you hear why..."
Musician 12/92, p.100


American Music Guide

---

WHEELS OF FIRE - Cream
Mobile Fidelity Sound Lab MFSL
(with long version of "Passing the Time")
(see previous entry for recording dates and locations)
DCC GOLD DISC/24k Gold Disc

Total time - xx:xx/xx:xx - 80 min

CD1 Tracks: In The Studio

1. White Room - 4:57
2. Sitting on Top of the World - 4:56
3. Passing the Time (Long version) - 5:45
4. As You Said - 4:19
5. Pressed Rat and Warthog - 3:15
6. Politician - 4:11
7. Those Were the Days - 2:53
8. Born under a Bad Sign - 3:09
9. Deserted Cities of the Heart - 4:36
10. Anyone for Tennis - 2:39
    CD2 Tracks: Live At The Fillmore
11. Crossroads - 4:14
12. Spoonful - 16:45
13. Traintime - 6:52
14. Toad - 15:53

Notes:

The MFSL version contains the original unabridged Passing the Time with an instrumental passage.

LP Tracks:
Side 1 - Excerpts from LP 33-240: The New York Rock & Roll Ensemble

2. 
   Side 2 - Excerpts form LP 2-700: Wheels Of Fire - Cream
   
3. Crossroads - (live)

Cover is a stamped b/w with images of the two album covers.
No song titles are listed on the Cover or record labels.
Makes one wonder just how helpful this would be to sell the albums for Department Store Record section personnel - JCH

Cover says: "Promotional LP for Record Department-In-Store-Play"
Record label says: "Promotional Record for Record Dept In-Store Play"

---

THE SAVAGE SEVEN - OST - Various Artists
Atco SD 33-245 1968

Total Time - xx:xx

LP Tracks:
Side 1 -
1. Anyone For Tennis - 2:39
   - Cream
2. Desert Ride - 1:23
3. Maria's Theme - 2:27
   - Barbara Kelly & The Morning Good
4. Shacktown Revenge - 1:58
5. The Medal - 1:36
6. Here Comes the Fuzz - 1:15
7. Iron Butterfly Theme - 4:32
   - Iron Butterfly
   Side 2 -
8. Unconcious Power -2:30
   - Iron Butterfly
9. Everyone Should Own A Dream - 2:23
10. The Deal - 1:43
11. Desert Love - 1:47
12. Ballad Of The Savage Seven - 2:35
    - Barbara Kelly & The Morning Good
13. Maria's Theme (instrumental) - 2:08
14. The Savage Struggle - 2:24

Producer - Dick Clark

Movie Directer Richard Rush

Motion Picture Cast:

Robert Walker
Larry Bishop
Joanna Frank
John Garwood
Adam Roarke

Notes -

"Title song by Cream" (from the album jacket)

Although listed in Lilian Roxan's Rock Encyclopedia and further listed in Shapiro's Slowhand!, I do not believe the song 'Desert Ride' is performed by Cream. I think this mistake arouse initially because of the abiguous way the songs are listed on the album jacket; leading many to assume that since the song followed 'Anyone For Tennis' did not explicitly say which group performed it, that it was also by Cream. A closed check of how the Iron Butterfly tunes were credited also shows this. Any song not performed by one of the outside groups (Cream, Iron Butterfly and Barbara Kelly & The Morning Good) was music created and performed by the inhouse musicians as incidental soundtrack music. These would be tracks (2,4-6,9-11,13,14).

In addition, since this was released during Cream's heyday, and they were very prominently depicted on the album cover (and liner notes) as performing the "title song", I really think if Cream had done any other songs on the soundtrack then they would have been very clearly identified. Their association with this (otherwise unremarkable) film was a key selling point for the soundtrack album and the film itself.

Summing it all up: Cream does NOT play on Desert Ride or any other tunes. - (IMHO) - JCH.

