Heavy Pettin "Lettin' Loose" Album Review

From Kerrang! October 1983 Issue # 53

No excuses for failing to notice that there's a very big buzz
about this band at the moment. Polydor UK are convinced
that these young Glaswegians are going to be HUGH, so
they've pulled out all the stops, put their money where
their mouth is, and now presumably sit back with
$ signs in their eyes.

It's a big responsibility for a group as green and inexperienced
as Heavy Pettin', but listening to this has convinced me that these
five guys have got what it takes.

"Lettin' Loose" isn't perfect, it isn't a classic debut, but
they've hit upon a formula that sounds really
good. Armed & Ready might have been full of curly haired,
tight trousered, two-guitar five pieces but these were-and
are-blessed with something a little extra, something special.

Electrifying, super crisp harmonies, lively solos and dynamic
arrangements... a change of pace here, and acoustic guitar
there. Nothing startlingly original but it works, Goddammit !!

"Love Times Love" in particular, is a brilliant, shining piece of
commercial Metal, just made for the stage. Yet singling out
anyone track would be unfair because it's my guess
everyone will have different faves. We're talking strength in
depth here.

"Lettin' Loose" is a marvelous mixture of power and melody,
riot and restraint. Wall to wall chunky power chords placed with
infectious chorus lines. If they've more where this came from
Polydor are probably right. Heavy Pettin' could well become
the new stars of the eighties.


NEIL JEFFRIES Kerrang!

 

Heavy Pettin "Rock Ain't Dead" Album Review

From Kerrang! June 1985 Issue # 97

'ROCK AIN'T DEAD', eh? Never behind the door when it comes
to extolling their own virtues, Heavy Pettin are at last back
on this septic scene! They're wearing hard rock hearts on
sweat-stained sleeves and they're laying down the law to
the doe-eyed dimwits at MTV who are attempting to
asphyxiate Metal in the Land Of The Free!

No fluffy concept waffle, no attempt at R*kE***tt school of
artistry. As you might expect "Rock Ain't Dead" is a
fanciful frolic through the hard rock undergrowth, emerging
as a work that is very much rock 'n' roll, very much
Heavy Pettin. And yet in some ways it's also vastly
different from what we might have expected.

Whereas "Lettin Loose", 83's Pettin debut, was hardly
lacking in sophisticated vocal and instumental awareness,
it was essentially the brash, cock (yeah, definitely cock) sure
Pettin' bluster that slammed down on to the 'ol adrenalin
button. "Rock Ain't Dead" engulfs a more song orientated
approach, and while I'd be a liar if I said it wasn't a fraction
less tough then it's predecessor, the P's youthful exuberance
assures that guitarist Gordon Bonnar and Barton fave
Punky Mendoza always have their balls on the line. The more
I listen to "Rock Ain't Dead", actually, the more I like it,
the more I know that Heavy Pettin have turned in the blinder
I expected, nay DEMANDED!!

I've clutch a demo of most of these tracks to my breasts for
a good eight months now already and it's swell to see
how the combination of AC/DC sidekick Mark Dearnley and
Jim Steinman's associate producer John Jansen have at long
last kicked the tunes into sweet, sweet shape. There's
nothing too innovative going on, but the sounds are solid,
sufficiently sophisticated and satisfying. 'Big Rock' was a
term invented for HP!

So let's get some dirt under our fingernails shall we and
unearth the treasures on offer? Like the clap, there's alot of
it about!

Opener and title track "Rock Ain't Dead" is the kinda 'standup
shout, wave yer knob about!' anthem that your gonna love
in spite of (or maybe because of) the high gonzoid quotient!
Check out Hamie's helium-inflated vocals too. The man is
quite ridiculous in his delivery, but spend time with his voice
and you'll soon feel totally at home with it. "Northwinds", too,
is where you'll see the Pettin of old, chock-a-block with what
should rightly be termed 'power pop' riffs and gutsy 'sing it,
shout it' backing vocals that will huff and puff and blow your
speakers down!

And spreading their wings to reach out into pastures new,
those Pettin boys have pulled off classics with the ease of
Doc Doom penning another Fiona eulogy! Try "Lost In Love"
for size - a plaintive Hamie bemoaning his fate with his lady
(lying bastard!) - or maybe the ballad "Dream Time", an
accou-sticky interlude of the sweetest nature. Wimpy?
Maybe, but tell me it ain't good and you'll get a slap from
my scented silk glove!

