(NB: please see particular entry for 'kind'
of writing; e.g., review, text, essay, linguistic, narrative,
short story, etc.)
1. Editorial on Goffredo Petrassi; Musical Courier; October, 1956
2. Petrassi's Fifth Concerto for Orchestra;
(analysis); Musical
Quarterly, October, 1956
3. Malipiero: I Dialoghi; (analysis); Notes,
(Journal in Library
of Congress); March, 1958
4. Petrassi: Invenzione Concertata (Sesto
Concerto); (critique);
Notes; December, 1958
5. Castiglioni: Sinfonia No.2; (analysis); Notes; December, 1959
6. C---IS: (Epostemological discourse concerned
with the complexity
of musical signs); 1968-9; Pub. Lingua Press,1975
7. The Beauty of Irrelevant Music; (Aesthetic-Political
Essays on
the value of irrelevance); 1970; Pub. Lingua Press; 1975
8. Murmur: (Philosophical exposition of
the 'clash' between artistic
values & state-of-the-art technology); 1971; Pub. Lingua Press,
1975
9. A Non-Scatological Set of Preliminary
Remarks for NMCE III; (In 12
innovative essays, a performing ensemble is proposed as an interpersonal,
relational network); 1972; Pub. Lingua Press, 1975
10. The Music in SAMUEL BECKETT'S: PLAY;
(an analysis of the deep
linguistic-musical structure in this brilliant theatre work);
1973;
Pub. Lingua Press, 1975
11. Extraction; (theoretical prosepiece
on one aspect of human perception)
1970; Pub. Lingua Press, 1975
12. Gordon The Printer; (short story); Tugboat,
ed. A.Frick; San Diego,
Nov., 1976;
13. My Grandfather; (short story); Tugboat,
ed. A. Frick; San Diego,
Nov., 1976;
14. My Grandmother; (short story); Tugboat,
ed. A. Frick; San Diego,
Nov., 1986;
15. Whole Language Language; (aesthetic
essay: Description; what it is,
what it does); 1978; Pub. Perspectives of New Music, V.18 No.l,
1979;
Pub. Lingua Press, 1988;
16. Concerning Commonness & Other Conceptual
Dysfunctions: (A Philosophical
argument with respect to the assumptions of "Relativism");
1980;
Lingua Press, (in preparation)
17, ALLOS:(OTHER LANGUAGE); 41 Writers of
41 Writings; ed. Kenneth Gaburo;
pub. Lingua Press, 1980; 448pp.
18. Collaboration II: Publishing As
Eco-System: (a discussion
between David Dunn & Kenneth Gaburo); Pub. Lingua Press,
1983
19. ---OF DANCE: (prosepiece); Mica
(Dancewriting journal,
Minneapolis, Mn.), V.1 #2; Fall, 1984
20. CONCERNING PHYSICALITY: Harry Partch's
BEWITCHED; (aesthetic
philosophic discourse); Percussive Arts Magazine (Research
Edition), V.23, #3; March, 1985
21. The Deterioration of an Ideal, Ideally
Deteriorized:
(aesthetic critique of digital music); Computer Music
Journal; MIT Press, V.9, #1; 1985
22. Collaboration II: Publishing as
Eco-System: (cf. #18,
above); Pub. International Synergy Journal, V. #0;
Los Angeles, Ca.; 1986
23. ISIT: (a
philosophical argument with reference to the
concept of subject-object; also (synchronously), a text
sound-performance composition); Pub. International Synergy
Journal, V. 1, #2; Los Angeles; 1987
24. LA: (a philosophical argument for
Sound As Spirit); Pub.
Perspectives of New Music; V. 25, #1; 1987
25. AGO: (Narrative:---part I of twelve
texts entitled
Pentagon/y; cf, The Scratch Project, above); The Performance
Project, V.1,#2, Spring, 1987; Jeffrey Greenberg, ed.
26. RE-THINK: (a text-meditation, followed
by a Collage of
video graphics entitled: Minim Tellig), in: Words and
Spaces; anthology, Pub. University Press of America; 1988;
ed. Smith & Delio