CD Tracks:
1. Fire - The Crazy World Of Arthur Brown
2. White Room - Cream
3. I've Got To Get A Message To You - Bee Gees
4. Sky Pilot (part 1) - Eric Burdon/Animals
5. Reflections Of My Life - The Marmalade
6. Something In The Air - Thunderclap Newman
7. Zabadak - Dave Dee, Dozy, Beaky, Mick & Tich
8. I Don't Want Our Loving To Die - The Herd
9. Rainbow Chaser - Nirvana
10. Atlantis - Donovan
11. Long Cool Woman (In A Black Dress) - Hollies
12. Hush - Deep Purple
13. With A Little Help From My Friends - Joe Cocker
14. Words - The Bee Gees
15. Dance In The Smoke - Argent
16. Lalena - Donovan
17. I Know I'm Losing You - Faces/Rod Stewart
18. Build Me Up Buttercup - The Foundations
19. Smile A Little Smile For Me - Flying Machine
20. He Ain't Heavy, He's My Brother - Hollies

CD Tracks:
1. Chain Of Fools 2:45
2. Money Won't Change You 2:02
3. People Get Ready 3:35
4. Niki Hokeky 2:33
5. (You Make Me Feel Like) A Natural Woman 2:37
6. Since You've Been Goon (sweet Sweet Baby) 2:18
7. Good To Me As I Am To You 3:25
8. Come Back Baby 2:29
9. Groovin' 2:45
10. Ain't No Way 4:12
    CD Bonus Tracks
11. Chain Of Fools - (unedited version)
12. A Natural Woman (You Make Me Feel Like) - (mono single version)
13. Since You've Been Gone (Sweet Sweet Baby) - (mono single version)
14. Ain't No Way - (mono single version)

Track 7:
Aretha Franklin - vocals,piano
Eric Clapton - guitar (guitar obbligato)
Spooner Oldham - electric piano, organ
Bobby Womack, Joe South, Jimmy Johnson - guitar
Mel Lastie, Joe Newman, Bernie Glow - trumpet
King Curtis, Selden Powell, Frank Wess - tenor saxophone
Haywood Henry - baritone saxophone
Tony Studd - bass trombone
Roger Hawkins - drums

Album:
Aretha Franklin - vocals, piano
Ralph Burns - conductor
Jimmy Johnson - guitar
Frank Wess - tenor saxophone, flute
Seldon Powell - tenor saxophone
Haywood Henry - baritone saxophone
Mel Lastie, Joe Newman, Bernie Glow - trumpet
Tony Studd bass - trombone
Spooner Oldham - electric piano, organ, piano
Warren Smith - vibraphone
Tommy Cogbill - bass
Roger Hawkins, Gene Chrisman - drums
Cissy Houston, Carolyn Franklin, Erma Franklin, Ellie Greenwich - background vocals

CD Now Aretha's Franklin's position as soul music's premier female vocalist was consolidated by this album. Her strident reading of Don Covay's 'Chain Of Fools' set the tone for a collection on which the singer unveiled several stellar original compositions and reinterpreted a batch of classic songs. Franklin's gospel roots were clearly displayed on the anthem-like 'People Get Ready' while her interpretation of 'Natural Woman' showed both vulnerable and assertive qualities. Lady Soul captures a performer at the peak of her power, restating her ability to take material and make it uniquely her own.

Q Magazine 5 Stars - Indispensable - "...arguably Aretha's all-time great...her closing sequence of Thank-the-Lord hollerings would transport a trainload of atheists to Heaven's gate..." Q Magazine 7/93, p.106

CD Tracks:
1. Chain Of Fools
2. Money Won't Change You
3. People Get Ready
4. Niki Hoeky
5. A Natural Woman, (You Make Me Feel Like)
6. Since You've Been Gone (Sweet Sweet Baby)
7. Good To Me As I Am To You
8. Come Back Baby
9. Groovin'
10. Ain't No Way
11. Think
12. I Say A Little Prayer
13. See Saw
14. Night Time Is The Right Time
15. You Send Me
16. You're A Sweet Sweet Man
17. I Take What I Want
18. Hello Sunshine
19. A Change
20. I Can't See Myself Leaving You