You want the ultimate hoe-down mebbe? Then " Throw A
Party" is a must. "Throw a partae - an 'throw it ma wae!' holler
the boys. Sheesh, I can smell those warm cans of McEwans
already!

Even funnier is the addictively melodic "Angel" where Hamie
lays his poor tormented soul on the line.

Get this for size - neckin' in the back seat of my Cadillac/
Window steaming up from the cold/A lady comin' on it made
my zipper catch/The girl just wouldn't leave it alone'.

Sexual bulls**t of the first order, but if you knew ol' Stevie
like I do, you'd know it was all true - an' more!

And just to round things off, let's rave on down with
"China Girl", Pettin's most sophisticated song to date and
absolute peach! Gary Moat's... well... emoative computerised
drums and a pulsing bass beat from Brian Waugh (or is it
Wooargh?) push this beauty to a stunning refrain that's
gonna stay with you until... ah... until the next Pettin album!

If you love pure rock 'n' roll, and if you love to see a band
progress, then you can't help but fall in love with Heavy Pettin's
'Aural Sex' attack!! Get your partners in on this one!

HOWARD JOHNSON Kerrang!

 

Heavy Pettin "Big Bang" Review
From
Heavy Metal Resource August 14, 2001

The Notes
'Big Bang' was released in 1989 via the FM label out of the UK. Now I'm not entirely sure what is going on with this release. It showed back up on the market as an apparent reissue, but I can't even confirm that. I have heard a couple of versions of the story. First, that they are reissues complete with cardboard slipcases. The other version, that the albums were surplus and released back to the market for sale. Either way, I'm glad to get my hands on this goodie. I have always been a big fan of the band, but did miss this one originally.


The Music
If you haven't heard this release, you may wonder how decent it was. After all, the album was released after the genre had peaked. Did the band succumb to the hair band influences or retain their identity?? In my opinion, they retained their identity and released a good album. The vocals are unmistakeably Hamie! One of those voices you couldn't miss. Te music is very good as well. Tracks like 'Born to burn' , 'Romeo', and 'This is America' have the trademark Heavy Pettin stamp on them. The only downside I could find was the shortness of the disc. Nine tracks in all. I was very pleased with the music on this album.


Overall
If you don't have this album, don't wait too long. You could miss it and end up trying to sell your car to afford one on e-bay. (Well, maybe if your car isn't the greatest) The only complaint I have with the album is the fine place they put the compact disc logo. Right on the front of the damn album. Nice choice. Sticks out like Cyclops eye. Other than that, if you dig this band, get to your retailer and get it ordered before it disappears. You'll be a fool if you don't! Highly Recommended!

Heavy Metal Resource

 

Heavy Pettin Concert Review

From Kerrang! April 1984 Issue # 65

Performed at the Ace, Brixton

IMAGINE Michael Jackson
recording his next album in the bog and releasing it on some
grotty indie label and you'll have a fair idea of the preposterousness
of Heavy Pettin undercutting themselves by playing gigs like this.

Ooh, this lot have the talent to fill Wembly twice over and I'm sure
the non-ligging contingent of the crowd who bubbled and frothed
over the foot of the stage, punching the air and writhing excitedly,
must have been as puzzled as I was.

Class leaks from Pettin like water from a colander, and even a poor,
at times overbearing, sound couldn't detract too much from their
furnace-hot show.

From "Victims Of The Night" , "Love Times Love" and "Love
On The Run", through "Rock Me" to "Shout It Out", the Over-
Amorous Ones swamped the joint with their power and
enthusiasm, matching the revolving rainbow of light with
their spectrum of melody and might.

Two new songs flanked "Devil In Her Eyes" namely
"Rock Ain't Dead" and a gem called "Crazy", illustrating the
wealth of goodies Hamie's Haggis Squad have in store for
us, before "Roll The Dice" thundered their less glamorous
past up to date.

"Ain't Got No Money" the Charlton Athletic anthem, led us into a
quick breather which ended in a scurrying "In And Out Of Love",
with punchy Punky Mendoza darting and grinning like a young
Paul Stanley, Hamie demanding replies from the crowd at every
opportunity and big Gary Moat using every ounce of his
(considerable!) weight to punish his skins like an embarrased
Margaret Thatcher tanning meddlesome Mark's hide.

"Hell Is Beautiful" gave the final rafters a final shake amidst the
soaring sound, and boisterous Pettin bowed out in a wave of
flashbombs. I went home toasting their prowess - and the fact that
my car had stood for an incredible three hours in Brixton without
being broken into or nicked.


MARK PUTTERFORD Kerrang!


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