Meyer Davis directing unknown orchestra, probably including
Jimmy Dorsey (track 5 on), Babe Russin (last session only, track
21 on), Tommy Dorsey and other players as identified. Three unknown
male vocalists present, identified for our purposes as UMV #1,
#2 & #3.
New York, October 20, 1928. Harry Reser may be present
(or even leading?)
E-28372- When Summer Is Gone - vSmith BallewBr 4134, 3945
NOTE:- Duophone D-4038 as THE BLUE ROOM ORCHESTRA,- D-4049 as NEWPORT TUXEDO INN ORCHESTRA.
New York, October-November, 1928.NOTE:- Both the following
Duophones as NEWPORT TUXEDO INN ORCHESTRA.
Vocal duet on #4 ("unknown male #1" & another. Let's
call him "unknown male #1A").
New York, c. November 8, 1928. Jimmy Dorsey, alto sax solo
on #7 (all as TEX BREWSTER'S ORCHESTRA)
New York, c. November 12, 1928. Let's Do It: They
use the stock arrangement (by Walter Paul??). unknown trumpet;
nice rideout hot ensemble (the clarinet heard here is NOT Jimmy
Dorsey). Coquette: JD is alto sax lead (as he is in nearly
everything from # 5 on)
NOTE:- Duophone D-4019 and D-4034 as THE HOME TOWNERS,- D-4027 as DAVE MEYER'S BOSTONIANS.
New York, November, 1928.12. Jimmy Dorsey alto sax solo
on Blue Grass and subtone cl on Moonlight
NOTE:- Both the above Duophones as DAVY'S BROADWAY SYNCOPATORS.
New York, November, 1928. Unknown as solo (not Jimmy
Dorsey). As CROSS ROADS INN ORCHESTRA.
New York, November, 1928. Trombone doesn't sound exactly
like Tommy Dorsey, though with some of his inflections. Alto sax
solo by JD. This issue as THE MIDNIGHT BROADCASTERS.
Issued as shown after catalog number. New York, November, 1928.Dream
House: tb probably not TD; JD alto sax lead & brief 4-bar
solo near end; My Blue Heaven: JD lower-register melodic
cl solo; Sunny Skies: Probably Tommy Dorsey-tb; ?Phil d'Arcy-violin
(Fred Hall's violinist for many years; this solo is reminiscent
of his work). Down Where the Sun Goes Down?TD-tb (corny
on purpose); JD-alto sax solo; Ho-Ho-Hogan (6/8 FOX TROT):
Ted Lewis-style clarinet from JD; My Blue Heaven: JD lower-register
melodic cl solo
Probably a different session, also New York, November, 1928.Tiger
Rag: GREAT !! (This and the next 3 titles seem to be from
a differrent session). Solos: Babe Russin-ts; ?Leo McConville-tpt;
TD or maybe ?Charlie Butterfield-tb; JD-alto sax; JD-clarinet;I
Ain't Got Nobody: Solos from Leo McConville-tpt (definitely);
Babe Russin-ts; JD-cl accompanying unknown #3; TD-tb; JD-cl; Louisiana:
Solos: JD-alto sax; unknown piano; Mississippi Mud: (Band
plays doctored stock arrangement by ?Frank Skinner). Solos from
Leo McConville-tpt & TD-tb break.
Engineered by, and from the collection of, The Right Honorable
Mr. John R. T. Davies;
Commentary: John Leifert. Untraced Masters: E-28371, E-28620,
E-28674, E-28676
vocal on JANE sounds more like Dick Robertson or even
more like Tommy Stacks, definitely not Smith Ballew!
HALFWAY could be early Smith, or Scrappy possibly?
JOANNE definitely sounds like early Smith
COQUETTE = smith?
Bye bye = SB
so you - sb Grrreat!!! Superb work from John RT. It starts kinda
slow, then builds, so that by the last session it's practically
all hot stuff.
I listened to all of it last night, and will try to comment on it later in the day, with vocalists, solos, etc. that I could decipher (and even those I COULDN'T; they will be called "unknown male vocal #1", "#2", & "#3". Jimmy Dorsey first appears on She's One Sweet Show Girl, and stays there through the last track (so he's on tracks 5 through 24, pretty much). The real surprise was Babe Russin on tenor sax; Paul pointed him out, too. The first time we hear him is on Tiger Rag (#21), and he's on this last session up to track # 24, "Mississippi Mud".
Listening to it closely, "Jane" doesn't sound especially like a Reser group, although Reser could be on the date - but it's DEFINITELY Tom Stacks singing. Why he's there I don't know, but he's there nevertheless.
Hi Will: SMITH BALLEW sings on all of the following:
Happy Days & Lonely Nights (track 1); She's One Sweet Show Girl,
You're Wonderful, My Varsity Girl, Halfway To Heaven & Jo-Anne
(tracks 5 through 9); then, Coquette, Buy, Buy For Baby, & Do
You? (tracks 11, 14 & 15)