ARETHA NOW personnel:
Aretha Franklin - vocals, piano
Tommy Cogbill, Jimmy Johnson, Bobby Womack - guitar
Charlie Chalmers, Andrew Love, Seldon Powell - tenor saxophone
Frank Wess - tenor saxophone, flute
Floyd Newman, Willie Bridges, Haywood Henry - baritone saxophone
Wayne Jackson, Bernie Glow, Melvin Lastie, Joe Newman - trumpet
Tony Studd bass - trombone
Spooner Oldham - organ, electric & acoustic piano
Jerry Jemmott - bass
Roger Hawkins - drums
Carolyn Franklin, The Sweet Inspirations - background vocals

LADY SOUL personnel:
Aretha Franklin - vocals, piano
Bobby Womack, Jimmy Johnson, Eric Clapton, Joe South - guitar
King Curtis - saxophone
Frank Wess - tenor saxophone, flute
Seldon Powell - tenor saxophone
Haywood Henry - baritone saxophone
Mel Lastie, Joe Newman, Bernie Glow - trumpet
Tony Studd - bass trombone
Spooner Oldham - electric piano, organ
Warren Smith - vibraphone
Tommy Cogbill - bass
Roger Hawkins Gene Chrisman - drums
Carolyn Franklin, Cissy Houston, Erma Franklin, Ellie Greenwich - background vocals

OAKLAND/WINTERLAND - Cream

CD Tracks:
1. White Room
2. Sittin' On Top of the World
3. I'm So Glad
4. Rollin' And Tumblin'
5. Sweet Wine
6. NSU
7. Sleepy Time Time
8. Sunshine of Your Love

Although this CD is named after the two supposed venues, it is almost certain that at least half of the music on this CD does not come from the named source. Be warned!

Eric Clapton - guitar Jack Bruce - bass, harmonica, vocals Ginger Baker - drums

• "Creamer" - Disk de Luxe - OH BOY 9107
  
• "Live Cream Volume 3" - BTM ARTZI - BL04101968
  
• "Tiptop Condition" - ARMS - ARMS 25PR
  
• "Concerthouse Winterland " - Koine Records - K 800803
  
• "Eric Clapton's Cream" - DV More - CDDV 2039
  
• "Slowhand on Fire" - Vulture - CD -008
  

WINTERLAND - Cream

CD Tracks
1. Sunshine of Your Love
2. Spoonful
3. Sweet Wine
4. Crossroads
5. We're Going Wrong
6. Sweet Wine

All tracks apparently fade in and fade out.

CD Tracks
1. Microbes - 3:42
2. Red Lady Too - 1:55
3. Tabla And Pakavaj - 1:05
4. In The Park - 4:08
5. Drilling A Home - 3:07
6. Guru Vandana - 1:04
7. Greasy Legs - 1:27
8. Ski-ing - 1:50
9. Gat Kirwani - 1:15
10. Dream Scene - 5:26
11. Party Seacombe - 4:34
12. Love Scene - 4:17
13. Crying - 1:14
14. Cowboy Music - 1:28
15. Fantasy Sequins - 1:50
16. On The Bed - 1:04
17. Glass Box - 2:21
18. Wonderwall To Be Here - 1:25
19. Singing Om - 1:54

starring Jack MacGowran, Jane Birkin
directed by Joe Massot
produced by Andrew Bronsberg

George Harrison - guitar, vocals
Eric Clapton - guitar (8)
Tony Ashton
Ringo Starr
John Barham
Tommy Reilly

Ashish Kahn - sarod

Mahapurush Misra - tabla & pakavaj

Sharad & Hanuman Jadev - shanhais
Shambu-Das - sitar
Indrill Bhattacharya - sitar
Shankar Ghosh - sitar
Chandra Shakher - sur-bahar
Shiv Kumar Shermar - santoor

