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1894-95 Concert in
Ste. Croix
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Community and Christmas
concerts were part of village life in Ste. Croix, like
most rural communities in Nova Scotia, during the
1890's. The art of recitation in 1894 was a highly
regarded part of concerts with performers usually learning
a piece through steady practice and then, reciting the
entire item from memory on the day of the event.
While "memory work" has disappeared, many favourite pieces
remain in written form today.
Jessie Helen Scott lived surrounded by adults. Maiden aunts, a bachelor uncle and her grandparents lovingly cared for the young girl in their big white farmhouse with green trim, in Nova Scotia. Her mother Mattie died when she was two and her brother and father lived in Novato, California where she would eventually join them, likely in 1895, when her dad remarried. Living an Anne of Green Gables existence, as a child among older people, she developed her skills with language quickly. In Ste. Croix, young Jessie became a star, that concert day. She had practised for weeks and was ready with her gift for the village - a tender poem in her own sweet voice. To this day, the event is still talked about, how she moved the crowd and how they clapped and cheered for more until she gave an encore, likely the first ovation she had seen. She was a classic beauty, with golden locks and an extremely bright mind; even as a child her gentle manner left an impression not easily forgotten. To most of the village she was known as Dill's girl, since her father, Alexander Dill Scott grew up in the village and was well known. Others remembered her equally beautiful Aunt Jessie Scott, after whom she had been named, and who had died at the tender age of sixteen with TB. To those who really knew her, "Little Jessie" was her own person. Her Aunt Annie Scott, a retired teacher, started her schooling at home and Jessie responded rapidly. Keen to read, she was also quick with "memory work" and thus at the age of three or four she impressed everyone with reciting the three full verses of Little Boy Blue. The piece was a classic Victorian melodrama by Eugene Field written as a poem in 1888 with all the elements for popularity with an audience in 1894. Not in the nursery rhyme category, it was a modern and complex choice for Jessie to practice. If I close my eyes I can almost see her standing in her best dress, surrounded by family, friends and strangers. A preschooler, but mature for her age, having known personal loss at a tender age at what was perhaps her first public performance. As her
name was called out, she stepped forward, likely took a
breath and started her presentation in a clear
voice. The hall became unusually silent as the
little girl from California began. . . |
"Now, don't you go till I come," he
said,
"And don't you make any noise!"
So, toddling off to his trundle-bed,
He dreamt of the pretty toys;
And, as he was dreaming, an angel song
Awakened our Little Boy Blue--
Oh! the years are many, the years are long,
But the little toy friends are true!
Aye, faithful to Little Boy Blue
they stand,
Each in the same old place--
Awaiting the touch of a little hand,
The smile of a little face;
And they wonder, as waiting the long years through
In the dust of that little chair,
What has become of our Little Boy Blue,
Since he kissed them and put them there.
Eventually Jessie passing her love of learning to generations of California children, as a school teacher. Her childhood picture remained unidentified until it was matched with a group picture of her California family and identified in 2001.
While the image has yellowed a bit, the memory of her special gift to the village, had not faded.
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