OK, here's the list with most information. Yes, it requires tables. The format is:
| Title of Disc | Label (white for CDR) | |||
| date(s) | location(s) | source(s) | ratings (see below for explanation) | |
| # of CDs or CDRs | disc: tracks, time | type of artwork I have, if any |
|
links to offsite reviews and info about disc or show |
| special notes (I might move this part to the track list page as this page gets larger) | ||||
This table should answer almost any question you have about a disc. The track lists are complete. Remember to read the Rules Of The Road before contacting me about a trade.
Beatles | Counting Crows | Bob Dylan | Mercury Rev | Keb' Mo'
Neutral Milk Hotel | Pink Floyd | Cat Stevens
Sting | 10,000 Maniacs | Traveling Wilburys | Neil Young
| Ultra Rare Trax Vol 4 | Genuine Pig | |||
| 1963-1969 | studio, Rock 'n' Roll Circus, and more | studio | 2 (2 / 2) | |
| 1 CD | 10 tracks, 32:33 | original art |
|
Beatleg |
| Highlights:
11 Dec 1968 Yer Blues from "the Rolling Stones Rock'n Roll Circus" Blues Jam from "the Rolling Stones Rock'n Roll Circus" Rehearsal John's group was "The Dirty Mac" including John (vocal,guitar), Keith Richards(Bass), Eric Clapton (lead guitar) and Mitch Mitchell (from the Jimi Hendrix Experience, drums) 27 Jan 1969 Get Back in German (and some French) |
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| Here Comes The Rain King | Tendolar | |||
| August 1, 1997 | Meriweather, Columbus, MO | broadcast? | 3.5 (4 / 3) | |
| 1 CD | 15 tracks, 74:40 | original art |
|
no online review |
| more crowd than I like on this... | ||||
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| non-commercial | CDR | |||
| October 25, 1998 | Sheffield University Foundry, England | MD - audience | 4 (5 / 3) | |
| 1 CDR | 7 tracks, 49:27 | no art |
|
no online review |
| This disc was taken from a MD recording at the show. | ||||
| non-commercial | CDR | |||
| January 16, 1999 | Manchester, MDH. England | MD - audience | 3.5 (4 / 3) | |
| 1+ CDRs | 16 tracks, 87:14 (more than 1 CDR!) | no art |
|
no online review |
| This disc was taken from a MD recording at the show.
I was surprised at the quality of this recording...much better than I thought a MD source could be. |
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| Bay Area Blues | CDR | |||
| 1998 1996 |
Plant Studios, Sausalito, CA San Francisco Blues Festival, CA |
broadcast | 3 (2 / 4) | |
| 1 CDR | 15 tracks, 68:12 | no artwork |
|
no online review |
| Tracks 1-9: 1998 Plant Studios (acoustic set and electric set) Tracks 10-15: 1996 Blues Festival (acoustic set) |
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| non-commercial | CDR | |||
| March 4, 1998 | Cat's Cradle, Carrboro | audience | 4 (5 / 3) | |
| 1 CDR | 13 tracks, 53:00 | no art |
|
no online review |
| CDR burned from an audience DAT master.
Don't let the rating fool you, it is a good audience DAT, just not exceptional. It's a nice show and since it's nearly impossible to find digital NMH recordings, it's a must-have for fans. |
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| Green Is The Colour | CDR | |||
| September 17, 1969 | Amsterdam | soundboard | 2.5 (3 / 2) | |
| 1 CDR | 7 tracks, 45:12 | no artwork |
|
PF-ROIO |
| PF-ROIO says:
Excellent performance, from every point of view. The sound quality has been improved respect to the vinyl release. Interesting document of a period in which improvisation played a great role. Highly recommended. -PELLE There are many CDs of this show with different titles, check PF-ROIO by date. |
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| Echoes | CDR | |||
| September 30, 1971 | London | soundboard? | 2.5 (3 / 2) | |
| 1 CDR | 3 tracks, 47:23 | no artwork |
|
PF-ROIO |
| Please look over:
both are better, containing the complete show with slightly longer tracks to account for crowd. Meddler is the superior of the two. Meddler is now on its way, thanks! Also, the title One Of These Days is identical to this Echoes. Also, there is another Echoes which is different from this one. About the date confusion (from PF-ROIO): This specific concert was played on September 30, 1971, but was broadcasted on John Peel's "In Concert" program on October 12, 1971. According to the booklet this was an entire performance in front of a live audience, which you can hear between every track (in Floyd's or Meddler, not this copy! - CDRs). The first three songs (this whole CD - CDRs) were taken from the master source...<snip>. There are many CDs of this show with different titles, check PF-ROIO by date. |
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| Pompeii | Baby Capone | |||
| October 4, 1971 | The Roman Amphitheatre, Pompeii, Italy | soundboard | 3 (3 / 3) | |
| 1 CD | 10 tracks, 73:22 | original art |
|
PF-ROIO |
| Almost (but not quite) the complete Pompeii film soundtrack, missing only On the Run. This disc does include the interview segments during Us and Them and Brain Damage, including the 'pie without crust' comments (PF-ROIO comments). | ||||
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| Hard Headed Woman | CDR | |||
| June 29, 1974 | Nakano Sun Plaza, Tokyo | soundboard | 3.5 (3 / 4) | |
| 1 CDR | 12 tracks, 41:27 | no artwork |
|
no online review |
| decent concert, not much Stevens online to compare it to... | ||||
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| The Art Of The Heart | CDR | |||
| July 27, 1988 | Wiltern Theater, Los Angeles, CA | soundboard | 1.5 (2 / 1) | |
| 3 CDR | Disc 1: 10 tracks, 54:23 Disc 2: 10 tracks, 59:01 Disc 3: 11 tracks, 59:07 |
color copies |
|
Stingchronicity Info |
| one of a few boots of this show, this one seems to be the only one to include the whole set list.
