10
Questions with...Taylor Copeland
Hi, it's Arielle and we're back with 10 Questions with...! We're
very pleased to have Taylor Copeland answering our questions this
month. Taylor is a previous contributor to TWC and is the editor of
the female centered poetry journal, Decompression. We hope you enjoy
reading Taylor's perspectives on the poetry scene.
1. What or who gives you inspiration and
perspiration?
Inspiration isn't always easy to find, contrary to
belief. However, since I'm a very simple girl (most of
the time), I can be inspired by something as pedestrian
as breakfast, a fresh, hot cup of coffee in the morning,
a warm, heavy jacket. Sometimes, it can be the sight of
something lovely. Sometimes it's having amazing friends.
As for perspiration, probably the process of submitting
poems to journals and presses. I've had moderate success
there, but it never gets any less nerve wracking to me.
2. Have you always wanted to write, or did you have a
secret desire for something else, like spelunking?
Uh huh. Yeah. I have always wanted to write. However, my
first love was and still is singing. I might still make
a demo just to placate my own ego.
3. Do awards and accolades make you swoon? Have there
been any that you're particularly swoon-y about that
you've gotten?
I will say that when and if that happens, I will do
twelve cartwheels in a row and scream at the top of my
lungs. Why? Validation! I was nominated for a few things
in 2010, so if it pans out, it'd be great. I'm not in a
hurry to stroke my own ego, but it's nice to think that
someone thinks I'm as good as I think I am. (When my ego
is puffed up, that is.)
4. When you're not leaving your poetic footprint, what
else in the world makes you warm and fuzzy?
Lots and lots of things. Music. Did I mention music? I
am obsessed with pink things. I know, it is very girly
of me. I also love coffee. So many things, but I don't
want to waste all of your space talking about these
things.
5. Give me names. Who are the best new poets, in your
opinion?
New poets? Mainstream or on the fringe, sitting and
waiting to be heard? If we're discussing poets who
aren't walking around with book deals, as I believe we
should be, I can mention a few that I think are
dynamite: Rachel Bunting, Heather Cadenhead, April
Michelle Bratten, Stephanie Bryant Anderson and James H.
Duncan. Stephanie could be the best confessional poet
without a book deal. She just kills me. I also have a
few good friends, whose names I won't mention, that are
terrific and deserving poets. You know who you are.
6. Best of the Net or Pushcart? Which matters more and
why?
Best of the Net. I question the validity of a
publication that doesn't truly recognize poetry from all
walks of life. Read into that what you will.
7. Then and now. What poem made you start writing and
what poem do you absolutely love right this very moment?
To be honest, I don't think a specific poem made me
start writing. I've always appreciated Plath and Olds
and poets like that, but I sort of came to this on my
own. My muse draws from all over the place. I've been
reading poems from Traci Brimhall lately and she's truly
wonderful. I've read a lot of her poems at Boxcar Poetry
Review and I've loved every one of them.
8. Are online poetry 'zines a crushing blow to
traditional print 'zines, or are they the meat and
potatoes of the poetry world now? Also, which do you
prefer?
I definitely think that online is the way to go these
days, if anything, for the immediacy. However, I think
both formats will remain alive and well for many years
to come. You really can't replace the smell of books or
the feeling you get when you see your words on paper,
though the feeling I've gotten seeing my poems online
has been pretty great, too.
9. Where do you see yourself and your poems in five
years?
Hopefully, we will be nestled safely and warmly. If all
goes well, I hope to publish a few chapbooks and get
into a few of journals that I really love. I think I
will have grown a lot as a poet and as a person. The
latter is the most important, though.
10. What are the ingredients for a tasty poem?
Hmm. Ok. Blend these on low: powerful images, extremely
real language, pointed observation and dangerous
emotion. Serve over ice and consume often.
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