S.R. Kenkare - flute
Vinaik Vora - thar-shanhai
Rij Ram Desad - harmonium & tabla-tarang
John Barham - piano & flugel horn
Tommy Reilly - harmonica
Colin Manley - guitar & steel guitar
Edward Antony Ashton- jangle piano & organ
Philip Rogers - bass
Roy Dyke - drums

This album represents George Harrison's first venture into solo work in conjunction with movies and is, like the film for which it was the score, a creature of its time: late sixties, full of colour, whim, daring and fantasy. As an item on new-fangled CD, it is a little gem.

George remembers, "Joe massot, the director, asked me would I do the music for his film and I said, 'I don't know how to do musics for films,' and he said, 'Anything you do I will have in the film,' and those were the terms on which I agreed to do the work."

"I decided to do it as a mini-anthology of Indian music because I wanted to help turn the public on to Indian music". Joe Massot showed him a rough uncut version of the film at Twickenham Film Studios and on that George composed an overall soundtrack.

After visiting Bombay for the Indian sequences he remarked, "It was fantastic really. The studio is on top of the offices but there's no sound-proofing. So if you listen closely to some of the Indian tracks on the LP you can hear taxis goung by."

"Every time the office knocked off at 5.30 we had to stop recording because you could just hear everybody stomping down the steps. They only had a big EMI mono machine. I mixed everything as we did it there, and that was nice enough because you get spoiled working on eight and sixteen tracks."

Back at EMI in Abbey Road, George recorded the British contingent, including Eric Clapton, Tony Ashton and others in The Remo Four, plus Ringo Starr, John Barham and Tommy Reilly.

George reported to Twickenham studio before going to Abbey Road, on a regular basis. There were hundreds of music cues in the film and he recalls, "I had a regular wind-up stopwatch and I watched the film to "spot-in" the music with the watch. I wrote the timings down in my book, then I'd go to Abbey Road, make up a piece, record it and when we'd synch it up at Twickenham it always worked. it was always right."

The film itself is a late "Swinging London" era tale of Oscar, a professor (played by Jack MacGowran), who works for the water board. Late one night he sees an image of a girl projected in his room. He discovers that it is emanating from a small hole in the wall, and looking through it he sees Jane Birkin, a beautiful model. To see more of her he makes more holes - and becomes besotted with her. She is being treated badly by the leading man played by Iain Quarrier and there are psychedelic fantasies. That's more or less it. Featured players included the estimable Irene Handl & Richard Wattis. The film was not commercially successful but not a disaster and it was premiered in Cannes with George Harrison and Ringo Starr and Jane Birkin along for the event.

After its London premiere on January 20, 1969, Gordon Gow wrote in the March issue of Films and Filming, "Unlesss you are jaded by too prolonged an exposure to the swinging half-myth, you might quite enjoy the blending of bright colours and Harrison music in Wonderwall . . . the Harrison music replaces dialogue, waxing almost vocal like a cinema organist from the silent days."

I remember the "Wonderwall" project well, insofar that it involved me, back in Apple HQ in Savile Row. We had a lofty American designer Bob Gill do a post- Magritte painting of a brick wall with an archetypal member of the mid 20th Century British bourgeoisie, isolated, loitering, separated by the wall from the Indian maidens at play on the other side in, as you can see, a state and place of ideal happiness. It was a nice painting but missed the essence of hope.

George remembers, "I suggested we take a brick out of the wall to give the fellow on the other side a chance, just as the Jack MacGowran character had a chance. Bob Gill didn't want to do it, but he did it." Well I remember that wall, that brick.

With what difference one suggests to an artist that he changes the form and essence of his work, however slightly. Bob Gill and I never quite recoverd our compatibility but the brick did have to go so it went. Were we right? Yes.

The other wall was brought in by George, who got an agency ten-by-eight of the Berlin barrier. It was then reversed and here you now have a nice bright little graphic, innovative in those days, proud and sharp as the prow of a liner.