Stingchronicity says: This concert was played at the end of July, 1988, while Sting was again crossing the United States for the second part of the tour, performing only in huge stadiums or at special summer festivals. 3000 people (all invited guests, no tickets were sold) saw a three hour show of Sting; it was a unique event, as his concerts were always lasting much less, ending with an acoustic version of "Message In A Bottle". He performed all the songs he did during the other dates of the tour. It was the longest show he ever did in his entire career. During the whole tour the set list was changed most of the night; in Europe different tracks were played in any country, also because Sting liked to sing a song in the language of the country he was performing that night. That night in California he played all those tunes, the complete program he had prepared for the new tour, including tracks in Spanish, French and German. Even some members of the band had the chance to perform some songs of their own: Dolette McDonald, Delmar Brown, Kenny Kirkland and Branford Marsalis provided some very high quality moments. What you're approaching is the complete recording, in full stereo, of that magical event, a "must" for any Sting fan. |
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| Chicago Session | CDR | |||
| April 8, 1991 | Timothy White Radio Show, Chicago | broadcast | 2 (2 / 2) | |
| 1 CDR | 9 tracks, 42:52 | no artwork |
|
Stingchronicity Info |
| several boots of this with contradicting info. Appears to have been recorded for a radio show "Timothy White Sessions" | ||||
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| In My Tribe Demos | Blast | |||
| 1987 | studios | studio | 3.5 (4 / 3) | |
| 1 CD | 19 tracks, 72:43 | original art |
|
no online review |
| studio outtakes/demos of ok quality... | ||||
| From Natalie With Love | Sizzling | |||
| July 4, 1989 | Rich Stadium, Buffalo, NY | soundboard? | 4 (5 / 3) | |
| 1 CD | 16 tracks, 61:38 | original art |
|
no online review |
| they opened for the Grateful Dead... | ||||
| In The Garden Of Eden | Nikko | |||
| May, 1993 | Toronto and Mountain Stage | ? | 2 (2 / 2) | |
| 1 CD | 20 tracks, 79:25 (more than 1 CDR!) | original art |
|
no online review |
| wondeful impromptu version of Rosegarden | ||||
| How You've Grown | KTS | |||
| June 3, 1993 | Greek Theater, Los Angeles, CA | broadcast | 3 (3 / 3) | |
| 1 CD | 19 tracks, 77:56 (more than 1 CDR!) | original art |
|
no online review |
| there are about 6 different boots of this show, this is one with the bonus track Dallas on it. | ||||
| Scarlett Garden | Alley Kat | |||
| June 10, 1993 | Riverport Ampitheater, St. Louis, MO | soundboard | 2.5 (2 / 3) | |
| 2 CD | 19 tracks, 77:33 (more than 1 CDR!) 19 tracks, 77:31 (more than 1 CDR!) |
original art |
|
no online review |
| Disc 1 is from Riverport Ampitheater, St. Louis, MO (soundboard)
Disc 2 is as follows: tracks 1-10: Riverport Ampitheater, St. Louis, MO |
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| Complete Collection | Tendolar | |||
| not listed | various studios | studio | 2.5 (2 / 3) | |
| 2 CDs | Disc 1: 19 tracks, 72:45 Disc 2: 23 tracks, 76:05 |
original art |
|
no DBTW review |
| collection of demos and outtakes from both albums
note that there is a flaw on one track of disc 1 (less than half a second of quiet) note that the length of disc 2 requires me to exchange a track from disc 1 for disc 2 when burning rating this one is hard...some tracks are fantastic, some are not quite as good |
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| London 1971 | CDR | |||
| February 27, 1971 | London | audience? | 2.5 (3 / 2) | |
| 1 CDR | 20 tracks, 72:11 | no artwork |
|
Old Grey Cat |
| Classic vintage acoustic performance.
Jeffrey G for Old Grey Cat: What is here, however, is pure genius. Presenting himself in the singer-songwriter mode then in vogue, Neil shapes a delicate and incisive set for an appreciative--and quiet--audience. --and-- The sound quality is stellar throughout, with a minimum of hiss and audience noise. Even the most novice fan would/should enjoy it. (A) |
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I use my own rating system on the items in my collection. While you may end up disagreeing with my ranking, please understand that I do take quite a bit of time in creating them. Each disc is evaluated to give three ratings: sound quality, performance, and the all-important overall rating. In a future version of the track listings, I might create ratings for each song and list them.
Remember, the performance component is very subjective...I'm biased towards songs I like for example.
Anyway, when you are viewing the discs, the ratings are in this format:
overall: sound quality / performance
For example, Guitars Kissing has the rating of:
1 (1 / 1)
while Western Electric has a rating of:
5.5 (6 / 5)
due to the so-so soundboard and average playing. Below, there are two charts which try to explain how I assign these numbers.
Sound Quality
| 1 | Exceptional studio w/ post-production work or amzing soundboard |
| 2 | Exceptional studio or exceptional soundboard |
| 3 |
Good soundboard or studio, exceptional audience w/ post-production work
|
| 4 |
Exceptional audience, above average soundboard or studio
|
| 5 |
Good audience, average soundboard or studio
|
| 6 | Above average audience, below average soundboard or studio |
| 7 | Average audience, poor soundboard or studio |
| 8 | Below average audience |
| 9 | Poor audience |
| 10 | Collector or completist only |
Performance
| 1 | Perfect performance |
| 2 | Exceptional |
| 3 |
Good
|
| 4 |
Above average
|
| 5 |
Average
|
| 6 |
Below average
|
| 7 | Boos and hisses |
| 8 | Forced from stage |
| 9 | Riots |
| 10 | Never performed again |
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