DIB007 Presents
The Most Dangerous Bond Ever
Timothy Dalton as James Bond
by
DIB007
In 1986 at the pre-production stages of The Living Daylights Pierce Brosnan
was signed to play James Bond. Unfortunately for him, his contract to play
Remington Steele on American television prevented him from entering into
Bondage at that time. Unfortunate for Pierce Brosnan; fortunate for us.
When searching to cast the lead role in The Living Daylights, Albert R.
(Cubby) Broccoli and his wife Dana attended a theatre production in London
starring Timothy Dalton. While watching the performance Cubby studied Timothy
Dalton and discussed the show with Dana and both came to the conclusion that
here was the perfect actor to step into the shoes now vacated by Roger Moore.
They went back stage to meet Timothy and the deal was struck. This may be a
simplistic view although leaving out a few details this is how Timothy Dalton
was picked to play Ian Fleming's hero. When casting the original film Broccoli
and his partner Harry Saltzman cast Sean Connery by the way he moved,
"catlike". George Lazenby was cast in similar fashion. Roger Moore was cast
because he was well known as The Saint and Lord Brett Sinclair in The
Persuaders.
Timothy Dalton like Sean Connery and George Lazenby was a relatively unknown
actor on the international film stage having played small roles in films such
as Flash Gordon and The Lion in Winter and taking the role of Heathcliffe in
the remake of Wuthering Heights. He had also made several TV films including
Mae West's last acting role in Sextette. His acting was most notable from the
theatre and his rise in the ranks of the Royal Shakespeare Company (RSC) being one
of their most eminent players.
Before commencing his duties as 007 Timothy Dalton laid down a few ground
rules. Dalton, coming from the RSC and as a serious actor did his research
well. He went back to the real James Bond, the literary James Bond of Ian
Fleming's pages. Bond was lowly paid government agent who happened to enjoy
his job more so of the luxuries and danger than the killing and women. Dalton
took this to heart and expressed his wishes that if he were to play 007 then
it would be on his terms. He is quoted as saying "Roger can climb out of a
pocket aeroplane and give a glib remark, I can't". Dalton wanted to explore
the darker side of Bond and in his first outing all the signs were good.
The Living Daylights plot centres around an arms dealer trying to rip off the
Russian Government and gaining a large amount of opium that would have a
street value of half a billion US Dollars. Bond is put onto this through the
defection of a KGB officer who is using the British Government to aid his
joining up with the despicable arms dealer.
In the famous pre-credit sequence we are introduced to the new James Bond.
Three double 0 agents are seen on a Hercules transport aircraft while being
briefed by M to go on a training excercise against the SAS on Gibraltar. The
three parachute out, one loses on the excercise and one is killed by an
assasin posing as a Russian operative. The second double O agent is heard
screaming as he falls down the cliff edge. The camera turns to the third agent
who shows concern and anger after realisng what has happened, and takes chase
after the bad guy. The new James Bond has blasted onto our screens with great
dignity and excellent acting skills. This is obvious from the use of his
emotions and facial expressions when realisation has dawned and when he is
startled by a native monkey.
Dalton's Bond was the exception to all the other actors in the role. He has
been criticised as too wooden. This point is null and void when in the scene
taken from Fleming's short story at the assassination of Kara Milovy he asks
the reasons that the defector has asked for Bond personally to do the job.
Bond has always hated killing in cold blood. Through the sniper scope he sees
the would be assassin is a woman and that she is not at ease holding a rifle.
Nobody could have played this scene as well as Dalton. He drew from the
character and exuded the exact tension that came from the short story. He
could not play the farce that resulted with Roger Moore, Dalton was wound
tight like a snake ready to strike, Connery was relaxed and informal, Lazenby
was nonchalant and easygoing and Pierce Brosnan has proved Timothy Dalton was
the right choice.
Through the Bond films we have never been treated to the dark side of Bond,
for Bond is a licensed killer and this must be a psychological burden for
anyone with heart and conscience. In the books, 007 drank and smoked heavily,
Dalton himself a smoker carried that on through his portrayal. When not at
work you could see that Dalton's Bond would play hard. He would also be the
type to defy his superiors without a second thought to the consequences, more
of this later.
The final introduction to Dalton's Bond came when he nonchalantly displayed
his knowledge of fine wines and foods when bringing a hamper from Harrods to
the Russian defector General Georgi Koskov, in the safe house where he is
being debriefed. Bond turns up in a new shape Aston Martin the final take-
over nod to the previous Bond films.