All these years later, "Wonderwall" is as charming, fascinating and original a soundtrack as you could wish to have re-released all these years later. Put on the player, put on the light-show, brighten up and let go.

- Derek Taylor

Tracks:
1. Steppin' Out
2. Sweet Wine
3. Lost Love
4. NSU
5. Big Mama Blues
6. Sleepy Time Time
7. Crossroads

I suspect that this is an LP and not a CD. (R.B.)

Eric Clapton - guitar, vocals
Jack Bruce - bass, harmonica, vocals
Ginger Baker - drums

CDTracks:
1. Steppin' Out
2. Traintime
3. Toad
4. Crossroads
5. Sunshine of Your Love
6. Spoonful

Eric Clapton - guitar, vocals
Jack Bruce - bass, harmonica, vocals
Ginger Baker - drums

• "Concerthouse Winterland" - Koine Records - K 800803
  
• "Eric Clapton's Cream" - DV More - CDDV 2039
  
• "Oakland/Winterland 1968" - Fillmore - F 001
  
• "Slowhand on Fire" - Vulture - CD 008
  
• "EC Jewel Box 2" - Home Records - HR-5942-5 (3CDs)
  
• "Creamer" - Disk de Luxe - OH BOY 9107
  
• "Live Cream Volume 3" - BTM ARTZI - BL04101968
  

CDTracks:
1. Sunshine Of Your Love
2. N.S.U.
3. Steppin' Out
4. Traintime
5. Toad (intro only)
6. Tales Of Brave Ulysses
7. Spoonful
8. Crossroads (from "Wheels of Fire")
9. We're Going Wrong
10. Sweet Wine

Eric Clapton - guitar, vocals
Jack Bruce - bass, harmonica, vocals
Ginger Baker - drums

CD Tracks:
1. Sunshine of Your Love
2. Spoonful
3. Sleepy Time
4. Traintime
5. Toad

• LIVE GEM VOL. 2 EC In Person - EIP 020/02
  

CD Tracks:
1. Sunshine Of Your Love
2. Spoonful
3. Sleepy Time
4. Steppin' Out
5. Train Time
6. Toad

Eric Clapton - guitar, vocals
Jack Bruce - bass, harmonica, vocals
Ginger Baker - drums

• "Boston" - EC Rarities - ECR 009
  

CD Tracks:
1. I'm So Glad
2. Sitting On Top Of The World
3. Steppin' Out (inc)
4. Traintime (inc)
5. Toad (inc drum solo)
6. Tales Of Brave Ulysses
7. Sunshine Of Your Love

Eric Clapton - guitar, vocals
Jack Bruce - bass, harmonica, vocals
Ginger Baker - drums

CD Tracks:
1. Introduction
2. Tales Of Brave Ulysses
3. Sunshine Of Your Love
4. Sittin' On Top Of The World
5. N.S.U.
6. Train Time
7. Steppin' Out
8. Toad

CD Tracks:
CD 1 -
1. White Room
2. Politician
3. Crossroads
4. Sunshine Of Your Love
5. Spoonful
6. Deserted Cities of the Heart
7. Passing the Time
8. I'm So Glad
   CD 2 -
9. White Room
10. Politician
11. I'm So Glad
12. Sitting on Top of the World
13. Crossroads
14. Sunshine Of Your Love
15. NSU

Eric Clapton - guitar, vocals
Jack Bruce - bass, harmonica, vocals
Ginger Baker - drums

CD 1
• "Creamer" - Disk de Luxe - OH BOY 9107
  
• "Oakland/Winterland 1968" - Fillmore - F 001
  "
• Tiptop Condition" - ARMS - ARMS 25PR
  CD 2
• "Stepping Stones Part 1" - Silver Rarities - SIRA 23
  

CD Tracks:

1. White Room
2. Politician
3. Crossroads
4. Sunshine Of Your Love
5. Spoonful
6. Deserted Cities Of The Heart
7. Passing The Time
8. I'm So Glad
9. Crossroads
10. Sunshine Of Your Love

