Jackass
Bluegrass
Junkie
weddings and rowdy crowds are no match for this 'dysfunctional' sextet
By Jack Clifford
Oregon Daily Emerald
Local
band Jackass Willie, which gleefully plays what it calls dysfunctional
bluegrass, is not going to score many wedding gigs. Unless a bride and
groom just happen to stumble upon this motley crew.
Which
is exactly what happened not too long ago.
"Yeah,
we performed at a junkie's wedding," says banjoist Damon Frye,
a founding member of Jackass Willie. "We were playing a private
party in the Whiteaker neighborhood, and this couple came by and wanted
us to play a song for their wedding, which was going on right then down
at Shooter's [Monroe] Park."
Damon
and friends serenaded the blissful pair with "Piss Up a Rope"
by Ween. Considering the song's lyrics -- "My dinner is on fire,
while she watches T.V." is just a sample -- it's probably safe
to assume that tears weren't flowing. At least, not tears of tenderness.
"We're
a rowdy little band that should not be taken seriously when we play,"
understates Steve Harvel, lead singer and guitarist. "You see other
bluegrass bands and there's kind of an uptight stiffness to them. We're
just a bunch of drunken slobs who play for drunken slobs."
Self-deprecating
humor aside, Jackass Willie is carving a nice niche for itself on Eugene's
musical landscape. The band formed 14 months ago and recently notched
its 116th show, according to mandolin picker Sean McKuen.
Most
of these spectacles take place each Monday night at Tiny Tavern, where
the sextet crams into a small slice of the Blair Boulevard bar. Jackass
Willie has also amused crowds at Sam Bond's Garage, Max's, Rascal's
and John Henry's, and with pride the guys christened the Vets' Club's
upstairs lounge.
They
certainly are not everyone's shot of rotgut. People have walked out
during particular songs, Harvel says, and a local bluegrass organization
indirectly chastised the group in its monthly newsletter for contributing
to "the bastardization of the genre." True-blue fans, however,
are unabashed in their appreciation.
"They
make me laugh, they make me cry, they make me want to punch every one
of them in the face," spewed out a hyperactive devotee at a recent
Tiny Tavern show. Jason, who gave his last name as "The Angry Cook,"
chides those who are offended. "Every person who ever left a Jackass
Willie show left with a sense of self-loathing because they were laughing
at something they were morally against."
Ditties
like "Thirstin' For Blood: The Ballad of Kip Kinkel" might
raise a hackle or two, but Frye points out that "all of our songs
are jackass-oriented, from a jackass point of view."
"Our
music's about souped-up cars and women and drinking and whiskey, so
that's where our name comes from," chimes in drummer Jeff Buettner.
Although
a night of honky-tonking includes mostly originals, the band also cranks
out covers from Black Flag, Metallica, and The Eurythmics. Musical influences
for the band range from Tom Waits to John Coltrane, with a dash of bluegrass
legend Bill Monroe. Frye and Harvel, with occasional help from guitarist/harmonica
player Aaron Lowe, write most of the originals.
Each
member claims an longtime affinity for music. Stand-up bass player Travis
Harrison is arguably the most accomplished of the lot, with four albums
under his belt while playing in a Seattle-based industrial dance band.
Chris
Funk, the booking manager for Sam Bond's, describes Jackass Willie's
style as "fast grass, with a splash of metal."
"These
guys are fun, they attract a crowd -- here it is Monday night and this
place is filling up -- and they're part of a good local band scene that
doesn't get much press coverage," he says.
Frye
maintains that his cast of characters is no longer just a joke, and
they are aiming for a West Coast tour this summer. Frye, who claims
Wichita, Kansas, as his hometown, says a dream double-bill would be
Jackass Willie and his favorite bluegrass band, Split Lip Rayfield.
Whatever
city this troupe wrecks next, rubberneckers should be aware that it's
never a pretty sight.
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"We
did a show once and after each song, Steve [Harvel] took off a layer
of clothing until he was nude, then we played 'Naked Man' by The Butthole
Surfers," Frye laughs. "We don't play traditional bluegrass."
If you know of any upcoming junkie weddings, however, Jackass Willie
is at the ready.
Y'all-ternative
Fame
and fans grow for funlovin'
Jackass Willie.
By Mare Wakefield
Eugene Weekly
"If
Jackass Willie were a real person," says drummer Jeff Buettner,
"he'd be ignorant about women, into drugs, and always in jail."
Adds mandolin player Sean "Dutch" McCune, "we're singin'
about the same stuff folks sang about in the '50s, except we've traded
songs about whiskey for songs about crystal meth."
The
band, Jackass Willie, which has been together for almost two years,
was the brain child of banjo player and co-lead singer Damon Frye. Frye
came to Eugene by way of Kansas where he listened to such bands as Split
Lip Rayfield and Scraotbelly. He was heavily influenced by these bluegrass-based
bands and wanted to do something similar. While working the door at
Sam Bonds, Frye met Buettner and guitar and harmonica player Aaron Lowe.
The three of them formed the core band and played their first live show
at Sam Bond's talent show in 1997. Frye now describes that show "laughable
at best." The music was new to everyone and Frye and Lowe were
still learning how to use their instruments.
But
that didn't stop them. Frye inducted McCune from the band Dirtweed,
and McCune invited Steve Harvel who was from his home town of Pinckneyville,
Ill. Harvel plays guitar and shares lead vocals. Last to join the band
was bassist Travis "Tater" Harrison, who is out on permanent
loan from his first band the Aether Bunnies.
The music that Jackass Willie plays has been described as everything
form "dysfunctional bluegrass," "beergrass," and
"urban hillbilly to " the voice of trailer park" and
"Y'all-ternative." Get the picture? They do a lot of fun bluegrass-based
cover songs, including the '80s Eurythmics hit, "Here Comes the
Rain Again," and a rousing version of Ween's country song, "Piss
Up a Rope." In addition Frye, Harvel and Lowe write original material.
"Homewreckin'" is the title of one of Harvel's originals.
"Home, home wreckin'," the lyrics wail, "you used to
be so cute and sweet now your expect in'." All in all, Jackass
Willie has a flavor similar to that of a warm, almost flat Hamms chugged
on the steps in front of a cinder-blocked trailer. To get the full effect,
however, Jackass Willie is something that must be seen and heard live.
Monday
nights, week after week, folks flock to the Tiny Tavern to get the Jackass
Willie experience. This phenomenon began about two years ago when the
band would meet at Fryes house each monday night for rehearsal. The
rehearsals started to draw a crowd that would hang out on Fryes front
lawn, just across the street from Tiny's. This did not go unnoticed
and after a few conversations with the staff at Tiny's, Jackass Willie
decided to hold their rehearsals at the bar. Since then, Monday nights
have turned into "one of the three top nights for the bar,"
Says owner Jeff Malos, Occasionally pulling in more revenue than even
Friday or Saturday nights.
The band is traveling more lately, and plans to record a CD. In the
near future, however, Frye is heading to Kansas for the Walnut Valley
Bluegrass Festival, which means a break for the band. Sept. 6th will
be Jackass Willie's final performance at Tiny's for a while, and if
you have never seen the band, now is the perfect time to view it in
its element. The band is definitely having fun on stage, and its secret,
according to Buettner, is "we all really, really love one another."
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