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February's Trivia:
In 1929, the Yankees
became the first team
to make numbers a
permanent part of the
uniform. The initial
distribution of numbers
was made according to
the player's position in
the team's batting order.
Who wore 1 through 10?

Answer:
1 Earle Combs, 2 Mark Koenig, 3 Babe Ruth, 4 Lou Gehrig, 5 Bob Meusel, 6 Tony Lazzeri, 7 Leo Durocher, 8 Johnny Grabowski, 9 Benny Bengough and 10 Bill Dickey

 


A Baseball Diamond On Top Of A Pyramid
by Dan McNeill danfm@worldnet.att.net
Website:
The Theater of the Impossible

Interview with the Author:
A Baseball Reader's Journal
by Tom Swift (Baseball-Almanac.com)

Whenever I go inside a massive Gothic cathedral in Europe a part of my mind asks whether or not one could enclose a baseball field. The basic impact of the architecture is of enormous, limitless height stretching high up to the sky, a prayer in stone to the heavens above. Looking down from the sky one would see an immense building in the shape of the cross of Christ. The Catholic mass is a sacrifice recalling the sacrifice of Christ so a cathedral laid out in the shape of a cross is a perfect structure for a mass. Lines drawn from the top of any Christian cross to the ends of each arm and then continuing at a 45 degree angle to join the top-to-bottom line further down at a 90 degree angle produce a shape in the form of a baseball diamond. Inside a cathedral it's clear that there's enough height for a major-league pop-up and you could drive a baseball a pretty good distance lengthwise, but there would be no room for a left and right field. So in my travels I found no space in cathedrals for a baseball field but at least I discovered that their basic form is related generally to the baseball diamond.


I had a new place to look for a relationship between religious architecture and baseball fields and diamonds:
The lay-out of the cathedrals is the cross but at the same time the four cardinal points. Each of the four ends of the cross point to one of the primary directions, north, south, east, west. A gothic cathedral is a huge compass. I discovered while writing my book "The Theater Of The Impossible" and while searching for the origins of baseball, that four is a sacred number in American Indian mythology. Every Indian people in North and South America use four as the form of the creations of their myths and their natural religions. Four is a universal number because it corresponds to the four cardinal points of any territory, north, south, east, west. The cross was a common symbol of American Indians and an object of worship. If the four cardinal points are marked on any field and lines from each point are joined at the center, you form a cross, and if you join the points directly to one another you have the basic outline of a baseball diamond. The problem of how, why, and when the original form of the baseball infield evolved to the present baseball diamond is still obscure but I discovered enough evidence in Indian culture to make me sure that a baseball diamond, as I state in my book, has the form of a sacred Indian design that goes back hundreds of years. And also I had a new place to look for a relationship between religious architecture and baseball fields and diamonds: American Indian culture.

The Indians who lived in the ancient cities of Mexico and Central America tried to connect their lives to the planets in the heavens above. Teotihuacan near Mexico City, the greatest of their cities, has within it great pyramids of the moon and sun. The pyramids, built around 400 AD, are ancient sky-scrappers, mountains constructed in the city itself that elevated men who climbed their steps to the level of the heavenly planets and the Gods. The pyramid of the sun at Teotihuacan is built in the four-sided, quadrangular shape extremely common in Indian sculpture and architecture. It is oriented, like the Gothic cathedrals, towards the four cardinal points and has four stepped platforms at different levels with stone walkways along the edges. The walkway at the very top has four straight stone paths along the edges of the pyramid about 20 feet wide and about 90 feet long. The paths meet each other at right angles and in the center there is a raised area that was probably the site of an ancient temple. The great pyramid of the sun at Teotihuacan has thus at its summit, immemorially preserved in stone, the same diamond design and the same dimensions that were used more than 1400 years later when the baseball diamond we use today finally became universal.

From "The Theater of the Impossible" by Daniel F. McNeill.
Read a description of the book and a free excerpt at the publisher:
http://www.xlibris.com/thetheateroftheimpossible



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Editor's Email: StlrsFan1@aol.com

Copyright © 2002-2003 Pinstripe Press. All Rights Reserved.
This online newsletter is not affiliated with the New York Yankees.
The opinions expressed solely represent the contributor's and not the Pinstripe Press.

The Highlander
Vol.3 March 2003
Questions or comments in regards to a specific article should be sent directly to that writer's email.

All questions, comments, advertising inquiries etc. should be sent to the Pinstripe Press at
StlrsFan1@aol.com.

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Lefty Grove
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