After the plot thickens with the "kidnapping" of the Russian defector, Bond's
only lead is the girl who was to perform the "assassination" of the Koskov.
This lead takes Bond to Czechoslovakia and eventually to Kara Milovy who it
turns out is in love with Koskov. Bond uses her devotion to Koskov to take her
with him across the border to Vienna. Here begins perhaps the most romantic
part of the Bond series since On Her Majesty's Secret Service. Dalton slowly
woo's Kara into his confidence and the scenes played out are wonderful but
just like the character from the books Dalton's mind is on the job. A British
agent is killed in Vienna and after the cryptic clue of "Smiert Shpionam"
written on a balloon, Dalton has a full portrait shot in the camera and it is
plainly obvious that he is furious. This is Bond to a T. Dalton's research has
paid off if only for that one five second scene. This is true 007.
Timothy Dalton's one downfall as 007 is his lack of comic talent. He is not a
comedian and is not happy delivering the puns and one liners that Roger Moore
favoured or the off the cuff remarks that Connery savoured. Dalton is a
serious actor and as such should not have had the silly script inclusions. He
is better off with tough dialogue or romantic talk. His acting talents could
very well be compared to Marlon Brando or Richard Burton, he has an effortless
way about his delivery and would only share a joke with a close friend, women
are regarded as a thing of wonder and not just recreation. This is certainly
where Dalton veers away from the character of the books. Bond's reward in the
novels was always the girl and in the films there were usually several girls
for Connery, Lazenby and Moore. Dalton did not want that. He wanted to be
different and in The Living Daylights after the girl on the boat in the pre-
credit sequence he was a one woman man. This of course reflects the social
aspect of the time with the safe-sex campaigns and warnings against AIDS. But
this also proved his romance. No woman wants to play second fiddle.
In Licence to Kill Dalton has taken Bond one step further into the realms of
Fleming adventures.
The Living Daylights had a script that was ready for Pierce Brosnan and had to
be changed to favour Timothy Dalton. John Glen the Director took the Bond
films in the direction he had started out on, way back when he was second unit
director on On Her Majesty's Secret Service with Peter Hunt at the helm. John
Glen remained with the Bond series as Editor eventually taking over the helm
in 1980 with Roger Moore in For Your Eyes Only the first attempt at regaining
some of the Fleming aspects in the story line. Roger Moore was more suited to
the flippancy of Lewis Gilbert and Guy Hamilton, both of whom had worked with
Connery. Hamilton had made the first formula Bond film Goldfinger but returned
to make the more comical Diamonds Are Forever and then on to the first two
Roger Moore films. Gilbert had made You Only Live Twice the first big set
spectacular over the top Bond film and returned to make The Spy Who Loved Me
and Moonraker, all three of these films are essentially the same plot.
Hamilton's direction still kept many Fleming aspects in check while Gilbert
pushed the envelope and favoured the funny bones. John Glen needed a new
serious actor and after three outings with Roger Moore and toning the
flippancy down in For Your Eyes Only only to return gradually to the full
blown A View to a Kill, Glen was able to pursue the more serious line that the
arrival of Timothy Dalton signalled.
With Licence to Kill, Bond is first seen trying to attend the wedding of his
old CIA pal Felix Leiter when a chance to arrest a if not the major drug baron
in South America unfolds. Bond joins Leiter and after capturing the Villain
Bond gets Leiter to the church in the nick of time. After a corrupt Drugs
Enforcement Agency operative frees Sanchez the villain, Leiter gets severely
maimed and his new wife has been killed. Bond is now out for revenge. And
Dalton plays this wonderfully.
This is the first film to take Bond away from saving the world or America or
defeating some megalomaniac. Here Bond is set in the very real world Dalton
plays the part well. He has become a rogue agent blind to all the consequences
and disregarding direct orders. On his journey to the head of the drug
corporation several friends and colleagues are hurt or killed. This only fuels
his anger and blood lust for revenge. This is a direct element from the Ian
Fleming novels and certain scenes in Licence to Kill earned it a 15 rating.
Bond in Fleming's world was a lowly paid Government agent that exotic things
happened to or around him. Dalton managed to defy all criticism and keep on
this track. He uses the villains girl to get information with the only means
possible but he only uses her. He has eyes for one other an operative that was
working secretly with Felix Leiter, Pam Bouvier.