Eric Clapton - guitar, vocals
Jack Bruce - bass, harmonica, vocals
Ginger Baker - drums

CDTracks:
1. White Room
2. Politician
3. I'm So Glad
4. Sitting on Top of the World
5. Crossroads
6. Sunshine Of Your Love
7. Traintime
8. Spoonful
9. We're Going Wrong

Eric Clapton - guitar, vocals
Jack Bruce - bass, harmonica, vocals
Ginger Baker - drums

CD Tracks:
1. White Room
2. Politician
3. Crossroads
4. Spoonful
5. Sunshine Of Your Love
6. Deserted Cities Of The Heart
7. Passing The Time (Drum Solo)
8. I' m So Glad
9. White Room
10. Sitting On Top Of The World

Eric Clapton - guitar, vocals
Jack Bruce - bass, harmonica, vocals
Ginger Baker - drums

CDTracks:
1. White Room(a)
2. Crossroads (a)
3. Sunshine of Your Love (a)
4. Traintime (b)
5. Toad (b)
6. Spoonful (b)
7. I'm So Glad(c)

Eric Clapton - guitar, vocals
Jack Bruce - bass, harmonica, vocals
Ginger Baker - drums

• "Live Cream Volume 3" - BTM ARTZI - BL04101968
  
• "Oakland/Winterland 1968" - Fillmore - F 001
  
• "Tiptop Condition" - ARMS - ARMS 25PR
  

CD Tracks:
1. Tales Of Brave Ulysses
2. White Room
3. Sittin' On Top Of The World
4. I'm So Glad
5. Rollin' And Tumblin'
6. Sweet Wine
7. Politician
8. Born Under A Bad Sign
9. Sunshine Of Your Love

BEWARE: Most of this CD is pirated from legitimate releases.
Tracks 1-2 are from Live Cream Volume 2
Tracks 3-4 are from Goodbye Cream
Tracks 5-6 are from Live Cream Volume 1
Track 7 is from Jack Bruce and Friends - New York 1981.
EC does not play on the final track. (J.H./R.B.)

Eric Clapton - guitar, vocals
Jack Bruce - bass, harmonica, vocals
Ginger Baker - drums

CD Tracks:
1. N.S.U.
2. Sleepy Tim Time
3. Lawdy Mama
4. Sweet Wine
5. Rollin' and Tumblin'

Eric Clapton - guitar, vocals
Jack Bruce - bass, harmonica, vocals
Ginger Baker - drums

Rolling Stone
"...an excellent album...well-recorded, controlled, and tense; the timing of the band can capture the listener with an excitement that has nothing to do with nostalgia..."
Rolling Stone 5/28/70, p.46


American Music Guide

CD Tracks:
1. Deserted Cities of the Heart
2. White Room
3. Politician
4. Tales of Brave Ulysses
5. Sunshine of Your Love
6. Steppin' Out

Eric Clapton - guitar, vocals
Jack Bruce - bass, harmonica, vocals
Ginger Baker - drums

American Music Guide

CD1 Tracks:
1. N.S.U.
2. Sleepy Time Time
3. Lawdy Mama
4. Sweet Wine
5. Rollin' and Tumblin'
   CD2 Tracks:
6. Deserted Cities of the Heart
7. White Room
8. Politician
9. Tales of Brave Ulysses
10. Sunshine of Your Love
11. Steppin' Out

Eric Clapton - guitar, vocals
Jack Bruce - bass, harmonica, vocals
Ginger Baker - drums

CD Tracks
1. White Room
2. Politician
3. Crossroads
4. Spoonful
5. Sunshine of Your Love
6. Deserted Cities of the Heart
7. Passing the Time (Drum Solo)
8. I' m So Glad

Eric Clapton - guitar, vocals
Jack Bruce - bass, harmonica, vocals
Ginger Baker - drums

INDEX