Dalton's Bond relies on his wits and nerves and cunning. In the underwater
scene in Licence to Kill where he disrupts the purchasing of drugs between two
villainous parties he nearly gets caught until with quick thinking he shoots a
spear gun into the floats of a seaplane and water ski's on his feet to disrupt
the planes pilot and take control of the aircraft. The look of relief and
happiness as he flies off is one unequalled by the other actors who have
played 007.
When eventually Bond meets with Sanchez there is a terrific tension between
the two, this apparently began when Robert Davi and Timothy Dalton first met
in London prior to filming. The two were introduced to each other in the
offices of Eon and hit it off right away, they have become good friends since.
But in their characters they were like ice and fire. This generated a great
atmosphere for the film. With cunning and nerve Bond sows the seeds of doubt
in Sanchez's mind as to traitors in his organisation. This leads to Sanchez's
downfall and ultimately to the confrontation between he and 007. At the end of
the movie Bond sets Sanchez on fire as he was drenched in petrol. The
resulting explosion after the death of Sanchez was the tanker where the petrol
came from. This had Dalton staggering from the flames. The pyrotechnic
technicians on the film assured everybody it would be all right. Timothy
Dalton could only see the Director John Glen and his crew. Their reaction
scared him the most as they were running from the explosions and Dalton was
closer to the fire than they. This was somewhat horrific for Dalton as he
realised the flames were not getting any smaller. Consequently this resulted
in needing only one take.
Dalton was revered by the stunt crew on the two Bond films he made. Wherever
possible he would do his own stunts this resulted in greater tension and more
plausible effect. In some scenes taken out of The Living Daylights he is seen
on the back of a motorcycle ridden by British stunt rider Eddie Kidd. Dalton
did as much of the pillion riding as possible to add greater accuracy.
Dalton's Bond was firmly routed in reality an "existential nihilism" together
with the dress sense he was given. For Licence to Kill they wanted to put him
in pastel colours, he rejected that idea as Bond was something of a plain
dresser wanting to fade into the background he was also British and the
British dress sense is to dress down a little. In The Living Daylights he is
even put into a three quarter length leather jacket that would be acceptable
in any walk of life. That perhaps is the essential description of 007 from the
books "able to be accepted in all walks of life", from the spotty youth taxi
driver in Thunderball to the realms of high society that comes with being a
Commander in the RNVR and having a CMG. Dalton approached the role with that
attitude and ended up making two of the best James Bond films in all the
series.
In 1995 when the pre-production was due to start Timothy Dalton now good
friends and neighbours with the Broccoli's was due to start filming Goldeneye.
Cubby Broccoli was happy after the court cases over the video rights to the
Bond films, were settled, that Dalton would be stepping back into the shoes of
007 fulfilling his contract. MGM/UA had other ideas.
Licence To Kill had not done well at the American and thus world wide box
office. Licence to Kill's downfall could be said to be a number of things. The
poor advertising campaign for example. Historically since Diamonds Are Forever
the advertising campaign on Bond films has relied on repeat custom. "Its a new
Bond movie lets see what he gets up to this time". Or possibly the lack of a
megalomaniac out to destroy the world as we know it. Most probably it was
because of its gritty realism. Everyone in the movies and politics were
fighting drug barons. Bond was historically known for saving the world against
super villains like Batman against The Joker, Superman against Lex Luthor. The
Bond of the films had become a comic book hero. Bond against Blofeld,
Stromberg, Goldfinger et al. Here we had what the Leathal Weapon movies had
what the Die Hard movies had, but we had that most extraordinary of heroes the
British Government agent. We had the style of the realistic 007.
MGM/UA were on the rocks when it came to finances they hadn't had a
blockbuster in a while. The Bond films had ceased five years previous. The box
office take on Licence to Kill was poor, the fat cats at MGM/UA put this down
to the relatively unknown Timothy Dalton not being well recognised in the US.
They wanted someone that was known to US audiences. Timothy Dalton had a
contract to fulfil. Cubby Broccoli wanted Timothy Dalton to stay. An ultimatum
was put to Eon. No new actor no financing, we want Pierce Brosnan.
Cubby and Timothy discussed this and Dalton gallantly bowed out of the arena.
A sad day for Bond fans. Brosnan arrogantly stepped into the role quoting the
press saying Dalton was perhaps a little too wooden. Brosnan wanted to explore
the dark side of Bond and take Bond into the depths of his character and be on
the lines of Sean Connery. To date he has failed. Timothy Dalton so far has been
the only actor to have played the real James Bond.